Meg and I had an amazing morning yesterday out in Elgin at Austin Wildlife Rescue: we got to spend some time up close with Thurston, a 4-year-old eastern screech owl, just like the Coconuts who live in our back yard.
One thing you might notice is just how tiny Thurston is! The screech owls look larger than life through the spotting scope, but theyโre just itty bitty raptors.
Hereโs a comparisonย of our screech owls to the famous Flaco, the eagle owl now loose in Central Park:
Whatโs funny about this is that one reason I love looking at pictures of the magestic Flaco is that I recognize so many of the postures and behaviors Iโve seen from my little owls:
I donโt know why this pleases me so much, this juxtaposition of the grand Flaco with the more modest but still majestic Coconut. Finding majesty in the mundane is one of my favorite things, I guess. The little behavior the same as the big behavior. (And I think a lot about how photography scales โ big and small scale to the same size on the phone screen.)
Itโs like Hedda Sterne said: โFor the sublime and the beautiful and the interesting, you donโt have to look far away. You have to know how to see.โ
Oh whoa, that barracuda didn't stand a chance against that osprey. Watch a bird of prey dramatically emerge from the water with the fish clenched in its mighty talons, and don't miss the part when the raptor secures its catch mid-flight. โ Read the rest
Our favorites this week included the truth behind the term โburnout,โ an incisive analysis of rap scapegoating, flowers for an aging icon, the beauty of noticing hidden wildlife, and an engaging look at historyโs forgotten children. We hope you enjoy them as much as we did.
Bench Ansfield | Jewish Currents | January 3, 2023 | 3,358 words
I might have recommended this essay based on the excellent headline alone, but in fact the substance is the star of the show. Like many millennials, I have adopted the term โburnoutโ into my vocabulary as a way of describing the feeling of working too hard, juggling too much, and feeling depleted by the grinding expectations of late-stage capitalism. After reading this piece, Iโll be endeavoring to use the word differently. As historian Bench Ansfield shows, the true origins of burnout as a concept have been obscured over time. Burnout isnโt a reference to a candle burning at both ends until thereโs nothing left, but to the shells of buildings left by a wave of arson that ravaged Black and brown neighborhoods in New York City in the โ70s. Much of the damage was caused by landlords looking for insurance payouts. โIf we excavate burnoutโs infrastructural unconscious โ its origins in the material conditions of conflagration โ we might discover a term with an unlikely potential for subversive meaning,โ Ansfield writes. โAn artifact of an incendiary history, burnout can vividly name the disposability of targeted populations under racial capitalism โ a dynamic that, over time, has ensnared ever-wider swaths of the workforce.โ If this were the premise of a college class, Iโd sign up in a heartbeat. โSD
Justin A. Davis | Scalawag | February 9, 2023 | 4,089 words
Put aside the chewy headline for a moment. Also put away whatever you know or donโt know about Young Thug, one of Atlantaโs most influential rap luminaries for a decade, and the epicenter of a sprawling and questionable criminal investigation into his YSL crew. What youโll find is a shrewd, fascinating analysis that combines a music obsessiveโs encyclopedic genre knowledge and a Southernerโs geographical intimacy, refracted through a lens of accessible (a crucial modifier!) political theory. It ably unpacks the hydra-headed beast of gentrification and economics and policing, as faced by the young Black man whoโs currently the Fulton County DAโs public enemy number one. โAs working-class and poor Black Atlantans fight against displacement and fall back on everyday survival tactics,โ Justin A. Davis writes, โtheyโre joining a decades-long struggle over who exactly the cityโs for. So is YSL.โ This sort of piece is exceedingly rare, not because of its form but because it demands an outlet that understands and nurtures its particular Venn diagram. Credit toย Scalawag, and of course to Davis, for creating something this urgent. Required reading โ not just for Thugga fans or Atlantans, but for anyone seeking to understand the world outside their own. โPR
Wright Thompson | ESPN | February 8, 2022 | 12,111 words
โNo. 16 is no longer what it once was. Joe Montana now must be something else.โ I havenโt kept up with American football in at least 20 years, but that didnโt stop me from devouring Wright Thompsonโs astonishing profile of former 49er quarterback Joe Montana. I grew up watching the Niners (Ronnie Lott 4eva) and have fond memories of attending games at Candlestick as a child. But you certainly donโt need to be a Niner fan, a football fan, or even be into sports at all to appreciate this beautifully written and revealing piece. Thompson paints a portrait of a complicated man and an aging athlete โ one of the greatest of all time โ and what itโs like to watch someone else take over that throne. โCLR
Lucy Jones | Emergence Magazine | February 2, 2023 | 5,179 words
The forest path near us is a never-ending source of delight. I love being the first to see animal tracks in the snow. I look forward to the first yellow lady slippers that appear as if by magic near the marshy section, not to mention all the leaves and flowers as they sprout, and the myriad fungi that cling to the trees. Lucy Jones shares this wonder in nature (at slime molds in particular!) inย Emergence Magazine. There she finds equal parts beauty, mystery, and wonder โย a coveted yet all-too-elusive feeling nowadays โ as she scans the forest for varieties that sheโs just now starting to notice. โMy eyes were starting to learn slime mold,โ she writes. โMy ways of seeing were altering, thanks to my new friends who were showing me what to look for. What was once invisible was quickly becoming apparent. It challenged my sense of perception. How little and how limited was my vision! How vast was the unknown world.โโKS
April Nowell | Aeon | February 13, 2023 | 4,400 words
April Nowell opens this piece with a delightful story about a Palaeolithic family taking their kids and dogs to a cave to do some mud painting, which feels like the modern-day equivalent of exhausted parents taking their offspring to McDonaldโs and handing them a coloring book. I was instantly entranced. Such stories are rare, partly because evidence of children (with their small, fragile bones) is tricky for archaeologists to locate, but also because of assumptions that children were insignificant to the narrative. Nowell explains how, with the help of new archaeological approaches, this is changing, and the children of the Ice Age are getting a voice. I am ready to listen, so bring on these tales of family excursions and novices struggling to learn the craft of tool sculpting (as Nowell explains, โeach unskilled hit would leave material traces of their futile and increasingly frustrated attempts at flake removalโ). A Palaeolithic archaeologist and professor of anthropology, Nowell is an expert in this topic, but her vivid writing and human-based approach makes her fascinating field accessible to all. โCW
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In this excerpt from her book, Conversations with Birds at Orion Magazine, Priyanka Kumar delights in the birds and animals of the Bosque del Apache National Wildlife Refuge in New Mexico, and cranes in particular.
Sandhill cranes are monogamous birds; during courtship, the male valiantly tosses vegetation or mud into the air and fans its wings above the body, before dancing with abandon and letting out a unison call. Then the pair throw their heads backโthe male at a deeper angleโand the female lets out two calls for each call the male emits. Lifelong pairs rely on this short, sharp unison call for relationship maintenanceโitโs a pairโs shorthand to stay connected, or to alert a mate to a threat in their breeding area. Dancing, too, is used not only in courtship rituals, which are said to be infrequent in lifelong pairs, but also as a communal activity. These cranes have at least ten different types of dances and as many calls; their dances are so lively, with leaps, bows, and head pumps that I wonder whether this is why a group of cranes is also referred to as a dance or swoop of cranes.
Once a wildlife paradise, Amboseli National Park in Kenya has become a wasteland. For Undark, journalist Georgina Gustin and documentary photographer Larry C. Price document the stark and deadly conditions that animals at Amboseli have endured the past several years, caused by climate change-fueled drought. In addition to a parched and drastically changing environment, conflicts between herders and farmers and an increase in illegal poaching have contributed to an already dire situation. For some readers, Priceโs photographs may be hard to look at. Gustinโs on-the-ground reporting, however, is essential.
The park draws tens of thousands of tourists a year and is a major economic engine for the region. Now these tourists pop their heads through the roofs of safari trucks, or sit inside, jabbing at their phones and looking blankly out the window, wondering how the trip of a lifetime turned into a vigil.