George Orwell, review of Mein Kampf (1940):

Nearly all western thought since the last war, certainly all “progressive” thought, has assumed tacitly that human beings desire nothing beyond ease, security and avoidance of pain. In such a view of life there is no room, for instance, for patriotism and the military virtues. The Socialist who finds his children playing with soldiers is usually upset, but he is never able to think of a substitute for the tin soldiers; tin pacifists somehow won’t do. Hitler, because in his own joyless mind he feels it with exceptional strength, knows that human beings don’t only want comfort, safety, short working-hours, hygiene, birth-control and, in general, common sense; they also, at least intermittently, want struggle and self-sacrifice, not to mention drums, flags and loyalty-parades. However they may be as economic theories, Fascism and Nazism are psychologically far sounder than any hedonistic conception of life. The same is probably true of Stalin’s militarised version of Socialism. All three of the great dictators have enhanced their power by imposing intolerable burdens on their peoples. Whereas Socialism, and even capitalism in a more grudging way, have said to people “I offer you a good time,” Hitler has said to them “I offer you struggle, danger and death,” and as a result a whole nation flings itself at his feet. Perhaps later on they will get sick of it and change their minds, as at the end of the last war. After a few years of slaughter and starvation “Greatest happiness of the greatest number” is a good slogan, but at this moment “Better an end with horror than a horror without end” is a winner. Now that we are fighting against the man who coined it, we ought not to underrate its emotional appeal.

Costică Brădăţan:

As she pondered and internalized the meanings of slavery, affliction, and humility, Weil stumbled upon a central Christian idea: when he was incarnated, Jesus Christ took “the form of a slave” (morphē doulou), as we learn from St. Paul in Philippians 2:7. Weil went into the factory to find out more about the social conditions of the modern worker in capitalism. Instead, she found Jesus Christ.

Weil may have been raised in a secular Jewish home, but her whole education was shaped by France’s Catholic mindset. In the factory she started to use Christian notions, symbols, and images liberally to make sense of what she was going through. First among them was affliction itself, which defines both the slave condition and the Christian experience. In her “spiritual autobiography,” she describes how the “affliction of others entered into my flesh and my soul.” Because of her profound empathy for the oppressed, she felt the suffering around her as her own. That’s how she received la marque de l’esclavage, which she likens to “the branding of the red-hot iron the Romans put on the foreheads of their most despised slaves.” That’s also how she was transformed: “Since then,” she wrote, “I have always regarded myself as a slave.”

An intense religious experience, which occurred soon after her factory stint, sealed the transformation. Finding herself in a small fishing village in Portugal, she witnessed a procession of fishermen’s wives. Touring the anchored ships, they sang “ancient hymns of a heart-rending sadness.” Weil froze in place. There, a conviction was “suddenly borne in upon me that Christianity is preeminently the religion of slaves, that slaves cannot help belonging to it, and I among them.” Nietzsche, too, had said that Christianity was the religion of slaves. He was right, but for all the wrong reasons.