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Sure has been quiet around these parts. I just checked, and it’s been a full year since a post was made here. It’s been quiet with pretty much no explanation either, so much so that it feels awkward even typing things out on the site that I used to update multiple times a week. If you’re not following along with me on Instagram, it might seem like this site just kind of vanished off the face of the internet.
Well, the good news is that I’m still as busy as ever writing and taking photos, just not here. In case you missed it, I’ve been a Contributing Editor at Worn & Wound for a few years now, and that’s taken over much of my bandwidth for writing. You’ll also be able to catch some of my writing over at Everyday Carry again soon too. But what about pens? Well, I’ve been working with Tactile Turn, doing all of their photography, running the social media accounts, and dipping my toes into product development. You can also catch my work on the social accounts of Crown and Buckle (quality watch straps).
Turns out, it’s pretty hard to keep up with a passion project when you kind of lose that passion. Do I hate pens now? Absolutely not. It’s just a lot of work to keep a site up when there are other (paying) outlets that I can channel my creativity and interests into. Without edjelley.com, I wouldn’t have ever been able to hone my writing and photography skills to the point where they can pay the bills, and I think about that all the time. A site that I started out of boredom in college let me build my skills, meet others, and eventually turn this whole writing and photography thing into a legit job. It’s wild to think about sometimes, and I think now is one of those times — hence the fact that I’m here writing to whoever may still be subscribed/reading.
Will I post a pen review again? Maybe. I’m not sure. If the mood strikes, then absolutely. If it doesn’t, then perhaps not. It got to a point here where keeping up felt like a chore, and once that kicks in, it’s almost impossible to proceed. I’m sure you can all relate. Again, I invite you to follow along with my work over at Tactile Turn, Worn and Wound, Crown and Buckle, and Everydaycarry.com.
Take care,
Ed
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One of the coolest things about being a pen blogger is that occasionally you’re asked for feedback on designs before they go into production. And that’s how we managed to get an early look at the Modern Fuel Adjustable Bolt Action Pen.
We’ll do our usual in-depth review once the final production pen arrives – but the prototype, and its concept, is definitely worth talking about in the meantime.
There is no one refill that works for everyone. It’s a challenge that every small batch pen maker faces. And that’s the idea behind the Modern Fuel Adjustable Bolt Action Pen. Andrew Sanderson, founder and owner of Modern Fuel, has come up with a pen that you can quickly tailor to suit a host or refill options.
If you’ve ever tried mis-matching a refill from one pen to another, you’ve probably noticed that different refill types require particular pen barrel and spring lengths in order to function properly. To get round this, Modern Fuel’s bolt-action pen comes with swappable parts including a couple of setscrews to alter the internal dimensions of the pen, depending on the refill length.
This setup also has another benefit. The included setscrews let you adjust how far the nib of the cartridge will extend from the pen tip, letting you customise your pen to suit your writing angle.
A small wrench lets you loosen and tighten the crown-styled bolt pin, which keeps the knock in place and also forms the actuator for the bolt action. With the knock removed, you can switch out the setscrew to suit your cartridge. The setscrew tightens into the bottom of the knock to make sure everything stays firmly in place.
The Adjustable Bolt Action Pen currently takes Pilot G2, Lamy M63, Fisher PR4, and many more refills in between. One thing worth noting is that Andrew is still working on getting the design to take Parker refills, which would make this a seriously versatile pen. Fingers crossed he manages it in one form or another.
This prototype sample features a single piece barrel which is very cool. However, this does mean the pen needs to be fully disassembled when the refill runs dry. It’s not a huge inconvenience, but I hope the final pens feature a barrel break so that you only need to take everything apart when you’re dialling in your favourite refill. Modern Fuel also have a great track record for hiding barrel breaks…
We’ll cover finishing and aesthetics in more detail later on, but even on this raw prototype, proportions and looks are on-point. Final pens will come in a choice of metals offering a range of different visual and weight options, including my favourite for those longer writing stints, titanium.
Unsurprisingly, this unique bolt-action pen has smashed its Kickstarter funding goal, but if you’d like to get in on the initial batch dropping next month, you can pre-order one here.
Stay tuned for the full review of the final production version.
Modern Fuel Adjustable Bolt Action Pen 4
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Editor’s Note: This review is written and photographed by Tim Pockett, my UK-based partner in stationery crime (even though no crimes have been committed). You can follow Tim on Instagram at @Rockett86 for some awesome EDC and stationery photos. Big thanks to Tim for putting together this killer review. – Ed Jelley
Up for review is Wingback’s latest foray into writing instruments, the Mechanical Pencil. This is the second machined stationery product from this London-based design studio, following their successful Pen Kickstarter a few years ago.
Featuring a bespoke mechanism with retractable lead sleeve, this compact propelling-pencil is a determined attempt to marry premium aesthetics with functionality.
Before we get into the details, I should mention that this sample actually features a pre-production mechanism. If you spot any scuffs or scratches, it’s because at the time of writing it was one of only two in the world and has gone through a fair amount of trialling.
If you’re familiar with Wingback’s Mechanical Pen, you’ve probably already noticed that the Mechanical Pencil shares the same geometry and compact proportions, which are all about function leading form. Ergonomics were one of the pen’s main design parameters, so it’s no surprise to see Wingback sticking to this successful formula for their pencil. But let’s talk about that in a minute.
The Mechanical Pencil’s fit and finish are superb. All outer parts are machined in Birmingham, England, from solid brass. Smooth surfaces are finished with an almost imperceptible brushing to help hide scratches. Knurling encompassing the barrel is clean and consistent.
Just below the knock, you’ll find Wingback’s logo discreetly laser etched into the barrel, with the option for personalisation on the opposite side.
Wingback’s Mechanical Pencil incorporates a custom, full-metal mechanism. Designed in-house, the mechanism is precision made in Japan (Japan being to mechanical pencils what Switzerland is to watches).
Designing their own mechanism meant that Wingback could create their own product, on par with the best propelling pencils. Not just a nicely machined exterior with someone else’s guts, Wingback’s pencil packs a few handy features.
Push down on the knock, and the pencil’s retractable lead sleeve emerges. When extended, the lead sleeve is as sturdy as if it were fixed. Keep the knock pushed down whilst putting pressure on the lead sleeve and it’ll disappear up inside the body.
This means you can drop the Mechanical Pencil in your pocket without fear of it punching a hole in your duds (and / or body parts). Being able to retract the pencil’s lead sleeve translates into portability – in keeping with Wingback’s “For the Journey” ethos. It’s a mechanical pencil I can see myself not only grabbing for sketches but also for marking up DIY jobs around the house.
The bespoke mechanism makes good use of the pencil’s wider than average, 10mm diameter barrel. There’s room for around 40 lead refills in the lead reservoir, which is about 2.4m of lead. According to Wingback, that’s 30 miles of use.
The mechanism in the Mechanical Pencil is currently only available in 0.7mm, which might not be your preferred lead size. Depending on the success of the Kickstarter, Wingback have said they may offer other sizes in the future.
To refill the pencil, the barrel needs to be removed. You’ll then be able to grip the mechanism securely when you unscrew the cap to access the lead reservoir. That’s a few more steps than required to refill your typical pencil – but due to the Mechanical Pencil’s high lead capacity, refilling will probably be an annual occurrence at most.
Lastly, it’s worth noting that there is no eraser beneath the mechanism’s cap. Personally I didn’t mind, because I never actually use mechanical pencil erasers. I’d like to say it’s because I prefer good quality, stand-alone rubbers. But, if I’m honest, it actually bothers me to have a dirty worn down piece of rubber on my nice clean machined pencil – more than I’d care to admit.
I mentioned above that Wingback’s Mechanical Pencil has been designed with near enough the same proportions as the Mechanical Pen. And just like the pen, the Mechanical Pencil demonstrates that a good design can mitigate and even harness the weight of a writing instrument to make it even more comfortable to use.
The Mechanical Pencil’s compact length sits comfortably in the hand. After two hours of use, I hadn’t experienced any fatigue in my hand or fingers. At around 40g for the brass version, it feels perfectly balanced. Details such as the knurled section, as well as the pencil’s shorter overall length, make it both easy to grip and depress the knock to advance the lead.
Having reviewed a few of their products, I’m probably starting to take Wingback’s quality of machining for granted. But the finishing on the Mechanical Pencil elevates the simple aesthetics, making for a very good-looking writing instrument.
Beyond appearance, the bespoke all-metal mechanism makes it feel like a true mechanical pencil, and demonstrates Wingback’s commitment to making a proper tool – and not just something that looks nice.
Features such as the retractable lead sleeve put it a cut above most of the competition, and complement the pencil’s compact, pocketable form. The best mechanical pencil is of course the one you have with you. And this one is far more likely to be in a pocket than the usual pointy type.
The world of high-end mechanical pencils is a very small one. But thanks to Wingback, it just got a little bigger.
Back the Kickstarter here!
The Disclaimer: Although I had to send this sample back, Wingback offered me a no-strings completed pencil once they start production. I will definitely be taking them up on that offer. No money changed hands. All opinions are my own.
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Specs:
If you were to jump into a time machine, and head back to the 1960s, there’s a good chance you’d find two things. An Accutron watch on someone’s wrist, and an Esterbrook pen on their desk. After Accutron’s boom in the 60s and 70s, they more or less got crushed by the quartz watch revolution, got sold around to a few different companies, and ended up going dormant for a decade or two. Sound familiar? Esterbrook had that same fate. Thankfully, both brands have landed in the hands of people who care about the heritage and quality of the products, and both of whom have relaunched the brands. In 2019, we saw the re-introduction of Accutron watches (now ran by Citizen) with the Spaceview and DNA, both boasting a brand new type of movement. Somewhere between mechanical and quartz (just like the original tuning fork movement) lies the new and exciting electrostatic movement. Powered by the movement of your wrist, a rotor spins electrostatic generators, which in turn charge a capacitor, which then go on to power the watch. If you’re interested in learning more about the Accutron, you can read my lengthy review of the watch over at Worn and Wound. Today, we’re talking about the Esterbrook fountain pen that’s been decked out to match the Accutron, and boy did they do a good job. Let’s take a closer look at this stunning brushed green fountain pen that honors both of these prominent mid-century brands.
This pen was provided to me at no cost for evaluation. Please form your own opinions based on these facts.
Based on the Esterbrook Camden, the Accutron is similar in size and shape, but stands all on its own. The body and cap are rendered in a rich green metal that’s treated with a brushed pattern throughout. If you’re a watch fan, you’ve probably seen an original Accutron Spaceview model in your travels. This open-faced demonstrator watch showed off the mix of mechanical and electronic tech inside, surrounded by a signature green chapter ring. Complementing the new Accutron watch, this same brushed green finish can be seen on the watch. Again, I keep forgetting that we’re talking about a pen here. Starting at the business end, you’ll notice the gold-toned steel nib from Schmidt. Moving down the pen, there’s a grip section with a nice taper in the middle that promotes a secure grip. A set of threads are unobtrusive, and do an excellent job of holding on the cap, complete with it’s sealing mechanism. The body of the pen is pretty straightforward, with its widest point just behind the threads where the cap meets body. It tapers towards the tail, and it’s all made of a single piece of metal.
All of the branding is on the cap. Instead of an Esterbrook logo on the finial, you’ll see an Accutron tuning fork engraved into a gold-tone plate. Just above the bottom of the cap, there’s the Accutron logo printed in gold. A polished gold-tone metal spring clip secures the pen to your pocket or bag. The pen is a pretty standard shape and size, fitting nicely in my hands. One thing worth noting is that the cap doesn’t post securely. This is due to the spring loaded mechanism inside the cap that doesn’t quite fit over the tail of the pen. The star of the show is the finish. It’s intriguing to look at, feels great in hand, and it’s an excellent tribute to the Accutron design language.
Esterbrook has tapped Schmidt for the nib, feed, and filling system. The nib itself is gold in color, but steel in construction. I’ve never had a problem with a Schmidt nib, and the one featured in this pen is no exception. Filling it with ink is a straightforward affair, and it writes just as expected. Smooth and silky on the paper with a medium ink flow. The internal cap sealing mechanism does a great job of keeping the nib from drying out, so it’s ready to write as soon as you take off the cap. I’ve loaded mine up with Diamine’s Evergreen, and the green pen with green ink is a pleasure to write with.
In hand, the Esterbrook x Accutron is nice and comfortable. A decent amount of the heft is taken up by the cap, which doesn’t post. So when you’re actually writing with the pen, the weight is less than when it’s capped. I like how the grip tapers just a little bit before the nib, keeping you from choking up too much on the grip and getting those dreaded inky fingers. The threads on the grip are low-profile, and do not get in the way of writing. I particularly like how the brushed finish on the pen gives it just the right amount of grip. If this thing was polished, it would be slippery as all get out. I’m glad to report that’s not the case here. Construction is quality, with all threads and parts fitting together with ease.
This is a fun collaboration from two re-born brands. I’ve enjoyed using the pen, especially seeing it alongside the watch while I had it in for review. If you’re looking for something a little bit out of the ordinary, are a fan of watches, or simply just enjoy green, then the Esterbrook x Accutron Camden is the pen for you. At $275 with a steel nib, it doesn’t represent the best value in fountain pens out there, but sometimes it’s not about that. If a pen makes you feel something, or matches something you really happen to enjoy, then sometimes you can overlook the features. The bottom line is that this is a handsome, well-balanced pen that writes really well. If you want to learn more about the partnership between Esterbrook and Accutron, you can check it out right here. Again, a big thanks to Accutron for sending the pen over, Cary at Kenro/Esterbrook for the connection, and of course to you guys for reading this.
Esterbrook Accutron Fountain Pen Review-6
edjelley
Gonna start this one off with a HUGE disclaimer. I work for Tactile Turn. This limited release was the brainchild of myself and Will at Tactile Turn. I run their social media, take their photos, all sorts of fun stuff. The sales of this pen will directly benefit me. But this is my website, with my name on it, and you should be able to talk about stuff you’re proud of on your own site, right? Moving on…
What The Heck is “Safety First”?
After flying through limited edition batches of Nebula pens and bolt actions made from exotic materials, we wanted to do something that was a little more accessible, a bit easier to get a hold of, just as much fun as the limited releases, but with a little less urgency. The result is our first timed edition. This bright orange pen will be available through the end of November. We opted for a bright Hi-Vis orange Cerakote finish on the pen (a new capability at the Tactile Turn factory) with black hardware. The pen is built on Tactile Turn’s Side Click — a titanium-bodied pen with a unique mechanism that’s super fun to play with. We hit the body with bright orange and finished the nock, release button, and clip in black. Looking at the tip of the clip, you’ll notice the ISO standard “W001” general warning sign – an exclamation point bound within a triangle. Each pen features this special engraving on the clip to round out the safety themed pen.
A Note on Cerakote:
These new pens are treated with a Cerakote finish. Cerakote is a spray on coating that’s cured in an oven to achieve a highly durable finish. The ceramic based finish is right at home on applications that require high resistance to heat, abrasion, and the like. You’ll find it on EDC tools, firearms, and now, Tactile Turn pens. If you’re familiar with Tactile Turn’s pens, the most notable feature is the tactile feel they have, thanks to the machined grooves in the body of the pen. The Cerakote on these pens does tend to fill those grooves in a bit, making that signature texture much more subtle. The pen still stays grippy, and through testing I’ve found them by no means slick.
Getting One For Yourself:
These new pens will be available for order from now (Thursday, November 19th) until the end of November. Each pen comes with a special engraved metal card to commemorate the edition. Going forward, we’ll be working on more themes. Once the current ordering window is closed, the pens are gone for good. Thank you so much for checking out the pens, and an extra thanks if you decide to pick one up!
Tactile Turn Safety First Review-2
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Specs:
Today, we’re taking a look at the EP1 Bolt Action Pen from Refyne. Refyne is a newer brand in the EDC scene, focusing on creating minimal and modern pocket carry goods with a focus on quality. Their EP1 is a pen that fits that mantra quite well. It’s compact, simple, and features a few modern design twists on an otherwise starkly designed pen. One of the best things about the EP1 is the price tag – it’s only $39. Getting your hands on a solid bolt action pen can cost double that, or more. The EP1s that we’re looking at are the stainless steel bodies with both gun metal and black PVD coatings. Let’s dig in…
The 4.53″ stainless steel body is nice and compact, perfect for pocket carry. Measuring in at 0.39″ thick, the pen is slim, but not too slim. To change the refill, you simply unscrew the tip of the pen and swap it out. Refyne opted to jazz up the check-shaped bolt channel with a copper internal carrier. I dig the look, as it helps break up the surface of the pen with a pop of orangey metal. In order to write, you’ll have to extend the pen with a small bolt screw that has a #6 Torx hole at the end. At the top of the pen, you’ll notice the deep pocket carry clip rendered in matching stainless steel. The clip is firm and sturdy, confidently holding onto your pocket or notebook.
Securing the clip down is another Torx-laden bolt that has the Refyne brand name engraved into it. Running down the length of the clip, there’s a small line broken up by the Refyne “Y” logo. Overall, the pen looks and feels solid. PVD coating is always nice to see, as it makes the pen appear different while adding a protective layer to the base metal. Construction of the pen is solid, with no visible flaws and tight tolerances throughout.
In hand, the Refyne EP1 is a great length for quick notes. Operating the bolt is a fast and easy way to deploy the refill. With a flick of the finger, you’re ready to write. I have yet to see a check-shaped bolt channel before, and I’m happy to report that it functions quite well. Both extending and retracting the pen is quick, easy, and smooth. In hand, the heft of the stainless steel results in a nicely balanced pen. It’s hard to take issue with anything about the pen’s construction or use. It’s nicely sized, a good weight, and operates just like it should.
If you’ve been looking to add a bolt action pen to your collection, but don’t want to take the lay out the chunk of cash that other brands will run you, then the Refyne EP1 is a compelling option. The pen is a no-compromises option that’s ideal for pocket carry. What stood out to me was the solid construction, unique bolt channel, and subtle modern design cues throughout. I hate to place so much emphasis on the value here because I don’t want you to think the EP1 is a cheap pen. At $39, it’s certainly not the cheapest out there, but I believe the cost to quality ratio favors the quality side over the cost side, making it a great value. Head over to Refyne to learn more about the EP1 and snag one for yourself.
Gallery:
Refyne Bolt Action Pen Review1
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Leaving the writing desk behind, today we’re looking at the 100ml Hip Flask — another offering from Wingback, the same company behind the Mechanical Pen.
Original design is king in the EDC (everyday carry) gear community. Sure, other things are also important like functionality, quality, and of course aesthetics. But the market is saturated with pens, flashlights, knives and multi-tools endlessly jumping on the bandwagons of each other’s designs.
So when Wingback offered me a review sample of their take on the hip flask, I was excited. Wingback is a relatively new pen and EDC gear maker, and their approach to machined metal product design is fresh to say the least. They start from pure nothingness, set their own parameters, and do their best to create something that doesn’t follow in someone else’s footsteps. The 100ml Hip Flask is no exception.
And as luck would have it I was off for a well-timed holiday to the Scottish Highlands —presenting a great opportunity to put their flask to the test. But before we dive into Single Malts atop craggy peaks, let’s talk about a few of the flask’s fit and finish details that may not be obvious from the pictures.
The 100ml hip is made from 316 stainless steel, the same steel high end watches are made from. It’s more expensive than Inox 304, your typical food grade steel, and more difficult to machine, but offers increased durability and corrosion resistance. Is it necessary? Probably not. But the Tamnavulin Sherry Cask Edition I kept in their during my trip tasted as if it had been poured straight from the bottle.
The flask is made up of three parts comprising a cap, body and base. All smooth parts have been finished with a fine satin brushing. Welds and joins are nowhere to be seen, testament that each part is milled from individual pieces of steel.
Having reviewed two Wingback pens, I had fairly high expectations of their flask which is machined in Birmingham, England. Even so, I was still impressed. It’s one thing to achieve a nigh-on flawless finish on something as small as a pen, another entirely on an object 10 times the size where any imperfections are on full display.
Knurling is particularly impressive, both visually and to the touch. This is a lot of metal to put through the knurling machine (which basically squashes the steel into shape) and whilst I’m not saying it’s perfect, the machining tolerances are extraordinarily tight.
Turn the flask on its end and you’ll find a bottle opener built into the base. Since I generally have a multi-tool with me, this feature is probably not something I’ll use that often, but it definitly adds to the flask’s functional design.
Wingback are masters of subtlety, and branding is consigned to the base of the flask around the bottle opener, out of view unless you go looking. Alongside their logo and laser etched map, their motto “For your journey” comes as standard unless you choose the personalisation option when ordering.
For those times when you really want to remove every trace of your previous merrymaking, the base of the flask unscrews for deep cleaning. Be aware that this part is fairly tough to unscrew. Like the cap, you’ll find another silicon gasket in here, too.
Designing a hip flask without those quintessential flat proportions is a brave move. Isn’t that deflated form the very thing that puts the ‘hip’ in hip flask? Maybe. But shaking up this tried and tired concept allowed Wingback to make something better. Especially where drinking ergonomics are concerned.
The flask’s cylindrical proportions allow for a wider mouth – which makes for a really different drinking experience. Instead of a blind glug of booze, juggled through a tiny spout with a hefty dose of air, you’re treated to an experience not too dissimilar from sipping from your favourite tumbler.
For one, you can actually see and smell what you’re drinking. Whisky drinkers like myself, or any tippler of fine spirits looking for a joined-up treat for the nose and tongue, will appreciate. Drinking from the 100ml Hip Flask just feels more civilised than any other I’ve tried.
Put simply, you can sup. Instead of glug. You can sniff the contents like a connoisseur, at the same time you tilt the flask back to take a mouthful of your favourite booze. I really didn’t appreciate any of this until I actually drank from the flask. And what a nice surprise it was.
The lid of the flask doubles as a handy measurer, holding around 12.5ml (half a standard shot measurement) so you can keep track of how much you’ve had to drink. Moreover, because the cap is big enough to drink from, two people can enjoy a dram simultaneously without having to pass a bottle ignominiously back and forth like two drunks in an alley.
How you carry your flask will likely be the most polarising consideration when it comes to the 100ml Hip Flask. Wingback have designed their flask for bag carry, and whilst it’s small enough to fit into a trouser or jacket pocket, it will never be quite as comfortable as a conventional hip flask designed for pocket-carry.
The last time I carried a hip flask on my person was at my high school prom, which is too many years ago to bare thinking about. These days when I pack a hip flask, I’m typically going somewhere worth going (usually involving a peak), which means I’ll always be taking a bag of some sort. And that means my hip flask will be in there, along with my other gear, negating any of the traditional design’s slim carry advantages. Whether in my rucksack or messenger, I found the 100ml Hip Flask was just the right size to slip into a pouch or pocket, with the knurled cap providing adequate grip when reaching for a loch-side swig.
Changing a design isn’t remarkable. Anyone can come up with a square wheel. But the 100ml Hip Flask is a mould-breaker, reinventing something we’ve come to tacitly accept. The wide-mouthed, cylindrical hip flask genuinely delivers a completely different, and far more pleasant, user-experience. For this reason, I’m fairly certain we’re going to see more hip flasks taking Wingback’s lead.
Wingback have also taken the flask’s execution extremely seriously. The 100ml Hip Flask’s superb machining makes it a nice object to look at and hold, and it instantly earned a place on my desk in between adventures (it’s empty, if you’re wondering). But this is also because it doesn’t look like a hip flask. It’s an elegant steel capsule that isn’t out of place amongst my machined pen addiction.
For me, it’s these aesthetics and the flask’s build quality that justify the price tag of £120 GBP. Yes, that’s high. But this isn’t your average hip flask. This is a flask for modern tipplers, indulgent adventurers, and any appreciator of the finer things in life. The Wingback 100ml Hip Flask is a high-end product aimed squarely at the those interested in gear that doesn’t just work, but looks and feels great too.
It’s not surprising that Wingback founder and man behind the flask, Alasdair MacLaine, hails from Dyson. I’m looking forward to seeing what he comes up with next.
Disclaimer: All opinions are my own. Wingback reached out to us and sent me the flask pictured for review purposes without conditions. No money changed hands. But I did get to keep the sample. All I did was spend hours shooting it and writing about it, as well as enjoying the occasional dram.
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Before we dive into the deep black sheeny finish of Wingback’s new Black Steel Mechanical Pen, I had better mention their Kickstarter campaign ends on Wednesday the 2nd September, in two days’ time. If you want to pick one up with a big early bird discount, once you’re finished here, teleport over to the Kickstarter campaign before it closes. It’s already exceeded its funding target 11 times over.
The Black Steel Mechanical Pen is not the first Wingback product to grace my desk. A while back, I had the pleasure of reviewing their brass version for their initial Kickstarter campaign. I’ll go into why the black finish is worth talking about in a moment, but in case you missed my earlier review, let’s recap on the pen’s main features and the company behind it.
You don’t have to be a pen enthusiast to appreciate that the Wingback Mechanical Pen is a high-quality writing instrument. Wingback founder Alasdair MacLaine started his London-based company as a reaction to disposable culture ̶ and this shows in the pen’s construction, which is built to last a lifetime. Each part has been painstakingly designed to fit together to some seriously tight tolerances. Knurling is nigh-on flawless, with each tiny diamond point looking like it’s been precision cut.
A full metal twist-action mechanism extends and retracts the nib, which is operated by twisting the pen’s knurled crown. It offers a fail-safe actuation method that can be used one-handed, and shouldn’t go off in your pocket.
With function and reliability so important to Wingback, it is no surprise they opted for the Fisher PR4 Space Pen refill, which is probably unrivalled as the most rugged and dependable ballpoint on the market. If this ink choice isn’t your bag, the Schon Design adapter will convert the Mechanical Pen to take D1 type refills.
There’s a fair amount more to be said about the Mechanical Pen’s finer details, but the bottom line is it’s a compact, comfortable to hold everyday carry pen with a well-executed design. If you want to read more about that, see my full review here.
Black might just be my new favourite finish for the Mechanical Pen. Neither polished nor matt, the Black Steel has a kind of low-light sheen that’s probably better explained in the pictures.
Every part of the pen, bar the Wingback logo, is black. It’s a ballpoint squarely aimed at anyone with a fetish for the ‘all-black everything’ look. Yes, that includes me. This darker colourway enhances the pen’s no-frills, function-led aesthetic. It is a very serious writing tool.
Perhaps unsurprisingly, given Wingback’s obsession with balancing aesthetics with functionality, the Black Steel pen is more than just a new colourway. The black finish also adds an extremely durable coating on all parts of the pen as well as lowering friction of metal-on-metal contact areas.
This is thanks to a process called “Magnetron Sputtering”, which is just as cool as it sounds. Usually reserved for mil-spec equipment and high-end watches, this metal finishing process coats the pen’s steel body in vaporised tungsten to create a black finish 9.5 times tougher than the stainless steel below. Whilst I haven’t tested it out, I’ll wager the Black Steel Mechanical Pen will stand up to the usual scratchy culprits like bunches of keys and loose change.
Interestingly, the Black Steel Mechanical Pen has a noticeably smoother twist-action mechanism when compared with the brass version. Whilst their brass pen was a little stiff to begin with, the Black Steel’s mechanism glides effortlessly from the get-go and doesn’t need to be broken-in.
The easier action is down to the carbon present in the pen’s tungsten carbide finish, which has the added bonus of reducing friction between mechanical components. This also explains why all parts of the pen have been coated, including the threads – which are usually left bare on metal pens with alternate finishes such as anodising.
Like the entire manufacturing process for the Wingback Mechanical Pen, the black finishing is done entirely in the UK. “Made in the UK” is laser engraved crisply on the pen’s mechanism, which is a nice little surprise when you unscrew the pen’s crown to the replace the refill.
The Black Steel pen arrives in an updated black fabric slip, which is a nice improvement on the larger drawstring bag Wingback used to supply. If you don’t want to chance the pen’s scratch-resistant finish, you can use the slip to protect the pen from drops and knocks. Don’t expect a big presentation box though, Wingback pride themselves on sustainability and steer clear of throwaway packaging.
There are plenty of black metal pens out there. But I’m not sure how many can boast the durability of a tungsten carbide finish. Making a black pen that shouldn’t chip or scratch with everyday use definitely isn’t easy, and it’s a leap for Wingback to go from bare metal writing instruments to black. Wingback’s latest pen is true to the company’s no-compromise, function-led philosophy, and it’s nice to see them sticking to their values by offering a new all-black finish with the longevity to stand the test of time.
The full retail price for the Black Steel Mechanical Pen is £140 GBP, but you can grab one for £95 if you pull the trigger before the Kickstarter ends imminently on the 2nd of September. The pen forms part of Wingback’s larger Black Steel Collection of EDC gear, which you can check out on their Kickstarter page.
And here’s the disclaimer: I get to keep the Wingback Black Steel Mechanical Pen featured in this review. No money changed hands for the review and all I did was spend hours of my own time using, photographing and writing about it. There were no strings attached and all opinions are my own.
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Specs:
– Brass body with black paint
– Medium Schmidt German Nib
– Cartridge/Converter Filling System
– Includes carrying case and lanyards
– $199 MSRP, $159 on sale from Pen Chalet
Ystudio is a brand that’s been on my radar for a while now. I’ve owned one of their brassing ballpoint pens for some time, and always enjoy writing with it. Like the fountain pen being reviewed here, the ballpoint is a brass base with a black paint coating that’s meant to wear away as you use it. Sure, you could go to down on the paint with the included sand paper, but to me, it’s more fun to earn your scratches, dings, and dents the hard way. The overall look and feel of the brand is very cohesive and their product design is simply stunning. Based on simple shapes and flat sides, all of their writing instruments are clearly part of a set. Let’s take a closer look at their Portable Fountain Pen. Big thanks to my pals at Kenro (the new US distributor for ystudio) and especially to Cary for leaving it at my doorstep during “these uncertain times”. Anyway, let’s dig in…
Usually I’m not super pumped on packaging, but would you just look at the box that this pen comes in. It’s beautiful. Gold foil printing, subtle text, minimal branding. I would be thrilled to get one of these as a gift. Heck, I’m thrilled to get one to check out for review. Kudos to ystudio on the presentation, it goes a long way here. It’s not all about the box though, the pen inside is no slouch either.
Ystudio’s fountain pen is a hefty brass body with six flat sides. Each side’s edge is bare brass, while the main surface of each is painted black. Eventually, it’ll fade and chip away, showing the wear over time. I’m excited to see how the finish will wear on a larger pen. The fountain pen is considerably larger than the ballpoint, but it’s by no means huge or unwieldy. In hand, it’s comfortable to write with. The cap slips on and seats with a slight click, but due to the shape of the pen, it’s not able to post on the back.
If I had to nitpick one thing about the pen, it would be the grip section. This is personal preference, but I tend to favor a wider grip. The one on the ystudio is quite thin, tapering even further from the body to the nib. It’s not much wider than the housing of the nib itself. Fortunately, the brass body allows the pen to set itself comfortably in your hand, so you don’t have to use your kung-fu grip to keep the pen under control.
The nib itself is a #5 gold-toned steel nib from Schmidt. Right out of the box, it wrote smooth and had a nice medium flow. This nib is tried-and-true, and all of the examples I’ve used of the same model have been without issue. I tend to prefer a custom nib, or at least some custom engraving on the nib for a pen of this price though. Since the brand is on the smaller side, I can understand why, but it would still be cooler to have a more minimally designed nib to match the aesthetic of the rest of the pen. I think I would even prefer a completely plain, undecorated nib with this pen. Something about having another brand’s name on your beautifully-designed product is kind of like when a car dealership adds one of their stupid logos to your car. (Note to self: change the license plate frames on your car). Overall, the writing experience is nice. The cap is quick to come off, the nib is nice and smooth, and the cartridge/converter filling system is reliable and easy to use.
One thing that hasn’t been addressed yet is the “Portable” nature of the ystudio Portable Brassing Fountain Pen. By default, pens tend to be a pretty portable item. Throw em’ in your pocket or bag, and you’re good to go. Ystudio included a carrying case that the top of the pen threads through with a hole for a lanyard. You can put the pen in the case, attach the lanyard, and if you feel so inclined, wear this sucker as a necklace. While I will not be necklace-carrying the pen, it’s cool that it comes with the case, and I like the look of the lanyard and brass bead attached to the cap, even if I’m not securing to the outside of a bag. The carrying case also protects the pen, but this is a pen you want to knock around a little bit and show some wear on. Since the cap does not thread on, it makes sense to have a little more protection between you and an uncapped fountain pen floating around in your bag. The case isn’t entirely necessary, but it is a cool looking little addition that I’m sure some will find use in.
Ystudio’s Brassing Fountain Pen is a solid entry in ystudio’s lineup. It’s elegant, designed really well, and feels great in hand. While I would prefer a more custom (or even more plain) nib option, the pros outweigh the cons. I’m excited to get some wear on the pen and see how it looks after some use and carry. Big thanks to Cary and Ryan over at Kenro for sending the pen over for review.
If you’re interested in picking one up for yourself, hit up this Pen Chalet affiliate link. Use the code “JELLEY” at checkout for 10% off your order too!
Please note, if you decide to purchase this pen through the link, I will receive a small commission based on the sales. I try to keep all of my reviews as neutral as possible, but please use your own judgement and do your own research too.
Ystudio Portable Fountain Pen Brassing-9
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Big thanks to Modern Fuel for sponsoring edjelley.com! Modern Fuel is a design outfit based out of Austin, Texas that machines high quality pens and pencils in a variety of different metals. The thing that stands out most to me about their products is the excellent fit and finish. You can check out my past reviews of Modern Fuel goods, and hit the link below to check out their shop. Andrew at Modern Fuel is offering a free pen/pencil sleeve with any purchase with the code “FREESLEEVE” at checkout. Thanks again to the brand for sponsoring the site!
Modern Fuel Pen-11
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Keegan over at One Star Leather was cool enough to hook it up with a big ol’ box of his handmade leather goods to give away through the site and social channels.
First up, we’ve got a Park Sloper Senior in beautiful deep brown leather. This wallet/pocket notebook folio is on the larger side, but still pocket-friendly. It fits a standard Field Notes book, some cards and notes, and has a sleeve for a full sized pen on the right side. I’ve thrown in a Pilot Explorer to sweeten up the deal. This first giveaway is being hosted over on my Instagram.
Don’t have an Instagram? Well, don’t worry — the next one will be hosted right here on the blog and it will be easy to enter. There’s plenty more to give away.
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The Grovemade Titanium Pen and Stand is pretty much exactly what the name implies. It’s a titanium pen with a stainless steel and walnut stand from a company that brings you premium desk, home, and EDC accessories.
Refill: .6mm Schmidt P8126 rollerball
Material (pen) : 6Al-4V Titanium
Material (stand): 1018 Stainless Steel, American Black Walnut, Eastern Hardrock Maple, Natural Cork
Dimensions (pen):
Dimensions (stand):
Today, we’re taking a look at the first writing instrument available from Grove Made. While I haven’t had any hands-on experience with their stuff before, their line of desk accessories has always been on my radar. Maybe it’s time to bite, considering that I’m staring at a stack of notebooks holding up my iMac that I’d rather be writing in. Anyway, back to the pen. It’s loaded up with a twist mechanism, machined from titanium, and takes a Schmidt capless rollerball refill. It also comes with a nifty little wood and steel base to proudly display the pen on your desk. There’s not a whole lot going on here, but the little details are what makes this pen stand out from the pack.
The pen has three flattened surfaces on it to keep it from rolling all over the place on your desk. Each side also provides a surface for your fingers to rest on, ideal if you hold your pen with a triangular grip, but less than ideal if you don’t. It’s not quite as corrective as say a Lamy Safari grip, but it does tend to guide your grip to the flat surfaces. Two of these surfaces terminate about 1/4 inch from the top of the pen, while one goes all the way to the end. This elongated flat spot allows the pen to sit flat on a desk. The design is also carried over to the twist mechanism on top. As for branding, Grove Made keeps things to a minimal here. Their logo is engraved into the top of the twist mechanism, and on this titanium version, the elemental symbol (Ti) is engraved into the body of the pen. It looks an awful lot like the BigiDesign logo, which I’m sure they didn’t intentionally do.
In hand, I’ve found the pen to be a nice medium weight. There’s some heft there, but not so much that you’ll tire from longer writing sessions. I really liked how tight the tolerance around the tip of the refill is. There’s no wiggle or annoying “click” when you lift and depress the pen between letters or words. This is one of the bonuses about taking a single type of refill – the tip can be fit exactly to it.
Speaking of the refill…Inside the pen, there’s a Schmidt capless rollerball that leaves a nice wet line as it glides across the page. To replace the refill, you simply unscrew the twist mechanism and you’re presented with the refill inside. It’s quick, easy, and straightforward.
One of the cooler things about the pen is the walnut and steel base that comes with the pen. It’s built like a tank and proudly displays the pen on your desk. If you desk happens to be decked out in other Grove Made accessories, it’s bound to give a cohesive and neat look. On my absolute trainwreck of a work desk, it’s probably the cleanest thing on there. Shoutout the 150 loose paperclips, unused stickers, bottles of ink, and random notebooks.
Overall, the Grove Made titanium pen is nice. It’s built well, uses a nice refill, and is presented in a sleek and premium manner. While it’s not going to change the pen world dramatically, it’s a nice addition. If you already have a desk decked out with their other stands, organizers, and mats, then picking this up is a no-brainer. You can snag your own from Grove Made in either Brass, Black Aluminum, or Titanium right here. They start at $60 for the aluminum, $80 for the brass, and finally $100 for the titanium. Thanks for reading!
This pen was provided free of charge to review by Grove Made. All opinions are my own, and I was not monetarily compensated for my review.
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When the Number 9 Mechanical Pencil blipped on to my radar, I was certainly intrigued. As a self-confessed machined pen addict, I knew that high-end clutch pencils from small batch machinists are pretty damn rare. So rare, in fact, that I don’t think I knew of any before I started this review.
Enter the Number 9 — a hand machined mechanical pencil with a hexagonal metal body and ‘Sharp-style’ internal mechanism. This is the creation of Lindsay Wilson, a Scottish engineer and inventor based in Edinburgh.
Having hand made a number of bespoke pens, pencils and custom parts for writing instruments on his lathe, he decided to make his own mechanical pencil (or ‘pencils’, depending how you look at it) and offer them up to anyone else willing to back his Kickstarter. Launched on October 30th, the Number 9 Kickstarter has already passed its initial funding goal. Let’s take a look a closer look at the Number 9 and some of the options available.
The Number 9 reviewed here are made from stainless steel (brass and aluminium are also available) with a Pentel 200 internal mechanism. There’s not much to say on the trusty 200 – only that its good innings are testament to its popularity among drafters, engineers, architects and the like. It’s a rock solid ‘clutch’ mechanism that’s both sturdy and reliable, with a capped eraser that’s also included in the Number 9.
But it’s the metal body, machined from bar stock, which sets the Number 9 apart from your off-the-shelf mechanical pencil. Six hand brushed satin faces make up the hexagonal body, each divided by a crisp edge – there’s no rounding like you usually find on production pencils.
The Number 9 is offered in a host of grip styles, and the three reviewed here are examples of the main styles available; Plain, Grooved and Knurled. Plain continues the hexagonal body right down to the cone of the mechanism whilst Grooved adds a series of 10 channels cut into the body. Both of these grip styles have the option of a high taper, shown on the Grooved version (above), or a low taper like on the Plain pencil (below).
The knurled grip option is offered in two versions: ‘Continuous’ or ‘Interrupted’ (review sample). The interesting thing about the knurling on these is just how perfect it is. It turns out Lindsay doesn’t use a traditional knurling machine that squashes the metal into shape. Instead each ‘knurl’ is cut out of the barrel with a series of crisscrossing channels – check out the video on the Kickstarter to see what I mean.
The Number 9 breaks down by unscrewing the cone at the front end which frees the mechanism to slide out the back of the body. This means that there’s no need to get hung up on your lead choice as you can always switch the mechanism with a stock Pentel 200 later. Refilling is done via the eraser as with most clutch pencils.
Lindsay offers the Number 9 with or without a pocket clip. Clipped versions feature the original Pentel 200 pocket clip which is held in place by a groove on the barrel. In my view, the Pentel clip just looks a bit cheap on these but since I wouldn’t pocket carry a mechanical pencil anyway, this didn’t bother me.
The Number 9 feels great in the hand. Spin it in your fingers and you can feel each of those six crisp edges and smooth faces. The standard of machining is flawless and each has tactile and quality feel you’d expect from a writing instrument of this price (and higher). The steel versions reviewed are surprisingly light, even lighter than off-the-shelf metal pencils such as the Rotring 600.
When I first saw the range of Number 9 options, I wondered which I’d prefer. But after having the privilege of comparing each side-by-side, I can honestly say all are very comfortable to hold and use for extended sketching / writing stints. Your own mileage may vary but I’ll run through how each style felt in my large(ish) hands.
Knurled Interrupted feels very similar to your typical mechanical pencil, and the knurling is very grippy without feeling harsh. The 7.7mm diameter of the grip left me feeling a fair amount of my own fingers when writing, so this grp style may be better suited to small to medium sized hands.
The Grooved High Taper option was a great fit for my fingers, providing good grip and allowing me to hold the pencil closer to the lead, which I tend to do when drawing little details or margin notes.
Plain low taper was interesting. Once I found the sweet spot, just above the taper, I forgot about grip entirely. However, I did notice the cone would very occasionally unscrew a little during use – probably because of my tendency to grip the pencil closer to the point.
For me, the deciding factor for comfort was actually the high or low taper rather than the grip style. If you tend to hold your pencil further back, low taper should suit you fine. If you want to be able to grip wherever or like me tend to grip closer to the lead, the high taper is probably your best bet.
I’m going to try hard not to gush but… I’m a huge fan of the Number 9 Mechanical pencil. The look and feel are genuinely exceptional. There’s something about the precision machining that just suits the form and function of a mechanical pencil so well.
Couple this with the fact that Lindsay has clearly thought heavily about ergonomics, and the Number 9 is a very high quality pencil range that feels more than reasonably priced.
Whether you sketch technical drawings for a living or just want to add a stunning clutch pencil to your collection, you won’t be disappointed with the Number 9, whichever option you choose. I’m pretty excited to see where Lindsay goes next with his foray into writing instruments.
(funding has been met, and the campaign ends in
4 days on November 29th, 2019.)
And here’s the disclaimer: I get to keep one of the pencils above as a free sample for this review. I’m afraid I can’t tell you which one, because I am having a very hard time deciding which two to part with. No money changed hands for this review and all I did was spend hours of my own time using, photographing and writing about them. There were no strings attached and all opinions are my own.
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Specs:
Today we’re taking a look at the “Pocket Six” – a pocket sized fountain pen with a big ol’ #6 nib. I wonder where Ian at Schon Design got the name for this thing anyway? The model we’re taking a look at features an aluminum body with some seriously crazy anodizing with a brass grip and steel nib. Each pen is machined in Ian’s Philadelphia-based workshop and is entirely made in the USA (with the exception of the German nib). Let’s dive in and break down the Pocket Six.
The Pocket Six fits in well with Ian’s other pen designs — largely cylindrical with a few design flairs throughout. Made to post, the grip and body are quite small, but when the cap is screwed onto the back (by way of a beefy set of threads), the pen transforms into a full-sized writing machine. The cap has a dome shape to it, while the tail on the body features a flat threaded plateau. All sides of the pen are anodized, which both protects the raw aluminum underneath and makes the pen look straight up wild. I mean, do you see this thing?
Ian calls this finish “Amphibian” – it’s a gold yellow base with a green splotchy overlay that just looks incredible. If you scroll through the rest of his offerings, you’ll see just how intricate and unique all of the anodized patterns are. The finish is smooth and even — a seamless experience throughout.
Back to the pen itself. The Pocket Six is a straight cylinder from cap to grip. The transition from body to grip does have some threads, but they don’t really get in the way while writing. A slim grip that’s tapered on both sides (no inky fingers here) results in a break in the otherwise straight lines of the pen while providing a comfortable writing experience. At the end of the pen, you’ll find the namesake #6 nib – something I’ve only seen on this pen and the Kaweco Supra. It’s not often that you see a pocket pen with a full sized nib. Now, about that nib…
Like the rest of my pens from recent years, I opted for a broad nib. Ian checks each one before he sends them out the door, ensuring that you get the best possible writing experience you can from a Bock #6. I don’t have any beef with the Bock nib. They’re used a lot throughout the industry. I’ve found them to be smooth enough, middle of the road flow, and reliable – excellent for both beginners and the seasoned fountain pen veteran.
To fill the pen, you have to use an international short cartridge. Kind of a pain in the neck if you like bottled ink. You can refill the cartridge with a syringe or just use some pre-loaded cartridges. For me, I’ll probably just continue to use the cartridges. I’ve yet to find a worthy converter that’s the exact size of an international short cartridge. If you happen to know one that works, sound off in the comments below!
In the hand, the Pocket Six feels good. Once capped, it’s a nice size, especially for a pocket pen. The grip is comfortable and I enjoy the extra heft provided by the brass option. Ian’s construction and machining are both top-notch. Threads throughout are smooth and easy to turn, the cap is sealed with an o-ring to prevent inky pocket catastrophes, and it feels tight overall. If you try writing without the cap posted, you’re going to have a bad time. Unless you have the world’s smallest hands.
I’ve been enjoying the Pocket Six quite a bit. It’s large enough so that it’s not strictly a pocket pen when posted, so it’s been spending a lot of its life on my desk. The solid construction, US-made origin, slick design, and unique anodizing make it an excellent option for those out there looking for a smaller pen. I get Kaweco vibes (which is a good thing), but the pen totally stands on its own. It fits in great with the rest of Schon Design’s offerings, and I’m excited to see where he takes it in the future. You can snag your own Pocket Six at the link below.
I bought this sucker with my own hard-earned cash. Please compare this review to others where the pen was given to me for consideration – I think you’ll find they’re largely similar. I value integrity, and I hope you do too. Thanks for reading!
Gallery:
SCHON DESIGN POCKET SIX FOUNTAIN PEN REVEW-1
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Once in a while, a design comes along that shakes things up. Sometimes it’s such a simple change, you’re left wondering why no one did it before. This is what the TiScribe has done for bolt action pens.
The version reviewed here is the TiScribe Mini, the latest retractable pen from machinist/product designer Kelvin Verret and his pen company, Urban Survival Gear. Chronicled in his Instagram stories, Kelvin has been refining his TiScribe bolt action pen design with every iteration, whether it’s improving ergonomics, shaving a gram off here and there or trying out new high grade titanium. Up until now, the TiScribe has only been available in a full length 140mm (5.58″) G2 refill option (see pictures). The latest “Mini” version offers this innovative design in a new compact format for Parker refills.
The TiScribe Mini’s aesthetic is all business. Almost every part is machined from titanium and stonewashed —which is great at hiding dings and scrapes. The tumbled finish gives the pen a uniform matt grey appearance that’s punctuated by five polished grooves milled into the barrel for grip. The simple design and rugged finish means it’ll probably last a few lifetimes.
But despite its function-led design, the TiScribe has an unmistakably sleek and minimalist vibe. Unlike some Every Day Carry (EDC) pens, the Mini will slip tastefully under the radar —just as easily in the office as in the top pocket of an overall.
Machining and finishing are to a high standard, which makes the TiScribe feel like a well-made, quality pen. Bear in mind that over time, scuffing will occur on the visible areas of the bolt due to the titanium components rubbing against each other. That said, the tumbled finish hides marks pretty well and I actually like the character it adds to these working parts of the pen.
TiScribe pens offers a fair amount of customization potential thanks to their modular design, so you can bling them up if you’re inclined . The tip (which you remove to change refills), cap and clip can all be swapped for different metals and finishes, with some exotic Mokuti and Timiscus options available alongside brass and copper.
Packaging is very simple and the TiScribe Mini arrives in a two part plastic tube with some basic instructions and a foam insert. Not being a huge fan of packaging, this was a plus for me. I’d always rather see the money go into the product itself, or spare parts if possible. Inside the pen was a Schmidt Easy Flow, which I switched out for my favourite refill (an Itoya Aquaroller).
Slender proportions give the Mini a finesse seldom found in machined pens. In my view, the name ‘Mini’ might be an overstatement (or is that understatement?) for a pen that ultimately takes Parker refills. But I like the size. It’s just big enough to hold its own as a daily writer and just small enough to be easily pocketable.
The titanium used for the Mini barrel is 3AL-2.5V, which is lighter and stronger than the usual 5AL choice for Ti pens. Coupled with the 9.5mm diameter barrel, it’ll suit plenty of hand sizes. 19 grams feels remarkably light for a titanium pen, and the Mini feels much lighter than even comparable pens like the Maxmadco.
The TiScribe is up there with some of the most comfortable machined pens I’ve ever used, and that is one of the Mini’s major strengths. The grooves on the barrel are chamfered to provide enough grip without digging into your fingers. It’s streamlined form, lightweight build slim width means you can completely forget about it whilst writing. Or when you’re deftly spinning it in your fingers.
The bolt action mechanism is the thing that really sets the TiScribe apart from the competition. Your typical bolt action pen works by sliding a little button on the side of the barrel through a ‘J’ or similar shaped slot. Whilst it’s a much more secure mechanism than your average clicky ball-point, the downside to this design is that this bolt button adds a protrusion that can sometimes get in the way when writing.
The TiScribe dodges this issue by combining the pen’s pocket clip with bolt control. The pocket clip is fixed securely to the internal bolt, and can travel along the J shaped slot in the barrel. To extend the nib, you simply slide the clip down and across, where it will click into place.
From the side, the TiScribe’s clip’s mounting looks like a solid chunk of metal and provides a good surface area for pushing against as you operate the bolt action. It’s extremely easy to use, and makes a satisfying “clack” as the bolt slides into place.
One thing worth noting is that there is a ‘correct way’ of operating the pen, which is detailed in the instructions. Essentially you need to push down on the top edge of the clip (where the screws are) to avoid pressing the clip’s point into the pen which can scratch the barrel as you extend and retract the nib. The ‘right’ way is fairly intuitive so I wouldn’t class this as a negative, and either way scratches are well hidden by the stonewashed finish.
Considered in isolation, the TiScribe Mini ticks all the boxes of a great bolt action EDC pen. It’s well made, comfortable to hold and easy to use. The rugged, understated look will suit a lot of preferences and the personalisation potential opens up a lot of styling options if you’re inclined. At $89 (pre-order) for the base product, the price-point feels pretty competitive for what is a high quality titanium retractable pen.
But where the TiScribe Mini really shines is its original and innovative design. It may not sound like a lot, but the it could have just as easily been designed with a bolt button. Kelvin decided he’d switch up the tried and tested approach and improve upon it – finding a solution to perhaps one of the only disadvantages of a design that’s still readily embraced by other makers.
In my opinion, the TiScribe isn’t just another bolt action pen. Combining the pocket clip with the bolt control feels like a logical improvement on a design that’s been out for a while and largely gone unchallenged. It’s a bold statement, but I’ll say it: The TiScribe may just be the Mk2 of bolt action writing instruments. And now offered in the small-format, Parker compatible Mini, it’s sure to appeal to a great many gear nerds and stationery addicts alike.
Click here to learn more and pick one up for yourself.
Disclaimer
The TiScribe Mini was provide to me as a sample for review. All views are my own and are in no way influenced by anyone else. The full size TiScribe pictured alongside was purchased at full price with no regrets .
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The Wingback Mechanical Pen is a brass twist-action from the UK-based design company, Wingback. Founded in 2014, they offer various everyday carry (EDC) goods designed in-line with their core principles: to be a pleasure to use, designed to last and to get better with age. Let’s see how their first foray into writing instruments stands up against these values.
As far as pens go, the Wingback appears to have a very simple design. Other than a knurled grip and twist mechanism, which frame a polished brass barrel, that’s pretty much it. And I like that. Because when a pen is machined this well, it doesn’t need much else.
Every part of the Wingback has been finished to a high standard. The finely brushed surface of the brass barrel has a deep matt sheen, which contrasts with the knurling. And the machining of the knurled parts is also top notch. Turn the pen and you’ll notice just how consistent each diamond point is as the light catches it.
Mine did arrive with a few very small scratches, but when I reached out to Wingback, they explained it was something they’d addressed with their machinists and was only present on their very first batch. To be honest, after I started using it, these were soon eclipsed by patina and the inevitable little use marks.
Towards the back of the pen you’ll find “Wingback” subtly laser-etched on the barrel. Alongside the standard pen reviewed here, Wingback are teaming up with various designers, illustrators and tattooists to launch some limited editions featuring intricate laser-etched designs.
The only packaging the pen arrives with is a fabric bag and card with a message from the founder and designer, Alasdair MacLaine, outlining their brand values and highlighting that all their packaging can either be reused or recycled. The lack of a box or other packaging definitely took me by surprise. Nevertheless, it is in keeping with Wingback’s conscientious approach towards reducing their carbon footprint.
The size of the Wingback gives it a great feel in the hand and the knurling provides just the right amount of grip without feeling sharp.
The pen’s shorter length, weighty brass construction and wider than average diameter give it a solid, compact feel. Although I usually prefer lighter pen materials to brass, the Wingback feels comfortable to write with. It’s difficult to explain, but it really doesn’t feel heavy once you’re writing – any weight seems to be centered on the ballpoint nib, which means there’s no need to push hard.
When I first started writing with it I figured the pen for a quick jotter – but after longer periods of use I didn’t notice fatigue or discomfort. If you’re looking for a lighter option, Wingback are also launching a stainless steel version which is 5 grams lighter than the brass pen.
A half-turn, twist-action mechanism extends and retracts the Wingback’s nib. Fresh out the bag, I found the mechanism to be a little stiff but after a week of use it had broken in nicely.
Thanks to the knurling on the Wingback’s body, which is just the right distance from the mechanism, you can securely grip the pen with your little finger (or Digitus Mi’nimus Ma’nus if we’re being technical) whilst you twist the knurled knock with your thumb and index. This allows you to easily operate it with one hand.
The single-piece body means there’s no risk of accidentally unscrewing the pen when you turn the twist-top. It’s something that can be easily overlooked and it’s a pet hate of mine with many metal pens. Kudos to Wingback for making sure their pen doesn’t have this problem.
I didn’t truly appreciate the engineering behind the Wingback until I took a look at the internal construction. Twist the knurled crown anti-clockwise when the nib is retracted, and with a bit of effort the whole mechanism unscrews.
Even on this seldom seen part, build quality is remarkable. The mechanism itself is almost entirely made from brass and consists of a bolt carrier (with the knurled top) which is held in an internal sleeve. The sleeve itself screws deep into the pen on sturdy brass threads and is secured with a rubber O ring – the reason why it takes a good grip to unscrew.
The Wingback’s retraction mechanism is very simple. It’s definitely not going to wear out or jam, there’s no chance of it going off accidentally in your pocket. They could have just anchored the twist mechanism in the body, and had the pen break in the usual place where you grip it, like most designs, but that would cause the issues we’ve talked about. And this way, you get to appreciate its construction every time you refill the pen.
The Wingback is entirely designed around the Fisher Space Pen refill, which loads into the back of the pen after you’ve unscrewed the twist mechanism. Unfortunately the pen’s spring isn’t captive, and spares aren’t included, so you’ll need to be careful when you change over the cartridge.
By opting for the Fisher PR4 refill, Wingback have ensured their pen takes on all the traits of this resilient, write-anywhere cartridge. It’s a refill choice consistent with the rugged simplicity of the pen, and it’s easy to imagine the Wingback becoming the companion of designers, architects and anyone else who needs something they can write with anywhere or on anything.
That said, the Wingback’s pre-set refill option is a bold move. It’s rare you find a machined pen that doesn’t take the usual Parker or G2 refill selection, and its sure to alienate a few people out there. As a diehard gel fan myself, I assumed I’d probably find the Wingback a fun pen for occasional use or perhaps some extreme writing space pens are known for. But ultimately I didn’t see it replacing my pens loaded with my favourite refills.
Yet unexpectedly, after carrying the Wingback as my regular pen for the last month, I haven’t found myself missing my gel pens as much as I thought I would. The Fisher refill is definitely a cut above your typical ball-point and thanks to the Wingback’s ergonomics it’s very easy to write with. The consistent flow and resistance to smudging has already made it my preferred choice for quick note taking on the move. If you’re an established gel fiend but have yet to try the Fisher PR4 – definitely don’t rule it out. I was surprised.
Although I liked the rugged look of the Wingback when I first set eyes on it, I wasn’t instantly grabbed. That all changed as soon as I held it and got a closer look. And the more I used it the more I began to appreciate that it isn’t just another retractable metal pen jumping on the bandwagon. It’s a fresh design that has had a serious level of thought go into every aspect.
I’ve used and owned many nice retractable pens that look great but require you to make allowances when it comes to functionality – whether it’s a chronic unscrewing barrel, slightly awkward mechanism or something else. The Wingback feels like it was designed with issues like these solved first and aesthetics coming after. The design sacrifices nothing for function: It’s comfortable to write with, consistently easy to use, and has a secure mechanism that rivals the best bolt-action.
Form has been entirely lead by function. And that gives the Wingback Mechanical Pen a very honest feel. “Less but better” is the company’s motto, which is printed on the card in the bag. As someone who works in marketing, I always try to take company slogans and branding with a pinch of salt. But their words really do apply to this pen.
The lack of refill choice is probably my main gripe with the Wingback, however I’m not 100% sure I can really stand by it. Wingback assessed the refill options and decided on arguably the most reliable and certainly one of the most popular out there. If they’d gone with the typical one-size-fits-all approach to take the usual gamut of refill options, their pen wouldn’t look and feel like it does.
There are no compromises here – sliding a fresh refill in the Wingback is like loading a bullet. There’s no rattle, nib wobble or loose parts. Everything feels solid and precise. And the dependable Fisher PR4 feels like a very appropriate match for this uncompromising pen. Gel users (like me) can either jog on, or get onboard.
The Wingback Mechanical Pen is available on Kickstarter at £63, and will retail at £95 once the campaign ends. The full price is slightly north of some machined pen RRPs – but once you get one in your hand, I’m fairly confident you’ll be able to tell exactly where your money’s gone.
Disclaimer: I received the Wingback Mechanical Pen for review purposes without condition and (other than the sample itself) without compensation of any kind.
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Tactile Turn’s bolt action offerings have recently undergone a little bit of a facelift. Initially when speaking to Will (oh hey, Will and I are buddies. I photograph all of his pens in exchange for money. Please form your own opinions about this review), I was skeptical about a refresh of his bolt action pens. They were formerly known as the Slider (short one) and Glider (long one) and I thought they were some of the coolest out there. The C-Shaped bolt channel, nice action, premium finishing, and ridged grip pattern from top to bottom. Did they need a facelift? I thought they didn’t, until I got my hands on this new batch. You can go back through the archives and see my reviews of his previous bolt action pens, then maybe come back here so we can run down the differences.
It’s all in the name. The “Slider” and “Glider” sounded cool, but they didn’t tell a whole lot about which was the long one and which was the short one. Luckily, that’s not a problem anymore. The Tactile Turn bolt action pens are now known simply as the “Bolt Action” and “Bolt Action Short”. Now, onto the physical differences. Let’s start with the bolt channel and action. On the older model, the channel was C-shaped. It took a mild amount of effort to click the pen into the writing position. There was a bit of a learning curve involved (it’s not that hard, we’re just extending a pen here) since the shape was outside of the norm. There was also a large exposed open section in the body of the pen when the refill was open. That is no more. On the new Bolt Action, you’ll find a buttery-smooth J-channel that “clicks” more naturally. It’s oriented lower down on the pen, so the bolt itself is now large enough to cover the void that existed on the previous model. Inside, a heavier spring adds some welcomed resistance to the click action as well. The feeling is a bit less rattly, and a lot more premium.
Topping off the Bolt Action, there’s now a polished flat surface that replaces the previous dome. Overall, the pen looks a bit more streamlined. I definitely dig it.
Moving to the tip of the pen, you’ll notice a completely reworked profile. One that I believe works much better. The old tip profile was a much longer taper that terminated in a chunky tip. It was probably my least favorite part about the pen. Personally, I prefer the newer version. The diameter of the pen holds for a bit longer, then starts tapering more sharply towards the tip. There’s less metal around the hole where the refill sticks out, so you have a much better view of where the ink is hitting the page. The difference in tip profiles are much easier to notice when using the pens side by side.
In hand, the pen feels solid. The standard version accepts Pilot G2-style refills, while the “Short” is made for the shorter Parker-style refills. The difference in length between the two is only half an inch with a negligible difference in weight on most models. When considering which pen to get, I would suggest going with whatever refill style you like the most, since both pens handle relatively the same. On the Short version, the bolt itself tends to sit in the soft spot between my thumb and forefinger. Between the clip on one side and the bolt on the other, there’s a relatively small “sweet spot” where neither the clip nor bolt are hitting that part of my hand. Your mileage may vary depending on how you hold the pen and the size of your hands.
At first, I was skeptical about the update to the bolt action pens, but after spending some time with them I’m fully sold. The new design tweaks take a product that I love, and make it even better. Whether it’s writing with the pen or playing with the bolt mechanism, the entire package looks and feels more refined. The pricing structure and material offerings have been refined as well. You can pick up a bolt action in bronze (replaced brass), copper, or titanium for $99 in either the standard or short configuration. Additionally, there’s a zirconium model that will run you $249. At this time, there are no stainless or anodized aluminum offerings. Overall, I’m impressed with the update. Kudos to Will and the rest of the Tactile Turn crew for this excelllent update to an already solid pen. It’s nice to see a brand looking at what they can do better, then acting on it. I’m excited to see what’s next!
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This is a review by contributor Tim Pockett. Tim is an EDC and stationery enthusiast from the South West U.K. with a background in copywriting. You can follow his Instagram account here for some awesome pen, paper, watch, and EDC shots. To read more reviews by Tim, click his author page next to the little pencil icon above.
The Piuma by Ensso is a sleek, cigar-shaped aluminium fountain pen with all the hallmarks of Ensso’s typically tight design briefs. Appearance is lead by function, and the flourishes and features you might expect have been stripped away to create a minimalist writing instrument. Let’s run through the finer details for a closer look.
This is one shiny torpedo of a pen. Barrel and cap fit flush for an unbroken silhouette, and with no pocket clip to disrupt the smooth profile, everything stays clean to both the eye and the touch.
The section’s end flares out with a defined ridge, adding a subtle point of interest whilst lowering the likelihood of ink-stained digits.
Lid, barrel and section are machined from a solid block of aluminium and given a brushed finish for a high quality look and feel. Whilst scratches and scuffs are to be expected with any brushed metal pen, they do show up very quickly on the Piuma.
Put nib to paper, and it’s obvious writing ergonomics were high on Ensso’s considerations. Little details have been considered, such as the squaring off of the screw threads above the section so that they don’t feel sharp to the touch.
Whilst it’s a sizable pen, the Piuma’s smooth form and balanced weight make it very comfortable to write with. The flush cap and body mean it isn’t designed to be posted.
Obviously, the Piuma’s clipless and completely rounded body make it a desk rolling champion, and the sort of pen you’ll want to carry in a case or slip.
Ensso opted for a Bock #6 nib and feed system, so the Piuma writes much like any pen with this setup. As with most Bock nibs, flow is consistent and the writing performance is good.
The nib has the Bock branding, and in my opinion this detracts from the rest of the pen’s thought-through appearance. It’s certainly not a deal-breaker but it would be nice if Ensso had gone the extra mile and added their own design. Fortunately, there is a subtle, all-black nib option currently offered with this model.
The Piuma takes International long and short cartridges. If you want to use bottled ink, you’ll need a standard converter.
At $79, the aluminum Piuma feels reasonably priced for what is a well-executed, machined pen. Ensso have produced a simple yet eye-catching design, which refreshingly distills the fountain pen concept right back to the essentials. The result? A fine writing instrument with comfortable ergonomics and a quality construction — all which make for a great daily writer.
You can pick up a Piuma for yourself right here.
This pen was provided free of charge for review by Ensso Design.
All opinions are my own.
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Ensso Piuma
Specs:
Intro/About:Karas Pen Co’s Vertex fountain pen has been floating around on the internet for a bit now. Last year saw a limited edition release as part of their Signature Series, but this summer brings a new edition to the forefront of their catalog. At first glance, you’ll notice the pen ditches the angular designs and metal construction seen across nearly every Karas pen for a more organic look and feel. Let’s dig in and take a closer look at this refreshing offering from such an established brand.
Appearance & Packaging:One of the first things you’ll notice about the Chrysopoeia edition of the Vertex (let’s just call it the Vertex from here on out and ditch “Chrysopoeia” since it’s such a long word) is the box that it ships in. Karas went for a fully custom machined metal box that they make in house. It’s a nice touch and definitely helps justify the price of the pen with a premium box that both looks and feels the part. Protecting the pen inside the box is a custom cut foam insert. Up top, you’ll find a laser engraved sliding cover with the name of the pen on the top side and a set of instructions on the inside. Overall, I’m really digging the presentation.
When you first remove the pen from its protective box, you’ll notice how it feels both lightweight, yet sturdy. Acrylic is by nature a very light material, but the generous wall thickness of the pen makes it feel more solid than other offerings out there. More on that later. As I mentioned in the intro, the pen’s shape feels more “organic” than it does “industrial” – a welcomed departure from Karas’ other pen offerings. The Vertex starts with a flat top and tapers gently towards a rounded tail. On top of the cap, there’s a convex divot that adds some interesting visual appeal. One of the standout features of the Vertex is the way the grip section integrates into the body of the pen. There’s a sort of hybrid ink window/grip that’s all one piece. This allows the pen to be completely void of external threads or rough sections, again lending to a more organic look.
I can’t end the “appearance” section of the review without mentioning the Omas acrylic used to make this pen. It’s a deep greenish-brown with some lighter swirls of shine running through the body and cap. If you look closely in the right light, you’ll appreciate the subtle glittery shimmer that plays with the light as you rotate the pen in your hands. The grip section can be swapped out and comes in a few different shades of translucent acrylic. I liked the coke bottle finish, even though a few other colors would probably be better-suited to match the pen.
Nib Performance & Filling System:Loaded into the acrylic body, you’ll find a #6 Bock Nib with some custom engraving into it. Usually, I’m not a fan of laser engraving. I’ve said it before time and time again. I think it comes off looking kind of cheap and lazy. However, that’s not the case with the Vertex. Instead of just a small and light logo, they went for the entire nib. There’s sort of an art-deco inspired pattern in the background with “KARAS” in large lettering with a smaller letter above to denote the nib size. I genuinely think it’s a good look on this pen. I’m glad they went the extra mile in order to make something that looks cohesive with the pen and strayed away from the stock Bock nib. As expected, the fine nib I received writes quite well. I’ve had good luck with Bock nibs in the past and can’t really complain. For the uninitiated, a Bock nib provides a middle-of-the-road writing experience. Nib widths are true to size and they tend to lay down a smooth line with medium flow.
The Vertex is unique, in that it’s meant to be used as an eyedropper (the route I went), but it can also be used with a standard cartridge or converter. While the visual effect of ink sloshing around inside of the clear ink window is hugely appealing to me, I can understand why some would like the cartridge/converter option for ease of use. I really appreciate the extra options for filling that Karas and Co. designed into the Vertex. More options never hurt. If you’re one who’s still on the fence about that much ink in your pen barrel, the Vertex’s design may ease some of those concerns. Inside the grip, there’s some custom-sized o-rings that seal off the nib and grip areas without the need for silicone grease. Karas also includes a pipette in the box so you can fill up the body with ink right away.
Feel:There’s just something about a nice acrylic pen that feels great in hand. Acrylic is often described as a “warm” material. Unlike metal, it warms quickly to your touch and is feather-light in hand. While a thin-walled acrylic pen can feel cheap and breakable, the Vertex is in another class altogether. One of the first things I noticed about the pen was the generous wall thickness on both the cap and the grip. At 18.4 grams when filled with ink, it’s not the heftiest pen out there. There’s just enough weight to make it feel solid in hand. The machining and construction are very impressive. I was unable to find a single fault in the body or threads. All surfaces are polished to a smooth and even shine. With an asking price of $140 for a US-made pen, I’m impressed with how well it looks and feels in hand.
Pros:Conclusion:Color me impressed. Not that Karas has ever put out a “bad” pen by any means, but the Vertex is above and beyond what I expected. The design and execution feel more refined than their other designs. The functionality is there too. An eyedropper that can be used with cartridge or converter – so cool. I’m going to say it, the Vertex is my favorite Karas pen. While the Ink (above right) and Decograph (above left) were cool, the Vertex takes the cake. An acrylic limited edition with swappable grips in its very own custom machined aluminum box for $140 is a hell of a bargain. I’m excited to see where Karas takes the Vertex from here and will absolutely be using mine in the mean time.
Pick one up for yourself right here!
Big Ol’ Disclaimer: This pen was FREE. I paid nothing for it. I did spend hours of time using it, photographing it, and writing about it. After spending some time with the pen, I can 100% say that I would be thrilled with the results should I have shelled out my own money. All opinions are my own and not paid for in any way by Karas Pen Co.
Gallery:
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Hot out of the gate on Kickstarter is the new ITALIA fountain pen by ēnsso design. Coming off a few popular releases, this new design is something different from the rest of their current offerings. The ITALIA is a bold design, which is a slight departure from their sleeker past lineup. It makes sense that they’d come up with a pen that looks distinctly different from their previous pens and the ITALIA does a great job separating itself from the pack.
THe ITALIA is an interesting looking pen that brings some fresh design to the fountain pen world. It’s widest at the center and tapers slightly to the grip and tail, terminating at a conical tip. There’s an interesting “greek key” pattern on the cap band area and end of the grip which I really happen to like. It’s a much-needed detail on an otherwise plain looking pen. Should the “green key” pattern not fit your aesthetic, you can opt for a much more modern pattern of three thin lines. You can see all of the available options on the Kickstarter page.
Here are some of the specs:
Dimensions
Weight
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