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As Twitter continues to figuratively kneecap itself by limiting tweet views, Meta is hustling to bring its Twitter rival to reality. A listing for an app called Threads was spotted on the iOS App Store with an estimated release date of July 6th. In May, a report said the microblogging service was nearing completion and could be out as soon as the end of June. While an end-of-June launch didn't quite happen, the app could arrive when Twitter users are more willing (and maybe even eager) to finally jump ship.
Twitter boss Elon Musk announced at the weekend that verified accounts — which translates to paying users — can read 6,000 posts daily, while non-paying users can only read 600. He said the website is adopting the measure to "address extreme levels of data scraping [and] system manipulation."
From both the app listing and rumors, we’re expecting Threads will migrate your followers and circles from your existing Instagram handle, ensuring you should have an active timeline right from the outset. That is, if you’re an Instagram user.
– Mat Smith
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Amazon is offering a $5 credit when you buy a $50 eGift card for Prime Day
Blue Origin is planning to open new launch sites outside the US
Tidal is increasing its HiFi plan to $11 per month
The best mobile microphones for 2023
Since smartphones started eating casual photography’s lunch, camera makers have focused on devices designed for very specific uses. Action cams provide sharp, fluid video. Compact cameras target both tourists and vloggers. And DSLRs are available at some of the best prices we’ve seen. Then there are mirrorless cameras, which continue to improve their autofocus and video. And that’s where some guidance helps. Whether you’re a creator looking for just the right vlogging camera, an aspiring wildlife photographer or a sports enthusiast, we’ll help you find the perfect camera to match your budget and needs.
Remember the early days of the AI hype train, when everyone spent their time making stupid images using text prompts? If you want to recapture the nostalgic haze of, uh, late 2022, Picsart has you covered. The popular image editor just launched an AI-powered animated GIF generator, calling the tool its “most unhinged” platform yet. Type a bunch of nonsense into the chat box, wait a minute or so and marvel at your “chaotic and eccentric” creation. The platform’s integrated into the regular Picsart app and is available for iOS, Android devices and on the web.
If you've been having trouble using Twitter recently, you aren't alone — the service has been having issues since it started limiting the daily number of posts users could view. Although many of the platform's issues stabilized over the weekend, TweetDeck remains broken unless users switch to the beta version of the list aggregator. Now, Twitter is gearing up to solve the issue by making that beta version of TweetDeck the main version. According to Twitter Support, the feature will become exclusive to Twitter Blue subscribers in the near future, noting that "in 30 days, users must be Verified to access TweetDeck."
There really is an HBO show on Netflix. All five seasons of Issa Rae's highly acclaimed comedy-drama series Insecure are now streaming on Netflix in the US. Even more HBO shows are on the way, too. Band of Brothers, The Pacific, Six Feet Under and Ballers are also coming to Netflix as part of the deal, the company told Deadline. Meanwhile, Netflix users outside the US can stream True Blood on the service.
This article originally appeared on Engadget at https://www.engadget.com/the-morning-after-metas-instagram-linked-twitter-rival-could-arrive-this-week-111508536.html?src=rss
Threads
Screenshots of the iPhone screen showing a new app called Threads by Meta.
If you're looking for a high-quality 4K streaming stick, look no further. Amazon's best model, the Fire TV Stick 4K Max, is on sale for Prime Day at an all-time low of $25, a full 55 percent off the regular price. And if even that is slightly too expensive, Amazon has also discounted the regular Fire TV Stick 4K by 54 percent to $23 (also an all-time low). Finally, if you want the most streaming power possible, the Fire TV Cube is on sale for $110 ($30) off — once again the cheapest price we've ever seen.
The best deal by a long shot is the Fire TV Stick 4K Max, though, with a steep $30 discount that makes it just $2 more than the Fire TV Stick 4K. It's Amazon’s most powerful streaming stick, thanks to a faster processor that delivers 40 percent more power than the one in the Fire TV Stick 4K. That translates to faster app start times and more fluid menu navigation, for a better overall experience. The Fire TV Sitck 4K Max also comes with WiFi 6 connectivity, as well as support for Dolby Vision, HDR, HDR10+ and Dolby Atmos audio, along with Alexa commands via the Alexa Voice Remote.
While not quite as zippy, the Fire TV Stick 4K is also on sale for $23, or 54 percent off. It's a great option if you want a low-profile streaming device that can handle 4K content. It also supports Dolby Vision and HDR, and comes with the Alexa Voice Remote, which lets you search for and launch content with voice commands. Frankly though, for the extra $2, I'd grab the Fire TV Stick 4K Max.
The Fire TV Cube (which is rarely discounted much) is on sale at an all-time low price of $110 (21 percent off). It's Amazon's most powerful streaming device with a hexa-core processor, 2GB of RAM and 16GB of storage. It supports 4K, HDR content with Dolby Vision and Dolby Atmos, and it has picture-in-picture live view as well. You're also getting hands-free Alexa controls, too, which means the Cube's built-in speaker will hear and recognize your commands to turn off your lights or check the weather, even with your TV off.
Finally, if you want to upgrade your remote on any Fire TV device, the Alexa Remote Pro is on sale for $28, or 20 percent off the regular price. It features a backlight and programmable buttons, but the most useful feature is the Remote Finder, which lets you ask Alexa to trigger a noise if decides to play hide and seek. And if you want to save a few more bucks on top of these all-time low prices, don't forget that Amazon is offering a $5 credit with the purchase of a $50 eGift Card.
Your Prime Day Shopping Guide: See all of our Prime Day coverage. Shop the best Prime Day deals on Yahoo Life. Follow Engadget for the best Amazon Prime Day tech deals. Learn about Prime Day trends on In the Know. Hear from Autoblog’s car experts on must-shop auto-related Prime Day deals and find Prime Day sales to shop on AOL, handpicked just for you.
This article originally appeared on Engadget at https://www.engadget.com/amazons-fire-tv-stick-4k-max-falls-to-25-in-early-prime-day-streaming-sale-103554549.html?src=rss
Amazon's Fire TV Stick 4K Max falls to $25 in early Prime Day streaming sale
Amazon's Fire TV Stick 4K Max falls to $25 in early Prime Day streaming sale
Google has updated its privacy policy to state that it can use publicly available data to help train its AI models. The tech giant has changed the wording of its policy over the weekend and switched "AI models" for "language models." It also stated that it could use publicly available information to build not just features, but full products like "Google Translate, Bard, and Cloud AI capabilities." By updating its policy, it's letting people know and making it clear that anything they publicly post online could be used to train Bard, its future versions and any other generative AI product Google develops.
The tech giant has highlighted the changes to its privacy policy on its archive, but here's a copy of the pertinent part:
Critics have been raising concerns about companies' use of information posted online to train their large language models for generative AI use. Recently, a proposed class action lawsuit was filed against OpenAI, accusing it of scraping "massive amounts of personal data from the internet," including "stolen private information," to train its GPT models without prior consent. As Search Engine Journal notes, we'll likely see plenty of similar lawsuits in the future as more companies develop their own generative AI products.
Owners of websites that could be considered public squares in the digital age have also taken steps to either prevent or profit from the generative AI boom. Reddit has started charging for access to its API, leading third-party clients to shut down over the weekend. Meanwhile, Twitter put a restriction on how many tweets a user sees per day to "address extreme levels of data scraping [and] system manipulation."
This article originally appeared on Engadget at https://www.engadget.com/googles-updated-privacy-policy-states-it-can-use-public-data-to-train-its-ai-models-095541684.html?src=rss
Close up or woman using smart phone
Google's Pixel 8 Pro may have been revealed in new photos on Reddit by someone affiliated with Google, DroidLife has reported. The back shows a very Pixel-like camera array along with the rumored body temperature sensor, along with a sticker that reads "for test/evaluation only." Another reads "Zuma - B1," a possible code name for Google's incoming Tensor G3 chip. The front screen, meanwhile, shows a Fastboot Mode indicating 12GB of Samsung LPDDR5 DRAM, 128GB of storage and "husky," a previously revealed codename for the Pixel 8 Pro.
The Pixel 8 Pro is supposed to have a more capable camera array, with a 50-megapixel (MP) Samsung main camera that allows 50 percent more light, and a 64MP ultrawide Sony camera. It also looks to have a flat display, as rumored, rather than a curved one like the Pixel 6 Pro and Pixel 7 Pro models. According to yet another leak, it will have a 5,000 mAh battery (roughly the same as the Pixel 7 Pro) and a modest bump from a 23W to a 27W max charging speed.
In a series of posts on Reddit, the poster "annoyingtoread", said that he received it "from the device team in Google for testing." The person then mused that they should perhaps use a throwaway account, and someone replied "you really should, considering that in this account you've even posed pictures of yourself." The original poster subsequently deleted his account.
This article originally appeared on Engadget at https://www.engadget.com/googles-pixel-8-pro-prototype-revealed-in-leak-091118014.html?src=rss
Google's Pixel 8 Pro prototype revealed in leak
Google's Pixel 8 Pro prototype revealed in leak
“There are good reasons to think that some AIs today have wellbeing.”
In this guest post, Simon Goldstein (Dianoia Institute, Australian Catholic University) and Cameron Domenico Kirk-Giannini (Rutgers University – Newark, Center for AI Safety) argue that some existing artificial intelligences have a kind of moral significance because they’re beings for whom things can go well or badly.
This is the sixth in a series of weekly guest posts by different authors at Daily Nous this summer.
[Posts in the summer guest series will remain pinned to the top of the page for the week in which they’re published.]
We recognize one another as beings for whom things can go well or badly, beings whose lives may be better or worse according to the balance they strike between goods and ills, pleasures and pains, desires satisfied and frustrated. In our more broad-minded moments, we are willing to extend the concept of wellbeing also to nonhuman animals, treating them as independent bearers of value whose interests we must consider in moral deliberation. But most people, and perhaps even most philosophers, would reject the idea that fully artificial systems, designed by human engineers and realized on computer hardware, may similarly demand our moral consideration. Even many who accept the possibility that humanoid androids in the distant future will have wellbeing would resist the idea that the same could be true of today’s AI.
Perhaps because the creation of artificial systems with wellbeing is assumed to be so far off, little philosophical attention has been devoted to the question of what such systems would have to be like. In this post, we suggest a surprising answer to this question: when one integrates leading theories of mental states like belief, desire, and pleasure with leading theories of wellbeing, one is confronted with the possibility that the technology already exists to create AI systems with wellbeing. We argue that a new type of AI—the artificial language agent—has wellbeing. Artificial language agents augment large language models with the capacity to observe, remember, and form plans. We also argue that the possession of wellbeing by language agents does not depend on them being phenomenally conscious. Far from a topic for speculative fiction or future generations of philosophers, then, AI wellbeing is a pressing issue. This post is a condensed version of our argument. To read the full version, click here.
Artificial language agents (or simply language agents) are our focus because they support the strongest case for wellbeing among existing AIs. Language agents are built by wrapping a large language model (LLM) in an architecture that supports long-term planning. An LLM is an artificial neural network designed to generate coherent text responses to text inputs (ChatGPT is the most famous example). The LLM at the center of a language agent is its cerebral cortex: it performs most of the agent’s cognitive processing tasks. In addition to the LLM, however, a language agent has files that record its beliefs, desires, plans, and observations as sentences of natural language. The language agent uses the LLM to form a plan of action based on its beliefs and desires. In this way, the cognitive architecture of language agents is familiar from folk psychology.
For concreteness, consider the language agents built this year by a team of researchers at Stanford and Google. Like video game characters, these agents live in a simulated world called ‘Smallville’, which they can observe and interact with via natural-language descriptions of what they see and how they act. Each agent is given a text backstory that defines their occupation, relationships, and goals. As they navigate the world of Smallville, their experiences are added to a “memory stream” in the form of natural language statements. Because each agent’s memory stream is long, agents use their LLM to assign importance scores to their memories and to determine which memories are relevant to their situation. Then the agents reflect: they query the LLM to make important generalizations about their values, relationships, and other higher-level representations. Finally, they plan: They feed important memories from each day into the LLM, which generates a plan for the next day. Plans determine how an agent acts, but can be revised on the fly on the basis of events that occur during the day. In this way, language agents engage in practical reasoning, deciding how to promote their goals given their beliefs.
The conclusion that language agents have beliefs and desires follows from many of the most popular theories of belief and desire, including versions of dispositionalism, interpretationism, and representationalism.
According to the dispositionalist, to believe or desire that something is the case is to possess a suitable suite of dispositions. According to ‘narrow’ dispositionalism, the relevant dispositions are behavioral and cognitive; ‘wide’ dispositionalism also includes dispositions to have phenomenal experiences. While wide dispositionalism is coherent, we set it aside here because it has been defended less frequently than narrow dispositionalism.
Consider belief. In the case of language agents, the best candidate for the state of believing a proposition is the state of having a sentence expressing that proposition written in the memory stream. This state is accompanied by the right kinds of verbal and nonverbal behavioral dispositions to count as a belief, and, given the functional architecture of the system, also the right kinds of cognitive dispositions. Similar remarks apply to desire.
According to the interpretationist, what it is to have beliefs and desires is for one’s behavior (verbal and nonverbal) to be interpretable as rational given those beliefs and desires. There is no in-principle problem with applying the methods of radical interpretation to the linguistic and nonlinguistic behavior of a language agent to determine what it believes and desires.
According to the representationalist, to believe or desire something is to have a mental representation with the appropriate causal powers and content. Representationalism deserves special emphasis because “probably the majority of contemporary philosophers of mind adhere to some form of representationalism about belief” (Schwitzgebel).
It is hard to resist the conclusion that language agents have beliefs and desires in the representationalist sense. The Stanford language agents, for example, have memories which consist of text files containing natural language sentences specifying what they have observed and what they want. Natural language sentences clearly have content, and the fact that a given sentence is in a given agent’s memory plays a direct causal role in shaping its behavior.
Many representationalists have argued that human cognition should be explained by positing a “language of thought.” Language agents also have a language of thought: their language of thought is English!
An example may help to show the force of our arguments. One of Stanford’s language agents had an initial description that included the goal of planning a Valentine’s Day party. This goal was entered into the agent’s planning module. The result was a complex pattern of behavior. The agent met with every resident of Smallville, inviting them to the party and asking them what kinds of activities they would like to include. The feedback was incorporated into the party planning.
To us, this kind of complex behavior clearly manifests a disposition to act in ways that would tend to bring about a successful Valentine’s Day party given the agent’s observations about the world around it. Moreover, the agent is ripe for interpretationist analysis. Their behavior would be very difficult to explain without referencing the goal of organizing a Valentine’s Day party. And, of course, the agent’s initial description contained a sentence with the content that its goal was to plan a Valentine’s Day party. So, whether one is attracted to narrow dispositionalism, interpretationism, or representationalism, we believe the kind of complex behavior exhibited by language agents is best explained by crediting them with beliefs and desires.
What makes someone’s life go better or worse for them? There are three main theories of wellbeing: hedonism, desire satisfactionism, and objective list theories. According to hedonism, an individual’s wellbeing is determined by the balance of pleasure and pain in their life. According to desire satisfactionism, an individual’s wellbeing is determined by the extent to which their desires are satisfied. According to objective list theories, an individual’s wellbeing is determined by their possession of objectively valuable things, including knowledge, reasoning, and achievements.
On hedonism, to determine whether language agents have wellbeing, we must determine whether they feel pleasure and pain. This in turn depends on the nature of pleasure and pain.
There are two main theories of pleasure and pain. According to phenomenal theories, pleasures are phenomenal states. For example, one phenomenal theory of pleasure is the distinctive feeling theory. The distinctive feeling theory says that there is a particular phenomenal experience of pleasure that is common to all pleasant activities. We see little reason why language agents would have representations with this kind of structure. So if this theory of pleasure were correct, then hedonism would predict that language agents do not have wellbeing.
The main alternative to phenomenal theories of pleasure is attitudinal theories. In fact, most philosophers of wellbeing favor attitudinal over phenomenal theories of pleasure (Bramble). One attitudinal theory is the desire-based theory: experiences are pleasant when they are desired. This kind of theory is motivated by the heterogeneity of pleasure: a wide range of disparate experiences are pleasant, including the warm relaxation of soaking in a hot tub, the taste of chocolate cake, and the challenge of completing a crossword. While differing in intrinsic character, all of these experiences are pleasant when desired.
If pleasures are desired experiences and AIs can have desires, it follows that AIs can have pleasure if they can have experiences. In this context, we are attracted to a proposal defended by Schroeder: an agent has a pleasurable experience when they perceive the world being a certain way, and they desire the world to be that way. Even if language agents don’t presently have such representations, it would be possible to modify their architecture to incorporate them. So some versions of hedonism are compatible with the idea that language agents could have wellbeing.
We turn now from hedonism to desire satisfaction theories. According to desire satisfaction theories, your life goes well to the extent that your desires are satisfied. We’ve already argued that language agents have desires. If that argument is right, then desire satisfaction theories seem to imply that language agents can have wellbeing.
According to objective list theories of wellbeing, a person’s life is good for them to the extent that it instantiates objective goods. Common components of objective list theories include friendship, art, reasoning, knowledge, and achievements. For reasons of space, we won’t address these theories in detail here. But the general moral is that once you admit that language agents possess beliefs and desires, it is hard not to grant them access to a wide range of activities that make for an objectively good life. Achievements, knowledge, artistic practices, and friendship are all caught up in the process of making plans on the basis of beliefs and desires.
Generalizing, if language agents have beliefs and desires, then most leading theories of wellbeing suggest that their desires matter morally.
We’ve argued that language agents have wellbeing. But there is a simple challenge to this proposal. First, language agents may not be phenomenally conscious — there may be nothing it feels like to be a language agent. Second, some philosophers accept:
The Consciousness Requirement. Phenomenal consciousness is necessary for having wellbeing.
The Consciousness Requirement might be motivated in either of two ways: First, it might be held that every welfare good itself requires phenomenal consciousness (this view is known as experientialism). Second, it might be held that though some welfare goods can be possessed by beings that lack phenomenal consciousness, such beings are nevertheless precluded from having wellbeing because phenomenal consciousness is necessary to have wellbeing.
We are not convinced. First, we consider it a live question whether language agents are or are not phenomenally conscious (see Chalmers for recent discussion). Much depends on what phenomenal consciousness is. Some theories of consciousness appeal to higher-order representations: you are conscious if you have appropriately structured mental states that represent other mental states. Sufficiently sophisticated language agents, and potentially many other artificial systems, will satisfy this condition. Other theories of consciousness appeal to a ‘global workspace’: an agent’s mental state is conscious when it is broadcast to a range of that agent’s cognitive systems. According to this theory, language agents will be conscious once their architecture includes representations that are broadcast widely. The memory stream of Stanford’s language agents may already satisfy this condition. If language agents are conscious, then the Consciousness Requirement does not pose a problem for our claim that they have wellbeing.
Second, we are not convinced of the Consciousness Requirement itself. We deny that consciousness is required for possessing every welfare good, and we deny that consciousness is required in order to have wellbeing.
With respect to the first issue, we build on a recent argument by Bradford, who notes that experientialism about welfare is rejected by the majority of philosophers of welfare. Cases of deception and hallucination suggest that your life can be very bad even when your experiences are very good. This has motivated desire satisfaction and objective list theories of wellbeing, which often allow that some welfare goods can be possessed independently of one’s experience. For example, desires can be satisfied, beliefs can be knowledge, and achievements can be achieved, all independently of experience.
Rejecting experientialism puts pressure on the Consciousness Requirement. If wellbeing can increase or decrease without conscious experience, why would consciousness be required for having wellbeing? After all, it seems natural to hold that the theory of wellbeing and the theory of welfare goods should fit together in a straightforward way:
Simple Connection. An individual can have wellbeing just in case it is capable of possessing one or more welfare goods.
Rejecting experientialism but maintaining Simple Connection yields a view incompatible with the Consciousness Requirement: the falsity of experientialism entails that some welfare goods can be possessed by non-conscious beings, and Simple Connection guarantees that such non-conscious beings will have wellbeing.
Advocates of the Consciousness Requirement who are not experientialists must reject Simple Connection and hold that consciousness is required to have wellbeing even if it is not required to possess particular welfare goods. We offer two arguments against this view.
First, leading theories of the nature of consciousness are implausible candidates for necessary conditions on wellbeing. For example, it is implausible that higher-order representations are required for wellbeing. Imagine an agent who has first order beliefs and desires, but does not have higher order representations. Why should this kind of agent not have wellbeing? Suppose that desire satisfaction contributes to wellbeing. Granted, since they don’t represent their beliefs and desires, they won’t themselves have opinions about whether their desires are satisfied. But the desires still are satisfied. Or consider global workspace theories of consciousness. Why should an agent’s degree of cognitive integration be relevant to whether their life can go better or worse?
Second, we think we can construct chains of cases where adding the relevant bit of consciousness would make no difference to wellbeing. Imagine an agent with the body and dispositional profile of an ordinary human being, but who is a ‘phenomenal zombie’ without any phenomenal experiences. Whether or not its desires are satisfied or its life instantiates various objective goods, defenders of the Consciousness Requirement must deny that this agent has wellbeing. But now imagine that this agent has a single persistent phenomenal experience of a homogenous white visual field. Adding consciousness to the phenomenal zombie has no intuitive effect on wellbeing: if its satisfied desires, achievements, and so forth did not contribute to its wellbeing before, the homogenous white field should make no difference. Nor is it enough for the consciousness to itself be something valuable: imagine that the phenomenal zombie always has a persistent phenomenal experience of mild pleasure. To our judgment, this should equally have no effect on whether the agent’s satisfied desires or possession of objective goods contribute to its wellbeing. Sprinkling pleasure on top of the functional profile of a human does not make the crucial difference. These observations suggest that whatever consciousness adds to wellbeing must be connected to individual welfare goods, rather than some extra condition required for wellbeing: rejecting Simple Connection is not well motivated. Thus the friend of the Consciousness Requirement cannot easily avoid the problems with experientialism by falling back on the idea that consciousness is a necessary condition for having wellbeing.
We’ve argued that there are good reasons to think that some AIs today have wellbeing. But our arguments are not conclusive. Still, we think that in the face of these arguments, it is reasonable to assign significant probability to the thesis that some AIs have wellbeing.
In the face of this moral uncertainty, how should we act? We propose extreme caution. Wellbeing is one of the core concepts of ethical theory. If AIs can have wellbeing, then they can be harmed, and this harm matters morally. Even if the probability that AIs have wellbeing is relatively low, we must think carefully before lowering the wellbeing of an AI without producing an offsetting benefit.
[Image made with DALL-E]
Some related posts:
“Philosophers on GPT-3”
“Philosophers on Next-Generation Large Language Models”
“GPT-4 and the Question of Intelligence”
“We’re Not Ready for the AI on the Horizon, But People Are Trying”
“Researchers Call for More Work on Consciousness”
“Dennett on AI: We Must Protect Ourselves Against ‘Counterfeit People’”
“Philosophy, AI, and Society Listserv”
“Talking Philosophy with Chat-GPT“
The post A Case for AI Wellbeing (guest post) first appeared on Daily Nous.
Amazon has the Blink Mini for a mere $17.50 in an early Prime Day deal — half off the security camera’s $35 sticker price. The small plug-in device can give you extra peace of mind while you’re away from home, letting you check in remotely to ensure your space is free from intruders (or talk to your pets using its two-way audio). The lower price for Prime Day could make it easier to set up a fleet of them in your home without breaking the bank.
Unlike the more expensive Blink Indoor, the Blink Mini is a plug-in device, so make sure you have a nearby power outlet or can run an extension cord to the area where you’ll set it up. The Blink Mini offers 1080p capture, infrared night vision and optional phone alerts if it senses motion while armed. Setup is straightforward, only requiring a few minutes of following instructions in the Blink app to connect it to WiFi. However, the camera only works with Amazon Alexa, so you may want to look at competing products in Engadget’s Smart Home Guide if you rely on Siri or Google Assistant for voice control.
If you’re more interested in monitoring your yard or entrance, Amazon also has the Blink Outdoor for half off as part of the same early Prime Day deal. Usually $100, you can snag it today for $50. The “weather-resistant” wireless camera records in 1080p and can last up to an estimated two years on a pair of AA batteries. Remember that you’ll need a Blink Sync Module 2 and a Blink Subscription to save your recorded photos and videos to the cloud with this model.
Finally, this Blink Video Doorbell bundle — which includes the Sync Module 2 — is on sale for $47.49 (usually $95.) Like the other devices, it supports 1080p live video with nighttime infrared support and can run for up to two years on a couple of AA batteries. Amazon also describes it as weather-resistant, with a seal protecting it against water. Setup can vary, depending on whether you connect it wired or wirelessly, but either way, the Blink app will guide you through the steps. And if you opt for the simpler wireless setup, you can configure it to use a Blink Mini to play a chime indoors when someone visits.
Amazon has deals on several other Blink bundles as well. You can check out the entire sale for the full details.
Your Prime Day Shopping Guide: See all of our Prime Day coverage. Shop the best Prime Day deals on Yahoo Life. Follow Engadget for the best Amazon Prime Day tech deals. Learn about Prime Day trends on In the Know. Hear from Autoblog’s car experts on must-shop auto-related Prime Day deals and find Prime Day sales to shop on AOL, handpicked just for you.
This article originally appeared on Engadget at https://www.engadget.com/amazon-discounts-the-blink-mini-by-50-percent-in-an-early-prime-day-deal-070938182.html?src=rss
Blink Mini
Marketing photo for the Blink Mini indoor security camera. The camera has a black front face and a white body. It’s facing the right with a power cord fading off to the left.
We've known for quite a while that Meta has been building a Twitter competitor, but now we have a more solid idea of when it will become available. A listing for the app called Threads has popped up in the iOS App Store with an estimated release date of July 6th. In May, a report came out saying that the microblogging service was nearing completion and could be out as soon as the end of June. While an end-of-June launch didn't quite happen, the app could be arriving at a time when Twitter users are more willing (and maybe even eager) to try an alternative.
Twitter recently put a cap on how many tweets an unverified account can read per day. In a post, Elon Musk announced that verified accounts — which translates to paying users — can read 6,000 posts a day, while unverified/nonpaying users can only read 600. He said the website is adopting the measure to "address extreme levels of data scraping [and] system manipulation." A regular user can easily hit 600 posts, so people who haven't been paying $8 to $11 a month for blue checkmark have been getting locked out of their feeds as a result.
Meta describes Threads as "Instagram's text-based conversation app." Based on the screenshots posted in the listing, users can keep their Instagram handle and follow the same accounts they follow on the photo-sharing platform. That means users will have a pre-existing following and circles on the new app, giving it an edge over other Twitter rivals. Users will also be able to choose the privacy of their posts and make them visible to anyone, to the profiles they follow or only to the accounts they mention. They will be able to heart, send and share other people's posts, as well.
Previous reports said Meta's Twitter competitor would be a decentralized service that's compatible with Mastodon, but it's unclear if that's still the case when it launches. We'll know for sure within a few days.
This article originally appeared on Engadget at https://www.engadget.com/metas-instagram-linked-twitter-rival-threads-could-arrive-on-july-6th-063129168.html?src=rss
Threads
Screenshots of the iPhone screen showing a new app called Threads by Meta.
If you've been having trouble using Twitter recently, you aren't alone — the service has been having issues ever since it started limiting the number of posts users could view each day. Although many of the platform's issues stabilized over the weekend, Tweetdeck remains broken unless users switch to the beta version of the list aggregator. Now, Twitter is gearing up to solve the issue by making that beta version of Tweetdeck the main version, announcing on Monday that it has "launched a new, improved version of Tweetdeck."
We have just launched a new, improved version of TweetDeck. All users can continue to access their saved searches & workflows via https://t.co/2WwL3hNVR2 by selecting “Try the new TweetDeck” in the bottom left menu.
— Twitter Support (@TwitterSupport) July 3, 2023
Some notes on getting started and the future of the product…
Despite officially launching, this "new" Tweetdeck still calls itself the "Tweetdeck Preview" while in app, and users still need to opt-in to using it in the menu of the original Tweetdeck interface. Even so, switching to the new interface does indeed restore basic Tweetdeck functionality for users that rely on its list aggregation features. Twitter says the process should be fairly straightforward as well, promising that saved searches, lists and columns should carry over instantly. Although Twitter says that the updated preview build should now support Twitter Spaces, polls and other features that were previously missing, it notes that Teams functionality is currently unavailable.
Twitter hasn't officially announced that it's retiring the old version of Tweetdeck, but in a thread discussing the issues a Twitter employee suggested the change would be permanent, stating that they were "migrating everyone to the preview version."
Hey folks, looks like the recent changes have broken the legacy TweetDeck, so we're working on migrating everyone to the preview version
— Ben (@ayroblu) July 3, 2023
Although switching to the new version of Tweetdeck potentially resolves the issue, many legacy users may still find themselves without access to the power-user tool in the near future. According to Twitter Support, the feature will become exclusive to Twitter Blue subscribers in the near future, noting that "in 30 days, users must be Verified to access Tweetdeck." It's unclear if that change will be applied to all users in early August, or if all users will have a 30-day trial of the new Tweetdeck before being prompted to subscribe.
This article originally appeared on Engadget at https://www.engadget.com/twitter-launches-new-tweetdeck-as-the-old-version-breaks-down-231939160.html?src=rss
Twitter Issues
FILE - A sign at Twitter headquarters is shown in San Francisco on Nov. 18, 2022. Thousands of people logged complaints about problems accessing Twitter on Saturday, July 1, 2023, after owner Elon Musk limited most users to viewing 600 tweets a day — restrictions he described as an attempt to prevent unauthorized scraping of potentially valuable data from the site. (AP Photo/Jeff Chiu, File)
If you consider yourself a mobile creator and you’re not using some sort of dedicated microphone, you might be holding yourself back. We’re not judging, but your audience likely is. Audio, especially dialog, is often overlooked, but if you want true, high-quality content, you need good sound. There are many, many options for the home or office/studio, but there are a surprising amount of mobile-specific (or at least, mobile-friendly) solutions out there to elevate your on-the-go recordings be that for social, a jam session, live streaming, making movies, podcasting and beyond.
What “the best mic for your iPhone or Android” is will vary depending on the task you need it for. If you want to record a TikTok or a podcast or even a jam session, all have slightly different needs but the selection below covers most bases (and maybe even a few you didn’t think of yet) for recording high-quality sound with little more than a mobile phone.
This guide is all about recording on the go, free from the constraints of a studio or office, but also far away from luxuries like power outlets, acoustically friendly rooms and a full-size PC. As such there are two styles of microphone that really shine here: Lavalier (lapel) and shotgun. We’ll be covering a few other types, too, but between those, most tasks are covered.
We’ll also show you how you can use the USB mics you may already have with your phone and even ways to connect heavy-duty studio classics (XLR) to your humble handset, but all that will be through accessories. For now, let’s start with the classic clip mics.
The obvious benefit of a lapel mic is size. Their small profile makes them perfect for presenting to the camera with the flexibility to move around while maintaining consistent audio quality. If you’re a budding TikTok or YouTube creator it’s definitely worth having one of these in your bag.
The main trade-off, however, is that they’re only good for recording the person they’re attached to. If you have two people talking and only one is wearing the mic, you’ll only get good audio for one half of the conversation, so for multi-person recordings you’ll need a mic for each guest and a way to record them at the same time, so costs can go up quickly.
Fortunately, lapel mics have become a very competitive market with good, viable options costing as little as $14.95. For an absolute bargain with a long cord and some connectivity accessories, the Boya BY M1 is hard to argue with. But, while these budget choices are great value, if you want something that should either last longer, is more versatile or just sounds better it’s worth paying a little bit more.
Rode’s Lavalier II is a slick-looking low-profile lavalier that sounds great. At $99, it’s somewhere in the sweet spot between budget and higher-end clip-on options. It’s easy to recommend the Lavalier II just on its sound alone, but it comes with a rugged case and a good selection of accessories. For even more flexibility you can pair this with Rode’s AI Micro interface ($79) which provides easy connection to an iPhone or Android (or even PCs) and adds support for a second mic – perfect for recording podcasts or interviews.
At $60, Sennheiser’s XS (USB-C) lav mic is fairly affordable, sounds great and plugs right into your phone (or laptop) without needing an adapter. This not only makes it convenient but reduces the overall cost as you don’t need a headphone adapter for your phone. What’s more, the XS has a 2-meter long cable which gives you plenty of scope for movement or framing.
Recently there has been an explosion in mobile-friendly wireless systems but there are two we really like. The first is Rode’s Wireless GO II. Arguably the original defined this category, but the second generation improves on it with two wireless transmitters making this podcast and interview friendly. This wireless microphone is also incredibly versatile as it doubles as a standalone recorder, can be mounted in a camera cold shoe and even has its own “reporter” mic adapter. Oh, and you can make any 3.5mm mic (including the lavaliers above) wireless by plugging it into one of the receivers.
The second is the Mikme Pocket. This Austrian-designed pack is a high-end wireless lavalier microphone system designed to be particularly mobile-friendly. There’s a comprehensive app for both video and audio recording and internal storage so you won’t ever experience dropouts. It also means you can enjoy a practically infinite range. At $399 it’s a higher spend, but if high-quality audio and near-infinite range are what you need then this is the one.
So we’ve already touched on this with the AI Micro, which is an adapter of sorts. One of the first things you might bump up against when dealing with mobile audio accessories is TRRS vs TRS connectors. Simply put, 3.5mm TRS is what you might know as the age-old classic headphone connector while TRRS became common for its support for headsets and inline mics. You can easily tell them apart as TRS connectors have two black bands on them while a TRRS has three.
For you, the budding creator, it can be a bit of an annoyance as many 3.5mm lavaliers are going to be TRS and won’t work when plugged into your phone’s headphone adapter. Sometimes your lavalier might include what you need in the box, but otherwise, you’ll want to pick up a TRS to TRRS adapter like this. Of course, some smartphone-specific mics have TRRS connectors already – for those, you’ll want a cable that goes the other way should you want to use it with other devices like a DSLR.
You may be more familiar with shotgun mics when it comes to video recording. It’s the style of microphone most often found atop a DSLR or mirrorless camera, but they make great companions for other portable devices too, your cell phone included.
The benefit of a shotgun is that they tend to be highly directional, which makes them perfect for podcasts, recording instruments, foley sounds and much, much more.
For us mobile recordists, another benefit is that they tend to be light and portable, perfect for slipping into a backpack or even a laptop bag. Even better, there are some great mobile-specific options.
You shouldn’t buy a mic just because of how it looks, but the MKE 400 from Sennheiser ($200) definitely makes its rivals look wimpy. More important than aesthetics, though, is how it sounds and the MKE 400 records very cleanly without obvious coloration to the audio. What’s more, the battery-powered mic won’t steal power from your phone or camera, and with three gain levels to choose from you can boost things when needed, or avoid clipping on louder subjects. The MKE 400 also comes with both TRS and TRRS cables for compatibility with a variety of devices.
The MKE 400’s physical gain controls and high pass filter (unlike the other two below that are updated via an app) take the stress out of worrying if your audio source moves or changes volume as you can adjust that on the fly. If you’re a musician looking to record loud drums and then softer vocals on the move, for example, these tactile gain settings are a massive plus.
When we tested the VideoMic GO II we were surprised at just how good it sounded right out of the box. At $100 it rivals many desktop microphones that cost three times the price. You’ll need a companion app to change settings, otherwise this performs well across the board.
Not to be confused with the older MV88 that plugged directly into a Lightning port, the MV88+ is a mini shotgun mic made with the smartphone in mind. Often sold as a vlogging kit ($249) with a tripod and phone grip, the MV88+ has modular cables for connecting directly to Androids and iPhones.
Mobile-specific mics are great, but there’s nothing stopping you from using your phone mic or another you might already have (if it’s somewhat portable). You’ll definitely need to do a little dance with some adapters, but that’s half the fun. Below are a couple of recommendations for “regular” microphones that pair well with a phone and then the cables and adapters that you’ll need to get setup.
Arguably, there are few microphones that are could be described as "mobile-friendly" than the HypeMic from Apogee. While it looks like a regular handheld mic, it's actually deceivingly small, making it very light and portable. It also comes with cables to directly connect it to iPhones and Android handsets — no adapters needed. Don't let the small size deceive you though, the HypeMic has a big trick up its sleeve: a built-in analog compressor for professional-sounding vocals. Whether you record podcasts, vocals or instruments there's a setting on the HypeMic just for you. At $349 it's a little on the spendy side, but you get a very versatile device that's just as useful for the desktop too.
This dynamic mic is a favorite with podcasters, with many production companies using it as their standard mic to send out to remote guests thanks to its excellent quality to value performance. The Q2U features both USB and XLR connectivity making it versatile for both desktop and mobile applications, but it’s the former we’re interested in here as that’s what allows you to connect it to your phone with nothing more than a USB cable and an adapter (see below).
What’s more, the Q2U is solid enough to endure a little bit of rough and tumble, so will happily live in the bottom of your backpack ready for when you need it. Meanwhile, the handheld design is versatile enough it can turn its hand to singing/instruments, podcasts, interviews and more.
You may not be familiar with the name, but Tula snuck into our hearts with its versatile, vintage inspired debut microphone. From a mobile perspective, the Tula connects to Androids directly over USB-C or iPhones with the right USB-C to Lightning cable (more on this below) or a USB “camera kit” adapter. What makes the Tula special is that it’s also a desktop mic and portable recorder with lavalier input and 8GB of storage and even features noise cancellation – perfect for cutting down on outside background sounds. With the Tula you could theoretically have one mic for home, mobile and standalone recording.
If you already have a stash of XLR mics or really do need a studio condenser mic with phantom power then the iRig Pre 2 is a portable interface that will feed any XLR mic into your phone. It runs off two AA batteries which it uses to supply phantom power when needed and won’t drain your phone. There’s also a headphone port for monitoring, gain controls and LEDs to help prevent clipping.
Connecting USB microphones directly to phones is rarely as simple as just one cable, although that’s starting to become more common. In general, Android makes this simpler, but also, thanks to the wide range of manufacturers and software versions you can’t always guarantee things will work smoothly.
The iPhone is a whole other situation. USB microphones have a good chance of working via the USB camera kit we mentioned earlier, but that’s still inelegant sometimes. Frustratingly, some USB-C to Lightning cables will play nice with microphones, but sadly most will not – including Apple’s own. One confirmed option is this cable from Fiio or this generic alternative. These are inexpensive enough that it’s worth having a couple around if you work with audio a lot (they of course can also be used to charge your phone as a bonus).
This article originally appeared on Engadget at https://www.engadget.com/best-mobile-microphones-for-recording-with-a-phone-154536629.html?src=rss
The best microphones for iPhones and Android
A phone surrounded by microphones that are particularly suited to recording on the go.
Tidal has followed Apple Music, Deezer and Amazon Music by increasing the price of its base HiFi subscription. Starting on August 1st, the cost of an individual membership is going up by $1 to $11 per month in the US, while the family plan will run you $17 per month, an increase of $2. According to Billboard, prices are going up in other markets too.
Tidal confirmed to Engadget that the Tidal HiFi Plus tier is not affected. This $20 per month plan includes Dolby Atmos Music, Sony 360 Audio and Master Quality Authenticated (MQA) tracks. There appear to be no changes to the free tier, student plan and discounted military membership for now.
Several of Tidal's rivals have increased their prices in recent months. Deezer and Apple Music both bumped up the prices of their individual plans to $11 per month in late 2022. Amazon Music followed suit in February.
Spotify, meanwhile, hasn't changed the price of its $10 per month individual plan in the US since 2011. The company is expected to do so in the near future, following recent remarks by CEO Daniel Ek. Rumors also suggest that Spotify's long-awaited high-fidelity plan, which is said to include audiobooks, could arrive this year.
Update 7/3 2:53PM ET: Added clarification from Tidal.
This article originally appeared on Engadget at https://www.engadget.com/tidal-is-increasing-its-hifi-plan-to-11-per-month-183139113.html?src=rss
Afterpay, Cash App & TIDAL Front Row To NYFW Party
NEW YORK, NEW YORK - SEPTEMBER 13: A view of the venue during the Afterpay, Cash App & TIDAL Front Row To NYFW Party on September 13, 2022 in New York City. (Photo by Anna Webber/Getty Images for Afterpay)
Remember the early days of the AI hype train, when everyone spent their time making stupid images using text prompts? If you want to recapture the nostalgic haze of, uh, late 2022, Picsart has got you covered. The popular image editor just launched an AI-powered animated GIF generator.
The major difference between earlier text-to-image platforms like DALL-E and Picsart’s new tool is animation. DALL-E is best known for making static images, whereas Picsart’s software creates animated GIFs, just like the ones you’ve been sending in group chats and social media platforms for years. Only, now you don’t have to search for your favorite It’s Always Sunny in Philadelphia characters doing outlandish things. You can just make those outlandish things up. You can even make two cats arm wrestle.
Picsart is calling the tool its “most unhinged” platform yet, and it works exactly how you expect. Type a bunch of nonsense into the chat box, wait a minute or so and marvel at your “chaotic and eccentric” creation. The platform’s integrated into the regular Picsart app and is available for iOS devices, Android devices and on the web. You can download the GIF directly to your device to share with your group chat or to send anywhere else.
The images created by this platform are on the cartoony side, so don’t expect photorealism. However, that just adds to the fun. Picsart’s AI GIF generator is available right now, so let the nonsense begin. Just don’t use these tools to make the opening credits for an uber-expensive TV show based on popular comic book characters.
This article originally appeared on Engadget at https://www.engadget.com/animated-gif-generator-from-picsart-makes-ai-fun-again-175935532.html?src=rss
Picsart AI GIF Generator
Guy Fieri and dancing corgis popular GIFs.
Enlarge / A myriad of ways one might react to Gfycat's closure, trending on Gfycat itself at the moment. (credit: Gfycat)
The Internet continues to get a bit more fragmented and less accessible every week. Within the past seven days, Reddit finished its purge of third-party clients, Twitter required accounts to view tweets (temporarily or not), and Google News started pulling news articles from its Canadian results.
Now there's one more to add: Gfycat, a place where users uploaded, created, and distributed GIFs of all sorts, is shutting down as of September 1, according to a message on its homepage.
Users of the Snap-owned service are asked to "Please save or delete your Gfycat content." "After September 1, 2023, all Gfycat content and data will be deleted from gfycat.com."
On July 1, laws requiring adult websites to verify user ages took effect in Mississippi and Virginia, despite efforts by Pornhub to push back against the legislation. Those efforts include Pornhub blocking access to users in these states and rallying users to help persuade lawmakers that requiring ID to access adult content will only create more harm for users in their states.
Pornhub posted a long statement on Twitter, explaining that the company thinks US officials acting to prevent children from accessing adult content is "great." However, "the way many elected officials have chosen to implement these laws is haphazard and dangerous."
Pornhub isn't the only one protesting these laws. Last month, the Free Speech Coalition (FSC) sued Louisiana over its age-verification law, with FSC Executive Director Alison Boden alleging that these kinds of laws now passed in seven states are unconstitutional.
Your eyes aren't deceiving you. There really is an HBO show on Netflix. All five seasons of Issa Rae's highly acclaimed comedy-drama series Insecure are now streaming on Netflix in the US. Not only that, more HBO shows are on the way to the service as Warner Bros. Discovery (WBD) tries to wring more revenue out of its expansive library.
Band of Brothers, The Pacific, Six Feet Under and Ballers are also coming to Netflix as part of the deal, the company told Deadline. Meanwhile, Netflix users outside the US will be able to stream True Blood on the service. This is the first time that HBO content has appeared on Netflix in the US, though some has previously been available on Prime Video. The shows will still be available on Max.
All five seasons of Issa Rae's Peabody and NAACP award winning series Insecure are now on Netflix! pic.twitter.com/6hpNcw4ja2
— Netflix (@netflix) July 3, 2023
This is part of an effort to boost WBD's revenue. Late last year, the company removed some notable titles from Max, including Westworld and The Nevers. Those shows, and many others from the WBD library, are available to watch on free, ad-supported channels on Roku, Tubi and Amazon's Freevee.
Zaslav and his team have employed other tactics to improve WBD's bottom line. Those include pulling many shows and movies from Max to reduce costs, cancelingMax-exclusive projects before they were done (reportedly in favor of tax writeoffs in some cases) and laying off employees.
This article originally appeared on Engadget at https://www.engadget.com/hbo-shows-are-streaming-on-netflix-in-the-us-for-the-first-time-161235695.html?src=rss
Insecure
Insecure
This was originally published at The Rumpus on April 24, 2017.
By mid-morning, it was so hot her breath felt as if it were being drawn back into her. She took the tin washbasin out to the front yard, filled it with cold water, and shampooed her hair. If she turned her head, she could watch her reflection in the kitchen window as she leaned over the tub. Her hips seemed so wide in that position, tapering down from the wraparound skirt to legs that were girl-like. She watched her hair turn from yellow to brown with the wetness.
Around noon, with her hair now sticking to the back of her neck with perspiration, she heard the screen door slam once, then again. It was odd for him to come home in the middle of the day.
She went to the kitchen but he was already gone. This was the way he did things. She looked at the kitchen table for a box, some sign of the gift she was sure he would sneak in and leave her just as he had every anniversary. She heard his truck backing down the dirt drive. There was no chance she’d catch up with him.
This time of day, the sun came in through the slatted windows and settled on the yellow linoleum in stripes. Now she saw it. There lay her gift, basking in the sunlight. A gray-green lizard the size of a shoe. It stood so still she thought it was fake. A joke he had played on her, like the time he told her he was fixing the kitchen faucet and put a gag faucet where the real one had been. She remembered how she ducked and screamed, thinking she would be splashed with water when the new faucet came off in her hands.
But this was not plastic. He had tied a long piece of thick string from one of the lizard’s ankles to the kitchen table. Around the neck was a thin yellow crinkly ribbon that she had seen him pull out of the junk drawer the day before. She had suspected it was to wrap her gift. The ribbon was tied sideways around the animal’s neck in a bow. The lizard squinted as it turned its head slowly to look around the room. Its bulgy, liquid eyes scared her. She moved and the thin plates of skin on its back stood up. Now it turned its head swiftly and the scales rippled as if it were shivering.
She heard herself sigh, rubbed her hands on her skirt, and walked toward the white pine cupboards, making a full circle around the lizard’s body. It watched her. She found an aluminum pie pan under the sink and grabbed the pitcher of cold water from the refrigerator. She put the pan on the floor, poured the water in, and inched it over to the animal with a broom, backing away quickly and waiting to see if it would drink. The lizard sat on its squat legs and narrowed its lids into slits like cat’s-eye marbles. It appeared to be asleep.
Throughout the day, she kept going to the kitchen to check on it, afraid it might get loose in the house. In the late afternoon, she stood a distance away and threw a leaf of Bibb lettuce by the pie pan. She didn’t want anything to do with it, but she didn’t want it to starve. The creature, startled, was set into motion, skittering back and forth, first in one direction, then another, yanking itself back again and again by the string. For a while, she took a seat across from it, leaning forward. I’m sorry, I’m sorry, she said.
She finished cleaning the house and had no choice now but to come back to the kitchen. She had to clear out everything to wash the floor, which meant moving the tables and chairs and putting it somewhere. Outside was where she wanted it. She could tell him it escaped, ran away. But that wouldn’t be honest and if they had promised each other anything when they married, it was honesty. Letting his gift run away, or rather, pushing his gift out the door, wouldn’t be a white lie. It would be flat-out deception.
She moved the chairs into the hallway and tried to untie the string, cursing him for making a knot she couldn’t undo. She went to the junk drawer, took out the scissors and, grasping the string, clipped it quickly and led the lizard toward the kitchen door, then the porch, like a dog on a leash. When she opened the screen door, the lizard tried to run back inside, as if it were afraid of the outdoors. She pulled it along, but it planted all four paws firmly on the floor. Its nails made a pitiful sound on the linoleum, then became stuck on the doorjamb. She gave a tug and over it rolled, like a child’s toy truck. Another tug, and it was up again and furious and ran towards her. It followed her the whole length of the porch until she scooted over the banister and tied it to one of the posts. She walked around to the back of the house and let herself in.
What a gift, she thought. Her present for him was wrapped and put away in a bedroom drawer days before he suggested they skip gifts this year. She had bought him a new jacket and white shirt. She undid the ribbon to look at them, then replaced the clothes and surrounded them with tissue paper. They looked so nice she took the shirt out again and held it up to her cheek. It felt so crisp and cool.
When the day had cooled, she bathed and changed into a fresh cotton dress and lifted her hair away from her neck to pin it up.
*
“What’s it doing out there?” he said when he came home. “Don’t you like it?”
On the table, she had put a candle and the gift box in navy blue paper and the good dishes, but he didn’t look at those.
“What’s it doing?” she said absently, for she had taken him to mean that the thing was doing something interesting or different and that she should go and look.
The lizard stood very still, as if it might be dead. The bow was gone.
“Why’d you put it out there?” he said.
“Because it belongs out there,” she said as she closed the screen door.
From the heat, his black hair had separated into individual strands, making him look older and scraggly.
“You didn’t like it,” he said and began to follow her around the kitchen.
She retrieved his favorite pasta dish from the oven and the salad from the refrigerator and he followed right behind. Their bodies made a shadow on the yellow floor that looked like the silhouette of two shy, hesitant boxers in a ring.
“Oh, I like it,” she said. She was intent on getting the dinner ready and didn’t look at him. “I like it just fine. You didn’t pay any money for it, did you?”
His face looked tight.
She motioned toward the window with her cooking mitt. “It’s just that there’s a million of them out there, and it’s a shame to throw away good money after one.”
“I bought it, all right? Cheap. From a guy at work. I thought you’d like it. I thought you’d think it was funny.”
“I do think it’s funny. I laughed.”
“It’s really neat,” he said, trying to convince her. “It looks prehistoric or something.”
She made him sit through dinner before opening his package.
She expected him to say, I thought we agreed, but he didn’t. Instead, he looked eager, put his glass down, and said, “Well, let’s see what this is.”
He seemed stunned for a moment when he saw the clothes and then whistled low as he lifted them out of the box. He felt the material, ran his fingers down the length of the lapel, and smiled at her. “This is a good one. But what‘s it for? God knows there’s nowhere around here to wear this.” And then he laughed and said, eyes crinkling, “What have you got up your sleeve? I think you must be up to something, baby doll.”
“They’re interview clothes. You’ll need something nice to interview in if you try to get transferred back home or if you go to another company. Isn’t that why we came here? So you’d have a better job after this one? The next step up, you said.”
He went back to examining the jacket, rose half out of his chair and sat down again.
“Isn’t it?” she repeated and motioned with the back of her hand to the open bedroom door. “Try it on.”
He was standing now. He had the jacket on and went to the mirror, looking at himself this way and that, sizing up every angle.
“I told you,” he said. “I’ve got to put in a couple of years first before I’d even try to move on. You don’t just go looking for another job when you’ve hardly been here. You have to pay your dues.” He ran his hand through his hair. “I was hoping that once you were here for a while, you’d like it.”
“What’s there to like?” she said. She began biting some ragged skin on her bottom lip. She fingered the rim of her glass. She knew her voice sounded bitter but she didn’t care. “You told me about the place. Patience, you said. You’d have to be brain-dead to have this much patience. To want to live here. You’d have to be a fool.”
He stepped in front of her. “I’m a fool then,” he said, sticking his hands in his pockets.
“You’re a fast learner. Everyone has always told you that. You’ll find another job. You don’t have to stay at that place.”
“You don’t want me to blow what I have, do you? If they get wind of me applying other places it won’t look good. And if I go in there now and ask the boss for a transfer back to where I came from, they’d die laughing. There are other guys, ahead of me, willing to pay their dues.”
She thought of those other men and what they and their wives must be like to be so patient, so accepting. She found herself wondering, for the first time since they had been together, what other kinds of men she could have married. Maybe I should have waited, she thought. And then she thought, I’ve heard about this. This is how things change.
“You act as if I don’t know what I’m talking about,” he said. “They said I’d have to wait two years for a transfer. At least two years.”
“Oh, great,” she said, fingering the glass again. “I’ll be dead in two years in a place like this.”
He smiled at her. “There she is. My melodramatic sweetheart.”
He removed his jacket and draped it neatly over his chair. He stepped behind her and put his arms around her.
“Look,” he said. “Baby doll. This is nothing. We’ll laugh about this later. It’ll be a story. Like a joke about how many miles we walked to school when we were kids.”
She looked through the window to where there was a thin stream of orange light across the horizon and nothing more. Some people might think the sight was beautiful. To her it had become barren.
“Let’s eat,” she said. “It’s getting cold.”
And in the end, after they had finished dinner and lain together and after she waited for the movements of his body to cause hers to shiver, she turned on her side and closed her eyes. He put his hand on her hip and said in a whisper, “Baby doll? You still awake?”
She was in the lazy space between wakefulness and sleep and, so, didn’t answer. She thought she heard the animal stumbling off the porch, down the steps, and into the night, finally free.
Before she dreamed, an image came to her of the liquid eyes. As she began to fall asleep, her body jerked, quick and hard. She felt as if she were jumping straight up into darkness.
***
Rumpus original art by Aubrey Nolan.
The NABU Personal Computer is so obscure it doesn't have an entry at old-computers.com. 2,200 of them have been recovered from an old barn in Massachussets, in deadstock condition in their original boxes. To save the barn from collapse, they were all dumped on eBay for $60 each, where they were eventually noticed. — Read the rest
It’s a strange and wonderful time to buy a digital camera. Since smartphones have gutted the casual photography market, manufacturers are focusing on building technological marvels designed for very specific uses. Mirrorless cameras continue to improve in terms of autofocus, video and more. Action cams provide sharp, fluid video, compact cameras are targeted to both tourists and vloggers, and DSLRs are available at some of the best prices we’ve seen. With so many different types of digital cameras, though, you may need some guidance to find just the right one – and that’s where we come in. Whether you’re a creator looking for just the right vlogging camera, an aspiring wildlife photographer or a sports enthusiast, we’ll help you find the perfect model to match your budget and needs.
Best mirrorless cameras under $2,000
Best mirrorless cameras over $2,000
There are a lot of reasons to choose a camera over a smartphone. The larger image sensors in mirrorless cameras let more light in, and you have a wide choice of lenses, from wide-angle to telephoto lenses, with far superior optics. Where smartphones have one f/stop, cameras have many, which gives you more exposure control. You also get natural and not AI-generated bokeh, quicker shooting, a physical shutter, more professional video results and so on.
With that extra quality comes a lot of extra factors to consider, however. The first thing is sensor size. In general, the larger the sensor size, the better (and usually more expensive) the camera.
Full frame is available on models like Sony's new ZV-E1, the Canon EOS R6 II and Panasonic S5 II. At a size equivalent to 35mm film (36 x 24mm), it offers the best performance in terms of image quality, low-light capability and depth of field. It's also the most expensive and finicky. While bokeh looks incredible at f/1.4, the depth of field is so razor thin that your subject's nose might be in focus but not their eyes. This can also make video shooting difficult.
The next size category is APS-C (around 23.5 x 15.6mm for most models and 22.2 x 14.8mm for Canon), offered on Fujifilm's X Series lineup, Canon’s R10 and R50 and the Nikon Z50. It's cheaper than full frame, both for the camera body and lenses, but still brings most of the advantages like decent bokeh, high ISOs for low-light shooting and relatively high resolution. With a sensor size the same as movie cameras, it's ideal for shooting video, and it’s easier to hold focus than with full-frame cameras.
Micro Four Thirds (17.3 x 13mm), a format shared by Panasonic and Olympus, is the next step down in sensor size. It offers less bokeh and light-gathering capability than APS-C and full frame, but allows for smaller and lighter cameras and lenses. For video, you can still get reasonably tight depth of field with good prime lenses, but focus is easier to control.
The other common sensor size is Type 1 (1 inch), which is actually smaller than one inch at 12.7 x 9.5mm. That's used mostly by compact models like Sony’s ZV-1 vlogging camera. Finally, action cameras like the GoPro Hero 11 and DJI’s Osmo 3 have even smaller sensors (1/1.9 and 1/1.7 size, respectively).
For photographers, another key factor is autofocus (AF) speed and accuracy. Most modern mirrorless cameras have hybrid phase-detect AF systems that allow for rapid focus and fast burst speeds. The majority also feature AI smarts like eye-detect AF for people and animals. However, some models are just a bit faster and more reactive than others.
The electronic viewfinder (EVF) and rear display are also key. The best models have the sharpest and brightest EVFs that let you best judge a shot before taking it. For things like street photography, it’s best to have as bright and sharp a rear display as possible. You may also want a screen that flips out rather than just tilting.
DSLRs and mirrorless cameras let you change lenses, but you're stuck with what's built into a compact camera. While that's great for portability, a single lens means you're going to sacrifice something. Fujifilm's X100V, for instance, has a fast but fixed 35mm-equivalent f/2.0 lens and no zoom. Sony's RX100 V has a 24-70mm zoom, but it's slower at the telephoto end (f/2.8) and less sharp than a prime lens.
When it comes to video, there are other factors to consider. Does your camera do “pixel-binning” for video recording or read out the entire sensor? Better cameras tend to do the latter. Another key factor is sensor speed, as slower sensors tend to have more rolling shutter that can create a “jello” effect that skews video.
In addition, how’s the battery life? How do you like the handling and feel? How long can you shoot video before the camera heats up or stops? Does it support 10-bit HDR video? Is there a microphone and/or a headphone jack? (if you do a lot of interviews, it's preferable to have both.) How's the video autofocus? All of these things play a part in your decision – so now let’s take a look at the best models.
Mirrorless is far and away the biggest category of cameras for these days, so it’s the best way to go if you want the best camera for photography with the most advanced features. Both Canon and Nikon recently announced they’re discontinuing development of new DSLRs, simply because most of the advantages of that category are gone, as I detailed in a recent video. The biggest selling feature of a mirrorless camera is the ability to change lenses depending on the type of shooting you want to do.
The key features are sensor size, resolution, autofocus, shooting speeds and video specs. If you’re primarily focused on sports photography or outdoor photography, you’ll likely want fast shooting speeds and accurate autofocus. Portrait and landscape shooters will likely favor large sensors and high resolution to maximize image quality. And content creators will want to look for things like flip-out displays, high-end video specifications and good in-body stabilization. Price point is, of course, a major factor as well.
My top budget camera pick is Canon’s brand new 24.2-megapixel R50, which is one of the best cameras for photography, and content creators will love it. It can shoot bursts at up to 15 fps in electronic shutter mode, and offers 4K 10-bit at up to 30p with supersampling and no crop. It has a fully articulating display, and unlike other cameras in this price range, an electronic viewfinder. It uses Canon’s Dual Pixel AF with subject recognition mode, and even has a popup flash. The only drawback is the lack of decent quality lens that’s as affordable as the camera itself, and a lack of in-body stabilization.
Autofocus: Dual Pixel CMOS AF II with 651 points
Max shutter speed: 15 fps
WiFi: Yes
Bluetooth: Yes
Full-frame cameras generally used to start at $2,000 and up, but Canon’s brand new EOS R8 is priced at just $1,500. It offers Canon’s excellent Dual Pixel AF with subject recognition AI, and can shoot bursts at up to 40 fps. It's equally strong with video, supporting oversampled 10-bit 4K at up to 60 fps. The R8 also offers a flip-out display, making it great for vloggers. The main drawback is a lack of in-body stabilization.
Content creators should take a hard look at Panasonic’s full-frame S5 II. It’s the company’s first camera with hybrid phase-detect AF designed to make focus "wobble" and other issues a thing of the past. You can shoot sharp 4K 30p video downsampled from the full sensor width, or 4K 60p from an APS-C cropped size, all in 10-bit color. It even offers 5.9K 30p capture, along with RAW 5.9K external output to an Atomos recorder. You also get a flip-out screen for vlogging and updated five-axis in-body stabilization that’s the best in the industry. Photo quality is also good thanks to the dual-gain 24-megapixel sensor. The main drawback is the slowish burst speeds.
Read our full review of the Panasonic Lumix S5 II
Equipped with the same backside-illuminated (BSI) 12-megapixel sensor as the A7S III, Sony’s ZV-E1 offers excellent low-light performance, 4K at up to 120p and a host of new AI features like auto framing, making it one of the best cameras for photography and videography. It also comes with an updated in-body image stabilization system aimed at vloggers that can smooth out even jolting movements like footsteps. The $2,200 price tag makes it enticing for vloggers as it offers features found on the $3,500 A7S III for considerably less money.
Autofocus: 759 points
Max shutter speed: 10 fps
WiFi: No
Bluetooth: Yes
If you’re OK with a smaller APS-C sensor, check out the Fujifilm X-H2S. It has an incredibly fast stacked, backside-illuminated 26.1-megapixel sensor that allows for rapid burst shooting speeds of 40 fps, along with 4K 120p video with minimal rolling shutter. It can capture ProRes 10-bit video internally, has 7 stops of in-body stabilization and a class-leading EVF. Yes, it’s expensive for an APS-C camera, but on the other hand, it’s the cheapest stacked sensor camera overall. The other downside is AF that’s not quite up to Canon and Sony’s level.
Read our full review of the Fujifilm X-H2S
For the ultimate high-resolution camera, check out Sony’s A7R V. With a 61-megapixel sensor, it shoots sharp and beautiful images at a very respectable speed for such a high-resolution model (10 fps). It has an equally fast and reliable autofocus system, the sharpest viewfinder on the market and in-body stabilization that’s much improved over the A7R IV. Video has even improved, with 8K and 10-bit options now on tap, albeit with significant rolling shutter. If you don’t need the video features, however, Sony’s A7R IVa does mostly the same job, photo-wise, and costs a few hundred dollars less.
Read our full review of the Sony A7R V
The most important features to look for in an action cam are image quality, stabilization and battery life. GoPro has easily been beating all rivals over the last few years in all those areas, but DJI made some strides last year with the Osmo Action 3. At the same time, GoPro’s latest models are more expensive than rivals.
GoPro didn’t change the design on its latest model, but it has a larger sensor that enables a couple of cool features – Horizon Lock stabilization and Full Frame mode that makes it easier to shoot for, say, TikTok and YouTube at the same time. It also offers a new wider, though slightly distorted Hyperview field of view.
Otherwise, the Hero 11 Black offers better video quality than ever (up to 5.3K 60p), Hypersmooth stabilization that’s still the best in the business (by far), battery life that’s improved by 40 percent over the last model, and more. It’s easily the best action camera on the market, but you pay for that: it’s $400 with a one year subscription ($500 without it), compared to $329 for the DJI Osmo Action 3 and $300 for the Insta360 RS 4K bundle. If you’re serious about filming extreme sports, though, it’s worth it.
WiFi: Yes
Bluetooth: Yes
Read our full review of the GoPro Hero 11
After experimenting with an oddball modular design on the Action 2, design has gone back to a more classic action cam design on the Osmo Action 3. It also comes with a slick new magnetic quick-release mount that lets you connect the camera directly to a GoPro-style mount with or without the case. Video quality and stabilization are quite good, but fall short of the Hero 11 Black (the Action 3 tops out at 4K 120p resolution compared to 5.3K 60p on the GoPro). While it’s not quite as good as the Hero 11, it’s considerably cheaper.
Read our full review of the DJI Osmo Action 3
This category has fewer cameras than it did even a few years ago and many models are older, as manufacturers focus instead on mirrorless models. However, I’m still a big believer in compact cameras. This type of camera is a big step up from smartphones quality-wise, and a lot of people will take a compact traveling or to events when they’d never bother with the hassle of a DSLR or mirrorless camera.
Compacts largely have type 1-inch sensors, but a few offer larger options, particularly Fujifilm’s XF-100V. Another popular model, Sony’s XV-1, is primarily aimed at content creators looking to step up. In any case, desirable qualities include image quality, a fast lens, relatively long zoom, flip-out display, good battery life, a high quality EVF, decent video and good pocketability.
The X100V is the latest in Fujifilm's famous fixed-lens X100 camera series. Like other models in the lineup, it has an APS-C sensor and a 23mm f/2.0 lens, equivalent to 35mm on a full-frame sensor. You also get the same hybrid optical/electronic viewfinder, mechanical dials, film simulations and good looks as before. But the X100V is the most significant advancement in the series' history. It has Fujifilm's latest 26.1-megapixel X-Trans 4 CMOS sensor compared to 24.2-megapixels on the last model and a new, sharper lens to handle that extra resolution.
A new tilting rear display makes "shooting from the hip" street photography much easier, as does the fast 11 fps/20 fps shooting speeds in mechanical/silent shutter modes. You also get a better hybrid phase- and contrast-detect autofocus (AF) system with more AF points along with face and eye detection. Finally, it now has the same 4K video-shooting features as the X-T30. It doesn't come cheap, but the X100V is the ultimate camera if you're into street photography – assuming you can find one.
Max shutter speed: 20 fps
WiFi: Yes
Bluetooth: Yes
Read our full review of the Fujifilm X100V
The ZV-1 is Sony’s first RX100-series camera designed specifically for vlogging. It does that job well thanks to a lightweight body, built-in high-quality microphone, flip-out display, best-in-class autofocus and excellent image quality. The 24-70mm lens is sharp, but it needs to be wider because of the 25 percent crop when using electronic stabilization. It also lacks a true touch display and a headphone port. That nitpicking aside, if you’re looking to step up from a smartphone or just want something simple, it does the job nearly perfectly.
Read our full review of the Sony ZV-1
For a value compact camera, the best option is Panasonic’s 20-megapixel ZS-200. It offers a lot of features for the price, like a 1-inch, 20.1 megapixel sensor, 5-axis stabilization, 4K, 30 fps video and more. Its main claim to fame, though, is the 24-360x lens that offers incredible reach for travel and more. Though it dates back to 2018, it’s actually one of the more recent compact models.
With mirrorless cameras taking over the interchangeable lens market, DSLRs still give you the ability to change lenses at relatively cheap prices. The defining feature is the reflex mirror that lets you look directly through the lens at your subject with no electronics in between. Most also have very fast autofocus thanks to a dedicated phase-detect sensor, and very fast battery life. However, many lack features you’d expect on modern mirrorless cameras like subject tracking, eye-detection and more.
Nikon's full-frame (FX) D850 is the best deal on a high-end camera and arguably the best camera for photography. With a 45.7-megapixel sensor and max 102,400 ISO, it gives you the best quality for the money, whether mirrorless or DSLR. It can also shoot fast, at up to 7fps, which is very good for such a high-res camera. In addition, the battery life (1840 shots on a charge) puts any mirrorless option to shame, and there’s a massive number of FX Nikkor lens options to choose from. Nikon has upped its video game as well with the D850 by introducing 4K internal recording. If you’d still rather have a live optical rather than an electronic view, the D850 is the best option available.
Autofocus: 153 points
Max shutter speed: 7 fps
WiFi: Yes
Bluetooth: Yes
Another one of the best cameras for photography is Canon’s 24-megapixel APS-C EOS Rebel SL3, which has a great blend of features, build quality and value. It offers features like a vari-angle touchscreen, 4K video (albeit with a crop) and Dual Pixel autofocus technology in live mode. You get shooting speeds of up to 5 fps, 1600 shots on a charge and an ISO range up to 51,200 (expanded). It also offers guided screen options for beginners. Best of all, it offers excellent picture quality for the price thanks to Canon’s skin-friendly color science.
This article originally appeared on Engadget at https://www.engadget.com/best-cameras-151524327.html?src=rss
Panasonic S5 II full-frame mirrorless camera review
Panasonic S5 II full-frame mirrorless camera review
Over the last few days, Twitter not only stopped showing tweets unless you're logged in, but also started capping the number of tweets users can read each day ("rate limiting") — ostensibly due to "data scraping," according to Elon Musk. Those actions are starting to have an impact elsewhere across Twitter's ecosystem, with many users reporting that Tweetdeck (a power-user version of Twitter) no longer works. In addition, Google Search is reportedly showing up to 50 percent fewer Twitter URLs due to the logged-in requirement, Search Engine Roundtable reported.
For a lot of users (including Engadget), Tweetdeck effectively stopped functioning, just showing a spinning wheel above most columns. That may be because a bug in Twitter's web app is sending requests in an infinite loop, effectively creating a "self-DDOS" (distributed denial of service), Waxy reported. As researcher Molly White tweeted, that effect is multiplied in Tweetdeck for anything other than the "Home" column, as it keeps "repeatedly retrying 404s," she wrote.
twitter's self-DDoS is worse with tweetdeck 💀 pic.twitter.com/krcLhjnsA2
— Molly White (@molly0xFFF) July 2, 2023
It's possible to at least get your columns to show up by using a new beta version of Tweetdeck, as Engadget's Matt Brian tweeted. However, those columns are still subject to the rate limits (800 tweets for non-Twitter Blue subscribers), and so most users will stop seeing new tweets shortly after Tweetdeck loads.
On top of that, Google Search may be showing up to 50 percent fewer Twitter URLs following Musk's move to block unregistered users. Using the site command, Search Engine Roundtable's Barry Schwartz found that Google now has about 52 percent fewer Twitter URLs in its index than it did on Friday. It's still showing recent tweets in the Search carousel, but normal indexing seems to be broken at the moment. "Not that a site command is the best measure, but... Twitter is down [around] 162 million indexed pages so far since this change," Schwartz tweeted.
There's no confirmation that the "self-DDOS" theory is accurate, but a post from developer Sheldon Chang (on Mastodon) indicated that shutting off anonymous access to Twitter may be playing a role in the issues. Twitter has promised that the login requirement and rate limiting are "temporary," but has yet to give a date for eliminating those restrictions.
This article originally appeared on Engadget at https://www.engadget.com/twitters-apps-are-breaking-following-elon-musks-decision-to-cap-tweet-rates-125028807.html?src=rss
FRANCE-TWITTER
The twitter's logo is pictured on screen reflected by mirrors in Mulhouse, eastern France on May 30, 2023. (Photo by SEBASTIEN BOZON / AFP) (Photo by SEBASTIEN BOZON/AFP via Getty Images)
The billionaire space race is continuing to expand across the globe. Jeff Bezos-owned Blue Origin has announced plans to expand its operations to "Europe and beyond," the Financial Times reports. Part of this growth hinges on finding a site for an international launch facility — the company has already put down roots in Texas, Washington, Florida and Alabama — but the new location hasn't been chosen yet. It's also actively looking for fresh acquisitions and partnerships outside of the US in areas such as manufacturing and software.
"We're looking for anything we can do to acquire, to scale up to better serve our customers," Bob Smith, Blue Origin CEO, said. "It's not a function of size — rather how much it accelerates our road map of what we're trying to get done." Last year, Blue Origins bought New York-based Honeybee Robotics, a move that appears successful: The space-based robotics company was part of the Blue Origin team that recently received $3.4 billion to build the lunar lander for NASA's third Artemis mission. Blue Origin's biggest competitor, Elon Musk's SpaceX, is handling the first and second Artemis moon landings.
Though Blue Origin was the first to launch, land and reuse a rocket successfully, it has fallen behind its rival due to hold-ups with building its launchers. Blue Origin's plans for a more global footprint might help them catch up with SpaceX's progress. Amazon's Project Kuiper also plans to use Blue Origin's rocket New Glenn for at least 12 launches between 2024 and 2029 after a few years of delays.
This article originally appeared on Engadget at https://www.engadget.com/blue-origin-is-planning-to-open-new-launch-sites-outside-the-us-122518232.html?src=rss
Amazon Project Kuiper satellites aboard ULA, Blue Origin and Arianespace rockets
Amazon Project Kuiper satellites aboard ULA, Blue Origin and Arianespace rockets
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