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Whatโ€™s Missing

If you spend any time at all in archives of early American material, you will stumble over genealogies. Lots of ways and types of producing genealogy. What I call โ€œvernacular genealogy.โ€ (And you can see lots of examples on my Instagram, where my handle is VernacularGenealogy.) Although the John Carter Brown Library is known as a world-class collection of early American printed materials (books, maps, prints about the early Americas and the Caribbean), with one major archive, the Brown Family Business Papers, we do also have a few codices. And last week I stumbled over one I hadnโ€™t read before, an account of the Kimber family of England, New York and Pennsylvania. This notebook of family history was written by multiple hands, from the mid- 18th into the mid-20th century.ย 

Thereโ€™s a lot thatโ€™s interesting in this volume, lots of ways it echoes other like family histories, but one thing caught my eye immediately. There are pages missing. Right at the start of the volume, one page is torn, and one is cut. I can see some letters from words in the gutter of the latter, nothing of the former (torn too close). I always wonder what could possibly have been there to warrant its removal. It could be sensitive material. Or it could be that, like many of us and like many of their contemporaries, the authors of the volume started to use it one way, then decided on another purpose and just got rid of the first few pages.

Whatโ€™s helpful about these kinds of material observations is they remind me to stay close to the purposes of the workโ€“even when thatโ€™s obscured. Someone had intent here in the production of these texts, the full volume itself, and even in the pages torn and cut away.

The post Whatโ€™s Missing appeared first on Karin Wulf.

The Watermans in Your Pocket.

โ€œHannah Waterman Her Book and Hand wrote at Warwick January 14 AD 1770โ€ is a family record book, just 16 pages, comprised of folded and single sheets stitched together with a few tantalizing suggestions of what might be missing.ย  It is both like and unlike the many examples of such eighteenth-century genealogies Iโ€™ve seen in my research.ย  Not many start with a womanโ€™s hand and authorship, for example, though this one likely didnโ€™t either.ย  It clearly includes pages written by earlier generations โ€“the first page by Hannahโ€™s fatherโ€“and as the work of multiple hands it is very like other family records.

Last month I participated in the marvelous Archival Kismet conference, an informal online conference developed by historian Courtney Thompson to, as she put it in a blog post on Nursing Clio, allow the archival materials you stumble across โ€œto guide you, and [to be] open to questions and topics well outside of your wheelhouse.โ€ย  ย She had in mind that historians would explore more and different literatures and fields, learning as we go, rather than focusing always on one place/ time/ topic.

I confess I subverted the remit a bit by talking about a family history record!ย  But itโ€™s one I only started to work with last Fall as I first began to explore in earnest the collections of the Rhode Island Historical Society.ย  Iโ€™d worked in the RIHS collections some years ago, but only returned to deeper now that itโ€™s just a few blocks from where I work.ย  What extraordinary collections they hold and, as ever, family histories arenโ€™t always where youโ€™d expect them to be within it.

Two things Iโ€™ll point out about Hannah Waterman for now.ย  First, the title page is itself both provocative and compelling.ย  Bringing together not only the information but also the texts written by others and then titling the little book as hers makes this unusual.ย  She would have been twenty when she wrote that it was โ€œHer Book.โ€ย ย 

And second, the size of this volume is perfect for a pocketโ€“ a womanโ€™s pocket, that is.ย  Plenty of good scholarship has explored how and where women wrote as well as what they wrote.ย  Size of books made from folded papers is somewhat confined by the size of standard papers.ย  But that size, shown here as relative to my pencil, was an intimate one.ย  It was befitting of the intimacy of the material it contained.ย  Lossesโ€“ a brother who never returned from going to seaโ€“โ€Remains on Heard ofโ€โ€“and parents dying old, children dying much too young.

The post The Watermans in Your Pocket. appeared first on Karin Wulf.

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