Donald Trump’s Unhinged Reality Show Gets Another Season

“Seems so SURREAL,” the former President wrote before his arraignment, with a curious self-alienation, as if he were not actually experiencing the event but watching it on TV (which he probably was).

“Daisy Jones & the Six” and the Commodification of Free-Spirited Women

The series’ protagonist is depressingly one-dimensional, despite being modelled on Stevie Nicks. But Amazon is still betting that women will want to look like Daisy—because they want to feel like her.

The Ending of “The Last of Us” Is Supposed to Be Uncomfortable

How Craig Mazin and Neil Druckmann, the creators of the HBO series, thought through the show’s controversial finale.

Chris Rock’s Live Experiment in Saving Face

“Everybody fucking knows. . . . I got smacked, like, a year ago,” the comedian finally says at the end of his Netflix special, as if that’s not the reason we’re all here.

A Rare Exploration of the Deprogramming Process, in “Stolen Youth: Inside the Cult at Sarah Lawrence”

The Hulu docuseries is a remarkable work, advancing the prestige true-crime genre’s slow but steady reorientation toward centering victims.

“Yellowstone” ’s Epic TV Expansionism

The showrunner Taylor Sheridan has been given wide latitude to iterate on the world of the Dutton ranching family, but he’s best when honoring his Western’s melodramatic core.

A New TV Show That’s a Real Slap in the Face

In “Power Slap,” a reality show tied to a slap-fighting league, there is no evasion, no trickery, and no possibility of a swing and a miss.

The Mother-Lovers of “MILF Manor”

The dating show, on TLC, which puts eight older women in a house with their young sons, is haunted by the spectre of incest.