The Lightbone Floor Lamp Looks to a Japanese Bamboo Forest

It only takes a glance to see where the Lightbone floor lamp got its monicker – the connection point between the spherical glass globes and the wooden sections. Inspired by a bamboo forest on a trip to Japan and designed by FÄRG & BLANCHE for Oblure, Lightbone was originally exhibited during Milan Design Week 2017 as part of the “Armour Mon Amour” exhibition. At that point of the conceptual phase, the floor lamp was textile and measured up to three meters tall! In the following years it’s continued to evolve into the product you see here.

“We are really happy that we were able to develop this version of the Lightbone together with Oblure,” said the designers, Fredrik Färg and Emma Marga Blanche. “This time in solid Oak and all made in Sweden.”

The floor lamp can easily be used next to a sofa, but also looks amazing in a group or two or three. Multiples begin to resemble a small forest or act to divide spaces in hospitality projects.

Lighbone is available in natural Oak with a Black stain, Smoked Oak, and Cobalt Blue. It’s also available in custom colors on request.

To lean more about LIGHTBONE floor lamp, visit oblure.com.

Desktop Wallpaper: July 2023

Austin, Texas-based URBS Studio is joining us for July’s Designer Desktop with a background that’s cool-tempered but energizing. Through her interdisciplinary design studio, Alyson Beaton explores the urban culture that surrounds her. The details and detritus observed all contribute to the whole of the studio’s work: grids, grit, signs, symbols, rhythm, scribbles, weeds, chaos, order, and more. URBS translates these visual tales of urban renewal and environmental sustainability through spaces, textile collections, children’s products, and more. The man-made environments that are part of our everyday lives are constantly evolving in different ways, and most of it’s nothing you or I have control over. But we’ll never tire of seeing creativity rise from the most unexpected of places.

For this month’s Desktop, Beaton shares her Glimmer design inspired by “The glimmer of light that reflects off the glassy buildings when the sun hits just right.” The trippy design is paired with the quote, “While you are looking, you might as well listen, linger, and think about what you see,” from Jane Jacobs.

Download yours with the links below!

DESKTOP: 1024×768 \\\ 1280×1024 \\\ 1680×1050 \\\ 1900×1200 \\\ 2560×1440

MOBILE: iPhone XS \\\ iPhone XS Max \\\ iPad Pro

Learn more about URBS Studio here and follow along on IG here.

View and download past Designer Desktops here.

Mizetto’s Summer Collection Tests Design’s Boundaries

Creative and fun, Mizetto’s Summer 2023 Collection lives somewhere between work and play. The brand has pushed its own capabilities, exploring new materials, production methods, and functionality. Made in Sweden, the latest release includes a wood chair, a versatile table with attachments, a leaning piece, modular planters, and a trash/recycling bin. All share the qualities of clean lines and curves and leave you wanting to experience each for yourself. Known for its color combinations, Mizetto has also added five new “Nordic noir” hues: rusty burgundy, cloudy latte, forest green, latte, and dusty blue.

Perhaps the most curious addition is Lumber by Addi, a piece meant for leaning, lingering, and loitering. The soft beam’s release marks the first upholstered product introduced by the brand. It’s a great answer to adding seating to small spaces, and we can’t help but note its resemblance to a dynamic piece of gymnastics equipment. A quick place to stop on the go for a coffee or email check, Lumber’s small tray-like table adds further functionality to a piece with no obvious front or back. It can even be hung on a wall for maximum space saving. Lumber’s upholstery is flameproof wool, with a cover that’s fully removable, repairable, and exchangeable. The legs are powder coated metal.

A wooden chair is new territory for Mizetto, so they turned to an expert for help – Finish-Swedish furniture designer and woodworker Sami Kallio. The Embrace armchair was a result of the brand lacking seating in their own spaces, and shortly after, Kallio walked in with a fully functioning prototype.

“A few alterations later, Embrace was born; a chair that seemingly hugs its user. I love how it can be hung on a tabletop and stacked, but still provide us with all the beauty and comfort we seek in a piece of furniture,” said Rickard Muskala, founder, and chief of product development.

Kallio is also behind the multi-purpose table in the Embrace series.

Playful, fun, and modular, Addi’s Plant Here gives our green friends a pedestal fitting of their mood-enhancing ways. The planter pays attention to the various needs of different varietals through its accessible design, whether you’re a balcony or office gardener. Features include a generous depth, transparent inner pot for easy planting, different heights, shapes, sizes, and colors. Combine two or more to form endlessly possible installations.

Trash and recycling bins are a necessity, but that doesn’t mean they have to look like one. Pelican by Studio Nooi turns them into minimal decorative objects with touchless interaction. Their semicircular shape allows for modular design, creating an oval when placed back to back. Pelican’s design is suitable for residential as well as commercial spaces, and comes in two sizes and a variety of colors.

To learn more about Mizetto’s Summer 2023 collection, visit mizetto.se.

F5: Crystal Williams Is Far More Than RISD’s President

As Rhode Island School of Design’s (RISD) 18th president, Crystal Williams believes that education, art and design, and staying committed to equity and justice are essential to transforming our society. At RISD, the Detroit-born activist is working to drive meaningful change centered on expanding inclusion, equity, and access. To back that up, Crystal has more than two decades of higher education experience as a professor of English as well as serving in roles that oversaw diversity, equity, and inclusion at Boston University, Bates College, and Reed College. The ultimate goal behind Crystal’s role at RISD is to enhance the learning environment by making sure it includes diverse experiences, viewpoints, and talents.

However, Crystal’s talents go beyond the halls and classrooms of colleges and universities – she’s also an award-winning poet and essayist. So far, she’s published four collections of poems and is the recipient of several artistic fellowships, grants, and honors. Most recently Detroit as Barn, was named as a finalist for the National Poetry Series, Cleveland State Open Book Prize, and the Maine Book Award. Crystal’s third collection, Troubled Tongues, was awarded the 2009 Naomi Long Madgett Poetry Prize and was a finalist for the 2009 Oregon Book Award, the Idaho Poetry Prize, and the Crab Orchard Poetry Prize. Her first two books were Kin and Lunatic, published in 2000 and 2002. Crystal’s work regularly appears in leading journals and magazines nationwide.

Today, Crystal Williams is joining us for Friday Five!

1. Silence

Originally, I was going to write about a place that inspires me. But when I truly started to consider places I find inspiring, I realized that each of them elicits and enables silence and stillness, a refraction of silence (at least for me). So then, silence itself is the thing that inspires me. Silence inspires me to delve and investigate and allows me to situate myself in wonder and awe – in the amplitude and magnitude of who and what and how we are as a species, to sometimes take issue with personal fears or traumas or worse – the behaviors that ultimately impede personal and spiritual growth or insight.

For me, silence is a great gift. Perhaps the greatest. It is a balm. Through it, I connect to the world not as Crystal Williams of this particular body but as a congregation of embodied energy and spirit. In this way, it is the catalyst through which all good art, poetry, ideas, and leadership emerge. So it is among the most inspirational things in my life – and among the most rare, given my life.

2. Lucille Clifton Poem

I admire many poems. But Lucille Clifton’s “won’t you celebrate with me” (which is how it is commonly known although Clifton did not, in “Book of Light” originally title the poem), is the one that inspires me the most. It is a poem that speaks to resilience, fortitude, bravery, imagination, hope, and it names what being a Black woman in the United States can and often does elicit.

“won’t you celebrate with me
what I have shaped into
a kind of life? i had no model.
born in babylon
both nonwhite and woman
….
…come celebrate
with me that everyday
something has tried to kill me
and has failed.”

3. Nancy Wilson, “How Glad I Am,” Carnegie Hall, 1987

There are moments in art when an artist transforms one thing into another, utterly broadening, deepening, and transmuting the original meaning. In this live version of “How Glad I Am,” her encore performance at the 1987 “Live at Carnegie Hall” performance, Wilson – a vocalist I listened to obsessively as a younger person – transforms a simple song between lovers into a rousing tribute from an artist to her audience. This performance is the most profoundly loving example I have witnessed of an artist speaking directly and forcefully to the mutuality between artists and audiences. And it’s become a kind of personal soundtrack when I’m walking through my life, especially my life as a poet and now as president. Often, when I’m among creatives, I hear Wilson’s gorgeous, gravely voice imploring: “you don’t know how glad I am [for you].”

4. Young Creatives

Listen, these young people at RISD and young creatives everywhere are our best-case scenario. They are our visionaries, if only we can amplify them, listen to them, and then get out of their way. They have all the love (and strategy and insight and knowledge) we need if we can help them wield it successfully. They have all the intelligence and ingenuity we need to help solve our challenges and advance what is good, right, and just among our species. Added to those attributes are other facts: they are funny and curious and eager to learn and gloriously unusual.

I watch them here at RISD in their multi-colored outfits, hair-dos, and platform shoes, giggling with each other in front of the snack machine or intensely applying their best thinking to each others’ work during critiques. I listen to them grappling with big ideas, considering, reconsidering, and redesigning our world as if on slant, eschewing the boxes into which we have crammed stale ideas that continue to guide our actions. And I watch them in their magnitude – in the more quotidian actions of their lives trudging up and down the severe hill outside with their humongous portfolios and unwieldy art projects, and think through it all, “Wow” and think “to be so young and so powerful and necessary” and think “thank God” and think “Thank you, young people, for saying yes to the impulse that brought you here.” Not only do they inspire me, they humble me and they – each one of them – feel like a balm, like hope incarnate.

5. My Parents

My folks married in 1967 against all odds. They were of different ethnicities – he Black, she white. Different places – he from the Jim Crow South, she from Detroit, Michigan. Different eras – he born in 1907, she in 1936. Different careers – he a jazz musician and automotive foundry worker, she a public school teacher. And different educational backgrounds – he, we think, not a high school graduate, she a college graduate. And yet, they found each other over the keys of a piano and decided, against society’s cruel eye and hard palm, to love each other and to love me. I now understand the courage it took for all of that to be true, for them to make a way, for them to walk through the world in 1967 as a couple and with me as their child. That courage inspires me. Those decisions inspire me. They inspire me. Everyday. All day.

 

Work by Crystal Williams:

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Artists Unite for Pride: Discover New Work + Support LGBTQIA+ Youth at Artsy Impact Auction

In celebration of Pride, Artsy happily presents the Artsy Impact Auction: Artists for Pride, benefiting the Ali Forney Center. New works by a diverse group of emerging and established artists will be bid on through June 29th at 12 pm EST. TM Davy, Didier William, Jo Messer, Kyle Meyer, Kate Pincus-Whitney, Erin M. Riley, Emma Kohlmann, Caitlin Cherry, Elizabeth Glaessner, Jordan Nassar, Haas Brothers, Vickie Vainionpää, Leilah Babirye, Darryl Westly, and Nedia Were have come together in allyship to support the cause by way of sharing their talents.

Ali Forney Center’s mission is to protect LGBTQIA+ youth from homelessness and to empower them with the tools needed to live independently. Through this partnership, the auction will directly support the critical care, direction, education, and career services that Ali Forney Center offers to these at-risk homeless youth.

We had the opportunity to speak with Simon Haas of the Haas Brothers, who have their Fairies Witherspoon piece featured in Artists for Pride (seen in the lead image). “This piece is from a body of work we call Fairy Berries. Each of these pieces is a little like a Faberge Egg, small and ornate,” said Simon. “These pieces are little meditations – they take a really, really long time and a steady hand, and the resulting piece is an opulent little world of its own.”

“A lot of the work we make is playful, but an equal amount of it is intensely process-based. When I am doing beadwork or making process-intensive projects like this I am very much in a meditative state of mind,” Simon shared. “This kind of work is almost necessary for me and my mental health.

Measuring 10 1/4 × 4 1/2 × 4 1/2-inches, Fairies Witherspoon is hand thrown and slip trailed porcelain detailed with gold lustre and brass plate. The underside is stamped with “HAAS BROTHERS 2020”, and it’s accompanied by a Certificate of Authenticity signed by Nikolai and Simon Haas.

“Being gay myself, and having experienced first hand the challenges that come with that, it is really meaningful to me to be able to support my community. I can’t imagine the added difficulty of facing homelessness caused by or made more difficult by being LGBTQIA+. This is a truly important cause, particularly in this time of increasing intolerance.” Simon went on to add that he plans to “continue being a vocally out gay man and advocating for others in my community. It is so important that we make ourselves heard and support each other in our fight for equality. The LGBTQIA+ community is not a monolith, we are a collection of communities, but by coming together and advocating for each other we can accomplish so much more than we could on our own.”

To learn more about Artsy Impact Auction: Artists for Pride or place a bid, visit artsy.net.

Division Twelve’s Twigz Is Small in Stature, Big on Impact

High impact meets compact design in Division Twelve’s new Twigz café collection, created in collaboration with design duo Jones & de Leval. The furniture family’s throughline is a minimal frame with a small footprint, proving you don’t need visual heft to make a big impact. Twigz’s design details are ready to add plenty of interest to any small space, with both indoor and outdoor options available. Combine stackable chairs, benches, and tables to create a unique setup that’s all your own.

Twigz offers plenty of options to make it happen. Steel or upholstered chairs, round or rectangular table, and 20 powder coat colors are your creative playground. The one thing you won’t have deliberate is whether to play up form or function – Twigz does it all. Furthermore, the collection does so while being fully carbon neutral. Watch below to learn more about Twigz:

Create an Array of Light + Atmosphere With the Kori Collection

The new Kori lighting collection, designed by Stockholm-based TAF Studio, is a welcome contemporary addition to Finnish design brand Artek. Its essence captures everyday beauty in a five product series that creates a diverse array of light and atmospheres. Three pendant light models, a table light, and a floor light feature modular design and pared-back aesthetics displaying the best of form and function. At the core of the design is a “basket” (kori in Finnish), a unique element that’s key to blending direct and indirect light – like sunlight filtered through trees.

Gabriella Lenke and Mattias Ståhlbom of TAF Studio shared, “With Kori, we wanted to achieve an atmospheric and glare-free light with different models adjusted to different spaces and contexts. The diffuser around the light source became very central, and through lots of experiments with shades and reflecting parts the different characters in the family appeared.”

Kori’s compact floor light provides great reading light in larger spaces, while the table light works well for bedside tables, sideboards, or shelves. The pendant light is arguably the most versatile, available in three models. When paired with a shade it provides a direct downlight and diffused uplight, ideal for smaller spaces. Add the Dune shade and illuminate the surface beneath while spreading glare-free light across a wide area. Or, choose the inverted Disc shade that reflects a soft cone of diffused light downward, good for smaller tables and sideboards.

The entirety of the energy efficient Kori collection occurs within a 200km radius in Italy, and the die-cast “light basket” is made from 100% recycled aluminum. A universal E27 socket ensures longevity, that bulbs are easy to replace, and the ability to choose from a full range of bulbs.

“Color-wise, we were inspired by the way light hits the matte white texture of an egg, and the thinness of an eggshell,” said TAF Studio. “Kori comes in extra matte white and a color that reminds us of egg yolk.” The Kori collection comes in a matte white powder coating, and the floor and table lamps are also available in a matte orange.

To learn more about the Kori collection, visit artek.fi.

Matriarch Rounds Out the In Your Skin Upholstery Collection

Matriarch is the sixth and final addition to the In Your Skin upholstery collection, a collaboration between HBF Textiles and product and interiors designer Erin Ruby. Aptly named, Matriarch is a twill weave with strong color combinations that evoke wisdom and experience. Visually, the twill blends bold complementary colored yarns to create a subtle melange and moire effect.

The six sensorial textiles in the woven fabric collection celebrate being comfortable in your own skin, inspired by the human experience and the ephemeral nature of life. Tactile with a handmade quality, In Your Skin looks like a residential product, yet has the durability for contract and hospitality environments. Each of the fabrics are certified Indoor Advantage Gold (SCS), woven and manufactured in the United States with wool locally sourced from the Midwest, and most patterns are made using post-consumer and/or recycled materials.

In Your Skin marks Ruby’s third collaboration with HBF Textiles. “Sometimes contract textiles can tend toward being cold or lifeless for pragmatic reasons, but this collection is so warm and tactile even with its high performance functionality. It’s full of life – imbued with optimism and aspiration, which I think will resonate within a space,” she shared.

The collaboration continues HBF Textiles’ focus on supporting women-owned businesses. “I love promoting talented female designers. It gives me a sense of pride to utilize the HBF Textiles platform to share their story and creative vision to a wider audience,” says Mary Jo Miller, Vice President of Design and Creative Direction at HBF Textiles. With like-minded mills and collaborators locally and globally, the brand continually explores the possibilities materiality can offer and how it can further connect us with other people and our environment.

To learn more about Matriarch, visit hbftextiles.com.

F5: Interior Stylist Colin King on Favorites and Arranging Things

As a former dancer, interior stylist and product designer Colin King has an understanding of the power of stillness. It’s an awareness he brings to his practice since moving to the realm of interiors. By working with several design firms where he oversaw content creation and art direction, Colin became more and more curious about how to execute and capture visual storytelling through the arranging of objects. The experience led him to make an unspoken promise to the forgotten corners of the home, that he would transform them into something worthy of attention.

As a go-to stylist for many leading brands and publications, Colin is a regular contributor to Architectural Digest, T, Ark, and Rum magazines. He collaborates regularly with West Elm, Anthropologie, Zara Home, Crate & Barrel, and Roman and Williams Guild, and has his own product lines with Beni Rugs and MENU, with more in the works. Colin was recently named the Artistic Director-at-Large at Beni Rugs and continues to expand his practice to include product design, private client interiors, exhibition design, and creative direction, spreading his signature aesthetic across the industry.

This month Colin adds another title to the list: author. Arranging Things, published by Rizzoli, shares his intuitive, personal process of elevating spaces. It takes shape through a series of anecdotes and visual essays written with Architectural Digest’s Sam Cochran and a foreword by Robin Standefer of Roman and Williams. Organized by theme, Arranging Things offers insights into Colin’s approach to styling through showcasing his work for home brands and publications, installation design, and even his own home.

“Arranging Things is about looking at objects in an unexpected way, and encouraging others to view them beyond their everyday use,” Colin shared. “Whether a bowl, a single candle, a branch from your yard, I want readers to elevate these simple objects to create sophisticated vignettes that bring joy into their home.”

This week, Colin King joins us for Friday Five!

1. Florals + the Flower Market

Having elements of nature around me in my home is extremely important. Whether I am styling a shoot or just sourcing fresh flowers and branches for my own home, I always return to the flower market on 28th Street. My favorite spot is 28th Street Wholesale Flowers – Persaud and his team take great care of me there and they always have the best selection.

There is a large branch in my living room which usually stands 8-10ft tall. I enlisted my good friend Alex Crowder, founder of Field Studies Flora, and her foraging team to help me source unique branches of this scale. I decided to go with a branch instead of a tree so I could change it out every couple of months and watch the decay which provides me with so much inspiration. Florals and nature add texture, color, softness, life, and inspiration to every space.

2. Print

I am a lover of all things print. Whether it’s overspending at Casa Magazines, combing through the shelves at the Strand, writing notes on stationery, or reading the newest selection from my book club, there is nothing I love more than holding something tactile and tangible. I am always picking up the latest issues of AD, Arc Journal, World of Interiors, and Apartmento. I love to look at design and styling through the eyes of others, I learn so much that way. Whenever I travel, I am always on the hunt for out-of-print books or obscure finds with interesting covers for my own personal collection and to style with. A book is always a favorite prop. I have this beautiful stationery that I love using to send thank yous and spontaneous notes to clients and acquaintances. And right now I am deep in The Power Broker, the most recent select for my book club. There is just nothing like print.

3. Exercise + Dance

I danced almost every day from the age of eight. Moving my body helps me connect to myself and get in the present moment – I have so much gratitude for my facility and a healthy body. Five days a week I go to Barry’s Bootcamp classes and once a week I attend my friend Marisa Competello’s Moves dance class. It’s there where I find a sense of freedom and belonging. It’s all ages and all levels and it’s just pure joy. I have no attachment to the outcome and just really try to let go and lose myself in the music and movement.

4. Seeing Art in Person

I am a member at almost every museum in the city, from the Met to the Noguchi, the MoMA to the New Museum. I am also a member at the Joyce Theatre, which is a dance performance venue in Chelsea. I think it’s really important as a creative person to see what other artists are making across all mediums. Some recent standouts: Lea Michele in Funny Girl, my good friend Eva Alt’s choreography at the ABT Incubator performance, and the Lucio Fontana Sculpture show at Hauser and Wirth. I love doing studio visits with friends like ceramist Natalie Weinberger and Danny Kaplan to see their process and shop their newest creations straight from the kiln for shoots. I’ve even sat for artist Jack Ceglic as he drew my portrait in his East Hampton studio. I try to find the balance of looking at both dead and contemporary artists.

5. Being an Uncle + Godfather

Becoming an uncle (twice), and recently being asked to be Godfather for a friend’s son, has brought me more joy than I could have ever imagined and taught me a new kind of love.

 

Work by Colin King:

Flote + Opus Give a Modern Edge to Group Seating

Comfort and high design collide in Hightower’s new Flote and Opus seating collections. Both are distinct and delightful with contemporary yet timeless aesthetics and the shared feeling of being embraced.

Flote brings the support, comfort, and easy relaxation of a pool float to its sofa and lounge. The team at Hightower went through extensive prototyping during the design phase to create that just-right sit. The Flote Sofa features a generous seat that’s large enough to seat three adults comfortably, making it a great fit for a group setting, whether that’s in a commercial or residential setting. Both the Flote Sofa and Flote Lounge bring a sense of lightness to users, with their curves, extended lumbar support, and inspired details making both easy to love.

Make Flote your own with unique seam and finish options. With the choice of an oversized welt, chunky zipper, or classic double-needle stitch, the collection can be customized to suit any space on the spectrum, from traditional to trendy.

Opus is Hightower’s contemporary take on the classic club chair that’s as comfortable as it is beautiful. Minimal and versatile, its seating can provide a sense of seclusion with its small footprint. The collection includes a chair and a lounge chair, both with a metal frame and upholstered seat and back.

Both designs feature a slender frame that adds a visual lightness, and either can be utilized in a conference room or at a dining table, complementing any aesthetic while doing so. Opus allows the rest of the space’s design choices shine while providing a classic yet modern edge. Choose from numerous finish options to make this collection work in spaces of all uses and sizes.

Bring together Opus’ simple style by taking advantage of optional contrasting fabrics on the back and seat, as well as custom frame colors. Whether it’s monochrome or high contrast, this collection makes it work and looks good doing it.

To learn more about Flote or Opus seating, visit hightoweraccess.com.

Experience Life in London Colorfully via Shanghai

Shanghai’s Fiu Gallery welcomes visitors to experience life in London – roughly 5,700 miles away. Contemporary British artist Peter Judson’s Wonder Around East London exhibition stays true to his playful, colorful, energetic style. Daily objects are transformed into “visual energy” that Judson uses to innovate and explore further, extending lightness, liveliness, and joy to visitors.

In Wonder Around East London, Judson hopes the audience can shift their focus from the functionality of the objects to the beauty of the artwork itself. “There are two things I want to express, and I also want the show to work on two levels. Firstly, to create an aesthetically punchy and interactive experience that can be enjoyed by all. Secondly, I wanted the show to act as a catalyst to a way of thinking,” shared Judson. “Observation is so profoundly linked with conscious and subconscious assumptions. I wanted to use color, abstraction, reduction, and scale as a way to break these assumptions and try to force the audience to view the world around us in a new context.”

The ultimate takeaway is quite simple: “I would love it if anyone leaving the show were to walk home and begin to see the city they live in in a new way. To spot some minute detail they may have normally not noticed and appreciate it regardless of context. To see the object in isolation and maybe find a new appreciation for the world that we live in.”

To learn more about Wonder Around East London, visit peterjudson.com.

Vipp Goes Outdoors With the New Open-Air Collection

There’s something new this spring at Vipp, the brand’s first outdoor furniture collection – Open-Air – has been released! Like its name, the design of the furniture visually depicts the lightness and soft shapes of durable materials that are meant to be used outdoors. The collection includes a chair, a dining table, a lounge chair, lounge tables, and sofas that pull directly from Vipp’s refined indoor furniture pieces. Open-Air matches the same durable craftsmanship, timeless design, and attention to detail that can be found throughout the brand’s history of molded metal.

The collection is characterized by strong, lightweight grey powder-coated aluminum. The strong silhouette created is then complemented with rattan, teak, and outdoor-friendly textiles. Details in teak will naturally age to a soft grey with time, fitting in well with the existing neutral palette. The seats are filled with quick-dry foam and covered in an Italian Ten Stars yarn textile that is water and UV resistant.

To learn more about the Open-Air collection, visit vipp.com.

F5: Michael Hambouz Feeds Creativity With Creativity

Multidisciplinary artist, multi-instrumentalist musician, illustrator, and independent curator are a few of the biggest hats Brooklyn, NewYork-based Michael Hambouz wears. The first-generation Palestinian-American creates chromaesthesia-influenced works – experiments in dimension and color, created under the guidance of music – to process bouts of loss and self-reflections on cultural identity.

“The moment I paid off my student loans and was able to put away enough savings to keep me afloat for 6 months, I quit my last paid salary position…throwing caution and good healthcare coverage to the wind,” Michael says of the moment art went from hobby to career for him. “At the very end of my 6-month mark, I was commissioned to paint the titling sequences for Oliver Stone’s “Untold History of the United States” ad campaign for Showtime – this gig provided me with enough income to extend my time in the studio for another year, cover the expenses for my first solo show, and the campaign was ultimately awarded a 2013 Silver Promax BDA Award, helping to launch my illustration side business. It has been 12 years now that I have been working full-time in my studio (I superstitiously knock on wood every time I state this).”

Experimenting freely with mediums, Michael encourages unexpected results and mutations to bloom in the studio, resulting in conceptually abstracted paintings and prints, intricate paper cutouts, 3-dimensional sculptural works, drawings, and animations.

It clicked for Michael around the age of 7 that art could be something bigger for him. “At age 7, my 2nd grade classmates and I were each assigned to create an art piece inspired by our favorite fairytale. While most students delivered heavy-on-the-parent-assistance shoebox dioramas, I spent two hours after school every day for two weeks in the classroom working on a 9-foot-tall portrait of the giant from Jack and the Beanstalk. I was shy and not quite keen to the concept of showing off at that age, which made the feat feel very pure in motivation. To me, the grand scale was essential. Anything smaller would have simply been inaccurate,” he shared. “It was also during this time that my parents were going through a very turbulent and nasty separation. In retrospect, it was absolutely this moment that I realized art could provide me with positive escapism, independence, confidence, and the tools to process life’s most difficult challenges – there was no other path for me.”

Today, we’re happy to have Michael Hambouz join us for Friday Five!

1. Eva Zeisel

Hungarian-born American industrial designer Eva Zeisel made works of pure beauty – colorful, elegant, playful, tactile, and accessible. She was astoundingly prolific and her work always so very distinctly “Eva.” It was an honor for me to plan her 100th birthday party many years ago and get to know her a little better – sharp sense of humor, kind, and so thoughtfully well-spoken. She promptly arrived at 6pm and was the last to leave her party around 11pm. She continued actively making work until she passed away just a few years later at the remarkable age of 105. Though our practices and mediums of choice differ, I find it hard to think of another artist that is more inspiring to me than Eva. I highly recommend reading Eva Zeisel: A Soviet Prison Memoir.

2. Live Music

As a spectator or as a participant, live music has always been a very important part of my life. When I first started visiting New York City in the late 90s, I would pour over the show listings in the Village Voice in a similar fashion to looking at the Sears’ Christmas toy catalog as a little kid. I didn’t quite realize just how much I missed seeing shows during the pandemic until I finally masked up and hit the streets after a two-year hiatus. I promised myself that if the following bands came to town, I would make the effort: Bristol UK’s Beak>, Montreal’s Godspeed You! Black Emperor, and New York state’s own Taraka. I was fortunate to see all three in the last year – absolutely transcendent. As a musician, I’ve found that the ultimate show makes me 50% entranced and 50% inspired to leave immediately to go play music as loud as I can in my rehearsal space. These three shows did that to me (I stayed until the end for all of them, so I suppose 51% to 49%?).

3. Studio/Gallery Visits

I am a very social, community-oriented soul by nature. Though I can easily spend weeks on end focused on my own work in the studio, often forgetting when to blink or eat lunch. I’ve found that I really thrive most when I take time to engage with fellow creatives, talking through our current projects, and more often than not, talking about everything under the sun except art. I make sure I take at least two days off each month to studio visit with other artists, and a least two days each month to visit friends’ and friends-of-friends’ gallery shows throughout the city. Sharing a few recent studio visit highlights – I’m especially drawn to visiting artists that work with materials and processes foreign to my personal practice.

4. Democracy Now!

Democracy Now! host Amy Goodman gave a talk at my alma mater Antioch College in the mid-90s shortly after the launch of the show, leaving an indelible impression on me. I’ve been an avid follower since, tuning in daily, and have even volunteered in their development office over the years during fund-drives. I firmly believe that we all have an obligation to know and care about what’s going on in the world around us, and have access to unbiased, uncensored free press to keep us informed. As a longtime human rights and social justice advocate, there are few other sources I trust more than Democracy Now!

5. Travel

Traveling wasn’t in the cards for me growing up. We didn’t have the money, and my mother rarely had time off from working multiple jobs to even leave if we had had the resources. I never resented this, but I have made it a point in my post-adolescent years to make up for lost time by traveling whenever I possibly can. International travel is most desired, but there is still so much to see in the U.S. (I still have yet to visit the Grand Canyon!), and even an afternoon bike ride over the Brooklyn Bridge can be a thrilling adventure. My last big trip was to the mountains of Portugal to visit my sister after a long gap since our last time together. We hiked, cooked, caught up on SNL, chopped wood, and picked olives – it was beautiful – all of it!

 

Work by Michael Hambouz:

3form Flek Pure Is a 100% Recycled Material That Remains Translucent

Just because a product exists doesn’t mean you should stop trying to improve upon it. Such is the case with 3form’s Flek Pure, a 100 percent recycled material primarily sourced from 3form’s own in-house waste. Flek originally made its debut in 2019 using roughly 75 percent recycled material. Now, Flek Pure achieves 3form’s long-term goal of maximizing the amount of repurposed material used while also maintaining its translucency, unlike most recycled products on the market.

“The most exciting part of the design process was our motivation to keep innovating,” says 3form’s product development team, who spent the better part of a decade bringing Flek Pure to life. “We didn’t stop when the Flek Collection first launched because we knew we wouldn’t be satisfied until we reached 100 percent recycled material. This was a challenging, extensive process, but the result is so rewarding.”

During the manufacturing process of Flek Pure panels, internally sourced edge trimmings, returned samples, and reclaimed materials of 3form’s signature Varia resin are upcycled. These remnants are encapsulated and the pellets are carefully sorted by 3form’s optical sorter for clarity and cleanliness. The final product is a texturized, terrazzo-like material that’s sustainable and durable, as well as full of depth that allows for beautiful shadow play.

After Flek’s introduction in 2019, 3form wanted to upgrade the production process of the panels to further reflect the sustainable end product. The product development team sourced new materials and updated the supply chain, increasing Flek’s recycled content from 71 percent to 100 percent for Flek Pure applications.

From process to product, these sustainability achievements are a culmination of 3form’s nearly 20-year commitment to Align, a program of earth- and people-centric initiatives focused on three main pillars: people, product, and planet. Align effectively re-doubles 3form’s efforts to pursue environmentally and socially responsible design. Extending to all members of the 3form family, they strive to develop materials with intentionality that will empower architects, designers, and consumers to make smart choices about how they buy and build. By creating a closed-loop product, like Flek Pure, 3form raises their internal standard for future products and contributes to the restoration of our planet and the betterment of human lives. Align is the next step toward net-positive manufacturing within all 3form companies.

As architects and designers strive for higher sustainability standards in the materials they use, Flek Pure delivers closed-loop solutions to privacy partitions, room dividers, accent pieces, exterior walls, and more. Professionals can also contribute to 3form’s waste reduction. When designers order any of 3form’s Varia materials or return product samples to 3form’s Salt Lake City headquarters (using prepaid shipping labels), the materials are pelletized to be used for Flek.

Flek is part of 3form’s Varia product platform, which carries a Greenguard Gold Certification, is Declare Red List Free, and has an Optimized Environmental Product Declaration label. Flek is available in 4’x8’ and 4’x10’ panels, with 1/4″, 3/8″, and 1/2″ gauges, and a two-week lead time.

Flek Pure is a clear colorway made using 100 percent recycled content. The material’s translucent appearance offers the best of both worlds, allowing for natural light while maintaining separation and a level of privacy. Color can be added with Flek Bask (peachy gold), Flek Crescent (neutral taupe), and Flek Charge (electric yellow), as well as nine other colorways.

To learn more about the benefits and capabilities of Flek Pure or to order a free sample, visit 3form.com.

OBJECT Is an Umbrella for Anna Bera’s Utility Objects

When creating the OBJECT collection, Polish artist and maker Anna Bera was searching. Searching for a place where an object suddenly appears without justification, but whose existence is indisputable. The series was on display during the 19th edition of Collect in London as part of the Collect Open exhibition, the international fair’s platform for pioneering, thought-provoking craft installations by individual artists.

At Collect Open, Bera debuted the latest addition to OBJECT: a 2.6-meter tall sculpture, hand-carved from sycamore wood with a mirror made of polished steel. Its design, like the rest of the collection’s utility objects – the form of which does not reveal the functionality – plays with form. OBJECT is full of sculptures that may perform the function of mirrors, but then again may not. You may view it as something else entirely. This curiosity of function doesn’t make the pieces any less legitimate, even if all they do is simply exist.

To learn more about Object, visit craftscouncil.org.uk.

Photos by Emilia Oksentowicz.

Shantell Martin Creates the New Comic Sans: Shantell Sans

Artist Shantell Martin has been catching peoples’ eyes for more than a decade with her large-scale black-and-white drawings. They simply can’t be ignored! Often times they include messages and questions – such as “Who are You” – in Martin’s signature all-caps handwriting. Now, with the open source release of Shantell Sans, everyone has access to this bold, playful, easy-to-read font!

The marker-style font was built for all types of creative expression by Martin, Arrow Type, and Anya Danilova. They made sure to include Latin and Cyrillic characters to support languages throughout the Americas, Europe, Central Asia, and Vietnam. Shantell Sans can be adjusted by weight, spacing, informality, bounce, and italics. It’s also worth mentioning that its all-caps design is especially easy to read.

Martin’s relationship with fonts and type go way back because she lives life as a proud dyslexic. “I always wanted to reclaim that space due to my dyslexia, and defeat my past challenges. The creation of my own font was an innate process and an extension of my artwork, and something I always wanted to do,” she said. “I think fonts can really change the mood of a person in the way that they can be dense and limiting, or, on another hand, open and playful. I think we do pick up on these subtle messages on a subconscious level. I wanted to share my work in a new, exciting medium accessible to anyone.”

Fun, welcoming, energetic, approachable, and creative are just a few of the words Brooklyn-based Arrow Type’s Stephen Nixon used to describe Shantell Sans. “The variable axes of bounce, informality, and spacing take the basic font and add in more of the natural variance and personality from Shantell’s writing, and I especially hope to see people find uses for those in animated text in video titles and stuff,” he shared. “Shantell Sans is a little bit like an elevated, less stiff Comic Sans. It’s also a little bit soft and inky like Cooper Black or Windsor.”

Download Shantell Sans for free here.

To learn more about the making of Shantell Sans, visit shantellsans.com.

Balcony + Terrazza Glass Planters Feature Staggered Silhouettes

As spring inches ever closer I can’t stop thinking about and planning what I’ll be putting into the ground this year. London-based LSA International’s new Balcony and Terrazza collections also have me dreaming up what I’ll be adding to my empty planters – and maybe a few new ones. Inspired by biophilia – our affinity to engage with the natural world – Balcony and Terrazza’s designs are sculptural and purposeful. Their individually mouth-blown glass pieces add a sense of calm to their surroundings by echoing patterns found in the natural world.

Balcony is a two-part, self-watering glass planter that uses sub-irrigation to deliver water straight to a plant’s roots via a cotton cord that wicks water from the built-in reservoir to the soil. Inspired by visually interesting terraced landscapes and offset city balconies, Balcony maintains a consistent level of soil moisture – ideal for plants who don’t like to dry out before their next drink. The two clear and olive green glass sections neatly fit together and are suitable for plants, bulbs, and herbs.

Sticking with a staggered profile, Terrazza is a collection of floor and desk planters ready to help you add green life to your space. The two-part planter features a mouth-blown glass planting bowl that nestles into a powder-coated steel base. The resulting column mimics high-rise terraces and roof gardens, creating a shelf-like formation, while an open channel in the base provides the plant’s roots with exposure to sunlight. Terrazza is a great option for growing trailing plants, as well as bulbs and herbs.

To learn more about Balcony and Terrazza, visit lsa-international.com.

Felipe Pantone’s Kosmos Exhibition Explores Balance in Kinetic Art

Stop by CONTROL Gallery in Los Angeles before March 18, 2023 to see Felipe Pantone’s exploration of the space found between polarities: Kosmos. This marks the Argentinian-Spanish visual artist’s first exhibition in the city. “Given the history of art in Southern California, it’s only natural that Felipe’s first solo exhibition in Los Angeles not only puts light and space at the forefront, but genuinely breathes fresh life into movement via his distinctly modern approaches,” shared Gallery Director Aurora Fisher.

Kosmos marks the debut of Pantone’s SUBTRACTIVE VARIABILITY KOSMOS series, featuring a collection of works that produce continuous motion for extended periods of time. With a monicker borrowed from the Greek word for order, the work in the collection creates balance from polar opposites where two extremes can exist at the same place and time.

“I kept thinking about how all forms are perfectly related to all other forms, in the sense that I can be happy or sad, things can be positive or negative, and yet everything is in perfect balance,” said Pantone. “That led me to be inspired by Calder, then George Rickey, and other artists that worked around the idea of perfect equilibrium. Kosmos is my exploration of that thought process.”

Pantone’s work pushes to expand the boundaries of kinetic art, and this collection lives somewhere at the intersection of technology and fine art. Each manipulatable artwork and painting pays homage to the digital age we live in while furthering the artist’s explorative body of transcendental art.

To learn more about Kosmos, visit control.gallery.

The Doodle Collection Is Blind Contour Drawings Come to Life

It comes as no surprise that the chairs and table that make up the Doodle Collection are each one-of-a-kind. Designed by Leah Ring for her studio, Another Human, each piece of furniture resembles a blind contour drawing brought to life in three dimensions. Chaos, asymmetry, and an organic process were all welcomed in creating these unique pieces. Each features linework made of nickel-plated steel that’s been hand-bent and welded together, and the table includes a gravity-defying resin top. Ring describes the process of making the Doodle Collection as “free and exploratory” and different from past furniture pieces released through Another Human.

To learn more about the Doodle Collection, visit anotherhuman.la.

Welcome Wellness Into the Kitchen With Signature Kitchen Suite’s 48-Inch Built-in French Door Refrigerator/Freezer

Everything that Signature Kitchen Suite creates is a masterclass in demonstrating respect for food at every level. From performance to intelligent design to precision, the brand honors the ones who are producing and preparing it – and, of course, the lucky individuals who get to enjoy the fruits of their labor. It’s through these details and dedication that the brand stays True to food and wellness. Now, Signature Kitchen Suite has introduced the 48-inch Built-in French Door Refrigerator/Freezer, providing never-before-seen capacity and functionality – imagine the possibilities!

Ideal for large families, entertainers, and home chefs, the 48-inch French Door Refrigerator/Freezer is a true workhorse that features innovative preservation features, a sleek design, and more. A standout element is the 5-mode convertible drawer that allows you to select a temperature zone to best suit what you’re storing. Choose between Chilled Wine, Fridge/Deli, Meats/Seafood, and Cold Drinks – or drop the temperature to turn the entire unit into an extra freezer. This functionality goes a long way toward increasing food freshness and lifespan, while also making the appliance work in the way that best suits your needs and lifestyle. Dual compressors, a stunning metal interior, and engineering to minimize temperature fluctuations to +/-1° F provide further enhanced food preservation.

Signature Kitchen Suite’s latest episode of True to food with Mark Bittman features Kaitlin Guerin, owner and pastry chef at Lagniappe Bakery in New Orleans. Guerin stresses the importance of using fresh ingredients and being able to control time and temperature when in the kitchen. These are the main elements that decide how long it will take to produce different parts of her pastries – be it hours or days. As Guerin shares, the desserts she makes can only be as good as what goes into them, and high tech refrigeration like that from Signature Kitchen Suite keeps ingredients at their peak for longer. Once the various components of the desserts are created, everything is stored at different temperatures for different lengths of time using temperature zones. “These pastries are temperature controlled so they maintain their balance of flavor and texture,” Guerlin explained. What she does and how she achieves it is truly an art form, with Signature Kitchen Suite eliminating worry of freshness and helping Lagniappe Bakery achieve success.

Signature Kitchen Suite puts a lot of effort into designing and bringing to life appliances that will improve your quality of living. But beyond exceptional food preservation, what else can you do to increase well-being and eliminate stress within your kitchen? With spring on the horizon, we spoke to experts Sarah Barnard, Blair Costello, and Diana Ryu to learn some ways to easily create a joy-filled space where we look forward to spending time.

The 48-inch French Door Refrigerator/Freezer’s ample capacity is impressive, with enough space to accommodate the largest of trays and tallest of bottles. Say goodbye to contorting containers or relegating leftovers to the basement fridge – there’s space enough for it all and then some right here.

The overall design also makes it easy to see what you have in stock. Blair Costello, of Vera Iconica Architecture, designs retreat experiences, workplaces, and life experiences at home with health and holistic wellness in mind. With so many seasonal fruits and vegetables making their appearance this month, there are more options at hand than we’ve had all winter. “Being part of the [cooking] process kicks off digestion and hones your relationship with food, and with yourself.” Costello suggests stocking a diverse pantry full of whole grains and legumes – as well as spices – to help boost nutrition and give you the tools needed to change up meals rotated through on a regular basis. Fresh foods are many things, but boring is not one of their qualities.

Costello added, “Digestion begins with the eyes, so put healthier snacks (fresh fruits, fresh bread, fresh vegetables, etc.) within eyesight to encourage those habits. These small environmental nudges can have a big impact.” Costello added, “Our mind and body are truly connected. What you eat will impact your body function, mental function, and state. Invest in quality food. For me, wellness in the kitchen space revolves around the quality of the ingredients, with a big focus on locally grown produce and locally raised and pastured meats.”

The 48-inch French Door Refrigerator/Freezer also has something special for the ice lovers – you know who you are. The freezer includes a dual ice maker that gives you the option of traditional ice or slow-melting, spherical Craft Ice. If your cocktail game is strong, this is a way to take it to the next level. Relax more with your afterwork beverage or entertain with ease while enjoying this fun feature.

Putting groceries away and meal prepping just got a bit more stress-free with Signature Kitchen Suite’s exclusive Lift and Go Drawers. They make interacting with the appliance incredibly easy, with minimal effort on your part when it comes to lifting. The drawers also make regular cleaning and accidental spills easier to remedy, something we can all appreciate when it comes to unwelcome messes.

Sarah Barnard, WELL AP + LEED AP, is a leading designer of personalized, sustainable spaces that support mental, physical, and emotional well-being. When it comes to a more convenient kitchen, Barnard suggests creating a setup while spring cleaning that will help streamline daily routines and reduce moments of friction apt to build up throughout the day. This can be as simple as knowing where regularly used items are stored and keeping countertops clean for a peaceful start to cooking. Digging deeper, it might mean utilizing a pantry to its fullest capabilities or purging cabinets of their belongings to create more order. “It’s also essential to ensure that the kitchen is more than a place of utility and includes items of joy,” Barnard finds. “If listening to music is part of the cooking experience, having quality kitchen speakers will make a substantial difference in the pleasure of preparing food.”

We can also bring more wellness into our kitchens through good light and a view of nature. This doesn’t mean you need to knock down an exterior wall and install floor-to-ceiling windows – there are workarounds to make both elements a part of your cooking space. If you do have windows in your kitchen, take advantage by making sure the blinds or curtains are open and letting in fresh spring air when weather permits. And if those windows happen to face a backyard or greenspace, all the better.

Diana Ryu is the owner of Namu Home Goods. The brand strives to highlight the natural beauty of wood, sourcing gallery-quality woodwork from Korea with a Korean-American aesthetic. She recommends adding a table lamp to brighten up the room, something that we’ve been seeing more of recently in kitchens. It adds a layer of comfort and warmth that can make a difference during those lingering dark mornings of spring.

Ryu also suggests creating a relaxing ritual. “I keep an incense chamber and incense that I light every morning when I put my kettle on for tea. I like the ritual of lighting the incense, smelling the scent, and hearing the water start to boil.” Easing your way into the new day sets the tone for the rest of it, and savoring even a small moment can make for a stress-free start.

When it comes to incorporating nature, the solution may be as simple as a windowsill garden that can be utilized to add flavor and vitamins to your favorite dishes – and it’s the perfect time of year to start one. “I love growing my own produce, and having that experience extend into my kitchen space has become a significant part of the joy of cooking,” Barnard said. “I keep a small garden on my windowsill of herbs and plants I’ve started from vegetable scraps and have views of my garden from my kitchen, which helps make the gardening experience feel like an active part of my food preparation. Being conscious of where my food comes from and having that be a part of my kitchen design makes me feel more mindful and connected to what I’m cooking.” Adding a garden space in your kitchen can also nicely coexist with creating efficient systems for recycling and composting.

Costello recommends we stay away from cookware coated with Teflon or other “non-stick” coatings when enameled, cast iron, carbon steel, and stainless steel cookware have been proven non-toxic. “Invest in high-quality, heirloom cookware and bakeware. It will be healthiest for you (from a toxicity standpoint) and future generations will get to share in the use and experience of these items as well.” You can also choose to swap out pieces seasonally for more variety when sitting down to a weeknight dinner or entertaining on the weekend.

Many people don’t view the kitchen as a room where art belongs, but we have to disagree because it brings joy, just as Barnard mentions. “It doesn’t have to be fine art,” Ryu suggests. She suggests doing a quick spring refresh by adding “Prints, beautiful ceramic plates, cups from small artists, pretty spoons and forks – and lots of big bowls on the counter filled with fruits and vegetables. They’re attractive and also healthy.” Barnard adds that visible storage of produce may also encourage the prioritization of these foods, which is something to make a habit of.

Spring’s warmer weather is the impetus to come out of hibernation, optimize your kitchen space, and welcome life back into your home. Ryu and Barnard agree that the positive experience circles back to who you’re surrounding yourself with, with Ryu adding, “There’s nothing better for our health than a loving community.” Technology, like that used in the 48-inch French Door Refrigerator/Freezer, can help further improve upon these times spent together with its capacity and capabilities. “Increasing options in diverse refrigeration systems can be a great asset when hosting, giving guests more independence and hosts more privacy and time to socialize,” shared Barnard. Pastry chef Guerin agreed, adding “There’s always a reason to celebrate, there’s always a reason to eat good food, to be around family and friends.”

The 48-inch French Door Refrigerator/Freezer is available panel ready or with accessory stainless steel panels. Through temperature control, capacity, and flexibility, Signature Kitchen Suite’s refrigeration products can help you confidently keep your food fresh longer and improve on your time spent in the kitchen. To learn more, visit signaturekitchensuite.com.