Mizetto’s Summer Collection Tests Design’s Boundaries

Creative and fun, Mizetto’s Summer 2023 Collection lives somewhere between work and play. The brand has pushed its own capabilities, exploring new materials, production methods, and functionality. Made in Sweden, the latest release includes a wood chair, a versatile table with attachments, a leaning piece, modular planters, and a trash/recycling bin. All share the qualities of clean lines and curves and leave you wanting to experience each for yourself. Known for its color combinations, Mizetto has also added five new “Nordic noir” hues: rusty burgundy, cloudy latte, forest green, latte, and dusty blue.

Perhaps the most curious addition is Lumber by Addi, a piece meant for leaning, lingering, and loitering. The soft beam’s release marks the first upholstered product introduced by the brand. It’s a great answer to adding seating to small spaces, and we can’t help but note its resemblance to a dynamic piece of gymnastics equipment. A quick place to stop on the go for a coffee or email check, Lumber’s small tray-like table adds further functionality to a piece with no obvious front or back. It can even be hung on a wall for maximum space saving. Lumber’s upholstery is flameproof wool, with a cover that’s fully removable, repairable, and exchangeable. The legs are powder coated metal.

A wooden chair is new territory for Mizetto, so they turned to an expert for help – Finish-Swedish furniture designer and woodworker Sami Kallio. The Embrace armchair was a result of the brand lacking seating in their own spaces, and shortly after, Kallio walked in with a fully functioning prototype.

“A few alterations later, Embrace was born; a chair that seemingly hugs its user. I love how it can be hung on a tabletop and stacked, but still provide us with all the beauty and comfort we seek in a piece of furniture,” said Rickard Muskala, founder, and chief of product development.

Kallio is also behind the multi-purpose table in the Embrace series.

Playful, fun, and modular, Addi’s Plant Here gives our green friends a pedestal fitting of their mood-enhancing ways. The planter pays attention to the various needs of different varietals through its accessible design, whether you’re a balcony or office gardener. Features include a generous depth, transparent inner pot for easy planting, different heights, shapes, sizes, and colors. Combine two or more to form endlessly possible installations.

Trash and recycling bins are a necessity, but that doesn’t mean they have to look like one. Pelican by Studio Nooi turns them into minimal decorative objects with touchless interaction. Their semicircular shape allows for modular design, creating an oval when placed back to back. Pelican’s design is suitable for residential as well as commercial spaces, and comes in two sizes and a variety of colors.

To learn more about Mizetto’s Summer 2023 collection, visit mizetto.se.

Division Twelve’s Twigz Is Small in Stature, Big on Impact

High impact meets compact design in Division Twelve’s new Twigz café collection, created in collaboration with design duo Jones & de Leval. The furniture family’s throughline is a minimal frame with a small footprint, proving you don’t need visual heft to make a big impact. Twigz’s design details are ready to add plenty of interest to any small space, with both indoor and outdoor options available. Combine stackable chairs, benches, and tables to create a unique setup that’s all your own.

Twigz offers plenty of options to make it happen. Steel or upholstered chairs, round or rectangular table, and 20 powder coat colors are your creative playground. The one thing you won’t have deliberate is whether to play up form or function – Twigz does it all. Furthermore, the collection does so while being fully carbon neutral. Watch below to learn more about Twigz:

Flote + Opus Give a Modern Edge to Group Seating

Comfort and high design collide in Hightower’s new Flote and Opus seating collections. Both are distinct and delightful with contemporary yet timeless aesthetics and the shared feeling of being embraced.

Flote brings the support, comfort, and easy relaxation of a pool float to its sofa and lounge. The team at Hightower went through extensive prototyping during the design phase to create that just-right sit. The Flote Sofa features a generous seat that’s large enough to seat three adults comfortably, making it a great fit for a group setting, whether that’s in a commercial or residential setting. Both the Flote Sofa and Flote Lounge bring a sense of lightness to users, with their curves, extended lumbar support, and inspired details making both easy to love.

Make Flote your own with unique seam and finish options. With the choice of an oversized welt, chunky zipper, or classic double-needle stitch, the collection can be customized to suit any space on the spectrum, from traditional to trendy.

Opus is Hightower’s contemporary take on the classic club chair that’s as comfortable as it is beautiful. Minimal and versatile, its seating can provide a sense of seclusion with its small footprint. The collection includes a chair and a lounge chair, both with a metal frame and upholstered seat and back.

Both designs feature a slender frame that adds a visual lightness, and either can be utilized in a conference room or at a dining table, complementing any aesthetic while doing so. Opus allows the rest of the space’s design choices shine while providing a classic yet modern edge. Choose from numerous finish options to make this collection work in spaces of all uses and sizes.

Bring together Opus’ simple style by taking advantage of optional contrasting fabrics on the back and seat, as well as custom frame colors. Whether it’s monochrome or high contrast, this collection makes it work and looks good doing it.

To learn more about Flote or Opus seating, visit hightoweraccess.com.

Vipp Goes Outdoors With the New Open-Air Collection

There’s something new this spring at Vipp, the brand’s first outdoor furniture collection – Open-Air – has been released! Like its name, the design of the furniture visually depicts the lightness and soft shapes of durable materials that are meant to be used outdoors. The collection includes a chair, a dining table, a lounge chair, lounge tables, and sofas that pull directly from Vipp’s refined indoor furniture pieces. Open-Air matches the same durable craftsmanship, timeless design, and attention to detail that can be found throughout the brand’s history of molded metal.

The collection is characterized by strong, lightweight grey powder-coated aluminum. The strong silhouette created is then complemented with rattan, teak, and outdoor-friendly textiles. Details in teak will naturally age to a soft grey with time, fitting in well with the existing neutral palette. The seats are filled with quick-dry foam and covered in an Italian Ten Stars yarn textile that is water and UV resistant.

To learn more about the Open-Air collection, visit vipp.com.

The Monochrome Collection Brings a New Appeal To Aluminum

Aluminum in its rawest form has a very industrial aesthetic, which is the beauty of the Monochrome line by Chinese designer Ximi Li for his own design-led brand URBANCRAFT. Moved to challenge conventional processes and explore the uncertainty of materials, he showcases the malleability and flexibility of aluminum in the Basics collection for Monochrome, which consists of a bar table, dining table, chairs, and other pieces. The series is extremely straightforward due to the avant-garde application of technique so that you can see exactly where the bends and welding marks are created.

The streamlined designs have a raw yet elegant quality to them due to the sinuous lines that train the eye to follow the silhouettes. The natural form of welding scars are a unique characteristic of the collection, highlighting how and where the aluminum parts come together. Although the series appears primitive, there is precise consistency and intention throughout the design expression. The simplicity of the materiality allows the collection to adapt well to both indoor and outdoor settings.

For more information on Monochrome, visit urbancraftdesign.com.

The Doodle Collection Is Blind Contour Drawings Come to Life

It comes as no surprise that the chairs and table that make up the Doodle Collection are each one-of-a-kind. Designed by Leah Ring for her studio, Another Human, each piece of furniture resembles a blind contour drawing brought to life in three dimensions. Chaos, asymmetry, and an organic process were all welcomed in creating these unique pieces. Each features linework made of nickel-plated steel that’s been hand-bent and welded together, and the table includes a gravity-defying resin top. Ring describes the process of making the Doodle Collection as “free and exploratory” and different from past furniture pieces released through Another Human.

To learn more about the Doodle Collection, visit anotherhuman.la.

Cobra Studios’ Decor Thrives on Surprise + Charisma

Architect Kenny Decommer and scenographic designer Hugues Delaunay have otherwise been known as Cobra Studios since 2020. The Brussels-based duo work together to bring creative, sculptural furniture pieces and interiors that overflow with color, material, form, and texture to life. The studio recently launched a series of chairs, tables, lamps, sofas, and curtains. Initially designed for a specific space in the Art Deco SHELL building near Brussels Central Station, the collection can be combined with other pieces previously released by Cobra Studios for an inimitable aesthetic.

Cobra Studios’ manufacturing process for the series includes reusing and recycling materials and objects – including leftover resin stock – to bring these new pieces into the world. The original elements of the Art Deco SHELL building include travertine, marble, and concrete and have been combined with latex, clay, stainless steel, foam, resin, velvet, and aluminum. The end result is a surprising, charismatic, and chic visual experience that retains an air of fun.

To learn more about Cobra Studio’s furniture and lighting, visit cobra-studios.design.

Marusela Granell + Manu Bañó Create Beauty With Raw Materials

La verdad de la materia is an exhibition presented in Mexico City during this year’s ZONA MACO, and will be public until March 15th. Marusela Granell and Manu Bañó’s works are linked by the simple yet powerful actions of cutting, folding, gluing, and ripping. The two artists share a deep desire to create beauty through manipulation of raw materials.

While Manu employs industrial materials in a mechanical process to produce sculptural and functional objects without drawing on references, Marusela deconstructs painting by highlighting the elements that make it up. She uses worn-out tubes of oil paint and pieces of paper as both artwork and models.

Manu Bañó’s latest collection delves into the unique qualities and limitations of copper. Crafted in Santa Clara del Cobre, Michoacán, Mexico, a town renowned for its centuries-old goldsmithing heritage, the collection showcases the expertise of local artisans, who specialize in crafting small objects such as pots and vessels.

Comprising three distinct pieces – a chair, coffee table, and wall lamp – the collection is the result of a labor-intensive process involving the manual hammering of a thin copper sheet. This technique imbues the metal with both strength and a three-dimensional quality that distinguishes each piece.

Photos by Alejandro Ramírez Orozco.

The BOB Sofa System Continues Expanding Its Versatility

Blå Station is once again adding to the brand’s BOB Family – times three! BOB Solo, BOB Biz, and BOB Corner, each designed by Stefan Borselius and Thomas Bernstrand, have the ability to make the office a more versatile, worker-friendly space with their presence. Without further ado, let’s explore the details behind the designs.

BOB Solo gives one the ability to roam about at will, thanks to a set of wheels underneath its base. Two padded screens enclose the sides of the cubicle, leaving the seat and armrests on the interior. “BOB Solo is a room in the room, a nook for privacy,” says Borselius, who together with Bernstrand created the fully independent addition. A small table in massive oak is the ideal size for a laptop, book, and documents, while smaller shelves, coat hooks, cupholders, and a foldable steel table are also within reach when needed. And if your worry is connectivity, rest easy knowing there are no extension cables in BOB Solo’s design. Instead, a detachable power bank wirelessly charges smartphones, laptops, and the BOB Light Mini.

For those times when you need to collaborate in the office, there’s BOB Biz. A great setup for face-to-face meetings, brainstorming, and more, the padded screens help to create an enclosed space with good acoustics where work gets done. Versatile and flexible, BOB Biz can accommodate anywhere from two people up – just keep adding sections to increase the size. The padded screens are available in both open and closed designs.

BOB Corner is an important addition to the adaptable BOB sofa system because it now adds the ability to create 90-degree angle connections. It also allows for plants, tables, and more to be inserted into the system for better workability. BOB Corner is available as a square seat with backrests that will join together in the chosen direction.

To learn more about BOB Solo, BOB Biz, and BOB Corner, visit blastation.com.

The Banco Bench Hopes to Enhance Your Experience With Nature

Skagerak by Fritz Hansen’s new Banco Bench was originally designed by Hugo Passos as a one-off exhibition piece in 2019. After the event, Passos worked with Skagerak to develop a lighter version of the outdoor bench that would be more suitable for production. It’s now available in two versions – a double-sided or single-sided bench.

The premise behind Passos’ furniture designs is enhancing the experience in nature, with a backrest that’s organically contoured for comfort. “I wanted to make it as pleasant as possible for people to enjoy nature. The sun moves so the double bench can be used on either side, and while seeking to design a backrest for comfort I also tried to achieve beauty,” he said. “The end result is somehow reminiscent of a Japanese daruma or edamame bean, bringing a sort of unexpected softness and dynamism to the strong straight lines of the long teak planks of the seat.”

“When I first saw it in the exhibition I was really struck by its unique typology with the organic shape of the backrest and the way it can be used double-sided. But there’s also something familiar with the classic style of the two long planks of the seat,” says Skagerak design manager Ditte Buus Nielsen. “Our history is built on benches, and this fits into our family and storyline with its teak and functionality, but also offers new thoughts and expression.”

Sold as a flat-pack, the Banco Bench is manufactured in teak, a wood that’s warm in tone when new and silvery grey as it ages.

To learn more about the Banco Bench, visit skagerak.com.

Rietveld Originals x HAY Relaunch the Crate Outdoor Collection

The latest addition to HAY’s offerings is the relaunched Crate Collection, designed by Gerrit Rietveld in 1934. Today, along with Rietveld Originals, the brand has released their take on the original. Based on Rietveld’s Crate Chair, the whole of the collection is distinguished by wide planks and a low silhouette.

“The Crate Chair is a wonderful example of a product designed by an architect who was seeking harmony between architecture and interior,” said Rolf Hay, co-founder of HAY. “It’s hard to imagine something which is closer to our core design values, because it was really Rietveld’s mission to create a super cool, affordable, open-source furniture range for everybody – taking an incredibly democratic approach to design, which of course fits HAY extremely well.”

The Crate Collection includes a lounge chair, dining chair, coffee table, and a side table that feature a strong yet simple aesthetic that’s appealing to many styles. Each piece of furniture stays true to Rietveld’s vision of embodying the idea of affordable, comfortable furniture that’s both beautiful and accommodating.

Made of solid pine wood and treated with a durable, water-based lacquer, the Crate Collection works well indoors and outdoors. Easy to assemble, it’s also made to last, and is offered in a select range of colors including Black, White, Iron Red, and London Fog. Both chairs can be fitted with seat and back cushions in different colors and textiles for enhanced comfort.

Titus Darley, Director of Rietveld Originals, shared: “Rietveld’s conscious use of material forms and his aim to design furniture for the masses is very suitable for today’s generation. With the relaunch of the Crate series we actually are able to fulfill Rietveld’s dream almost 90 years after it was designed.”

To learn more about the Crate Collection, visit hay.com.

This post contains affiliate links, so if you make a purchase from an affiliate link, we earn a commission. Thanks for supporting Design Milk!

String Furniture’s Pira G2 Is a Dividing Redesign of a 1955 Classic

Typically, when someone says you’re being strung along, it’s rarely intended to communicate anything positive. But in the case of String Furniture’s modular shelving system, the design classic continues to be associated with the best of modern design – a flexible, expandable, contemporary classic with an airy aesthetic that seems to never wear out its welcome regardless of era or interior space.

If it sounds like I’m an unabashed fan, you’re not mistaken. I recently invested in a 3-panel, 12-shelf configuration for my home office to join a pair of two-tier String Pocket wall units. Designed by Swedish architect Nisse Strinning in collaboration with his wife Kajsa Strinning in 1949, the design retains an inspiring vitality inspiring organization and display.

Today, String Furniture is dipping into their archives to refresh a 1955 classic originally designed by Swedish architect Olle Pira. Designed for the Helsingborg exhibition of 1955 in 1955, the Pira G2 modular shelving system has been updated by architect Anna von Schewen and the industrial designer Björn Dahlström in time for the 2023 Stockholm Furniture Festival, which ended February 11th.

The refreshed design retains the modular spirit of the original, robust yet visually transparent. “The ambition was never to design a retro-style piece of furniture, but rather to embrace the core idea behind the original PIRA and create a taller, wider version” explains Björn Dahlström.

The shelves are made of lacquered steel sheets and secure onto extruded aluminum poles, with a choice of walnut or white oak cabinets and bookends, with each shelf rated for over 110lbs of weight capacity – more than sufficient to ease concerns of any dedicated bibliophile and/or to accommodate for a designer’s large tome library.

While adaptable as a wall-mounted storage and display piece, the Pira G2 truly shines when configured as a free-standing shelving unit, operating both as a display and room divider with each shelf creating a window to the other side and carving out smaller, more intimate spaces in the process.

I’ve been on the hunt for a room divider to visually break up a long room for months now, and at first glance the Pira G2 seems to offer everything I would hope for in a storage solution. Alas, I realized I was indeed being strung along the entire time – at least in my specific case – as the Pira G2’s 318cm max height doesn’t quiet extend sufficiently high enough to secure onto our high ceilings. But for most homes, the Pira G2’s modular sheet-steel construction should offer a centerpiece presence engineered to last a lifetime.

LAUN’s Sculptural Ribbon Collection Is Growing

Known for their California-inspired furniture designs as much as their architectural practice, Los Angeles-based design studio LAUN is expanding its outdoor Ribbon Collection. Two new pieces – the Ribbon Curved Sofa and the Ribbon Curved Bench – are joining the family of aluminum furniture. Modular in design like the rest of the collection, the curved sofa and bench can be moved around to create various seating situations to suit your needs. They were created by experimenting with the proportions and forms of the original Ribbon collection, allowing for the further expansion of its capabilities.

To learn more about the new additions to the Ribbon Collection, visit launlosangeles.com.

IKEA + Marimekko Launch Self-Care Centered BASTUA Collection

Two of the biggest Nordic brands have united to bring us the BASTUA collection, launching globally in March 2023. The limited-edition series of 26 products, created by home furnishings giant IKEA and iconic printmaker Marimekko, brings together Nordic design and self-care rituals. From furniture to glassware to textiles, vibrant patterns reflect nature back at you.

“Collaborating with Marimekko was a natural choice for IKEA as we are both committed to enabling a better everyday life at home, and with the BASTUA collection, it begins with focusing on wellness first,” says Henrik Most, Creative Leader at IKEA. “The collaboration encapsulates the sensations of endless summers and the simple and aesthetic beauty of Nordic nature in furniture and accessories for the home.”

“BASTUA” describes a sauna in Småland, the region in southern Sweden where IKEA was founded. Self-care and Nordic sauna were the starting points of the collection that’s meant to be used when relaxing outdoors in warm weather or simply winding down at the end of a long day.

The launch of BASTUA marks the first time that Marimekko has designed prints exclusively for a brand collaboration. “Capturing the essence of Marimekko’s Finnish roots and its connection to the historic origins of sauna culture was a fundamental part of the design journey and the creation of the BASTUA prints,” says Rebekka Bay, Creative Director at Marimekko. When gathering inspiration from nature, the brand gravitated towards the large, decorative rhubarb leaves that are often found growing near saunas in Finland. You’ll find it throughout the collection, including on the ever-popular FRAKTA bag.

Within the BASTUA collection lies furniture, glassware, and textiles that include robes and towels – and even the first-ever sauna bucket – among other items. These are all things one might traditionally use when enjoying a sauna, or right before or after the ritual. You’ll find elements that can be used during a meal, a place to sit and feel grounded, and even a candle infused with the scents of elderflower, rhubarb, and sweet vanilla.

BASTUA’s furniture pieces are inspired by classic Nordic design. A side table offers a clever feature: the collection’s patterned trays fit perfectly on the top. You may even want to pull up the coordinating bench to enjoy a relaxing moment of Zen.

“Nordic furniture design has always been characterized by clean lines and simple constructions that focus on function” says Mikael Axelsson, Designer at IKEA. “The BASTUA side table is my take on this heritage, as it is made of birch veneer and with a high edge that keeps things in place.”

The BASTUA collection feels like a perfect partnership, neither pattern nor design overshadows the other. It’s a wonderful marriage between two brands that complement one another in harmony.

To learn more about BASTUA, visit ikea.com.

Scheibe Design Joins Colony With Inaugural Solo Exhibit

Scheibe Design will be introducing their line of furniture to design co-op and strategy firm Colony. Led by father and son duo Tres and Nate Scheibe, the studio seamlessly blends contemporary design with traditional techniques, resulting in truly unique and distinguishable furniture pieces.

The Roebuck Collection is a beautiful display of minimalism and the pure use of materials. Comprising a bench, credenza, and nightstand, the small yet intentional design details, such as the round pulls seen in each of the four corners, were inspired by the connection points between the sides and top of each piece. The tasteful blend of materials, including wood, stone, leather, and fabric, adds a subtle layer of visual complexity, making the collection both versatile and adaptable to a wide range of spaces.

Completing the series is the Cumberland Collection, featuring a console and coffee table. Co-founder Nate Scheibe was fascinated by the immovable support found in the vertical structures of park playgrounds and aimed to recreate this in his furniture. The substantial size and monolithic quality of the Cumberland Collection’s base formations give it visual heft, while the varying tones of wood add further dimension and interest to its simple leg shape.

“Our design process begins with simple details that guide each collection as it develops. The choice to prioritize these small, simple elements creates a beautiful tension in the construction of each piece,” says Nate Scheibe. “We produce each component to have aesthetic value as well as utility, and we work to reconcile these two principles in both form and material. We hope this collection emphasizes these subtle complexities through these enduring pieces.”

For more information on Scheibe Design, visit goodcolony.com.

The Passport Work Table Brings Flexibility to Offices at Home + Beyond

Height-adjustable tables are hardly anything new. These days, they’re found beyond contract spaces in many home offices and lauded for their flexibility in providing variety and comfort to those needing to maximize their productivity. However, they are sometimes a bit of an eyesore, require access to power or feel to cumbersome to adjust manually, and they often take up a lot of space. Herman Miller’s latest offering, the Passport Work Table, takes away these pain points and adds in much needed flexibility and adjustability for those looking to level up their productivity, whether at home or in the office.

If Goldilocks were to test today’s office desk solutions, she would say that the Passport Work Table was “just right” in terms of footprint and space. The surface is large enough for your essentials (laptop, notebook, a drink of choice). Any larger and you start to impede on the flexibility of the table to fit in small spaces or the mobility of it to maneuver around the home, the latter aided by the single-column base and lightweight construction. Accessories like bag hooks and privacy screens can be added if those types of needs are necessary in a specific office (or section of the office) but they don’t increase the table’s footprint.

While there are times a larger work surface is needed, there are perhaps even more occasions when a user just needs to carve out a small space that can be easily put away afterwards (like in a home) or pulled up for an impromptu meeting (like at the workplace). The Passport Work Tables’s small size is, indeed, its biggest flex for today’s hybrid work environments.

Passport is available in two sizes: one with a height adjustment range of 12” with a 22×16″ work surface, the other with a height adjustment range of 18” and a 27×20” work surface. At a starting price of $600, Passport also offers a wide range of finishes, colors, and additional customization through accessories which help to create the perfect work desk for any office style.

For more information on the Passport Work Table, visit hermanmiller.com.

This post contains affiliate links, so if you make a purchase from an affiliate link, we earn a commission. Thanks for supporting Design Milk!

ONSEN Wins Wallpaper* Design Award for Best Outdoor Lounge

“The ONSEN collection is very simple and blends well with diverse architectural spaces. We developed it with the intention of transmitting calm, like Japanese architecture. We are inspired by rationality, by geometry, and elemental shapes that do not need heavy ornamentation,” said designers Francesco Meda and David Quincoces.

When Wallpaper* announced their 2023 Design Awards winners, Gandiablasco’s ONSEN came out on top in the “Best Outdoor Lounge” category. The iconic collection is lightweight, practical, and cozy – all things Wallpaper* considers when choosing ideal outdoor furniture. Smart decisions were made throughout the series’ design that features calm, clean, refined lines borrowed from elements of Japanese architecture.

ONSEN’s materials are chosen just as carefully, with efforts taken to maintain their natural properties. The structure of each piece is constructed from uncoated stainless-steel tubes, with the rest of the design employing repetitive vinyl straps resembling leather. Highly resistant and functional, the collection wraps up with two low coffee tables using the same steel. For their surfaces there’s a choice between thermos-lacquered aluminum – Gandiablasco’s flagship material – or iroko wood slats.

To learn more about Onsen, visit gandiablasco.com.

“Ray’s Hand” Illuminates Half of the Iconic Eames Partnership

If you’re a fan of Design Milk, you likely love the Eameses as much as we do or you’ve at the least heard of their brand. It’s nearly impossible to be part of the world of modern design and not know of the prolific husband and wife team – Charles and Ray – responsible for co-founding the Eames Office. As creators of so many iconic designs, they and their influence have been celebrated for decades.

Now, The Eames Institute of Infinite Curiosity has launched an exhibit – Ray’s Hand – that focuses solely on Ray, her talents, and the gender roles she worked against that were typical of the era. The exhibit opened on December 15, 2022 to mark what would have been her 110th birthday. Luckily for all of us, it’s free for everyone to explore and enjoy online.

Pulling from the Eame’s Institute’s collection – full of many things, including some that haven’t been seen since the Eames Office closed in 1988 – the exhibition highlights artifacts such as sketches, scraps, and tools that were integral parts of Ray’s creative process. Each item illustrates Ray’s contributions and talents, which can sometimes be seen as obscured. Meanwhile, Charles knew better, often saying “Anything I can do, she [Ray] can do better.” And he meant it. Ray’s Hand helps to shed light on the roadblocks she encountered, some of which women are still railing against today. A few of her many notable contributions to the Eameses’ iconic design portfolio include the House of Cards collection, the Time Life Stool, and the Sea Things Tray.

We had the opportunity to speak with Ray and Charles’ granddaughter, Llisa Demetrios, who is also the Chief Curator of the Eame’s Institute. She recalled, “When I would visit their office and see Ray and Charles working on projects at the office, there was always mutual respect. There is a quote by former Eames Office staffer Jeannine Oppewall in Pat Kirkham’s
book Charles and Ray Eames: Designers of the Twentieth Century that reads “…(the) method of working within relatively modest limits comes from the Eameses’ philosophy of ‘choose your corner, pick away at it carefully, intensely, and to the best of your ability and that way you might change the world.”

Initially known for her work as a painter, Ray transformed her palette into the Eames’ world of furniture, graphics, film, showrooms, exhibitions, and architecture. “I think this (transformation) is shown in how their designs always evolved from their original hands on learning. The artifacts in this current online exhibit demonstrate Ray’s exploration of solving problems and iterating on the solutions… As they collaborated, they grounded and supported each other’s creative process. I felt when I saw them working on a project at the office that each had 51% of the say in the final vote,” Llisa said insightfully.

Behind the scenes, Ray was also a set decorator, stylist, colorist, material consultant, and host – all roles that were downplayed and misunderstood at the time as small roles given to women. When in fact, Ray was a trailblazer who deserves her share of the spotlight for doing things that are now each their own individual industries.

We couldn’t help but be curious as to whether Ray had a favorite piece, category, or project. Llisa said that there was no favorite as far as she was aware, but that “… in an oral history that our friends at Herman Miller recently shared with us, she talks about her fondness for the plywood screen and for the wire chair with the two-piece “bikini” pad. Her focus was always about identifying, extrapolating, and creating for the need of each situation, in both her personal life and professional life – from a bouquet for a photograph to an exhibit graphic to a toy to a picnic to a furniture prototype.” Life was art and art was life in Ray’s eyes, and that comes through in her design work.

“When I think of Ray, I always think of her hands in motion as she was creating something – writing a note, cutting a shape out in paper with scissors, looking through a magnifying glass, arranging a bouquet, photographing a leaf on the ground, looking up something in a book, arranging seashells on a shelf, or winding up a tin toy. She always took delight and pleasure in nature – which is evident in the way they cultivated an indoor-outdoor lifestyle at their house,” Llisa said of fwhat kept Ray’s interests piqued and her mind full of inspiration. “You see it in her photographs of things like eucalyptus leaves dropped on the pathway, or geraniums in pots lined up outside, or kelp and seaweed washed up on the beach. And I think of her smile when she looked at something that was well-crafted by human hands – like a bundt cake dusted with powdered sugar or a bowl of fresh strawberries or a beautiful bouquet of roses.”

Not even Llisa realized what a design force her grandmother was until one time in college when she took the train into New York City to see Ray give a talk to an auditorium of college students. “I remember how her voice commanded the room. Everyone was listening to her every word. After the talk, we were supposed to go out to dinner – but before we could leave she was swarmed by students, professors, journalists, and old friends and acquaintances. Before that night, I just thought I was going out to dinner with my grandmother, but then I realized that if all these people wanted to hear what she had to say she must be pretty important.”

Ray’s love of functional design even spilled over into her own wardrobe. Llisa shared that Ray designed her own skirts and dresses to include lots of pockets “to hold a few coins, her wallet, a magnifying glass, pens, scissors in a sheath, little notepads, a calendar, safety pins, keys, hair pins, paper clips, a handkerchief with lace edge, grosgrain ribbons, paper color samples, business cards, a Polaroid camera – and even, on occasion, a present like a tiny Steiff bear that she gave me.” Those many pockets provided space to store, investigate, and take advantage of the world around her. “When I was little, I saw a lot of these objects as everyday, well-worn and functional… Today as a curator, I see them also as a set of powerful, well-crafted, often beautiful tools that helped her be effective in her work… Basically, she wore a fashionable toolkit.”

The world of design – and that available toolkit – has changed immeasurably since the heyday of the Eames, and we wonder how Ray would have approached all things digital when coupled with her trusty analogue tools.

“Every drawer from the Graphics Room spilled over with colorful papers from around the world, pieces of chalk in sawdust, crayons, colored pencils, paints, rubber stamps, silver/gold foils, tissue paper, and marbleized paper,” Llisa shared. The visuals she paints of the Eames Office are eye-bogglingly good. “On the tables, there were scissors, X-acto knives, paint brushes, magnifying glasses, and rulers. She was always working directly within the constraints of the materials and testing out ideas to see what worked best in 3D models.I would love to have seen what Ray would continue to do physically and what she would switch to digitally. In today’s time, I would have liked to hear her voice identifying important issues like sustainability, education, and conservation, and then talk about how to address these challenges that we are facing today.”

“The goal for both she (and Charles) to strive for was to let the design evolve from the learning. They developed a design process to address needs and solve the problems of their day. We’re continually inspired by the fact that so many of those challenges still resonate with those that we face today. Their boundless curiosity and relentless pursuit of solving problems inspired us to include “infinite curiosity” in the name of the institute.”

If only Ray could see the mark she left on designers and the industry, and it should go without saying that she influenced her granddaughter as well. “My grandmother helped shape my outlook on design. I saw from her how design was a powerful tool to assess and solve problems. I learned from Ray and Charles about how an object can become so well designed that you forget that it was ever designed in the first place – like a top or a kite. When an object like a toy has been honed for generations, its form has been slowly perfected over time with trial and error. Also, I like seeing how similar examples of an object might have evolved differently in different parts of the world.”

Ray’s Hand aims to realign how the relationship between Ray and Charles is viewed in regards to their work. In doing so, it demonstrates Ray’s contributions to what we now view as iconic designs. The larger hope is that the exhibition will continue to broaden conversations around giving women their due credit, historically and today.

To experience “Ray’s Hand” for yourself, visit eamesinstitute.org.

This post contains affiliate links, so if you make a purchase from an affiliate link, we earn a commission. Thanks for supporting Design Milk!

The Latest From Il Giardino di Corten Makes Their Debut at Maison&Objet

Looking to experience the outdoors in an unexpected way? We’re exploring Italian brand Il Giardino di Corten’s new steel solutions that made their debut at Maison&Objet earlier this month. The brand has introduced many of us to the regenerative abilities of Corten steel, a noble, versatile, and sustainable material. Corten steel transforms with weather conditions, location, and usage, while remaining maintenance-free – even after a long outdoor season. The material is also fully recyclable, giving everyone reason to stop and consider how it might be used in your next project.

La Stanza Che Non C’è (The Room That Isn’t There) is a versatile garden structure with a myriad of possible uses. Transform it into a study, a relaxation room, a sauna, and more. It’s a great space for people of all ages, with the design allowing for the customization of dimensions, finishes, and accessories. Additionally, La Stanza Che Non C’è can be disassembled, is self-supporting, and not anchored. In some cases, this translates to not requiring special authorization for installation.

When configured as a sauna, La Stanza Che Non C’è gives you the benefits of a Finnish retreat in your own backyard, in any season or weather conditions. The basic version is fitted with a front glass wall and door, and can accommodate up to six people. A mid-size model can fit up to eight individuals, and is equipped with a larger changing room that’s separated from the space by a tempered glass door. Choose to integrate a Bluetooth audio system, stove protection, a call button, and infrared protection to further personalize your space. The largest version can become a biosauna, providing lower temperatures – around 50°C – for a more moderate steam bath that’s similar to a Turkish steam room.

An outdoor kitchen and bar are a luxury, and with Convivium you’ll have all the equipment and space of a traditional indoor kitchen available to you. The modular setup made of Corten steel works with the design to accommodate cooking, serving cocktails, and easy cleanup in all weather conditions. Equip yours with an electric, gas, or charcoal grill, and with a wooden cutting board. Large storage compartments allow you to store plates, glasses, and more, while the countertop can be accessorized with spices racks, ice buckets, and cocktail trays.

The Convivium cocktail station basic set is equipped to serve as a bar, and includes a stainless steel sink and retractable tap. The connecting pipes can be hidden in the supporting legs and the top can be overlaid with a teak, beech, or Teflon working top.

A pair of Corten steel and leather outdoor armchairs – Cuordicuoio – are both comfortable and refined in woven and smooth versions. Large wooden armrests provide space for a book, a glass, or a smartphone. Amazingly, the leather has been treated to withstand the elements, allowing the armchairs to placed anywhere you please outdoors.

The e Biscotto Set includes four pieces: a round table and three matching stools. Thin but resistant, the Corten steel tops and legs give added character to the harmonious group. Lightweight in nature, each stool is designed with a cutout that allows for easy repositioning.

Looking once more to the perfectness of the circle, the Thebes Archimedes Set of cylindrical planters appear all but visually suspended in midair. The set includes planters in three different diameters and heights, each supported by thin legs. Able to be used indoors or outdoors, the trio employs a water collection system that keeps potting soil moist.

Finally, Sassopasso uses Corten steel to create a walkable path. Available in four shapes – round, oval, irregular, and heart – as well as custom made, the pieces are easy to transport and don’t require any preparation of the area before installation. The individual plates are so flat that a mower can be driven right over them when doing lawn care, and over time they’ll blend in with nature more and more.

To learn more about Giardino di Corten’s outdoor solutions, visit ilgiardinodicorten.it

This Motorized Sofa Wall Bed Unfolds in Under 15 Seconds

When you have limited space, every square inch matters during the day and at night, which is why a wall bed is a great option for those who want reclaim that precious real estate once they wake up. The daily lowering or putting away the bed can seem like a cumbersome chore though, so we can see why a motorized version like Resource Furniture’s Tonale two- or three-seat sofa wall bed would be so appealing. In under 15 seconds, the bed silently opens out or folds up with the push of a button. Because a bed is no small object, automatic sensors detect if an obstruction is in the way, whether it’s an item, pet, or person, for added assurance of safety. With its clean lines, tapered steel legs, and kaleidoscope of available leathers and fabrics, Tonale looks stylish during the day with added functionality during the night for much needed rest.

For more information on Tonale, visit resourcefurniture.com.