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High impact meets compact design in Division Twelve’s new Twigz café collection, created in collaboration with design duo Jones & de Leval. The furniture family’s throughline is a minimal frame with a small footprint, proving you don’t need visual heft to make a big impact. Twigz’s design details are ready to add plenty of interest to any small space, with both indoor and outdoor options available. Combine stackable chairs, benches, and tables to create a unique setup that’s all your own.
Twigz offers plenty of options to make it happen. Steel or upholstered chairs, round or rectangular table, and 20 powder coat colors are your creative playground. The one thing you won’t have deliberate is whether to play up form or function – Twigz does it all. Furthermore, the collection does so while being fully carbon neutral. Watch below to learn more about Twigz:
Skagerak by Fritz Hansen’s new Banco Bench was originally designed by Hugo Passos as a one-off exhibition piece in 2019. After the event, Passos worked with Skagerak to develop a lighter version of the outdoor bench that would be more suitable for production. It’s now available in two versions – a double-sided or single-sided bench.
The premise behind Passos’ furniture designs is enhancing the experience in nature, with a backrest that’s organically contoured for comfort. “I wanted to make it as pleasant as possible for people to enjoy nature. The sun moves so the double bench can be used on either side, and while seeking to design a backrest for comfort I also tried to achieve beauty,” he said. “The end result is somehow reminiscent of a Japanese daruma or edamame bean, bringing a sort of unexpected softness and dynamism to the strong straight lines of the long teak planks of the seat.”
“When I first saw it in the exhibition I was really struck by its unique typology with the organic shape of the backrest and the way it can be used double-sided. But there’s also something familiar with the classic style of the two long planks of the seat,” says Skagerak design manager Ditte Buus Nielsen. “Our history is built on benches, and this fits into our family and storyline with its teak and functionality, but also offers new thoughts and expression.”
Sold as a flat-pack, the Banco Bench is manufactured in teak, a wood that’s warm in tone when new and silvery grey as it ages.
To learn more about the Banco Bench, visit skagerak.com.
Enlarge (credit: Primate Labs)
We review a lot of hardware at Ars, and part of that review process involves running benchmark apps. The exact apps we use may change over time and based on what we're trying to measure, but the purpose is the same: to compare the relative performance of two or more things and to make sure that products perform as well in real life as they do on paper.
One app that has been a consistent part of our test suite for over a decade is Geekbench, a CPU and GPU compute benchmark that is releasing its sixth major version today. Partly because it's small, free, and easy to run; partly because developer Primate Labs maintains a gigantic searchable database spanning millions of test runs across millions of devices; and partly because it will run on just about anything under the sun, Geekbench has become one of the Internet's most-used (and most-argued-about) benchmarking tools.
"I'm really glad that people seem to have latched onto it," Primate Labs founder and Geekbench creator John Poole told Ars of Geekbench's popularity. "I know Gordon Ung at PCWorld basically calls Geekbench the official benchmark of Twitter arguments, which is the fallout from that."
Our favorites this week included the truth behind the term “burnout,” an incisive analysis of rap scapegoating, flowers for an aging icon, the beauty of noticing hidden wildlife, and an engaging look at history’s forgotten children. We hope you enjoy them as much as we did.
Bench Ansfield | Jewish Currents | January 3, 2023 | 3,358 words
I might have recommended this essay based on the excellent headline alone, but in fact the substance is the star of the show. Like many millennials, I have adopted the term “burnout” into my vocabulary as a way of describing the feeling of working too hard, juggling too much, and feeling depleted by the grinding expectations of late-stage capitalism. After reading this piece, I’ll be endeavoring to use the word differently. As historian Bench Ansfield shows, the true origins of burnout as a concept have been obscured over time. Burnout isn’t a reference to a candle burning at both ends until there’s nothing left, but to the shells of buildings left by a wave of arson that ravaged Black and brown neighborhoods in New York City in the ’70s. Much of the damage was caused by landlords looking for insurance payouts. “If we excavate burnout’s infrastructural unconscious — its origins in the material conditions of conflagration — we might discover a term with an unlikely potential for subversive meaning,” Ansfield writes. “An artifact of an incendiary history, burnout can vividly name the disposability of targeted populations under racial capitalism — a dynamic that, over time, has ensnared ever-wider swaths of the workforce.” If this were the premise of a college class, I’d sign up in a heartbeat. —SD
Justin A. Davis | Scalawag | February 9, 2023 | 4,089 words
Put aside the chewy headline for a moment. Also put away whatever you know or don’t know about Young Thug, one of Atlanta’s most influential rap luminaries for a decade, and the epicenter of a sprawling and questionable criminal investigation into his YSL crew. What you’ll find is a shrewd, fascinating analysis that combines a music obsessive’s encyclopedic genre knowledge and a Southerner’s geographical intimacy, refracted through a lens of accessible (a crucial modifier!) political theory. It ably unpacks the hydra-headed beast of gentrification and economics and policing, as faced by the young Black man who’s currently the Fulton County DA’s public enemy number one. “As working-class and poor Black Atlantans fight against displacement and fall back on everyday survival tactics,” Justin A. Davis writes, “they’re joining a decades-long struggle over who exactly the city’s for. So is YSL.” This sort of piece is exceedingly rare, not because of its form but because it demands an outlet that understands and nurtures its particular Venn diagram. Credit to Scalawag, and of course to Davis, for creating something this urgent. Required reading — not just for Thugga fans or Atlantans, but for anyone seeking to understand the world outside their own. —PR
Wright Thompson | ESPN | February 8, 2022 | 12,111 words
“No. 16 is no longer what it once was. Joe Montana now must be something else.” I haven’t kept up with American football in at least 20 years, but that didn’t stop me from devouring Wright Thompson’s astonishing profile of former 49er quarterback Joe Montana. I grew up watching the Niners (Ronnie Lott 4eva) and have fond memories of attending games at Candlestick as a child. But you certainly don’t need to be a Niner fan, a football fan, or even be into sports at all to appreciate this beautifully written and revealing piece. Thompson paints a portrait of a complicated man and an aging athlete — one of the greatest of all time — and what it’s like to watch someone else take over that throne. —CLR
Lucy Jones | Emergence Magazine | February 2, 2023 | 5,179 words
The forest path near us is a never-ending source of delight. I love being the first to see animal tracks in the snow. I look forward to the first yellow lady slippers that appear as if by magic near the marshy section, not to mention all the leaves and flowers as they sprout, and the myriad fungi that cling to the trees. Lucy Jones shares this wonder in nature (at slime molds in particular!) in Emergence Magazine. There she finds equal parts beauty, mystery, and wonder — a coveted yet all-too-elusive feeling nowadays — as she scans the forest for varieties that she’s just now starting to notice. “My eyes were starting to learn slime mold,” she writes. “My ways of seeing were altering, thanks to my new friends who were showing me what to look for. What was once invisible was quickly becoming apparent. It challenged my sense of perception. How little and how limited was my vision! How vast was the unknown world.”—KS
April Nowell | Aeon | February 13, 2023 | 4,400 words
April Nowell opens this piece with a delightful story about a Palaeolithic family taking their kids and dogs to a cave to do some mud painting, which feels like the modern-day equivalent of exhausted parents taking their offspring to McDonald’s and handing them a coloring book. I was instantly entranced. Such stories are rare, partly because evidence of children (with their small, fragile bones) is tricky for archaeologists to locate, but also because of assumptions that children were insignificant to the narrative. Nowell explains how, with the help of new archaeological approaches, this is changing, and the children of the Ice Age are getting a voice. I am ready to listen, so bring on these tales of family excursions and novices struggling to learn the craft of tool sculpting (as Nowell explains, “each unskilled hit would leave material traces of their futile and increasingly frustrated attempts at flake removal”). A Palaeolithic archaeologist and professor of anthropology, Nowell is an expert in this topic, but her vivid writing and human-based approach makes her fascinating field accessible to all. —CW
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“Burnout” is an inescapable concept these days. Its current usage, however, is a far cry from its origins in one psychologist’s appropriation of the imagery of urban arson in the 1970s, much of it instigated by landlords looking for insurance payouts. Bench Ansfield, a historian, makes the case for recognizing and reclaiming burnout’s roots as a necessary social project:
Unlike broken windows, burnout has shed its roots in the social scientific vision of urban crisis: We don’t tend to associate the term with the city and its tumultuous history. But it’s actually quite telling that Freudenberger saw himself and his burned-out coworkers as akin to burned-out buildings. Though he didn’t acknowledge it in his own exploration of the term, those torched buildings had generated value by being destroyed. In transposing the city’s creative destruction onto the bodies and minds of the urban care workers who were attending to its plight, Freudenberger’s burnout likewise telegraphed how depletion, even to the point of destruction, could be profitable. After all, Freudenberger and his coworkers at the free clinic were struggling to patch the many holes of a healthcare system that valued profit above access.
Many left critics of the burnout paradigm have faulted the concept for individualizing and naturalizing the large-scale social antagonisms of neoliberal times. “Anytime you wanna use the word burnout replace it with trauma and exploitation,” reads one representative tweet from the Nap Ministry, a project that advocates rest as a form of resistance. They’re not wrong. In Freudenberger’s chapter on preventing burnout, for instance, he exhorts us to “acknowledge that the world is the way it is” and warns, “We can’t despair over it, dwell on the pity of it, or agitate about it.” That’s psychobabble for Margaret Thatcher’s infamous slogan, “There is no alternative.” But if we excavate burnout’s infrastructural unconscious—its origins in the material conditions of conflagration—we might discover a term with an unlikely potential for subversive meaning. An artifact of an incendiary history, burnout can vividly name the disposability of targeted populations under racial capitalism—a dynamic that, over time, has ensnared ever-wider swaths of the workforce.
Known for their California-inspired furniture designs as much as their architectural practice, Los Angeles-based design studio LAUN is expanding its outdoor Ribbon Collection. Two new pieces – the Ribbon Curved Sofa and the Ribbon Curved Bench – are joining the family of aluminum furniture. Modular in design like the rest of the collection, the curved sofa and bench can be moved around to create various seating situations to suit your needs. They were created by experimenting with the proportions and forms of the original Ribbon collection, allowing for the further expansion of its capabilities.
Ribbon Curved Sofa + Ribbon Curved Bench \\\ Photo: Ye Rin Mok
Ribbon Curved Sofa
Ribbon Curved Bench
Ribbon Chair
Ribbon Lounge Chair
Ribbon Lounge Chair
Ribbon Stool
Ribbon Sofa
Ribbon Sofa
To learn more about the new additions to the Ribbon Collection, visit launlosangeles.com.
Two of the biggest Nordic brands have united to bring us the BASTUA collection, launching globally in March 2023. The limited-edition series of 26 products, created by home furnishings giant IKEA and iconic printmaker Marimekko, brings together Nordic design and self-care rituals. From furniture to glassware to textiles, vibrant patterns reflect nature back at you.
“Collaborating with Marimekko was a natural choice for IKEA as we are both committed to enabling a better everyday life at home, and with the BASTUA collection, it begins with focusing on wellness first,” says Henrik Most, Creative Leader at IKEA. “The collaboration encapsulates the sensations of endless summers and the simple and aesthetic beauty of Nordic nature in furniture and accessories for the home.”
“BASTUA” describes a sauna in Småland, the region in southern Sweden where IKEA was founded. Self-care and Nordic sauna were the starting points of the collection that’s meant to be used when relaxing outdoors in warm weather or simply winding down at the end of a long day.
The launch of BASTUA marks the first time that Marimekko has designed prints exclusively for a brand collaboration. “Capturing the essence of Marimekko’s Finnish roots and its connection to the historic origins of sauna culture was a fundamental part of the design journey and the creation of the BASTUA prints,” says Rebekka Bay, Creative Director at Marimekko. When gathering inspiration from nature, the brand gravitated towards the large, decorative rhubarb leaves that are often found growing near saunas in Finland. You’ll find it throughout the collection, including on the ever-popular FRAKTA bag.
Within the BASTUA collection lies furniture, glassware, and textiles that include robes and towels – and even the first-ever sauna bucket – among other items. These are all things one might traditionally use when enjoying a sauna, or right before or after the ritual. You’ll find elements that can be used during a meal, a place to sit and feel grounded, and even a candle infused with the scents of elderflower, rhubarb, and sweet vanilla.
BASTUA’s furniture pieces are inspired by classic Nordic design. A side table offers a clever feature: the collection’s patterned trays fit perfectly on the top. You may even want to pull up the coordinating bench to enjoy a relaxing moment of Zen.
“Nordic furniture design has always been characterized by clean lines and simple constructions that focus on function” says Mikael Axelsson, Designer at IKEA. “The BASTUA side table is my take on this heritage, as it is made of birch veneer and with a high edge that keeps things in place.”
The BASTUA collection feels like a perfect partnership, neither pattern nor design overshadows the other. It’s a wonderful marriage between two brands that complement one another in harmony.
To learn more about BASTUA, visit ikea.com.
Scheibe Design will be introducing their line of furniture to design co-op and strategy firm Colony. Led by father and son duo Tres and Nate Scheibe, the studio seamlessly blends contemporary design with traditional techniques, resulting in truly unique and distinguishable furniture pieces.
Roebuck Credenza
The Roebuck Collection is a beautiful display of minimalism and the pure use of materials. Comprising a bench, credenza, and nightstand, the small yet intentional design details, such as the round pulls seen in each of the four corners, were inspired by the connection points between the sides and top of each piece. The tasteful blend of materials, including wood, stone, leather, and fabric, adds a subtle layer of visual complexity, making the collection both versatile and adaptable to a wide range of spaces.
Completing the series is the Cumberland Collection, featuring a console and coffee table. Co-founder Nate Scheibe was fascinated by the immovable support found in the vertical structures of park playgrounds and aimed to recreate this in his furniture. The substantial size and monolithic quality of the Cumberland Collection’s base formations give it visual heft, while the varying tones of wood add further dimension and interest to its simple leg shape.
“Our design process begins with simple details that guide each collection as it develops. The choice to prioritize these small, simple elements creates a beautiful tension in the construction of each piece,” says Nate Scheibe. “We produce each component to have aesthetic value as well as utility, and we work to reconcile these two principles in both form and material. We hope this collection emphasizes these subtle complexities through these enduring pieces.”
Roebuck Credenza
Roebuck Bench
Roebuck Bench
Roebuck Bench
Roebuck Nightstand
Roebuck Nightstand
Cumberland Console Table
Cumberland Coffee Table
Cumberland Coffee Table
For more information on Scheibe Design, visit goodcolony.com.
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