“Sustainable” design is a paradigm that emphasizes the impact that design practices and workflows have on the environment with the goal of reducing carbon emissions. The design decisions we make are reflected in our planet’s climate, from the energy consumption of the tools we use to how the products we build interact with the environment and plenty of other things in between. In this collection, we compiled resources to help you understand the principles of sustainable design and how to integrate them into the way we work and the things we make.
Design For SustainabilityThe EU Science Hub’s Sustainable Product Policy estimates that over 80% of all product-related environmental impacts are determined during the design phase. But how can design teams ensure that sustainability is at the core of every design choice they make? To help their designers develop design habits about sustainability, IBM published “IBM Design for sustainability.”
At the heart of the framework is the idea that the user, community, and social value should outweigh any negative environmental and social impact in the present and the future. To achieve this vision, experiences need to be inclusive, easy to learn and use, and efficient for both users and overall power consumption.
The sustainability checklist is part of the framework and it gives practical tips for optimizing designs to meet these goals. It’s no rocket science, but the checklist does offer useful considerations that will help improve performance, speed, and responsiveness.
Sustainability Methods and Design PrinciplesThe Sustainability Guide from SVID is an overarching framework for sustainable design and development practices that contains sections wholly dedicated to methods and design principles that are centered around sustainable practices.
The design section illustrates the system-wide lifecycle of the design process, describing it as a circular system where everything in a product design is interconnected and linked by environmental criteria that is embedded at all stages.
The methods section is an archive of tools, resources, case studies, and expert advice that can be used to educate a team, as well as kickstart a team into sustainable environmental practices.
Sustainable Design StrategiesThe crux of sustainable design strategies, according to Leyla Acaroglu, is ensuring that the tools we use in a design workflow and how we use them today do not have a negative impact on the planet in the future.
What Leyla does in this extensive Medium post is curate an ecodesign strategy set that covers core considerations for product design that build sustainability into the process, from manufacturing and recyclability to efficiency and modularity. By including these considerations into the design lifecycle, it is possible to develop products and services that reflect sustainable practices, such as a product’s ability to dematerialize, how easily it can be recycled, how long it lasts, whether it can be dissembled by customers, and to what extent it can be repurposed for other uses.
Sustainable Web Design PracticesIs the admin experience as easy and intuitive as the front-end experience? Is the message useful for your target audience? Could a Progressive Web App be an efficient solution? A lot of questions need to be asked when you want to deliver digital products and services that respect the principles of the Sustainable Web Manifesto. The site Sustainable Web Design helps you find the right sustainability strategy for your project.
The strategies are divided into different categories: design, client and project ethos, content and marketing, development, hosting, and business operations. In each category, you’ll find questions worth considering and an explanation of why it matters. Links to further reading resources let you dive deeper into each aspect. A helpful guide that supports you on every step of the design process.
Sustainable Web Hosting CompaniesAccording to some estimates, the impact of the Internet and our gadgets on global greenhouse emissions is similar to that of the airline industry. To speed up the transition towards a green, fossil-free Internet, there’s a question we all can ask ourselves: Are our websites hosted green?
The Green Web Foundation built a checker to help you quickly find out if your hosting provider is using green energy or compensating for its services. All you need to do is enter the URL. If you want to make the switch to a green hosting provider, the foundation also published a directory of 478 green hosting companies in 35 countries. A small step that makes a difference.
Sustainability Score CalculatorSo, just how large is the carbon footprint of your website? The Internet uses electricity, of course, but it also relies on data centers that distribute information, and the energy to power each and every device that receives that information. Even a small website has a carbon footprint.
The Sustainability Score Calculator is one way to find out. Employing a methodology that takes energy-consuming attributes into account, this free calculator estimates the amount of carbon dioxide produced by a particular website. It looks at the weight of images on a page, whether web fonts are integrated, and any front-end frameworks in use, among other considerations, to inform its calculations.
The exact amount of carbon dioxide produced by a website can probably be evaluated in a number of ways, and this specific calculator makes its own assumptions. Regardless of the exact inputs used in the results, the fact that the Sustainability Score Calculator can come up with a rough estimate for a website’s carbon dioxide output on a per page view basis is a reasonable starting point for determining just how big of a footprint a site has on the environment.
Sustainable UX Design ToolkitThe Sustainable UX Design Toolkit is a resource produced by the Sustainable UX Network, a non-profit organization that has established a community of designers around sustainable environmental design practices.
The organization developed the toolkit as a Miro board that is freely available to clone into your own Miro account. Not a Miro user? You can still reference the embedded board and zoom into it to view the four-step process that walks you through concept to presentation, providing useful considerations, best practices, and even templates you can use right away.
Sustainability Nudges in UXIn the last few years, customers have become more and more aware of how important environmental friendliness and social responsibility are when making a purchase. But even with increased awareness, businesses still play a key role in informing, enabling, and encouraging sustainable behavior. In his post “7 behavioural UX approaches encouraging sustainable purchases,” Damien Lutz takes a closer look at how e-commerce businesses encourage sustainable purchases and what we can learn from them.
From Zalando’s sustainability filters and Amazon’s Climate Pledge Friendly Hub to Qantas’ Green Tier membership and sustainable shopping assistants, Damien analyzes different strategies of nudging customers towards more sustainable decisions. Based on his observations from these real-life examples, he summarizes practical behavioral UX tips that help everyone create experiences that promote sustainability. Interesting insights are guaranteed.
Green the Web PodcastSince 2019, UX/UI designer Sandy Dähnert shares her passion for a sustainable web on her site Green the Web. Last year, she started the Green the Web Podcast on all things sustainable design best practices, ecological and social user research, information architecture, user interface design, and more.
Whether it’s sustainability-infused user journey maps, UX/UI factors for a lightweight website, or approaches for greener checkout, in the podcast Sandy shares her deep love of sustainable UX and UI design to encourage everyone to step into green design and play an active role in shaping this new design philosophy. You can listen to the podcast on Spotify or Apple Podcasts.
Sustainable UX PlaybookThe Sustainable UX Playbook is a yet-to-be-released work in progress by the same folks who maintain the Sustainable UX Manifesto. The playbook is set to provide guidelines, best practices, and examples to help you and your team adopt an environmentally-centered design approach.
The exact date of when the Sustainable UX Playbook will be available is to be determined, but it will be published to SustainableUXPlaybook.com (which currently redirects to the Sustainable UX Manifesto) when it is ready.
Sustainability Figma KitThe Sustainability Figma Kit that Elisa Fabbian, Rachele Pedol, and Margherita Troilo created helps digital designers move from human-centered design to a more sustainable life-centered design approach. It consists of a learning guide, 23 action cards, and a flowchart.
The learning guide introduces you to the broader context and importance of designing products and services with a reduced environmental impact. The action cards explore problems you might encounter in different phases of the design process and how to solve them. Last but not least, the flowchart helps you find out which sustainability actions can be applied to the specific type of project you are working on by providing useful tips for designing in a more conscious way.
Sustainability Innovation FrameworkSustainability Innovation Framework is an effort from Sebastian Gier that is all about the planning phase of an effort to scope work for projects aimed at reducing carbon emissions.
The process is mapped to traditional design thinking, helping you start work by aligning objectives and documenting assertions before tying them into user needs. What makes this framework particularly useful is that it helps prioritize the ideas generated by the process by their environmental impact.
The entire framework is available as a collaborative FigJam board that can be cloned to your own Figma account.
EcoCards Game Workshop ToolkitOne of the most difficult hurdles to adopting a sustainable design process is figuring out how to discuss the topic as a team. Getting everyone on the same page about what it means to design sustainably and how to establish a process for it are paramount for any team.
That’s what makes the EcoCards Game Workshop Toolkit such a valuable resource. The toolkit is a collection of three card-based games designed to facilitate team discussion on sustainable design practices. Each game is framed as a “workshop” meant to take place at different stages in the design process, detailing the game rules with a series of steps using a plain deck of playing cards to move the discussion forward.
The EcoCards are created as a FigJam board that can be cloned to your Figma account. They are available in English and French translations.
Team Sustainability RetrospectiveOK, so perhaps your team has adopted a sustainable design process that aims to reduce carbon emissions. How do you know it’s working? That’s the purpose of the Team Sustainability Retrospective, a Miro template produced by Paddy Dhanda.
Rather than high-fiving your team for implementing a sustainable system, this set of templates will help you assess whether or not your efforts are paying off in a streamlined five-step process. This way, your team can re-group after the implementation of the design process and properly measure its impact with data that form actionable insights for improving the process even further.
World Wide Waste BookWorld Wide Waste is a book by Gerry McGovern, aiming to debunk the perception that being “digital” is akin to being “green.” It provides a healthy dose of statistics about the impact of digital products and services and details the crisis of energy consumption in the world.
For example, McGovern attempts to clear up the misunderstanding that cloud technologies are somehow ethereal elements that are carbon-free, but rather physical data centers that result in large quantifiable emissions. If nothing else, this book will equip you with the information you might need to help convince your team to adopt more sustainable practices with statistics and case studies to make the case.
Sustainable Web Design BookIf the World Wide Waste book is all about defining and diagnosing unsustainable design practices, then this offering from A Book Apart is aimed at curing those symptoms. Written by lead author of the “Sustainable Web Manifesto” Tom Greenwood, Sustainable Web Design is a collection of practical web design advice for everything from how to measure a website’s environmental impact and identifying low-carbon design practices to creating energy-efficient development processes and creating a hosting environment that helps reduce climate costs.
Like all A Book Apart publications, Sustainable Web Design is available in print and digital editions — just remember that the digital copy is not a carbon-free option, as many of the resources in this roundup have noted. Then again, the printed copy also has climate considerations due to the costs of transporting the book to your front door. Just buying the book is an excellent example of the conundrums of sustainable design.
Climate Tech Guide For DesignersIf you’re looking for help establishing yourself in a career in sustainable design, Enrique Allen and the Designer Fund team offer the Climate Tech Guide for Designers.
This guide is less about teams adopting sustainable design standards than it is a resource for helping you make a decision about where you work and who you work for. How passionate is the company about climate? What problems is the company trying to solve, and are the solutions based on climate technology and considerations? These are the types of questions that will allow you to find the right fit for your career.
What makes this Climate Tech Guide for Designers especially useful is that it goes beyond company considerations by offering advice for how to position yourself for a career in climate technology, capping things off with an extensive list of companies that demonstrate sustainable practices.
Ethical Design HandbookThe Ethical Design Handbook is a book we offer right here at Smashing Magazine. Written by authors Trine Falbe, Martin Michael Frederiksen, and Kim Andersen, these guidelines serve as a roadmap to learn about adopting and integrating ethical design practices into a business model.
Wait, why are we talking about “ethical design” when we’ve been sharing resources on “sustainable design”? Ethical and sustainable design work hand-in-hand, as ethical design relies on sustainable digital business practices in addition to a slew of larger concepts that determine an organization’s ethical practices, from transparency in how data is collected to how inclusiveness is built into a design. In other words, ethical and sustainable design are united by a cause to prevent harm to people. A sustainable design process supports a healthy environment that, in turn, supports an ethical responsibility to care about the impact we have on the planet.
All in all, the Ethical Design Handbook is about leveraging ethical business practices as a market differentiator that can be used as a competitive advantage. Sustainable design principles are part of that matrix, demonstrating that sustainable practices can be aligned to — and even enhance — business objectives.
Ethical Design ResourcesAnother useful resource to help designers and developers live up to the responsibility of causing no harm and ensure that the experiences they build are inclusive, honest, and safe are the Ethical Design Resources which Lexi Namer maintains in collaboration with the Ethical Design Network and Kate Every.
On Ethical Design Resources, you’ll find articles, books, courses, frameworks, tools, talks, videos, podcasts, and more covering different aspects of ethical design. They help you assess the impact of your design decisions, uncover harmful practices, and support you in making design choices that respect your users.
And if you need more resources, take a look at Ethical Design Guide and Humane By Design.
Wrapping UpThere you have it, a deep collection of toolkits, frameworks, and resources you can use to learn about sustainable design practices and how to adopt them into your own design process. Notice how the collection reveals that sustainable design is a multifaceted topic that considers everything from how we work to the specific tools we use to work. It even covers product design as a whole and the decisions that impact the sustainability of a product, not to mention how business objectives influence environmental objectives.
There may not be a single silver bullet or resource that immediately aligns you and your work with sustainable design practices. That said, the resources provided in this roundup can help you make big and small gains alike, whether it’s reflected in something as seemingly small as the hosting provider you decide to use for your website or something more involved such as integrating environmental considerations at every stage of the design process.
In Wroclaw, Poland is a lively terraced house that reflects the youthful energy of the couple who owns it. Designed by Znamy się for the owners, and their two dogs, who love to cook, entertain friends, and play board games. Drawing inspiration from the whimsical world of Playshapes (wooden blocks that can be moved, layered, or combined), this modern home now boasts a fusion of structures, forms, and vibrant colors that bolster creativity, socializing, and play.
The new interior holds many elements that allow the owners to play with form. Moveable furniture sets the stage with shelves on wheels that enable the couple to create flexible arrangements and new spaces. The kitchen island is not only the place for food prep and cooking, it stores board games and houses water dispensers for their beloved dogs. The dining table’s top lifts to play games and work puzzles.
Geometric shapes and a strong palette of colors intertwine forming layered spaces rich in textures and visual intrigue. The inclusion of lots of wooden elements gives nod to Playshapes, while adding organic charm.
Three shelves set within a blue painted alcove hold a large selection of plants and objects for a touch of biophilia.
The square dining table lives under one of the hanging grids that holds plants. Similar gridded structures live alongside the wooden staircase adding a pop of color while providing safety for those climbing the stairs.
The bathroom features similar wooden cabinets as the kitchen island with geometric patterns adorning the fronts. An inset cabinet is painted a playful pink on the inside, pairing nicely with the black and white floor tile.
Photography by Migdal Studio.
It only takes a glance to see where the Lightbone floor lamp got its monicker – the connection point between the spherical glass globes and the wooden sections. Inspired by a bamboo forest on a trip to Japan and designed by FÄRG & BLANCHE for Oblure, Lightbone was originally exhibited during Milan Design Week 2017 as part of the “Armour Mon Amour” exhibition. At that point of the conceptual phase, the floor lamp was textile and measured up to three meters tall! In the following years it’s continued to evolve into the product you see here.
“We are really happy that we were able to develop this version of the Lightbone together with Oblure,” said the designers, Fredrik Färg and Emma Marga Blanche. “This time in solid Oak and all made in Sweden.”
The floor lamp can easily be used next to a sofa, but also looks amazing in a group or two or three. Multiples begin to resemble a small forest or act to divide spaces in hospitality projects.
Lighbone is available in natural Oak with a Black stain, Smoked Oak, and Cobalt Blue. It’s also available in custom colors on request.
To lean more about LIGHTBONE floor lamp, visit oblure.com.
Scandinavian design is most often associated with a minimalist aesthetic, one emphasizing natural materials as a carefully considered employment of form following function. Wood often plays prominently, as does a subdued palette meant to evoke nature’s colors, with metal only used sparingly as accents. It’s all pretty much the antithesis of the PC gaming aesthetic and ethos, where gaming rigs tend to lean strongly into gaudy LED-illuminated showmanship.
Now imagine if Alvar Alto or Arne Jacobsen as an avid gamer today, and if they put their creative genius towards designing their very own gaming machine for their COD or Minecraft addiction. You might very well see something similar to Fractal Design’s North and Terra PC cases.
Fractal’s North is available with either a mesh or tempered glass side panel design. Either option includes two 140mm fans to keep air flow performance at a maximum within, while wood and metal combine into a handsome mid-century presence on the exterior side.
Fronted tastefully with a real oak or walnut paneled face, embellished with a faux leather tab, and sleek steel or brass detail buttons and ports, Fractal’s North PC case stood out enough from the crowded realm of audaciously outfitted PC gaming designs to earn the Gothenburg-based company a Red Dot Design Award 2023.
Fractal’s Terra is a similarly conceived approach to PC gaming, featuring a smaller case option made with anodized aluminum panels and a CNC-milled, FSC-certified solid walnut front face.
Three front USB ports, including one USB 3.1 Gen 2 Type-C with fast charging support and speeds up to 10Gbps, are available on the exterior; seven bridgeless expansion slots within maximize the customization and upgrade options down the line.
Noting hardware upgrades play prominently in the PC gaming experience, North has designed the Terra case to be easily accessible from the side and top using an integrated tab.
An aluminum power button and two USB ports for connecting devices are integrated into the walnut wood detailing. The sum of the design makes it an ideal aesthetic candidate for a living room media PC or gaming machine connected to a home theater system.
Founded in 2007 in Sweden, followed by Fractal Design outposts opened in Dallas and Taipei, Taiwan, the company has distinguished itself by designing gaming accessories aimed at PC customers seeking an understated presence on their desktop. The company’s North and Terra cases epitomize this understated aesthetic displaying an almost architectural attention to detailing.
Fractal Design’s North PC case retails for $140 here, while the Terra PC case is available for $180 here.
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Austin, Texas-based URBS Studio is joining us for July’s Designer Desktop with a background that’s cool-tempered but energizing. Through her interdisciplinary design studio, Alyson Beaton explores the urban culture that surrounds her. The details and detritus observed all contribute to the whole of the studio’s work: grids, grit, signs, symbols, rhythm, scribbles, weeds, chaos, order, and more. URBS translates these visual tales of urban renewal and environmental sustainability through spaces, textile collections, children’s products, and more. The man-made environments that are part of our everyday lives are constantly evolving in different ways, and most of it’s nothing you or I have control over. But we’ll never tire of seeing creativity rise from the most unexpected of places.
For this month’s Desktop, Beaton shares her Glimmer design inspired by “The glimmer of light that reflects off the glassy buildings when the sun hits just right.” The trippy design is paired with the quote, “While you are looking, you might as well listen, linger, and think about what you see,” from Jane Jacobs.
Download yours with the links below!
DESKTOP: 1024×768 \\\ 1280×1024 \\\ 1680×1050 \\\ 1900×1200 \\\ 2560×1440
MOBILE: iPhone XS \\\ iPhone XS Max \\\ iPad Pro
Learn more about URBS Studio here and follow along on IG here.
View and download past Designer Desktops here.
Tinder’s new headquarters in West Hollywood, California designed by Rapt Studio could be imagined as a thoughtful response to the transformative changes that have affected the corporate workplace dynamics the last few years. The seven-story, 77,000-square-foot project, handled by the same creative consultancy responsible for developing other creative spaces for the likes of Google, Dropbox, and Vans, is imagined to reestablish the pandemic-frayed ties that bind individuals into creative collaborative teams – and by extension, between the app users they seek to support – designing a multi-level headquarters layered with a multitude of opportunities for collaboration and connection.
Rapt Studio began the project by researching existing public space typologies, from the town square to the speakeasy, that empower a progressive deepening of ties that bind workers with their work in an organic manner.
Modeled after a town square, The Commons is the largest and most expansive of the spaces, and also the entry point into Tinder’s new headquarters. The airy environment is intended to encourage casual interactions and large enough to accommodate for company-wide gatherings.
The café — or “Boost Bar” — sits on the second floor, giving employees access to the skills of an in-house barista, and in turn providing an informal space to work away from the desk.
The IT help desk is fashioned after the nostalgic memories of the neighborhood arcade.
Diffuse lighting, custom modular furniture on wheels, and walls clad in top-to-bottom whiteboards all inhabit La Galleria, a room drawing its atmosphere from the workshops and displays of an artist studio.
A custom hot-pink central table with cutouts along the edges offers a surprisingly idiosyncratic hue to the space’s otherwise muted purpose.
Floor six is dedicated to quieter activities and appropriately demarcated as The Stacks, a tranquil communal space fashioned after a library.
Deep blue hues across plush fabrics, with curvilinear walls and curtains framing windows overlooking the LA skyline give the pinnacle seventh floor a nightclub vibe. Seating arrangements are situated to encourage engagement within intimate groups – a “secret” employee getaway of sorts.
“Connection is at the heart of the Tinder brand,” says Rapt Studio CEO and Chief Creative Officer David Galullo. “To design a space that deepens connection within Tinder, we looked to the places where we typically build relationships and then mapped them onto a floor plan. The end project emphasizes how design itself can be a force of connection.”
Tinder’s new HQ shares some similarities to Rapt Studio’s previous project, The Schoolhouse, a creative office for The Google School for Leaders. Each share the goal to spur informal engagements between team members by carving out both shared and intimate spaces, and furnished to empower employees to adapt those spaces to their needs on an as-needed basis.
Creative and fun, Mizetto’s Summer 2023 Collection lives somewhere between work and play. The brand has pushed its own capabilities, exploring new materials, production methods, and functionality. Made in Sweden, the latest release includes a wood chair, a versatile table with attachments, a leaning piece, modular planters, and a trash/recycling bin. All share the qualities of clean lines and curves and leave you wanting to experience each for yourself. Known for its color combinations, Mizetto has also added five new “Nordic noir” hues: rusty burgundy, cloudy latte, forest green, latte, and dusty blue.
Perhaps the most curious addition is Lumber by Addi, a piece meant for leaning, lingering, and loitering. The soft beam’s release marks the first upholstered product introduced by the brand. It’s a great answer to adding seating to small spaces, and we can’t help but note its resemblance to a dynamic piece of gymnastics equipment. A quick place to stop on the go for a coffee or email check, Lumber’s small tray-like table adds further functionality to a piece with no obvious front or back. It can even be hung on a wall for maximum space saving. Lumber’s upholstery is flameproof wool, with a cover that’s fully removable, repairable, and exchangeable. The legs are powder coated metal.
A wooden chair is new territory for Mizetto, so they turned to an expert for help – Finish-Swedish furniture designer and woodworker Sami Kallio. The Embrace armchair was a result of the brand lacking seating in their own spaces, and shortly after, Kallio walked in with a fully functioning prototype.
“A few alterations later, Embrace was born; a chair that seemingly hugs its user. I love how it can be hung on a tabletop and stacked, but still provide us with all the beauty and comfort we seek in a piece of furniture,” said Rickard Muskala, founder, and chief of product development.
Kallio is also behind the multi-purpose table in the Embrace series.
Playful, fun, and modular, Addi’s Plant Here gives our green friends a pedestal fitting of their mood-enhancing ways. The planter pays attention to the various needs of different varietals through its accessible design, whether you’re a balcony or office gardener. Features include a generous depth, transparent inner pot for easy planting, different heights, shapes, sizes, and colors. Combine two or more to form endlessly possible installations.
Trash and recycling bins are a necessity, but that doesn’t mean they have to look like one. Pelican by Studio Nooi turns them into minimal decorative objects with touchless interaction. Their semicircular shape allows for modular design, creating an oval when placed back to back. Pelican’s design is suitable for residential as well as commercial spaces, and comes in two sizes and a variety of colors.
To learn more about Mizetto’s Summer 2023 collection, visit mizetto.se.
Up early this Friday morning to take care of some lawn chores outside and await the arrival of the Stanley Steemer crew. Two of the carpets upstairs, my wife's home office and the TV room (where the Young Master spends time in the evenings) are in desperate need of cleaning. Since the Grand Duchess is on a 12-month appointment in her duties as a university administrator, and in her office on campus this morning, yours truly is handling the transaction.
The attire for today is more of the usual late spring-summer-early fall mix worn with a navy and peach ribbon belt. Skinny, pale legs are not required, of course, but it is entirely possible to hang around the house while looking relatively presentable.
A few pairs of chino shorts mixed and matched with several different shirts, plus a couple of casual belts along with a pair of casual shoes, and you've got a decent-looking summer capsule wardrobe that will work in many, if not most non-professional settings these days.
And no. You don't need to break the bank either. While I think both companies have taken a number of missteps in the last 15-20 years, Land's End and L.L. Bean nevertheless still have everything you need in the pages of their print catalogs and websites if you look closely and carefully. Watch for sales and end-of-season clearance for even more savings.
On an entirely different note, can you believe today is the last day of June? Where on earth has the month gone??!!
-- Heinz-Ulrich
If names like Yeti, Tundra, and RTIC strike a chord, you’ve likely gone through the sticker shock associated with deliberating between very large rectangular blocks of insulated plastic. Ice coolers fall under the product category of “you wouldn’t believe how much these things cost,” at least when considering options amongst a top performing tier of coolers attached to price tags of hundreds of dollars. Oyster, a new Norwegian brand will still set you back $500, but it introduces a uniquely smaller and more efficient design aiming to suck out the air from its larger and bulkier competition.
Typically thermal energy is circulated within a cooler very slowly, affecting the overall temperature within. The Tempo thermal circulation is 380x faster than a comparable hard cooler, the equivalent of 190 watts/meter Kelvin versus 0.5 watts/meter Kelvin.
The Tempo is the most engineered ice cooler, inside and out, with an intelligently designed accessories system allowing easy and fast switches from a metal carrying handle to the included shoulder strap with only a couple turns of a dial. This assembly/disassembly construction also makes cleaning the cooler simpler and more thorough.
Even the best hard cooler requires pouring large amounts of ice to retain a cold drink temperature for hours, making for a laborious haul, ironically heating the carrier while attempting to keep the contents cool. The Tempo proposes something a bit wild: subtracting ice out of the equation. That is, if you start off by throwing in cold drinks or food to begin with. The Tempo’s patented double-wall vacuum insulation technology is so efficient in preventing heat transfer from occurring – keeping cold temps within from escaping and warmer ambient air from intruding. The cooler can keep cold foods or drinks chill for hours without ice… or for much longer aided by two included ice packs.
Two ice packs designed to fit perfectly into the Tempo are included, helping keep food and drinks cold(er) for longer periods. The precise fit of the two accessory packs into the aluminum lined interior illustrates the level of detail the Oyster team put into developing the Tempo over the span of six years. \\\ Photo: Gregory Han
The sleek extruded aluminum cooler essentially works just like those popular double-walled metal flasks you might already carry around everywhere to keep your coffee hot or water cold throughout the day, creating an insulated and vacuumed sealed interior large enough to fit 36 cans of beverages within. The only caveat of the design is if you dent it, it’s going to wear the signs of your mishaps forever (but that’s what strategically placed stickers are for).
The cooler’s rectangular shape is in itself an innovation; previous attempts to manufacture anything beyond a cylindrical vacuum-insulated shape would fail to retain their shape over an extended span of time. Oyster stands by their design so confidently, not only will they replace any broken parts, they claim their replacement policy even extends out to damage if your cooler is “mauled by a bear.”
The lid locks into a vacuum seal by securing two long handle hinges on both sides. Leave one in place and the lid levers open in a clamshell configuration. \\\ Photo: Gregory Han
A strap or handle can be switched out quickly and easily thanks to the Tempo’s twist dial securing system. \\\ Photo: Gregory Han
A red nylon shoulder strap attaches easily to the Tempo for longer, heavier hauls after loading the 12.3-lbs (empty) cooler for outdoor destinations. \\\ Photo: Gregory Han
Outward appearances may give off the impression the Tempo is designed only for modest loads. But because of the thin-walled design, the Tempo offers three times the capacity compared to other rotomolded coolers of similar size.
As the owner of an enormous and unwieldy rotomolded cooler, the Tempo’s manageable size is revelatory, and to be frank, suitable for more than 80% of our typical hiking, camping, or picnicking adventures. Pair that with the Tempo’s extraordinary ability to keep contents cold without bagfuls of ice, the quick-switch handle or strap carrying system, superior portability, and its subjectively standout industrial good looks, and the Tempo is arguably the coolest cooler on the market.
This post contains affiliate links, so if you make a purchase from an affiliate link, we earn a commission. Thanks for supporting Design Milk!
As Rhode Island School of Design’s (RISD) 18th president, Crystal Williams believes that education, art and design, and staying committed to equity and justice are essential to transforming our society. At RISD, the Detroit-born activist is working to drive meaningful change centered on expanding inclusion, equity, and access. To back that up, Crystal has more than two decades of higher education experience as a professor of English as well as serving in roles that oversaw diversity, equity, and inclusion at Boston University, Bates College, and Reed College. The ultimate goal behind Crystal’s role at RISD is to enhance the learning environment by making sure it includes diverse experiences, viewpoints, and talents.
However, Crystal’s talents go beyond the halls and classrooms of colleges and universities – she’s also an award-winning poet and essayist. So far, she’s published four collections of poems and is the recipient of several artistic fellowships, grants, and honors. Most recently Detroit as Barn, was named as a finalist for the National Poetry Series, Cleveland State Open Book Prize, and the Maine Book Award. Crystal’s third collection, Troubled Tongues, was awarded the 2009 Naomi Long Madgett Poetry Prize and was a finalist for the 2009 Oregon Book Award, the Idaho Poetry Prize, and the Crab Orchard Poetry Prize. Her first two books were Kin and Lunatic, published in 2000 and 2002. Crystal’s work regularly appears in leading journals and magazines nationwide.
Today, Crystal Williams is joining us for Friday Five!
Originally, I was going to write about a place that inspires me. But when I truly started to consider places I find inspiring, I realized that each of them elicits and enables silence and stillness, a refraction of silence (at least for me). So then, silence itself is the thing that inspires me. Silence inspires me to delve and investigate and allows me to situate myself in wonder and awe – in the amplitude and magnitude of who and what and how we are as a species, to sometimes take issue with personal fears or traumas or worse – the behaviors that ultimately impede personal and spiritual growth or insight.
For me, silence is a great gift. Perhaps the greatest. It is a balm. Through it, I connect to the world not as Crystal Williams of this particular body but as a congregation of embodied energy and spirit. In this way, it is the catalyst through which all good art, poetry, ideas, and leadership emerge. So it is among the most inspirational things in my life – and among the most rare, given my life.
I admire many poems. But Lucille Clifton’s “won’t you celebrate with me” (which is how it is commonly known although Clifton did not, in “Book of Light” originally title the poem), is the one that inspires me the most. It is a poem that speaks to resilience, fortitude, bravery, imagination, hope, and it names what being a Black woman in the United States can and often does elicit.
“won’t you celebrate with me
what I have shaped into
a kind of life? i had no model.
born in babylon
both nonwhite and woman
….
…come celebrate
with me that everyday
something has tried to kill me
and has failed.”
Nancy Wilson, Carnegie Hall, 1987 \\\ Video still courtesy YouTube
There are moments in art when an artist transforms one thing into another, utterly broadening, deepening, and transmuting the original meaning. In this live version of “How Glad I Am,” her encore performance at the 1987 “Live at Carnegie Hall” performance, Wilson – a vocalist I listened to obsessively as a younger person – transforms a simple song between lovers into a rousing tribute from an artist to her audience. This performance is the most profoundly loving example I have witnessed of an artist speaking directly and forcefully to the mutuality between artists and audiences. And it’s become a kind of personal soundtrack when I’m walking through my life, especially my life as a poet and now as president. Often, when I’m among creatives, I hear Wilson’s gorgeous, gravely voice imploring: “you don’t know how glad I am [for you].”
Listen, these young people at RISD and young creatives everywhere are our best-case scenario. They are our visionaries, if only we can amplify them, listen to them, and then get out of their way. They have all the love (and strategy and insight and knowledge) we need if we can help them wield it successfully. They have all the intelligence and ingenuity we need to help solve our challenges and advance what is good, right, and just among our species. Added to those attributes are other facts: they are funny and curious and eager to learn and gloriously unusual.
I watch them here at RISD in their multi-colored outfits, hair-dos, and platform shoes, giggling with each other in front of the snack machine or intensely applying their best thinking to each others’ work during critiques. I listen to them grappling with big ideas, considering, reconsidering, and redesigning our world as if on slant, eschewing the boxes into which we have crammed stale ideas that continue to guide our actions. And I watch them in their magnitude – in the more quotidian actions of their lives trudging up and down the severe hill outside with their humongous portfolios and unwieldy art projects, and think through it all, “Wow” and think “to be so young and so powerful and necessary” and think “thank God” and think “Thank you, young people, for saying yes to the impulse that brought you here.” Not only do they inspire me, they humble me and they – each one of them – feel like a balm, like hope incarnate.
My folks married in 1967 against all odds. They were of different ethnicities – he Black, she white. Different places – he from the Jim Crow South, she from Detroit, Michigan. Different eras – he born in 1907, she in 1936. Different careers – he a jazz musician and automotive foundry worker, she a public school teacher. And different educational backgrounds – he, we think, not a high school graduate, she a college graduate. And yet, they found each other over the keys of a piano and decided, against society’s cruel eye and hard palm, to love each other and to love me. I now understand the courage it took for all of that to be true, for them to make a way, for them to walk through the world in 1967 as a couple and with me as their child. That courage inspires me. Those decisions inspire me. They inspire me. Everyday. All day.
Kin by Crystal Williams, 2000 \\\ Williams utilizes memory and music as she lyrically weaves her way through American culture, pointing to the ways in which alienation, loss, and sensed “otherness” are corollaries of recent phenomena.
Lunatic: Poems by Crystal Williams, 2002 \\\ Williams confronts large-scale social and cultural events such as September 11, the death of Amadou Diallo, and the Chicago Race Riots in addition to exploring the often paralyzing terrain of loss, desire, and displacement. Among its most common themes is personal responsibility.
Troubled Tongues by Crystal Williams, 2009 \\\ In each of the three sections of this book is a prose poem meant to be read aloud in which a character, interacting with other characters, is named for a quality. They are Beauty, Happiness, and Patience.
Detroit as Barn: Poems by Crystal Williams, 2014
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Often, it’s the little things that inspire us and that we treasure most. The sky shining in the most beautiful colors at the end of a seemingly endless summer day, riding your bike through a light rain shower on a hot afternoon — or maybe it’s a scoop of your favorite ice cream that refuels your batteries? No matter what big and small adventures July will have in store for you this year, our new collection of wallpapers is bound to cater for some inspiration along the way.
More than twelve years ago, we started this monthly wallpapers series to bring you a variety of beautiful, unique, and inspiring wallpapers every month. It’s a community effort made possible by artists and designers from around the globe who challenge their creative skills to cater for some good vibes on your screens. And, well, it wasn’t any different this time around.
In this post, you’ll find their wallpaper designs for July 2023. All of them come in versions with and without a calendar and can be downloaded for free. To make the month even more colorful, we also compiled a selection of July favorites from our wallpapers archives at the end of this post. A huge thank-you to everyone who submitted their artwork — this post wouldn’t exist without you!
“Two friends sat under the enchanting moonlight, enjoying the serene ambiance as they savoured their cups of tea. It was a rare and precious connection that transcended the ordinary, kindled by the magic of the moonlight. Eventually, as the night began to wane, they reluctantly stood, their empty cups in hand. They carried with them the memories and the tranquility of the moonlit tea session, knowing that they would return to this special place to create new memories in the future.” — Designed by Bhabna Basak from India.
Designed by Ricardo Gimenes from Sweden.
Designed by Lieke Dol from the Netherlands.
“Hey there, chess champs and rook-ies! Today, we’re rolling out the red carpet for the grandest celebration in the chess universe. It’s World Chess Day, where we celebrate the brain-bending battles, knightly maneuvers, and epic pawn sacrifices that keep us coming back for more! Step into the realm of kings and queens, where the fate of nations is decided over a checkered battlefield. Chess, the ultimate game of mental gymnastics, proves that you don’t need biceps of steel to flex your strategic muscles!” — Designed by PopArt Studio from Serbia.
“On this trip around the world, we return to Europe, specifically to London. We walked through its streets and decided to cross the bridge to enjoy both sides of the city. We may take one of its famous red buses or take a walk along the Thames. In any case, we have a whole month to become true Londoners.” — Designed by Veronica Valenzuela Jimenez from Spain.
Designed by Rebecca Curiel.
“I admire artwork that is made using simple shapes and colors in Illustrator, also known as flat design. The amazing things you can make with these simple shapes are just mind-blowing. The buildings in the artwork come from my hometown ’s-Hertogenbosch in the Netherlands. I am most proud of the great cathedral on the left. The number of hours I’ve put into it is not normal.” — Designed by Mitch van Trigt from the Netherlands.
Designed by Ricardo Gimenes from Sweden.
“July is the time to relax. What about having a rest underneath a… banana tree, lala la la? You know this song? Yes it’s about a mango tree, but never mind.” — Designed by Philippe Brouard from France.
“Everyone’s imagination when reading books is different. One person thinks of a village and another of a city. That’s the beauty of reading.” — Designed by Britt van Falier from the Netherlands.
Our wallpapers archives are full of timeless treasures that are just too good to be forgotten. So here’s a small selection of favorites from past July editions. Please note that these designs don’t come with a calendar.
“Welcome to the sweltering July — the month when it’s so hot that even the fruits are edgy. Our ice-creamy, vibrantly-colored monthly calendar is melting as the temperature rises, so make sure to download it as quickly as possible!” — Designed by PopArt Studio from Serbia.
Designed by Ricardo Gimenes from Sweden.
“This month, we travel to London with Mary Poppins to discover the city. We will have great adventures!” — Designed by Veronica Valenzuela from Spain.
Designed by Lívi Lénárt from Hungary.
“I’m an avid runner, and I have some beautiful natural views surrounding my city. The Smoky Mountains are a bit further east, so I took some liberties, but Tennessee’s nature is nothing short of beautiful and inspiring.” — Designed by Cam Elliott from Memphis, TN.
Designed by Ricardo Gimenes from Sweden.
“Summer is coming in the northern hemisphere and what better way to enjoy it than with watermelons and cannonballs.” — Designed by Maria Keller from Mexico.
“And once you let your imagination go, you find yourself surrounded by eternal summer, unexplored worlds, and all-pervading warmth, where there are no rules of physics and colors tint the sky under your feet.” — Designed by Ana Masnikosa from Belgrade, Serbia.
“July in South Africa is dreary and wintery so we give all the southern hemisphere dwellers a bit of color for those gray days. And for the northern hemisphere dwellers a bit of pop for their summer!” — Designed by Wonderland Collective from South Africa.
“Rain has come, showering the existence with new seeds of life. Everywhere life is blooming, as if they were asleep and the falling music of raindrops have awakened them. Feel the drops of rain. Feel this beautiful mystery of life. Listen to its music, melt into it.” — Designed by DMS Software from India.
Designed by ActiveCollab from the United States.
“In times of clean eating and the world of superfoods there is one vegetable missing. An old, forgotten one. A flower actually. Rare and special. Once it had a royal reputation (I cheated a bit with the blue). The artichocke — this is my superhero in the garden! I am a food lover — you too? Enjoy it — dip it!” — Designed by Alexandra Tamgnoué from Germany.
Designed by Xenia Latii from Germany.
“Warm summer weather inspired the color palette.” — Designed by Marijana Pivac from Croatia.
“I enjoy creating tropical designs. They fuel my wanderlust and passion for the exotic, instantaneously transporting me to a tropical destination.” — Designed by Tamsin Raslan from the United States.
“In summer everything inspires me.” — Designed by Maria Karapaunova from Bulgaria.
Designed by Erik Neumann from Germany.
“What’s better than a starry summer night with an (unexpected) friend around a fire camp with some marshmallows? Happy July!” — Designed by Etienne Mansard from the UK.
“Make sure you have a refreshing source of ideas, plans and hopes this July. Especially if you are to escape from urban life for a while.” — Designed by Igor Izhik from Canada.
“My son and I are obsessed with the Amphicar right now, so why not have a little fun with it?” — Designed by 3 Bicycles Creative from the United States.
Designed by Ricardo Gimenes from Sweden.
“Based in the Alentejo region, in the south of Portugal, where there are large plains used for growing wheat. It thus represents the extensions of the fields of cultivation and their simplicity. Contrast of the plain with the few trees in the fields. Storks that at this time of year predominate in this region, being part of the Alentejo landscape and mentioned in the singing of Alentejo.” — Designed by José Guerra from Portugal.
“Ever watched Joe’s Apartment when you were a kid? Well, that movie left a soft spot in my heart for the little critters. Don’t get me wrong: I won’t invite them over for dinner, but I won’t grab my flip flop and bring the wrath upon them when I see one running in the house. So there you have it… three roaches… bringing the smack down on that pesky human… ZZZZZZZAP!!” — Designed by Wonderland Collective from South Africa.
Designed by Ricardo Gimenes from Sweden.
Designed by Cátia Pereira from Portugal.
Designed by Joana Moreira from Portugal.
“July is coming and the nights are warmer. Frogs look at the moon while they talk about their day.” — Designed by Veronica Valenzuela from Spain.