There is a symmetry between Corky Leeโs passing and the rise of Stop Anti-Asian Hate: the departure of Asian Americaโs greatest documentarian and its most visible recent efflorescence. Years earlier, the brief window of postwar Asian American radicalism seemed to have already swung shut. Today, our most notable figures are corporate CEOs and conservative politicians, the eponymous Asians rich and crazy, so the artists, revolutionaries, and workers preserved in Leeโs prints can feel as elusive as their author. No matter how distant an Asian American poor peopleโs movement may seem, his prints still vibrate with radical temporality and potential.