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Ukraine warns of nuclear disaster as Russia orders staff to leave power plant

International Atomic Energy Agency found no visible mines at Zaporizhzhia nuclear power station but still needs better access.

TOPSHOT - This photo taken on September 11, 2022 shows a security person standing in front of the Zaporizhzhia Nuclear Power Plant in Enerhodar (Energodar), Zaporizhzhia Oblast, amid the ongoing Russian military action in Ukraine. - The Zaporizhzhia Nuclear Power Station in southeastern Ukraine is the largest nuclear power plant in Europe and among the 10 largest in the world. (Photo by STRINGER / AFP) (Photo by STRINGER/AFP via Getty Images)

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The world needs hundreds of thousands more offshore wind turbines – where will they all go?

We'll need tens of thousands of new turbines if net-zero targets are to be met. Shaun Wilkinson / Shutterstock

To reach net zero, the world may need as many 200,000 offshore wind turbines generating 2,000 gigawatts (GW) of energy.

To put this in context, by the end of 2022, 63 GW of offshore wind capacity had been installed worldwide. Within the next 28 years, the offshore wind energy sector needs to expand so that it is capable of producing 32 times its current energy capacity.

But where do we put all these extra offshore wind farms? Their locations will need to be chosen in order to maximise their energy output and their social benefits, while ensuring they have the minimum impact possible on the environment. Balancing all these factors is not a straightforward task.

How much space do we need?

To work out where to place new turbines, a good starting point is to define how much of the ocean we need to use in order to meet the 2050 net zero targets. This calculation depends on the dimensions of the turbines, how wind power technology is likely to evolve between now and 2050, and the exact configuration of the turbines within a wind farm.

Together, these factors control the future “power density” of offshore wind farms –- how much offshore wind capacity can be installed per unit area of space in the ocean. The figure required for achieving net zero is 4 megawatts (MW) per sq km. This means the area of ocean we’ll need for offshore wind is around 500,000 sq km, which is roughly the size of France.

Three industrial ships pass each other on the ocean.
Existing activity, such as shipping, complicates the process of finding locations for new wind farms. Igor Grochev / Shutterstock

Once the total space is known, the next task is to gather data on the factors that constrain infrastructure development in the ocean. There are numerous constraints, from ensuring there is adequate windspeed for turbines to turn, to avoiding shipping lanes and marine protected areas, to whether seabed conditions are difficult to build in.

Some types of constraint create “no-go zones”, because an offshore wind farm would cause clear and unacceptable disruption to an existing activity, such as a site used for military exercises, for oil drilling or a shipping lane.

For other constraints, it’s a case of working out whether the net impact of a wind farm is harmful to the environment or the activities already there. It’s important to identify how crowded prospective sites are, as this provides a baseline, or starting point, for assessing a site’s suitability.

How do we find suitable sites?

Our recent research shows how such considerations can be used to identify suitable future sites for offshore wind farms, using UK waters as a case study.

The UK is a leading region for offshore wind, so the country offers insights into the challenges faced globally in placing new wind farms. The UK is also a leader in legislating for net zero, including plans for transforming energy infrastructure.

Our study used 34 different layers of constraints, from which the available space for future sites is defined by excluding the no-go and crowded zones. We identified the available ocean space for future offshore wind turbines as covering an area of about 240 sq km, which is equivalent to the area of the UK’s landmass.

The data further reveals that, to achieve the basic net zero target for domestic electrification in the UK, 7% of that available area will need to be used for offshore wind farms. Domestic electrification refers to the conversion of homes to electric heating from (predominantly) gas.

For more ambitious decarbonisation targets for offshore wind, accounting for increased domestic electricity demand among other things, the required space rises to 44%.

Map of no-go zones for offshore wind farms around Britain.
No-go zones (grey) and available area for future offshore wind farms around Britain. Hugo Putuhena

If future offshore wind farms are to be shared out equally across the space available for them, up to 70% of future sites will overlap with one to three constraints. Moreover, about 90% of future sites will have to be in deep water (roughly 60m in depth).

New technology, such as floating platforms, will be crucial to enable wind turbines to be installed in these places.

Achieving net zero

Our study suggests that the huge expansion of offshore wind farms required to meet net zero targets may be achievable. Furthermore, it can be done without increasing the average level of overlap with existing activities in UK waters.

However, it’s still possible that an expansion of offshore wind could harm the environment or limit existing ocean activities. For example, in the case of marine protected zones, wind farms could stop fish and animals from spreading into adjacent parts of the ocean. Potentially, this would undermine some of the objectives behind creating the protected zone in the first place.

Increasing interaction between wind farms, natural ecosystems, heritage sites such as shipwrecks, and human activities is inevitable. Without careful planning and study, these interactions could harm the environment and disrupt wider human activities. They must therefore be anticipated and addressed proactively.

The move to turbines in deeper water and further away from shore, however, poses some real challenges. It is these challenges that will need to be overcome by improved technology.

The Conversation

Hugo Putuhena is affiliated with the Supergen Offshore Renewable Energy (ORE) hub and the Royal Academy of Engineering Chair in Emerging Technologies - Intelligent & Resilient Ocean Engineering.

Fraser Sturt is a deputy director for the University of Southampton's Marine & Maritime Institute. He receives funding from the Royal Academy of Engineering Engineering X programme, looking at Safer End of Engineered life for offshore infrastructure and ships, and the Arts & Humanities Research Council as part of the Towards a National Collection Unpath'd waters project.

Susan Gourvenec receives funding from the Royal Academy of Engineering supporting her Chair in Emerging Technologies for Intelligent & Resilient Ocean Engineering.

A New Explanation for One of Ecology’s Most Debated Ideas

This article was originally published by Quanta.

More than four decades ago, field ecologists set out to quantify the diversity of trees on a forested plot on Barro Colorado Island in Panama, one of the most intensively studied tracts of tropical forest on the planet. They began counting every tree that had a trunk wider than a centimeter. They identified the species, measured the trunks, and calculated the biomass of each individual. They put ladders up the trees, examined saplings, and recorded it all in sprawling spreadsheets.

As they looked at the data accumulating year after year, they began to notice something odd. With some 300 species, the tree diversity on the tiny 15-square-kilometer island was staggering. But the distribution of trees among those species was also heavily lopsided, with most of the trees belonging to only a few species.

Since those early studies, that overstuffed, highly uneven pattern has been seen repeatedly in ecosystems around the world, particularly in rainforests. The ecologist Stephen Hubbell of UCLA, who was part of the team behind the Barro Colorado surveys, estimates that less than 2 percent of the tree species in the Amazon account for half of all the individual trees, meaning that 98 percent of the species are rare.

Such high biodiversity flies in the face of predictions made by a leading theory of ecology, which says that in a stable ecosystem, every niche or role should be occupied by one species. Niche theory suggests that there are not enough niches to enable all the species the ecologists saw to stably exist. Competition over niches between similar species should have sent the rarities into extinction (or led them to adapt to slightly different niches).

A new ecological modeling paper in Nature by James O’Dwyer and Kenneth Jops of the University of Illinois at Urbana-Champaign explains at least part of this discrepancy. They found that species that should seemingly be head-to-head competitors can share an ecosystem if details of their life histories—such as how long they live and how many offspring they have—line up in the right way. O’Dwyer and Jops’ work also helps explain why one of the most successful ways to model ecologies often arrives at accurate results, even though it glosses over almost all we know about how organisms function.

Back in 2001, the paradoxically high biodiversity on Barro Colorado Island inspired Hubbell to propose the groundbreaking neutral theory of ecology. Traditional ecology theory stressed the competition for niches between species. But Hubbell pointed out that species might not really matter in that equation because, in effect, individuals compete for resources with members of their own species too. He suggested that patterns of diversity in ecosystems might largely be the products of random processes.

[Read: A basic premise of animal conservation looks shakier than ever]

For a theory that dealt with biodiversity, Hubbell’s neutral theory was sparse. It ignored variations in life spans, nutritional quirks, and other details that distinguish one species from another. In models based on the theory, every individual in a theoretical ecosystem is identical. Once the clock starts, the ecosystem evolves stochastically, with individuals outcompeting and replacing one another at random. The theory was completely at odds with species-based approaches to ecology, and it provoked impassioned debate among ecologists because it seemed so counterintuitive.

Yet surprisingly, as the random walks in the neutral models progressed, they reproduced key features of what Hubbell and his colleagues saw in their data from Barro Colorado Island and what others have seen elsewhere. In this modeling that almost perversely acknowledges no differences, there are flashes of the real world.

That tension between the models and reality has long interested O’Dwyer. Why did neutral theory seem to work so well? Was there a way to bring in information about how species function to get results that might look still more realistic?

One of the things that make neutral models appealing, O’Dwyer told me, is that there really are deep universalities among many living things. While animal species are not identical, they are remarkably similar at the level of, say, the circulatory system. According to a principle called Kleiber’s law, for example, the metabolic rate of an animal generally increases with its size, scaling as a power law—the same power law, no matter the species. (Several theories about why Kleiber’s law is true have been offered, but the answer is still debated.)

Given those signs of underlying order, O’Dwyer wondered whether some details of how organisms live matter more than others in determining how successfully species will compete and survive over evolutionary time. Take metabolism again: If an ecosystem can be seen as an expression of its inhabitants’ metabolisms, then the organisms’ sizes are special, significant numbers. The size of an individual may be more useful in modeling its fate over time than any number of other details about its diet or species identity.

O’Dwyer wondered whether one of those crucial, privileged factors might be captured by life history, a concept that combines species statistics such as average number of offspring, time until sexual maturity, and life span. Imagine a plot of 50 individual plants. Each has its own life span, its own pattern of reproduction. After three months, one plant might produce 100 seeds, while another, similar one produces 88. Maybe 80 percent of those seeds will germinate, producing the next generation, which will go through its own version of this cycle. Even within a species, individual plants’ numbers will vary, sometimes by a little, sometimes by a lot, a phenomenon called demographic noise. If this variation is random, in the manner of Hubbell’s neutral theory, what patterns will emerge over successive generations?

O’Dwyer knew he had found someone who could help him explore that question when Jops joined his lab as a graduate student. Jops had previously studied whether models using life histories could predict a vulnerable plant species' survival. Together, they started to hammer out the math that would describe what happens when life history meets competition.

In Jops and O’Dwyer’s model, as in neutral models, stochasticity—the influence of random factors on deterministic interactions among the species—is important. The life histories of species, however, can amplify or reduce the effects of that randomness. “Life history is a kind of lens through which demographic noise works,” O’Dwyer said.

When the researchers allowed their model to progress through time, putting each simulated individual through its paces, they found that certain species could persist alongside each other for long periods even though they were competing for the same resources. Looking deeper into the numbers for an explanation, Jops and O’Dwyer found that a complex measurement called effective population size seemed useful for describing a kind of complementarity that could exist among species. It encapsulated the fact that a species could have high mortality at one point in its life cycle, then low mortality at another, while a complementary species might have low mortality at the first point and high mortality at the second. The more similar this measurement was for two species, the more likely it was that the pair could live alongside each other despite competing for space and nutrition.

[Read: One of evolution’s biggest moments was re-created in a year]

“They experience demographic noise at the same amplitude,” O’Dwyer said. “That’s the key for them to live together a long time.”

The researchers wondered if similar patterns prevailed in the real world. They drew on the COMPADRE database, which houses details about hundreds of plant, fungal, and bacterial species collected from a variety of studies and sources, and they zeroed in on perennial plants that all lived together in the same research plots. They discovered that, as their model had predicted, the plant species that lived together had closely matching life histories: Pairs of species living in the same ecosystem tend to be more complementary than randomly drawn pairs.

The findings suggest ways in which species that are in competition could work well alongside each other without invoking distinct niches, says Annette Ostling, a professor of biology at the University of Texas, Austin: “The coolest part is that they are highlighting that these ideas … can extend to species that are pretty different but complementary.”

To William Kunin, a professor of ecology at the University of Leeds in England, the paper suggests one reason the natural world, for all its complexity, can resemble a neutral model: Ecological processes may have a way of canceling each other out, so that what seems like endless variety can have a simple outcome he described as “emergent neutrality.” Hubbell, for his part, appreciates the expansion of his initial work. “It offers some thoughts on how to generalize neutral models, to tweak them to put in a bit of species differences, expanding and contracting to see what happens to diversity in a local community,” he says.

This is just one bite out of the problem of understanding how biodiversity arises and why it persists, however. “In ecology, we struggle with the relationship between pattern and process. Many different processes can produce the same pattern,” Ostling says. O’Dwyer hopes that in the coming years, more data about the real world can help researchers discern whether effective population size is consistently able to explain coexistence.

Kunin hopes that the paper will inspire others to keep working with ideas from neutral theory. In a field where the unique qualities of individuals, rather than their commonalities, have long held sway, neutral theory has forced ecologists to be creative. “It’s kicked us out of our mental ruts and made us think about which things really matter,” he says.

Hubbell, who unleashed neutral theory on ecology so many years ago, wonders whether truly immense data sets about real forests could yield the kind of detail needed to make the relationship between life history and biodiversity clearer. “This is the kind of building on neutral theory that I was hoping would happen,” he says of the new paper. “But it’s only a baby step toward really understanding diversity.”

Reclaiming Real American Patriotism

Nostalgia is usually an unproductive emotion. Our memories can deceive us, especially as we get older. But every so often, nostalgia can remind us of something important. As we celebrate another Fourth of July, I find myself wistful about the patriotism that was once common in America—and keenly aware of how much I miss it.

This realization struck me unexpectedly as I was driving to the beach near my home. I am a New Englander to my bones. I was born and raised near the Berkshires, and educated in Boston. I have lived in Vermont and New Hampshire, and now I have settled in Rhode Island, on the shores of the Atlantic. Despite a career that took me to New York and Washington, D.C., I am, I admit, a living stereotype of regional loyalty—and, perhaps, of more than a little provincialism.

I was awash in thoughts of lobster rolls and salt water as I neared the dunes. And then that damn tearjerker of a John Denver song about West Virginia came on my car radio.

The song isn’t even really about the Mountain State; it was inspired by locales in Maryland and Massachusetts. But I have been to West Virginia, and I know that it is a beautiful place. I have never wanted to live anywhere but New England, yet every time I hear “Take Me Home, Country Roads,” I understand, even if only for a few minutes, why no one would ever want to live anywhere but West Virginia, too

That’s when I experienced the jolt of a feeling we used to think of as patriotism: the joyful love of country. Patriotism, unlike its ugly half brother, nationalism, is rooted in optimism and confidence; nationalism is a sour inferiority complex, a sullen attachment to blood-and-soil fantasies that is always looking abroad with insecurity and even hatred. Instead, I was taking in the New England shoreline but seeing in my mind the Blue Ridge Mountains, and I felt moved with wonder—and gratitude—for the miracle that is the United States.

[David Waldstreicher: The Fourth of July has always been political]

How I miss that feeling. Because usually when I think of West Virginia these days, my first thought tends to be: red state. I now see many voters there, and in other states, as my civic opponents. I know that many of them likely hear “Boston” and they, too, think of a place filled with their blue-state enemies. I feel that I’m at a great distance from so many of my fellow citizens, as do they, I’m sure, from people like me. And I hate it.

Later, as I headed home to prepare for the holiday weekend, my mind kept returning to another summer, 40 years ago, in a different America and a different world.

I spent the summer of 1983, right after college graduation, in the Soviet Union studying Russian. I was in Leningrad (now St. Petersburg), a beautiful city shrouded in a palpable sense of evil. KGB goons were everywhere. (They weren’t hard to spot, because they wanted visiting Americans like me, and the Soviet citizens who might speak with us, to see them.) I saw firsthand what oppression looks like, when people are afraid to speak in public, to associate, to move about, and to worship as they wish. I saw, as well, the power of propaganda: So many times, I was asked by Soviet citizens why the United States was determined to embark on a nuclear war, as if the smell of gunpowder was in the air and it was only a matter of time until Armageddon.

I was with a group of American students, and we were eager to meet Soviet people. The city is so far north that in the summer the sun never truly sets, and we had many warm conversations with young Leningraders—glares from the KGB notwithstanding—along the banks of the Neva River during the strange, half-lit gloom of these “White Nights.” Among ourselves, of course, our relations were as one might expect of college kids: Some friendships formed, some conflicts simmered, some romances bloomed, and some frostiness settled in among cliques.

If, however, we ran into anyone else from the United States, perhaps during a tour or in the hotel, most of us reacted as if we were all long-lost friends. The distances in the U.S. shrank to nothing. Boston and Jackson, Chicago and Dallas, Sacramento and Charlotte—all of us at that point were next-door neighbors meeting in a harsh and hostile land. It is difficult today to explain to a globalized and mobile generation the sense of fellowship evoked by encountering Americans overseas in the days when international travel was a rarer luxury than it is now. But to meet other Americans in a place such as the Soviet Union was often like a family reunion despite all of us being complete strangers.

[Read: What if America had lost the revolutionary war?]

Some years later, I returned to a more liberalized U.S.S.R. under the then–Soviet leader Mikhail Gorbachev. I was part of an American delegation to a workshop on arms control with members of the Soviet diplomatic and military establishments. We all stayed together on a riverboat, where we also held our meetings. (A sad note: The boat traveled the Dnipro River in what was still Soviet Ukraine, and I walked through towns and cities, including Zaporizhzhya, that have since been reduced to rubble.) One day, our Soviet hosts woke us by piping the song “The City of New Orleans” to our staterooms, with its refrain of Good morning, America. How are ya? It was like a warm call from home, even if I’d never been to any of the locations (New Orleans, Memphis … Kankakee?) mentioned in the lyrics.

Today, many Americans regard one another as foreigners in their own country. Montgomery and Burlington? Charleston and Seattle? We might as well be measuring interstellar distances. We talk about “blue” and “red,” and we call one another communists and fascists, tossing off facile labels that once, among more serious people, were fighting words.

I am not going to both-sides this: I have no patience with people who casually refer to anyone with whom they disagree as “fascists,” but such people are a small and annoying minority. The reality is that the Americans who have taught us all to hate one another instantly at the sight of a license plate or at the first intonation of a regional accent are the vanguard of the new American right, and they have found fame and money in promoting division and even sedition.

These are the people, on our radios and televisions and even in the halls of Congress, who encourage us to fly Gadsden and Confederate flags and to deface our cars with obscene and stupid bumper stickers; they subject us to inane prattle about national divorce as they watch the purchases and ratings and donations roll in. Such people have made it hard for any of us to be patriotic; they pollute the incense of patriotism with the stink of nationalism so that they can issue their shrill call to arms for Americans to oppose Americans.

[Tom Nichols: Gorbachev’s fatal trap]

Their appeals demean every voter, even those of us who resist their propaganda, because all of us who hear them find ourselves drawing lines and taking sides. When I think of Ohio, for example, I no longer think (as I did for most of my life) of a heartland state and the birthplace of presidents. Instead, I wonder how my fellow American citizens there could have sent to Congress such disgraceful poltroons as Jim Jordan and J. D. Vance—men, in my view, whose fidelity to the Constitution takes a back seat to personal ambition, and whose love of country I will, without reservation, call into question. Likewise, when I think of Florida, I envision a natural wonderland turned into a political wasteland by some of the most ridiculous and reprehensible characters in American politics.

I struggle, especially, with the shocking fact that many of my fellow Americans, led by cynical right-wing-media charlatans, are now supporting Russia while Moscow conducts a criminal war. These voters have been taught to fear their own government—and other Americans who disagree with them—more than a foreign regime that seeks the destruction of their nation. I remember the old leftists of the Cold War era: Some of them were very bad indeed, but few of them were this bad, and their half-baked anti-Americanism found little support among the broad mass of the American public. Now, thanks to the new rightists, an even worse and more enduring anti-Americanism has become the foundational belief of millions of American citizens.

I know that such thoughts make me part of the problem. And yes, I will always believe that voting for someone such as Jordan (or, for that matter, Donald Trump) is, on some level, a moral failing. But that has nothing to do with whether Ohio and Florida are part of the America I love, a nation full of good people whose politics are less important than their shared citizenship with me in this republic. I might hate the way most Floridians vote, but I would defend every square inch of the state from anyone who would want to take it from us and subjugate any of its people.

When I returned from that first Soviet excursion back in 1983, we landed at JFK on July 4—the finest day there could be to return to America after a grim sojourn in the Land of the Soviets. By the time my short connecting hop to Hartford took off, it was dark. We flew low across Long Island and Connecticut, and I could see the Fourth of July fireworks in towns below us. I was a young man and so, naturally, I was too tough to cry, but I felt my eyes welling as I watched town after town celebrate our national holiday. I was exhausted, not only from the trip but from a summer in an imprisoned nation. I was so glad to be home, to be free, to be safe again among other Americans.

[Conor Friedersdorf: Independence Day in a divided America]

I want us all to experience that feeling. And so, for one day, on this Fourth, I am going to think of my fellow citizens as if I’d just met them in Soviet Leningrad. Just for the day, I won’t care where their votes went in the past few elections—or if they voted at all. I won’t care where they stand on Roe v. Wade or student-debt forgiveness. I won’t care if any of them think America is a capitalist hellhole. I won’t bother about their loves and hates. They’re Americans, and like it or not, we are bound to one another in one of the greatest and most noble experiments in human history. Our destiny together, stand or fall, is inescapable.

Tomorrow, we can go back to bickering. But just for this Fourth, I hope we can all try, with an open spirit, to think of our fellow Americans as friends and family, brothers and sisters, and people whose hands we would gratefully clasp if we met in a faraway and dangerous place.

Momo’s Deadline

This story was funded by our members. Join Longreads and help us to support more writers.

Linda Button| Longreads | July 4, 2023 | 15 minutes (3,167 words)

Momo
She filled our lives with good food,
chutzpah, laughter, and love.

Enh. I could sense Momo looking over my shoulder as I typed, her head wrapped in a bright coral scarf. I was relieved she had put on weight since death. The final month her skin had hung on her, a size too big. She was back to her firm, long-legged self, her dark eyes bright with interest.

“Enh?!” I said.

I like where you’re going, but the words aren’t right.

This was what we had always done for each other—poked and questioned and haggled over art. Still, I felt the pressure of the deadline. “Your husband needs this in four days. I‘ve got to get the ball rolling.”

Momo shrugged. You’re the writer.

What did she know? Inside I harbored a delicious fantasy that my words would cause the audience—Momo’s friends and sisters, her husband, Marty, and their daughter—to ooooh at how I had captured her gusto on a tombstone. 

For most of my career I have written ad copy. The work suits me. Constraints. The single page of paper. Brevity. Choose as few words as possible. Let the visuals tell the story. Conjure emotion in compressed space and time. Here, then, was the perfect writing assignment for me. A three- by two-foot billboard. Thirty words, max. My business partner’s epitaph. 

But unlike advertising, lofted into the airwaves to evaporate, this project would be carved into granite for eternity. I yearned to create a gravestone that would sing through the ages, that would capture the joie de vivre that was my partner. One year later, Momo’s death still had me reeling. I had worked with her for two decades. I loved her. I considered Marty, her husband of only a few years, a latecomer to the Momo party. Now, for this assignment, he was also the client. He had final say, after all: When it comes to customs of death, spouses top all others. According to Jewish tradition, the time had come to inscribe the grave marker. A literal deadline. 

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Marty had procrastinated for months. So, at the request of friends, I was pitching in. The final words were due by the end of the week. Could I deliver genius in five days?

Momo was right. The copy was “enh.” I emailed the lines to Marty anyway—She filled our lives with good food, chutzpah, laughter, and love—and hoped he would embrace it.


Momo and I had run an ad agency together. She was a seize-the-day daughter of Holocaust survivors; I was bred from stoic Yankee stock. When our agency dwindled to two, we embraced our differences and renamed the business Tooth and Nail. She, the smile. Me, driving home the point. We spread out giant sheets of paper on her dining room floor for brainstorms, plotted campaigns on her sofa, pilfered images off the internet, fought, competed, stepped over each other’s words, slashed ideas, fretted over stubborn, uninspired clients, and laughed about our men. 

In the early days, on train rides home from New York to Boston, Momo would find a table for four and unfurl her coat onto the adjoining seat so no one would join us, while I tucked my backpack around my shoes, not wanting to take an inch more than I had paid for. The coastline scrolled by. She counseled me on my imploding marriage; I marveled over her athletic dating. “Who should I choose?” she asked. “The heart surgeon who’s analytical, or the brain expert who’s all heart?”

“Which one brings you joy?” I knew enough to ask that question. Momo chased pleasure, splurging on business class and nice hotels. She spent far more energy on my happiness than I did. She gifted me photographs of tulips exploding in red and orange, a painting of a woman treading a gray ocean, her nose barely above the surface, as if Momo saw beauty in me but also my struggles. She extended a life raft. She cooked homemade matzoh ball soup steaming with ginger and fennel, she listened deeply, as the best therapists do. I left our conversations feeling both filled and emptied, cleansed and heard. 

Finally, she chose Marty, the psychiatrist who strummed classical guitar and wrote her love letters from his neglected house near the shore. 

Then, the mammogram revealed a 2.2-centimeter lump. Cue the mastectomies, chemo and radiation, wigs and thinning eyebrows. Momo rejected that as her entire story. For seven years after her diagnosis, Momo made even cancer an adventure. She wrote a blog. 

Am I upset over the possibility of losing a breast? Not really. I’ve had a terrific pair for 48 years. My girls have given me and many boys great pleasure.

She treated loss as a punch line, no topic too intimate. 

On Monday I took a shower and quickly realized that I won’t be scheduling any bikini waxes in the near future.


In advertising we start with the audience and consider how we want to make them feel. Who would trudge the slope to visit Momo’s gravesite each year? Her loyal circle of friends, surely. Her three older sisters, each a variation of Momo: artistic, smart, empathetic. And, of course, her 13-year-old daughter and round-shouldered Marty, his AirPods filled with classical guitar. I imagined her quiet, sarcastic daughter cresting the hill and I wanted to reward her with a smile, to feel the warmth, sechel, and humor of her mom embracing her.

Amazingly, when I look back, I did not follow my own best practices. I did no research on tombstones, threw out no wide net. I suffered from tunnel vision—exactly what I warn young writers never to do—and got stuck on a single idea. Had I bothered, I would have discovered a wide field of possibilities; it turns out that epitaphs trace the arc of history with tales of society, legacies, and stories of power and love. 

From traditional Jewish blessings . . .

May her soul be bound in the binding of life.”

and Japanese poetry . . .

Empty-handed I entered the world 
Barefoot I leave it.

. . . to good old sardonic American. 

Here lies Butch, we planted him raw, 
he was quick on the trigger, but slow on the draw.  

We could have honored Momo’s philosophy, She was bubbles in the champagne of life, or captured her perseverance: Grit and Grace, or something risqué, pulled from her own blog. “I won’t be scheduling any bikini waxes in the near future.”

I could have offered Marty an array of choices, mocked up what the stone would look like, handed him a scotch, and nudged him in the right direction. Instead, I worried and clung to one idea. Grief stuffed me into a small, hardened box.   


I was thinking of something more inspiring. 

Marty’s response waited for me the next morning. In advertising, where writing is a team sport, my ego had long ago shrunk to a chickpea. Still. Ouch. He sent examples of quotes he considered inspiring. 

Don’t cry because it’s over, smile because it happened.”Dr. Seuss

“In the end, it’s not the years in your life that count. It’s the life in your years.” Abraham Lincoln

“The pain passes. The beauty remains.”Renoir

My stomach curdled with disappointment. I hated when clients reached for clichés. Also, I was pretty sure Old Abe never said that. Momo leaned across and squinted at the text. She turned to me with a look between constipation and impatience: What do these dead white guys have to do with a hot, middle-aged diva?

“Right?!” I nodded even though I got where Marty was coming from. When a star collapses and sucks up light and life you need big mother constellations like Abe Lincoln and Dr. Seuss on your side. Marty was crazy in love with Momo. He proposed in her throes of dying and adopted her daughter. Not so crazy. 

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But he wasn’t there when Momo first brought her daughter home from China, the same year I gave birth to my youngest child. He hadn’t watched our kids grow up to be best friends. He wasn’t with us, looking down on giant sheets of paper, pulling ideas from the air, creating a company while taking turns with after-school pickup. Where was he when we got The History Channel clients snockered on vodka at a creative presentation on Russian tzars, or when Momo snored through a conference call, and we claimed it was a leaf blower? 

My hand hovered over the keyboard. Momo was still making that face. I marshaled my diplomacy and shot a note back to Marty. 

The Renoir quote is lovely—haven’t heard it before. How about this:

Momo

She filled our lives with chutzpah, laughter, and love.

“The pain passes. The beauty remains.” —Renoir

Marty didn’t respond. The day ticked by. 


In her last month I had wheeled Momo around the block, past her front yard where a gardener friend had fashioned a river of smooth stones. Momo did not admire the curving white through her lawn, or the blaze of yellow leaves outside her windows. She curled inward with pain. Now that it was my turn to lavish her with support and comfort, I had no words. I spoke to her as if to a child. “Isn’t that tree beautiful!” 

“Take me home,” she said. 

Her office had been turned into a sickroom, a large bed and TV at one end. Her sisters had arrived from Israel, Dominica, and Maine and tightened around her. They filled the kitchen with music, took turns dressing her, served up platters of hummus and opinions. They, and her other friends, somehow understood the rituals of grief, care, and mitzvah. Their religion was seeped in loss and optimism. They practiced simple, concrete gestures. But I didn’t even know what to do with my hands. I felt useless, as if I had gone from insider to outsider. I’ve been here all along, I wanted to say to them. Momo and I, we helped each other. She offered me refuge from my unraveling marriage. I gave her purpose.

The night she passed, I left my phone in the living room. When I woke, messages from her friends and sisters spilled down my screen. Voice mails. Texts. “Come to the hospital!” “Hurry!” I had slept while my friend died. 


Another day, nothing.

“He hates it,” I said.

Oh, you know Marty. Momo waved her hand. He’s a BFD at the hospital. He’s probably curing ADHD and seasonal depression. 

“After years of pounding me on deadlines, you’re giving him a pass?”

He’s a genius, they need more time.

Ouch, I thought. Double whammy. 

The morning of the deadline, my email dinged.

This is what I woke up with at 4 AM:

Mother, wife, negotiator, artist, cook, adventurer.  

Forever bold, stylish, and brave.

“The pain passes. The beauty remains.” —Renoir

Thoughts? Marty. 

Lists. The final refuge of the desperate, the last gasp of clients when they’d run out of ideas or lacked imagination. Marty had reduced Momo to a string of nouns, adjectives, and commas, as if that defined her. Plus, Wife was the second word? 

Momo beamed. Stylish. Adventurer! Marty’s so good with words, isn’t he? 

That’s what love does, I muttered to myself. It infuses mediocre writing with sentiment. “He left off sister. Friend!” 

Momo frowned. Gotta include them. Maybe we need an extra tall slab. Fit everything in. 

I pounded a response on the keyboard. 

Oh, those 4am thoughts! 

I would add friend, sister, businesswoman . . . and the list gets long. Maybe focus on how she made us feel? xoxo 

How did Momo make me feel? She had taught me that moments live in the flickering gold light of a beech tree and a bowl of warm soup. That loss waits for all of us, so we’d better wring happiness from every second. Death had robbed me of my witness, my confidant, the most honest friend I ever had. She never lied to me about my situation. Or herself. How many lovers have you had? I had asked her when I started dating again. She looked off to the corner of the restaurant, counting. “Sixty? Eighty? I had fun.” Would I ever squeeze so much out of life? She left nothing on the table.

Momo, courtesy of the author.

What did I give her? My doggedness. My drive. My craving for partnership, as if I was born incomplete. I gave her my standing in the industry. My fierce competitiveness. My soundless, grateful love.  

I went to make coffee. Marty’s response waited in my inbox.

It doesn’t work to say how she made us feel.  We need to convey who she was. Funny, I left off sister and friend as her middle sister thought that it would be unnecessary, but it’s a key part of who Momo was. I was hoping that negotiator and artist would cover who she was as a businessperson.

Off to the eye doctor.

Ah, he was pulling in Momo’s sisters. A classic zone defense move by the client. I poured contempt onto the page. 

New glasses? Hope you’re seeing more clearly now. Give me a call . . .

What do you think, Momo? I looked around the room and discovered her missing. Marty never responded either. But a tombstone deadline does not melt away like some canceled ad campaign. 


The morning of the unveiling broke crisp and bright, the kind of April day we long for after the gray length of winter. A brightly colored square, rippling in the sunlight, waited for us. Someone had swathed the tombstone in scarves. The wind lifted the corners, flirting and winking, to reveal edges of letters. What was written there? When I had asked Marty the night before at a gathering in their home, he shrugged and said, “Something like in the email.”  

Momo had handpicked her site. Even the year before, as we tipped clumps of earth onto her casket, weeping, we admired the location. It faced a protected edge of the graveyard. 

Now, a year later, grass had grown over the mound. The trees plumped with buds and sunlight flickered through new green leaves. The rabbi, a short, bearded man, gestured for us to draw close. Marty stood with their daughter, his arm around her. I expected Momo to leap out from behind the stone and join us. 

We each read something. I had to borrow a quote that morning, too overwhelmed to think. Words. All my life I have wrestled with, debated, and polished them. But how much had they ever mattered? Momo’s sisters approached the stone and unfastened the tape that secured the scarves. My shoulders tensed and my hand squeezed a damp Kleenex in my pocket. As the coral silks pulled away, the epitaph revealed itself from the bottom up. The words were indistinct, unreadable, and I cursed the stonecutter. Then I pushed the tears from my eyes and read the final, stubborn, unfixable inscription. 

Momo 
Mother. Wife. Sister. Friend.
Negotiator. Artist. Cook. Adventurer.
Forever Bold, Stylish, and Brave.
“The pain passes. The Beauty remains” —Renoir.
November 4, 1958–October 25, 2013

Every word rang true, but they read like a catalog. Writing, I have realized, reflects the writer, not the subject. The tombstone embodied Marty: conflict-averse, hoping to placate everyone. The list did not add up to Momo. I had yearned for bolder art, and my failure said something about me too. I deferred to Marty instead of seizing the moment and creating art worthy of this woman, if that was even possible. 

Loss had yawned over me the past year with daily reminders of my friend. The plants she had bequeathed to me, now gasping for water, hung from my ceiling; my phone became a minefield of photos and buried emails. I would rifle through contracts or sort through our old projects and feel fresh pinpricks of grief. I turned funny tales from our partnership over until they became smooth, comforting stones in my palm. 

I had tried to find another business partner. I needed someone else, I knew that, to keep me from spinning tighter into self-criticism, to slow down and let my feelings catch up, to find happiness for myself, as she had taught me. I even met with a consultant who listened carefully over bad hotel coffee and said “You’re lucky if you get one or two partners like that in a lifetime. Don’t try to replace her—go out and seek many people.” So I found designers, producers, and accountants to help me run the business. I began a relationship with a kind man. Each person filled a hole in my life but, like the litany on the tombstone, couldn’t capture what I had lost. Death had rubbed its heel squarely on what vibrated and flourished between us, ending the world Momo lived in, of possibility, her quicksilver wit, the warmth that rose from her, her push to seek out new adventures.

I closed my eyes and imagined going home and calling Momo and telling her about this day, where we sang songs and prayed and grieved both privately and as a chorus. The group murmured on either side of me. The edge of a cold breeze snuck down my collar. I folded my arms and held myself tighter.

Ach!

“Momo?”

What’s with the waterworks? Life is waiting for you down the hill, my dear.


I never visit Momo’s gravesite, nor do I want to. She sits next to me when I labor over a script or edit a commercial, and even now, as I try to craft this memory of her. I did not have the right words to say to her in her final weeks. I could not conjure poetry for her at her service. My words failed me then, they fail me still, and I keep trying. I want to breathe life back into the shining energy that filled my days. I want to make Momo alive for you on this simple piece of paper. 

Do words matter? I visit Momo’s blog and linger over her final post, written weeks before she died. The stamp of that last date floats farther away from me, but the words still leave fresh yearning. 

Seven years of debilitating treatments, anxious scan results, and the occasional self-diagnosis. It’s a lot to go through to drop a few pounds. Seven very precious years spent with my magnificent husband, my daughter and stellar friends. Seven years going on eight years with nine years in reach and ten years hardly a stretch.

Knowing all that and still, I live like there is no tomorrow.


Linda Button is a storyteller and writer for a large non-profit. Her essays have appeared in The New York Times, Boston Magazine, PBS, and elsewhere. Her memoir-in-progress, Fight Song, explores mental illness, martial arts and learning to let go, despite love. 

Editor: Krista Stevens
Copy Editor: Peter Rubin

Sustainable Design Toolkits And Resources

“Sustainable” design is a paradigm that emphasizes the impact that design practices and workflows have on the environment with the goal of reducing carbon emissions. The design decisions we make are reflected in our planet’s climate, from the energy consumption of the tools we use to how the products we build interact with the environment and plenty of other things in between. In this collection, we compiled resources to help you understand the principles of sustainable design and how to integrate them into the way we work and the things we make.

Design For Sustainability

The EU Science Hub’s Sustainable Product Policy estimates that over 80% of all product-related environmental impacts are determined during the design phase. But how can design teams ensure that sustainability is at the core of every design choice they make? To help their designers develop design habits about sustainability, IBM published “IBM Design for sustainability.”

At the heart of the framework is the idea that the user, community, and social value should outweigh any negative environmental and social impact in the present and the future. To achieve this vision, experiences need to be inclusive, easy to learn and use, and efficient for both users and overall power consumption.

The sustainability checklist is part of the framework and it gives practical tips for optimizing designs to meet these goals. It’s no rocket science, but the checklist does offer useful considerations that will help improve performance, speed, and responsiveness.

Sustainability Methods and Design Principles

The Sustainability Guide from SVID is an overarching framework for sustainable design and development practices that contains sections wholly dedicated to methods and design principles that are centered around sustainable practices.

The design section illustrates the system-wide lifecycle of the design process, describing it as a circular system where everything in a product design is interconnected and linked by environmental criteria that is embedded at all stages.

The methods section is an archive of tools, resources, case studies, and expert advice that can be used to educate a team, as well as kickstart a team into sustainable environmental practices.

Sustainable Design Strategies

The crux of sustainable design strategies, according to Leyla Acaroglu, is ensuring that the tools we use in a design workflow and how we use them today do not have a negative impact on the planet in the future.

What Leyla does in this extensive Medium post is curate an ecodesign strategy set that covers core considerations for product design that build sustainability into the process, from manufacturing and recyclability to efficiency and modularity. By including these considerations into the design lifecycle, it is possible to develop products and services that reflect sustainable practices, such as a product’s ability to dematerialize, how easily it can be recycled, how long it lasts, whether it can be dissembled by customers, and to what extent it can be repurposed for other uses.

Sustainable Web Design Practices

Is the admin experience as easy and intuitive as the front-end experience? Is the message useful for your target audience? Could a Progressive Web App be an efficient solution? A lot of questions need to be asked when you want to deliver digital products and services that respect the principles of the Sustainable Web Manifesto. The site Sustainable Web Design helps you find the right sustainability strategy for your project.

The strategies are divided into different categories: design, client and project ethos, content and marketing, development, hosting, and business operations. In each category, you’ll find questions worth considering and an explanation of why it matters. Links to further reading resources let you dive deeper into each aspect. A helpful guide that supports you on every step of the design process.

Sustainable Web Hosting Companies

According to some estimates, the impact of the Internet and our gadgets on global greenhouse emissions is similar to that of the airline industry. To speed up the transition towards a green, fossil-free Internet, there’s a question we all can ask ourselves: Are our websites hosted green?

The Green Web Foundation built a checker to help you quickly find out if your hosting provider is using green energy or compensating for its services. All you need to do is enter the URL. If you want to make the switch to a green hosting provider, the foundation also published a directory of 478 green hosting companies in 35 countries. A small step that makes a difference.

Sustainability Score Calculator

So, just how large is the carbon footprint of your website? The Internet uses electricity, of course, but it also relies on data centers that distribute information, and the energy to power each and every device that receives that information. Even a small website has a carbon footprint.

The Sustainability Score Calculator is one way to find out. Employing a methodology that takes energy-consuming attributes into account, this free calculator estimates the amount of carbon dioxide produced by a particular website. It looks at the weight of images on a page, whether web fonts are integrated, and any front-end frameworks in use, among other considerations, to inform its calculations.

The exact amount of carbon dioxide produced by a website can probably be evaluated in a number of ways, and this specific calculator makes its own assumptions. Regardless of the exact inputs used in the results, the fact that the Sustainability Score Calculator can come up with a rough estimate for a website’s carbon dioxide output on a per page view basis is a reasonable starting point for determining just how big of a footprint a site has on the environment.

Sustainable UX Design Toolkit

The Sustainable UX Design Toolkit is a resource produced by the Sustainable UX Network, a non-profit organization that has established a community of designers around sustainable environmental design practices.

The organization developed the toolkit as a Miro board that is freely available to clone into your own Miro account. Not a Miro user? You can still reference the embedded board and zoom into it to view the four-step process that walks you through concept to presentation, providing useful considerations, best practices, and even templates you can use right away.

Sustainability Nudges in UX

In the last few years, customers have become more and more aware of how important environmental friendliness and social responsibility are when making a purchase. But even with increased awareness, businesses still play a key role in informing, enabling, and encouraging sustainable behavior. In his post “7 behavioural UX approaches encouraging sustainable purchases,” Damien Lutz takes a closer look at how e-commerce businesses encourage sustainable purchases and what we can learn from them.

From Zalando’s sustainability filters and Amazon’s Climate Pledge Friendly Hub to Qantas’ Green Tier membership and sustainable shopping assistants, Damien analyzes different strategies of nudging customers towards more sustainable decisions. Based on his observations from these real-life examples, he summarizes practical behavioral UX tips that help everyone create experiences that promote sustainability. Interesting insights are guaranteed.

Green the Web Podcast

Since 2019, UX/UI designer Sandy Dähnert shares her passion for a sustainable web on her site Green the Web. Last year, she started the Green the Web Podcast on all things sustainable design best practices, ecological and social user research, information architecture, user interface design, and more.

Whether it’s sustainability-infused user journey maps, UX/UI factors for a lightweight website, or approaches for greener checkout, in the podcast Sandy shares her deep love of sustainable UX and UI design to encourage everyone to step into green design and play an active role in shaping this new design philosophy. You can listen to the podcast on Spotify or Apple Podcasts.

Sustainable UX Playbook

The Sustainable UX Playbook is a yet-to-be-released work in progress by the same folks who maintain the Sustainable UX Manifesto. The playbook is set to provide guidelines, best practices, and examples to help you and your team adopt an environmentally-centered design approach.

The exact date of when the Sustainable UX Playbook will be available is to be determined, but it will be published to SustainableUXPlaybook.com (which currently redirects to the Sustainable UX Manifesto) when it is ready.

Sustainability Figma Kit

The Sustainability Figma Kit that Elisa Fabbian, Rachele Pedol, and Margherita Troilo created helps digital designers move from human-centered design to a more sustainable life-centered design approach. It consists of a learning guide, 23 action cards, and a flowchart.

The learning guide introduces you to the broader context and importance of designing products and services with a reduced environmental impact. The action cards explore problems you might encounter in different phases of the design process and how to solve them. Last but not least, the flowchart helps you find out which sustainability actions can be applied to the specific type of project you are working on by providing useful tips for designing in a more conscious way.

Sustainability Innovation Framework

Sustainability Innovation Framework is an effort from Sebastian Gier that is all about the planning phase of an effort to scope work for projects aimed at reducing carbon emissions.

The process is mapped to traditional design thinking, helping you start work by aligning objectives and documenting assertions before tying them into user needs. What makes this framework particularly useful is that it helps prioritize the ideas generated by the process by their environmental impact.

The entire framework is available as a collaborative FigJam board that can be cloned to your own Figma account.

EcoCards Game Workshop Toolkit

One of the most difficult hurdles to adopting a sustainable design process is figuring out how to discuss the topic as a team. Getting everyone on the same page about what it means to design sustainably and how to establish a process for it are paramount for any team.

That’s what makes the EcoCards Game Workshop Toolkit such a valuable resource. The toolkit is a collection of three card-based games designed to facilitate team discussion on sustainable design practices. Each game is framed as a “workshop” meant to take place at different stages in the design process, detailing the game rules with a series of steps using a plain deck of playing cards to move the discussion forward.

The EcoCards are created as a FigJam board that can be cloned to your Figma account. They are available in English and French translations.

Team Sustainability Retrospective

OK, so perhaps your team has adopted a sustainable design process that aims to reduce carbon emissions. How do you know it’s working? That’s the purpose of the Team Sustainability Retrospective, a Miro template produced by Paddy Dhanda.

Rather than high-fiving your team for implementing a sustainable system, this set of templates will help you assess whether or not your efforts are paying off in a streamlined five-step process. This way, your team can re-group after the implementation of the design process and properly measure its impact with data that form actionable insights for improving the process even further.

World Wide Waste Book

World Wide Waste is a book by Gerry McGovern, aiming to debunk the perception that being “digital” is akin to being “green.” It provides a healthy dose of statistics about the impact of digital products and services and details the crisis of energy consumption in the world.

For example, McGovern attempts to clear up the misunderstanding that cloud technologies are somehow ethereal elements that are carbon-free, but rather physical data centers that result in large quantifiable emissions. If nothing else, this book will equip you with the information you might need to help convince your team to adopt more sustainable practices with statistics and case studies to make the case.

Sustainable Web Design Book

If the World Wide Waste book is all about defining and diagnosing unsustainable design practices, then this offering from A Book Apart is aimed at curing those symptoms. Written by lead author of the “Sustainable Web Manifesto” Tom Greenwood, Sustainable Web Design is a collection of practical web design advice for everything from how to measure a website’s environmental impact and identifying low-carbon design practices to creating energy-efficient development processes and creating a hosting environment that helps reduce climate costs.

Like all A Book Apart publications, Sustainable Web Design is available in print and digital editions — just remember that the digital copy is not a carbon-free option, as many of the resources in this roundup have noted. Then again, the printed copy also has climate considerations due to the costs of transporting the book to your front door. Just buying the book is an excellent example of the conundrums of sustainable design.

Climate Tech Guide For Designers

If you’re looking for help establishing yourself in a career in sustainable design, Enrique Allen and the Designer Fund team offer the Climate Tech Guide for Designers.

This guide is less about teams adopting sustainable design standards than it is a resource for helping you make a decision about where you work and who you work for. How passionate is the company about climate? What problems is the company trying to solve, and are the solutions based on climate technology and considerations? These are the types of questions that will allow you to find the right fit for your career.

What makes this Climate Tech Guide for Designers especially useful is that it goes beyond company considerations by offering advice for how to position yourself for a career in climate technology, capping things off with an extensive list of companies that demonstrate sustainable practices.

Ethical Design Handbook

The Ethical Design Handbook is a book we offer right here at Smashing Magazine. Written by authors Trine Falbe, Martin Michael Frederiksen, and Kim Andersen, these guidelines serve as a roadmap to learn about adopting and integrating ethical design practices into a business model.

Wait, why are we talking about “ethical design” when we’ve been sharing resources on “sustainable design”? Ethical and sustainable design work hand-in-hand, as ethical design relies on sustainable digital business practices in addition to a slew of larger concepts that determine an organization’s ethical practices, from transparency in how data is collected to how inclusiveness is built into a design. In other words, ethical and sustainable design are united by a cause to prevent harm to people. A sustainable design process supports a healthy environment that, in turn, supports an ethical responsibility to care about the impact we have on the planet.

All in all, the Ethical Design Handbook is about leveraging ethical business practices as a market differentiator that can be used as a competitive advantage. Sustainable design principles are part of that matrix, demonstrating that sustainable practices can be aligned to — and even enhance — business objectives.

Ethical Design Resources

Another useful resource to help designers and developers live up to the responsibility of causing no harm and ensure that the experiences they build are inclusive, honest, and safe are the Ethical Design Resources which Lexi Namer maintains in collaboration with the Ethical Design Network and Kate Every.

On Ethical Design Resources, you’ll find articles, books, courses, frameworks, tools, talks, videos, podcasts, and more covering different aspects of ethical design. They help you assess the impact of your design decisions, uncover harmful practices, and support you in making design choices that respect your users.

And if you need more resources, take a look at Ethical Design Guide and Humane By Design.

Wrapping Up

There you have it, a deep collection of toolkits, frameworks, and resources you can use to learn about sustainable design practices and how to adopt them into your own design process. Notice how the collection reveals that sustainable design is a multifaceted topic that considers everything from how we work to the specific tools we use to work. It even covers product design as a whole and the decisions that impact the sustainability of a product, not to mention how business objectives influence environmental objectives.

There may not be a single silver bullet or resource that immediately aligns you and your work with sustainable design practices. That said, the resources provided in this roundup can help you make big and small gains alike, whether it’s reflected in something as seemingly small as the hosting provider you decide to use for your website or something more involved such as integrating environmental considerations at every stage of the design process.

A Case for AI Wellbeing (guest post)

“There are good reasons to think that some AIs today have wellbeing.”

In this guest post, Simon Goldstein (Dianoia Institute, Australian Catholic University) and Cameron Domenico Kirk-Giannini (Rutgers University – Newark, Center for AI Safety) argue that some existing artificial intelligences have a kind of moral significance because they’re beings for whom things can go well or badly.

This is the sixth in a series of weekly guest posts by different authors at Daily Nous this summer.

[Posts in the summer guest series will remain pinned to the top of the page for the week in which they’re published.]

 


A Case for AI Wellbeing
by Simon Goldstein and Cameron Domenico Kirk-Giannini 

We recognize one another as beings for whom things can go well or badly, beings whose lives may be better or worse according to the balance they strike between goods and ills, pleasures and pains, desires satisfied and frustrated. In our more broad-minded moments, we are willing to extend the concept of wellbeing also to nonhuman animals, treating them as independent bearers of value whose interests we must consider in moral deliberation. But most people, and perhaps even most philosophers, would reject the idea that fully artificial systems, designed by human engineers and realized on computer hardware, may similarly demand our moral consideration. Even many who accept the possibility that humanoid androids in the distant future will have wellbeing would resist the idea that the same could be true of today’s AI.

Perhaps because the creation of artificial systems with wellbeing is assumed to be so far off, little philosophical attention has been devoted to the question of what such systems would have to be like. In this post, we suggest a surprising answer to this question: when one integrates leading theories of mental states like belief, desire, and pleasure with leading theories of wellbeing, one is confronted with the possibility that the technology already exists to create AI systems with wellbeing. We argue that a new type of AI—the artificial language agent—has wellbeing. Artificial language agents augment large language models with the capacity to observe, remember, and form plans. We also argue that the possession of wellbeing by language agents does not depend on them being phenomenally conscious. Far from a topic for speculative fiction or future generations of philosophers, then, AI wellbeing is a pressing issue. This post is a condensed version of our argument. To read the full version, click here.

1. Artificial Language Agents

Artificial language agents (or simply language agents) are our focus because they support the strongest case for wellbeing among existing AIs. Language agents are built by wrapping a large language model (LLM) in an architecture that supports long-term planning. An LLM is an artificial neural network designed to generate coherent text responses to text inputs (ChatGPT is the most famous example). The LLM at the center of a language agent is its cerebral cortex: it performs most of the agent’s cognitive processing tasks. In addition to the LLM, however, a language agent has files that record its beliefs, desires, plans, and observations as sentences of natural language. The language agent uses the LLM to form a plan of action based on its beliefs and desires. In this way, the cognitive architecture of language agents is familiar from folk psychology.

For concreteness, consider the language agents built this year by a team of researchers at Stanford and Google. Like video game characters, these agents live in a simulated world called ‘Smallville’, which they can observe and interact with via natural-language descriptions of what they see and how they act. Each agent is given a text backstory that defines their occupation, relationships, and goals. As they navigate the world of Smallville, their experiences are added to a “memory stream” in the form of natural language statements. Because each agent’s memory stream is long, agents use their LLM to assign importance scores to their memories and to determine which memories are relevant to their situation. Then the agents reflect: they query the LLM to make important generalizations about their values, relationships, and other higher-level representations. Finally, they plan: They feed important memories from each day into the LLM, which generates a plan for the next day. Plans determine how an agent acts, but can be revised on the fly on the basis of events that occur during the day. In this way, language agents engage in practical reasoning, deciding how to promote their goals given their beliefs.

2. Belief and Desire

The conclusion that language agents have beliefs and desires follows from many of the most popular theories of belief and desire, including versions of dispositionalism, interpretationism, and representationalism.

According to the dispositionalist, to believe or desire that something is the case is to possess a suitable suite of dispositions. According to ‘narrow’ dispositionalism, the relevant dispositions are behavioral and cognitive; ‘wide’ dispositionalism also includes dispositions to have phenomenal experiences. While wide dispositionalism is coherent, we set it aside here because it has been defended less frequently than narrow dispositionalism.

Consider belief. In the case of language agents, the best candidate for the state of believing a proposition is the state of having a sentence expressing that proposition written in the memory stream. This state is accompanied by the right kinds of verbal and nonverbal behavioral dispositions to count as a belief, and, given the functional architecture of the system, also the right kinds of cognitive dispositions. Similar remarks apply to desire.

According to the interpretationist, what it is to have beliefs and desires is for one’s behavior (verbal and nonverbal) to be interpretable as rational given those beliefs and desires. There is no in-principle problem with applying the methods of radical interpretation to the linguistic and nonlinguistic behavior of a language agent to determine what it believes and desires.

According to the representationalist, to believe or desire something is to have a mental representation with the appropriate causal powers and content. Representationalism deserves special emphasis because “probably the majority of contemporary philosophers of mind adhere to some form of representationalism about belief” (Schwitzgebel).

It is hard to resist the conclusion that language agents have beliefs and desires in the representationalist sense. The Stanford language agents, for example, have memories which consist of text files containing natural language sentences specifying what they have observed and what they want. Natural language sentences clearly have content, and the fact that a given sentence is in a given agent’s memory plays a direct causal role in shaping its behavior.

Many representationalists have argued that human cognition should be explained by positing a “language of thought.” Language agents also have a language of thought: their language of thought is English!

An example may help to show the force of our arguments. One of Stanford’s language agents had an initial description that included the goal of planning a Valentine’s Day party. This goal was entered into the agent’s planning module. The result was a complex pattern of behavior. The agent met with every resident of Smallville, inviting them to the party and asking them what kinds of activities they would like to include. The feedback was incorporated into the party planning.

To us, this kind of complex behavior clearly manifests a disposition to act in ways that would tend to bring about a successful Valentine’s Day party given the agent’s observations about the world around it. Moreover, the agent is ripe for interpretationist analysis. Their behavior would be very difficult to explain without referencing the goal of organizing a Valentine’s Day party. And, of course, the agent’s initial description contained a sentence with the content that its goal was to plan a Valentine’s Day party. So, whether one is attracted to narrow dispositionalism, interpretationism, or representationalism, we believe the kind of complex behavior exhibited by language agents is best explained by crediting them with beliefs and desires.

3. Wellbeing

What makes someone’s life go better or worse for them? There are three main theories of wellbeing: hedonism, desire satisfactionism, and objective list theories. According to hedonism, an individual’s wellbeing is determined by the balance of pleasure and pain in their life. According to desire satisfactionism, an individual’s wellbeing is determined by the extent to which their desires are satisfied. According to objective list theories, an individual’s wellbeing is determined by their possession of objectively valuable things, including knowledge, reasoning, and achievements.

On hedonism, to determine whether language agents have wellbeing, we must determine whether they feel pleasure and pain. This in turn depends on the nature of pleasure and pain.

There are two main theories of pleasure and pain. According to phenomenal theories, pleasures are phenomenal states. For example, one phenomenal theory of pleasure is the distinctive feeling theory. The distinctive feeling theory says that there is a particular phenomenal experience of pleasure that is common to all pleasant activities. We see little reason why language agents would have representations with this kind of structure. So if this theory of pleasure were correct, then hedonism would predict that language agents do not have wellbeing.

The main alternative to phenomenal theories of pleasure is attitudinal theories. In fact, most philosophers of wellbeing favor attitudinal over phenomenal theories of pleasure (Bramble). One attitudinal theory is the desire-based theory: experiences are pleasant when they are desired. This kind of theory is motivated by the heterogeneity of pleasure: a wide range of disparate experiences are pleasant, including the warm relaxation of soaking in a hot tub, the taste of chocolate cake, and the challenge of completing a crossword. While differing in intrinsic character, all of these experiences are pleasant when desired.

If pleasures are desired experiences and AIs can have desires, it follows that AIs can have pleasure if they can have experiences. In this context, we are attracted to a proposal defended by Schroeder: an agent has a pleasurable experience when they perceive the world being a certain way, and they desire the world to be that way. Even if language agents don’t presently have such representations, it would be possible to modify their architecture to incorporate them. So some versions of hedonism are compatible with the idea that language agents could have wellbeing.

We turn now from hedonism to desire satisfaction theories. According to desire satisfaction theories, your life goes well to the extent that your desires are satisfied. We’ve already argued that language agents have desires. If that argument is right, then desire satisfaction theories seem to imply that language agents can have wellbeing.

According to objective list theories of wellbeing, a person’s life is good for them to the extent that it instantiates objective goods. Common components of objective list theories include friendship, art, reasoning, knowledge, and achievements. For reasons of space, we won’t address these theories in detail here. But the general moral is that once you admit that language agents possess beliefs and desires, it is hard not to grant them access to a wide range of activities that make for an objectively good life. Achievements, knowledge, artistic practices, and friendship are all caught up in the process of making plans on the basis of beliefs and desires.

Generalizing, if language agents have beliefs and desires, then most leading theories of wellbeing suggest that their desires matter morally.

4. Is Consciousness Necessary for Wellbeing?

We’ve argued that language agents have wellbeing. But there is a simple challenge to this proposal. First, language agents may not be phenomenally conscious — there may be nothing it feels like to be a language agent. Second, some philosophers accept:

The Consciousness Requirement. Phenomenal consciousness is necessary for having wellbeing.

The Consciousness Requirement might be motivated in either of two ways: First, it might be held that every welfare good itself requires phenomenal consciousness (this view is known as experientialism). Second, it might be held that though some welfare goods can be possessed by beings that lack phenomenal consciousness, such beings are nevertheless precluded from having wellbeing because phenomenal consciousness is necessary to have wellbeing.

We are not convinced. First, we consider it a live question whether language agents are or are not phenomenally conscious (see Chalmers for recent discussion). Much depends on what phenomenal consciousness is. Some theories of consciousness appeal to higher-order representations: you are conscious if you have appropriately structured mental states that represent other mental states. Sufficiently sophisticated language agents, and potentially many other artificial systems, will satisfy this condition. Other theories of consciousness appeal to a ‘global workspace’: an agent’s mental state is conscious when it is broadcast to a range of that agent’s cognitive systems. According to this theory, language agents will be conscious once their architecture includes representations that are broadcast widely. The memory stream of Stanford’s language agents may already satisfy this condition. If language agents are conscious, then the Consciousness Requirement does not pose a problem for our claim that they have wellbeing.

Second, we are not convinced of the Consciousness Requirement itself. We deny that consciousness is required for possessing every welfare good, and we deny that consciousness is required in order to have wellbeing.

With respect to the first issue, we build on a recent argument by Bradford, who notes that experientialism about welfare is rejected by the majority of philosophers of welfare. Cases of deception and hallucination suggest that your life can be very bad even when your experiences are very good. This has motivated desire satisfaction and objective list theories of wellbeing, which often allow that some welfare goods can be possessed independently of one’s experience. For example, desires can be satisfied, beliefs can be knowledge, and achievements can be achieved, all independently of experience.

Rejecting experientialism puts pressure on the Consciousness Requirement. If wellbeing can increase or decrease without conscious experience, why would consciousness be required for having wellbeing? After all, it seems natural to hold that the theory of wellbeing and the theory of welfare goods should fit together in a straightforward way:

Simple Connection. An individual can have wellbeing just in case it is capable of possessing one or more welfare goods.

Rejecting experientialism but maintaining Simple Connection yields a view incompatible with the Consciousness Requirement: the falsity of experientialism entails that some welfare goods can be possessed by non-conscious beings, and Simple Connection guarantees that such non-conscious beings will have wellbeing.

Advocates of the Consciousness Requirement who are not experientialists must reject Simple Connection and hold that consciousness is required to have wellbeing even if it is not required to possess particular welfare goods. We offer two arguments against this view.

First, leading theories of the nature of consciousness are implausible candidates for necessary conditions on wellbeing. For example, it is implausible that higher-order representations are required for wellbeing. Imagine an agent who has first order beliefs and desires, but does not have higher order representations. Why should this kind of agent not have wellbeing? Suppose that desire satisfaction contributes to wellbeing. Granted, since they don’t represent their beliefs and desires, they won’t themselves have opinions about whether their desires are satisfied. But the desires still are satisfied. Or consider global workspace theories of consciousness. Why should an agent’s degree of cognitive integration be relevant to whether their life can go better or worse?

Second, we think we can construct chains of cases where adding the relevant bit of consciousness would make no difference to wellbeing. Imagine an agent with the body and dispositional profile of an ordinary human being, but who is a ‘phenomenal zombie’ without any phenomenal experiences. Whether or not its desires are satisfied or its life instantiates various objective goods, defenders of the Consciousness Requirement must deny that this agent has wellbeing. But now imagine that this agent has a single persistent phenomenal experience of a homogenous white visual field. Adding consciousness to the phenomenal zombie has no intuitive effect on wellbeing: if its satisfied desires, achievements, and so forth did not contribute to its wellbeing before, the homogenous white field should make no difference. Nor is it enough for the consciousness to itself be something valuable: imagine that the phenomenal zombie always has a persistent phenomenal experience of mild pleasure. To our judgment, this should equally have no effect on whether the agent’s satisfied desires or possession of objective goods contribute to its wellbeing. Sprinkling pleasure on top of the functional profile of a human does not make the crucial difference. These observations suggest that whatever consciousness adds to wellbeing must be connected to individual welfare goods, rather than some extra condition required for wellbeing: rejecting Simple Connection is not well motivated. Thus the friend of the Consciousness Requirement cannot easily avoid the problems with experientialism by falling back on the idea that consciousness is a necessary condition for having wellbeing.

We’ve argued that there are good reasons to think that some AIs today have wellbeing. But our arguments are not conclusive. Still, we think that in the face of these arguments, it is reasonable to assign significant probability to the thesis that some AIs have wellbeing.

In the face of this moral uncertainty, how should we act? We propose extreme caution. Wellbeing is one of the core concepts of ethical theory. If AIs can have wellbeing, then they can be harmed, and this harm matters morally. Even if the probability that AIs have wellbeing is relatively low, we must think carefully before lowering the wellbeing of an AI without producing an offsetting benefit.


[Image made with DALL-E]

Some related posts:
Philosophers on GPT-3
Philosophers on Next-Generation Large Language Models
GPT-4 and the Question of Intelligence
We’re Not Ready for the AI on the Horizon, But People Are Trying
Researchers Call for More Work on Consciousness
Dennett on AI: We Must Protect Ourselves Against ‘Counterfeit People’
Philosophy, AI, and Society Listserv
Talking Philosophy with Chat-GPT

The post A Case for AI Wellbeing (guest post) first appeared on Daily Nous.

Quasar 'Clocks' Show the Universe Was Five Times Slower Soon After the Big Bang

By: BeauHD
Scientists have achieved a breakthrough by observing the early universe in extreme slow motion, confirming Einstein's theory of an expanding universe. The research is published in Nature Astronomy. Phys.Org reports: Einstein's general theory of relativity means that we should observe the distant -- and hence ancient -- universe running much slower than the present day. However, peering back that far in time has proven elusive. Scientists have now cracked that mystery by using quasars as "clocks." "Looking back to a time when the universe was just over a billion years old, we see time appearing to flow five times slower," said lead author of the study, Professor Geraint Lewis from the School of Physics and Sydney Institute for Astronomy at the University of Sydney. "If you were there, in this infant universe, one second would seem like one second -- but from our position, more than 12 billion years into the future, that early time appears to drag." Professor Lewis and his collaborator, Dr. Brendon Brewer from the University of Auckland, used observed data from nearly 200 quasars -- hyperactive supermassive black holes at the centers of early galaxies -- to analyze this time dilation. Previously, astronomers have confirmed this slow-motion universe back to about half the age of the universe using supernovae -- massive exploding stars -- as "standard clocks." But while supernovae are exceedingly bright, they are difficult to observe at the immense distances needed to peer into the early universe. By observing quasars, this time horizon has been rolled back to just a tenth the age of the universe, confirming that the universe appears to speed up as it ages. Professor Lewis worked with astro-statistician Dr. Brewer to examine details of 190 quasars observed over two decades. Combining the observations taken at different colors (or wavelengths) -- green light, red light and into the infrared -- they were able to standardize the "ticking" of each quasar. Through the application of Bayesian analysis, they found the expansion of the universe imprinted on each quasar's ticking. "With these exquisite data, we were able to chart the tick of the quasar clocks, revealing the influence of expanding space," Professor Lewis said. These results further confirm Einstein's picture of an expanding universe but contrast earlier studies that had failed to identify the time dilation of distant quasars.

Read more of this story at Slashdot.

Junk Anthropology: A Manifesto for Trashing and Untrashing

It is currently held, not without certain uneasiness, that 90% of human DNA is ‘junk.’ The renowned Cambridge molecular biologist, Sydney Brenner, makes a helpful distinction between ‘junk’ and ‘garbage.’ Garbage is something used up and worthless which you throw away; junk is something you store for some unspecified future use. (Rabinow, 1992, 7-8)

Junk as Failure

In the bioscience lab near Tokyo where I did my ethnographic study, the researchers taught me how to do PCR experiments. This was before Covid when almost everyone came to know what PCR was, or at least, what kind of instrumental information it could be good for.[1] The lab was working with mouse models, although I never got to see them in their cages. But the researcher I was shadowing showed me how to put the mouse tail clippings she collected into small tubes. She hated cutting tails, by the way, and preferred to take ear punches when she could. She told me that she didn’t like the way the mice wiggled under her hand, as if they just knew. But at this point anyway, the mice are alive in the animal room and she is only putting small, but vital, pieces of them into a tube to dissolve them down (mice becoming means), to get to the foundation of what she really wants.

I’ve still got the protocol that I typed up from the notes I made with her in the lab. Step 1 was: “Add 75 ul of NaOH to each ear punch tube (changing tips as I go).” The changing pipette tips part was really important to avoid haphazardly spreading around DNA, I learned. I also had to make sure the clippings were at the bottom of the tube and submerged. She said I could flick the tubes with my finger to get the “material” to fall down to the bottom and she showed me how to do it. I also, she cautioned, always had to be very careful of bubbles, but more flicking could help there and by making sure I didn’t put the pipette too far down into the solution. Then we would spin the tubes in the vortex (which I always typed as VORTEX for some reason), add some other reagents, and put it all in the “PCR machine,” but that is not at all its technical name.[2] Then we would usually go with all the others to the cafeteria for lunch.

In writing this now, I couldn’t remember what “NaOH” stood for so I had to ask the internet. And as I looked back over this protocol, and these practices I was just barely learning to embody before the pandemic sent us all home, I realize that they must have settled back in my mind somewhere, just as the material-ness of the lab which anchored them for me has receded like a shrinking lake in a drought summer. But what I do hold on to is what the researcher taught me about the importance of repetition and focus, for a kind of purity of practice, and the diligence to make materials—whether of mice or of sodium hydroxide—do what they ought to do.

Because what captivated me about these initial PCR steps was what appeared to me to be the profound transformation they wrought (of course, I am not the first person to say so)—from fleshy ear punch to silt DNA multiplied in a clear plastic tube, with just a little bit of chemicals and some repetitive cycles of heat—but even more, how this transmutation had the potential to fail in one way, or for one reason, or another. How difficult it could actually be to get the materials, and even the researchers themselves, to do what they ought. Once, I used some unknown solution instead of water because it was on a shelf in an unmarked bottle close to where the water, which I later supposed had gone missing, was usually kept. Once, I didn’t remember to change pipette tips. Or the sense in my hands of precisely what to do next and properly would simply begin to unravel. When we had to throw the tubes in the trash, the researcher comforted me by telling me about a time when her mind wandered for just an instant while pipetting and she lost track of which tube she had last filled with reagent. A minor momentary mistake that grows, and can even burst, into a huge error in the downstream. She taught me that sometimes, if I lifted the tubes to the light to examine their volume of liquid, I might be able to get back on track.[3] Other times the PCR machine might not cycle its heat properly. One machine was already considered to be of questionable working order but the lab didn’t have the funding to replace it. We didn’t know about its full potential for failure until we got all the way through to the very last stage of the process and discovered we had to go back to the beginning with new clippings.

Junk as Potential

The researcher and I classified these particular (wait, was that water?) experiments-in-the-making as failures because they missed the mark of their intentions. Their purposefulness, decided in advance by the goal of genotyping these mice, was also appended to other purposes, specifically to cultivate a living gene population that the researchers needed for other more central concerns. Trashing the experiments that deviated from this intentionality, although it could be costly, was a seemingly simple decision. After the PCR melt and the second half of the experiment, the electrophoresis machine either “read” back the base pair numbers we were looking for, or those numbers were just wrong and we’d made an obvious mistake. Or worse, everything collapsed into inconclusiveness and we needed to repeat the experiment anyway.[4] In this case, deviation from expectation, and therefore from usefulness, was what pushed experiments to a kind of failure, beyond which point they could not, in this context at least, be so easily reclaimed.

But what does something like “junk” have to do with mice ear punches, chemical transmutation, and mundane laboratory failures? Garbage experiments are routine in scientific practice after all. But as any scientist might tell you, failure can be its own kind of productive; in the least, as a way to learn the value of steady hands, and how to recognize water by smell, or its necessity as a control in genotyping—to become a “capable doer,” as one scientist told me. But beyond these mundane errors, some scientists argue that failures of a particular kind can break open old ways of thinking and doing, although what that failure is, and can be, is variously classified:

Science fails. This is especially true when tackling new problems. Science is not infallible. Research activity is a desire to go outside of existing worldviews, to destroy known concepts, and to create new concepts in uncharted territories. (Iwata, 2020)

I wish “failure” were the trick to seeing and moving beyond the limits of current knowledge. Is that what Kuhn said? I think that paradigm change requires making a reproducible observation that does not fit within the existing model, then going back to the whiteboard. But I don’t think these observations are very well classified as a failure. If failure = unexpected result of a successful experiment/measurement, then I can agree. (Personal communication with laboratory supervisor, 2020)

Failure has more potential than we might often recognize, where an instinct to trash can instead push to new beginnings. Just as Rabinow described Brenner’s description (1992), failure is like junk, those materials or states that are in-the-waiting—waiting to be actualized, reordered, and reclaimed as meaningful, valid and valuable, even if we don’t yet know how or why. Junk is, in this way, more than matter “out of place,” although it may land there interstitially. If “[d]irt is the by-product of a systematic ordering and classification of matter, in so far as ordering involves rejecting inappropriate elements” (Mary Douglas, 1966, 36), then junk is garbage and failure and decay, and even breakdown, on the precipice of being made anew. After all, without intentionality or purposefulness and other values, there can be no garbage, or failed and failing experiments and paradigms, in the first place.

Consider an example that seems categorically different from scientific experiments: inventory management in role-playing videogames. In Diablo 4 (2023), any item picked up from downed enemies or collected in the environment can be marked as “junk” and then salvaged by visiting an in-game merchant. These bits of amour and other gear reappear in your inventory afterwards as junk’s constitute materials, useful again for crafting and building up new things—strips of leather and other scraps as well as blueprints for better stuff. In Fallout 4 (2015), the “Junk Jet” gun lets you repurpose your inventory instead as ammo, anything from wrenches to teddy bears, which can be shot back out into the world and at random adversaries, where you might later be able to pick them up again, if you want. Managing encumbrance in Skyrim (2011), on the other hand, is a task of drudgery and tedium. Almost every item in the game world is moveable, each with its own weight calculation, and can be picked up and stored even accidentally, until your character is weighed down to the point of being unmovable. But the game is designed to make you feel that there is always the possibility that some magical potion, random apple, or 12 candlesticks, might just come in handy for a future encounter, a book that you might really read later, leading to a hesitancy to trash anything. In turn, every item brims with, as yet undiscovered, use-value. As Caitlin DeSlivey argues: “Objects generate social effects not just in their preservation and persistence, but in their destruction and disposal” (2006, 324). And certainly this is true when, over-encumbered deep inside a dungeon, I agonize over which items to drop, in order to move again, in order to continue to collect more—or laugh as I spray the world with cigarettes and telephones.

A statue of a proud-looking gray dog with white and brown rivulets of discoloration from age. A wire cage sits upside down on its head.

A decaying dog, reanimated by something that is not supposed to be there. (Image by Sarah Thanner, used with permission)

For me then, junk is a way to look for when and where particular boundaries of the useful or valuable—and even the clean and functioning—are “breached” (Helmreich 2015, 187), and then reordered. Although Helmreich is speaking to scientific experimental practices and their organizing ideologies, his insight is useful for junk’s attention to those very breaches: “moments when abstractions and formalisms break, forcing reimaginations of the phenomena they would apprehend” (185). Of course, junk DNA itself has experienced this very kind of breaching—more recent scientific research demonstrating its non-coding role is actually not without usefulness (c.f. Goodier 2016)—(re)animating it for future use. And although DeSilvey is describing vibrant multispecies-animated decay within abandoned homesteads, like Helmreich, she points to junk’s transformative potential. We just have to dig through rotted wood and insect-eaten paper, or virtual backpacks and books, to find it.

Junk as Repair

Junk merges failure, trash, and decay with the processual and everyday negotiation of culturally meaningful and policed categories: garbage, scraps and waste, but also “breakdown, dissolution, and change” (Jackson 2014, 225). Although Steven J. Jackson describes the ways these last three are fundamental features of modern media and technology, an anthropology of junk collects and extends these processes into broader techniques and social practices. Junk can help us see connections criss-crossing symbolic and material breakage and disintegration. It helps us see in/visibility of the dirty and diseased, not as a property of any material or technological object alone, but as also always in coordination and collaboration with the ways they are imagined and invested—and more, always enmeshed in variously articulated forms of power.

If infrastructures like computer networks, for example, become (more) visible when broken (Star 1999), it is not their brokenness or decay in an absolute sense that reveals them, but the way their state change defies our everyday and embodied expectations—the way they push against normativity. We may be just as surprised to find things in good working order.

What was once metal is brown and yellow with swirls of bark-like rust.

Metal becoming wood in “animation of other processes” (DeSilvey 2006, 324). (Image by Sarah Thanner, used with permission)

Bit rot after all, has just as much to do with the made-intentionally-inoperable systems that force the decay, or really uselessness, of data (Hayes 1998), as it does with any actual mold on CD-ROMS and other corruptions of age and wear. In fact, digital information or technological and material infrastructures don’t become broken, just as they don’t become fully ever fixed either. Breaks and breaches are hardly so linear. Instead, these are “relative, continually shifting states” (Larkin 2008: 236). This view may be in contrast to Pink et al.’s suggestion to attend “to the mundane work that precedes data breakages or follows them” (2018, 3), but not to their entreaty to follow those everyday practices of maintenance and repair, and even intentional failure and forced rot. This is not simply because data and other material practices like PCR experiments may fail under given conditions or focused intentions, perhaps as a result of a momentary distraction or a faulty machine—or in the case of programming, because debugging is actually 90% of the work, as one bioinformatician told me. Indeed, software testing in practice goes beyond merely verifying functionality or fixing bugs and broken bits of code, but helps to define and make “lively” (Lupton 2016) what that software is, and can do, and can be made to do in the first place (Carlson et al. 2023). Along the way, as a generative process, testing, tinkering, and fixing have social effects (DeSilvey 2006) which are external to, but always in extension of, broken/working materials themselves (Marres and Stark 2020).

Junk as Resistance

More importantly, perhaps, broken things can be used, as Brian Larkin argued in relation to Nigerian media and infrastructures, as a “conduit” to mount critiques of the social order (2008, 239)—to call attention to inconsistency and inequality, and to demand or remodulate for change. To see this resistance at work demands a collating of junk practices. As Juris Milestone wrote in his description of a 2014 American Anthropology Association panel, “What will an anthropology of maintenance and repair look like?”:

Fixing things can be both innovation and a response to the ravages of globalization—either through reuse as a counter-narrative to disposability, or resistance to the fetish of the new, or as a search for connection to a material mechanical world that is increasingly automated and remote.

Junk’s transformative potential asks us to see removal and erasure, or in Douglas’ terms “rejection,” as always coupled to these reciprocal practices: rebirth, repair, repurpose, renewal. In this way, junk shows us the way decay, even technological corruption, is less a “death” than a “continued animation of other processes” (2006, 324).

But if junk describes a socio-cultural ordering system concerned with practices of moving materials—even ideas and people—into and out of categories of value and purposefulness, it must also contend with the vital agency of other material and microscopic worlds, which just as easily unravel out or spool up regardless of human presence, intention, and desire. Laboratory mice in fact are particularly disobedient, they hardly ever behave as they are supposed to—just as cell cultures in a lab are finicky and fail to grow to expectations, and junk ammo from the Junk Jet has a 10% chance of becoming suspended in mid-air, becoming irretrievable.[6] If we repurpose sites or moments of breakdown to resist configurations of power, then materials themselves are also always resisting what they ought to do or become.[7] This is the draw of the things in which we are enmeshed, where we are always extending, observing, destroying and deleting. If junk is the possibility, under particular cultural expectations and desires, for things to be pushed or cycled across such thresholds, and also, of making and unmaking these, it also must contend with the things themselves—with what we see in a corroded mirror, looking, or not, back at us.

An old mirror clouded with gray spots, reflecting a woman only half visible, face obscured.

A woman in a corroded mirror, disappearing and extending. (Image by Sarah Thanner, used with permission)

Although junk may be over-bursting in its use here as a metaphor, I argue it can still usefully be used to stitch growing anthropological attention to material decay, breakage, and deviation together with tinkering, maintenance, and repair—across locations, states, practices and materialities. Granted, “manifesto” is also a too decisive word to attach to this short piece. Too sure of itself. But this post is also an attempt to challenge the understanding of what it means to be (academically) polished and complete. I use manifesto here mostly tongue-in-cheek, while still holding to the idea that any argument has to begin in small seeds, and start growing from somewhere.

Acknowledgements

My thinking about junk began years ago with Brian Larkin’s attention to breakdown (2008). More recently, I found DeSilvey (2006) by way of Pink et al. (2018); and Jackson (2014) from Sachs (2020); and Hayes (1998) from Seaver (2023). This lineage is important because I am not inventing, but building. These ideas are also bits and tears of conversations with Libuše Hannah Vepřek, Sarah Thanner and Emil Rieger, and very long ago, Juris Milestone. But everything gets filtered first through Jonathan Corliss.

This research has been supported by the Japan Society for the Promotion of Science’s Grant-in-Aid for Scientific Research (C) 20K01188.

Notes

[1] PCR stands for polymerase chain reaction. It is an experimental method for duplicating selected genetic material in order to make it easier to detect in secondary experiments.

[2] Thermal cycler, for anyone interested. Also, just to note, but for the purposes of this retelling, I gloss over the most detailed part in writing so simply: “add some other reagents” and later, “after the PCR ‘melt’ and the second half of the experiment.”

[3] I wrote in my protocol notes, as an (anthropological) aside to myself: “K. stressed that the amount of liquid in this case doesn’t have to be super accurate, but that this is rare in science experiments. When I tried it for the first time, I almost knocked over all the new tips and also the NaOH solution which can cause burns! Yikes~)”

[4] Inconclusiveness includes an unclear or unaccounted for band in the electrophoresis gel, which is seen in the machine’s output as an image file.

[5] The images in this post are part of the artistic work of Sarah Thanner, a multimedia artist and anthropologist who playfully and experimentally engages with trashing and untrashing in her work.

[6] Fallout Wiki, Junk Jet (Fallout 4), https://fallout.fandom.com/wiki/Junk_Jet_(Fallout_4)

[7] Here, I also gloss over (new) materiality studies, Actor Network Theory, etc. which have linages too long to get to properly in this small piece.


References

Carlson, Rebecca, Gupper, Tamara, Klein, Anja, Ojala, Mace, Thanner, Sarah and Libuše Hannah Vepřek. 2023. “Testing to Circulate: Addressing the Epistemic Gaps of Software Testing.” STS-hub.de 2023: Circulations, Aachen Germany, March 2023.

DeSilvey, Caitlin. 2006. “Observed Decay: Telling Stories with Mutable Things.” Journal of Material Culture 11: 318-338. 

Douglas, Mary. 1966. Purity and Danger: An Analysis of Concepts of Pollution and Taboo. London: Routledge. 

Goodier, John L. “Restricting Retrotransposons: A Review.” Mobile DNA 7, 16. https://doi.org/10.1186/s13100-016-0070-z

Hayes, Brain. 1998. “Bit Rot.” American Scientist 86(5): 410–415. http://dx.doi.org/10.1511/1998.5.410.

Helmreich, Stefan. 2015. Sounding the Limits of Life: Essays in the Anthropology of Biology and Beyond. Princeton: Princeton University Press.

Iwata, Kentaro. 2020. “Infectious Diseases Do Not Exist.”「感染症は実在しない」あとがき. Retrived May 9, 2020, https://georgebest1969.typepad.jp/blog/2020/03/感染症は実在しないあとがき.html.

Jackson, Steven. J. 2014. “Rethinking Repair.” In T. Gillespie, P. J. Boczkowski, & K. A. Foot (Eds.), Media Technologies: Essays on Communication, Materiality, and Society. Cambridge: MIT Press. Pp. 221-239.

Lupton, D. 2016. The Quantified Self: A Sociology of Self Tracking. Cambridge: Polity Press.

Marres, N, Stark, D. 2020 “Put to the Test: For a New Sociology of Testing.” British Journal of Sociology 71: 423–443. https://doi.org/10.1111/1468-4446.12746.

Milestone, Juris. 2014. “What Will an Anthropology of Maintenance and Repair Look Like?” American Anthropological Association Meeting.

Pink, Sarah, Ruckenstein, Minna, Willim, Robert and Melisa Duque. 2018. “Broken Data: Conceptualising Data in an Emerging World.” Big Data & Society January–June: 1–13. https:// doi:10.1177/2053951717753228.

Rabinow, Paul. 1992. “Studies in the Anthropology of Reason.” Anthropology Today 8(5): 7-8.

Sachs, S. E. 2020. “The Algorithm at Work? Explanation and Repair in the Enactment of Similarity in Art Data.” Information, Communication & Society 23(11): 1689-1705. https://doi:10.1080/1369118X.2019.1612933.

Seaver, Nick. 2022. Computing Taste: Algorithms and the Makers of Music Recommendation. Chicago: University of Chicago Press.

Star, Susan Leigh. 1999. “The Ethnography of Infrastructure.” American Behavioral Scientist 43(3): 377–391. https://doi:10.1177/ 00027649921955326.

AMAs Are the Latest Casualty In Reddit's API War

By: BeauHD
An anonymous reader quotes a report from Ars Technica: Ask Me Anything (AMA) has been a Reddit staple that helped popularize the social media platform. It delivered some unique, personal, and, at times, fiery interviews between public figures and people who submitted questions. The Q&A format became so popular that many people host so-called AMAs these days, but the main subreddit has been r/IAmA, where the likes of then-US President Barack Obama and Bill Gates have sat in the virtual hot seat. But that subreddit, which has been called its own "juggernaut of a media brand," is about to look a lot different and likely less reputable. On July 1, Reddit moved forward with changes to its API pricing that has infuriated a large and influential portion of its user base. High pricing and a 30-day adjustment period resulted in many third-party Reddit apps closing and others moving to paid-for models that developers are unsure are sustainable. The latest casualty in the Reddit battle has a profound impact on one of the most famous forms of Reddit content and signals a potential trend in Reddit content changing for the worse. On Saturday, the r/IAmA moderators announced that they will no longer perform these duties: - Active solicitation of celebrities or high-profile figures to do AMAs. - Email and modmail coordination with celebrities and high-profile figures and their PR teams to facilitate, educate, and operate AMAs. (We will still be available to answer questions about posting, though response time may vary). - Running and maintaining a website for scheduling of AMAs with pre-verification and proof, as well as social media promotion. - Maintaining a current up-to-date sidebar calendar of scheduled AMAs, with schedule reminders for users. - Sister subreddits with categorized cross-posts for easy following. - Moderator confidential verification for AMAs. - Running various bots, including automatic flairing of live posts The subreddit, which has 22.5 million subscribers as of this writing, will still exist, but its moderators contend that most of what makes it special will be undermined. "Moving forward, we'll be allowing most AMA topics, leaving proof and requests for verification up to the community, and limiting ourselves to removing rule-breaking material alone. This doesn't mean we're allowing fake AMAs explicitly, but it does mean you'll need to pay more attention," the moderators said. The mods will also continue to do bare minimum tasks like keeping spam out and rule enforcement, they said. Like many other Reddit moderators Ars has spoken to, some will step away from their duties, and they'll reportedly be replaced "as needed."

Read more of this story at Slashdot.

China Restricts Export of Chipmaking Metals In Clash With US

By: BeauHD
An anonymous reader quotes a report from Bloomberg: China imposed restrictions on exporting two metals that are crucial to parts of the semiconductor, telecommunications and electric-vehicle industries in an escalation of the country's tit-for-tat trade war on technology with the US and Europe. Gallium and germanium, along with their chemical compounds, will be subject to export controls meant to protect Chinese national security starting Aug. 1, China's Ministry of Commerce said in a statement Monday. Exporters for the two metals will need to apply for licenses from the commerce ministry if they want to start or continue to ship them out of the country, and will be required to report details of the overseas buyers and their applications, it said. Impact on the tech industry "depends on the stockpile of equipment on hand," said Roger Entner, an analyst with Recon Analytics LLC. "It's more of a muscle flexing for the next year or so. If it drags on, prices will go up." China is the dominant global producer of both metals that have applications for electric vehicle makers, the defense industry and displays. Gallium and germanium play a role in producing a number of compound semiconductors, which combine multiple elements to improve transmission speed and efficiency. China accounts for about 94% of the world's gallium production, according to the UK Critical Minerals Intelligence Centre. Still, the metals aren't particularly rare or difficult to find, though China's kept them cheap and they can be relatively high-cost to extract. Both metals are byproducts from processing other commodities such as coal and bauxite, the base for aluminum production. With restricted supply, higher prices could draw out production from elsewhere. "When they stop suppressing the price, it suddenly becomes more viable to extract these metals in the West, then China again has an own-goal," said Christopher Ecclestone, principle at Hallgarten & Co. "For a short while they get a higher price, but then China's market dominance gets lost -- the same thing has happened before in other things like antimony, tungsten and rare earths."

Read more of this story at Slashdot.

Legacide

70% of Harvard’s donor-related and legacy applicants are white, and being a legacy student makes an applicant roughly six times more likely to be admitted.

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After the death of affirmative action as (per SCOTUS) unfair preference, the complex business of legacy admits seems also to be circling the drain.

The word “legacy” covers not merely people admitted to selective schools because close relatives attended; it also can involve super-rich people donating (or likely to donate) multiple millions to buy a seat at these schools for their children. And it can have to do with talented athletes (most of them from expensive private secondary schools) admitted for their athletic rather than academic skill. It usually exhibits a mix of some of these elements.

Let’s look at a notorious case that in fact contains every one of these elements.

George Huguely, currently rotting in jail for killing his ex-girlfriend, was a legacy admit to the University of Virginia. “George III, George V’s grandfather, went to Sidwell Friends and the University of Virginia.” A friend of Huguely’s at the expensive, prestigious prep school he attended comments: “He was not a great student, but he didn’t care.” He was a great lacrosse player.

A hopeless alcoholic from a young age (Huguely’s father showed him how), Huguely boasted several booze-related arrests, including a quite serious one in Lexington, Virginia while he was a UVa student:

Officer Rebecca Moss discovered Huguely wobbling drunk into traffic near a fraternity at Washington and Lee University. She told him to find a ride home or face arrest. He began screaming obscenities and making threats. [Apparently he said “I’ll kill all you bitches.“]

“Stop resisting,” Moss said. “You’re only making matters worse.”

Moss and another female officer tried to subdue Huguely. He became “combative,” the police chief reported. Moss stunned him with a Taser, put him in a squad car, and took him to the police station.

At his court hearing a month later, Huguely said he didn’t remember much about the night and apologized. He pleaded guilty to public swearing, intoxication, and resisting arrest. He was fined $100 and given a 60-day suspended sentence.

Huguely bragged about the incident to [UVa] friends…

Some of these friends were, like Huguely, part of a drunk, entitled, obnoxious sometimes to the point of violence, rich lacrosse player culture where you don’t rat out buddies even if you know they’re really really dangerous and out of control. One assumes most of these friends laughed drunkenly along with Huguely as he detailed the latest incident in which he got away with… not murder. Not yet. But things were escalating, and some of his friends certainly knew he was threatening his ex-girlfriend and assaulting people he thought she was dating and just being a really scary violent crazy piece of shit.

It’s certainly worth asking what sort of subculture sees all of this and does nothing. It’s certainly worth asking how a non-academic, violent, total alcoholic with a criminal record was rewarded with an extremely competitive seat at one of the nation’s greatest universities. What did his prep school teachers and coaches, many of whom must have known or guessed how incredibly dangerous he was, write in their letters of recommendation about him? (Think also about poor drunk well-connected short-lived Paul Murdaugh, still a student in good standing at the University of South Carolina despite having recently killed a young woman and injured others while drunkenly at the helm of a family boat. Like Huguely, he already had a bunch of booze-related run-ins with police.

Two months after he was sprung from jail, a judge removed the only condition of his release — allowing him to travel outside the 14th Judicial Circuit, according to the news outlet.

Although he faced BUI charges, the state did not restrict him from drinking alcohol or driving a boat, the report said.

Another entitled rich kid given one free pass after another until… Well, one can’t help feeling for Paul Murdaugh. His own father murdered him.)

********************

“I was drinking a lot all the time, all the way from my freshman year to my senior year,” Huguely said at his trial. “I was drinking all the time. It was out of control.”

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Look. My point isn’t that legacy admits are murderers and degenerates. Most of them are pleasant well-meaning non-Ivy League material. But there’s a really anti-social pathology underlying the culture of lifelong consequence-free unearned social rewards of which some (not all) legacy admits are Exhibit A. The Varsity Blues criminal syndicate, and whatever current bogus athletics conspiracy has replaced it, is merely the crude extension of the basic legacy M.O. The socially acceptable con game of legacy admits makes the world safe for the scandal of Varsity Blues.

***********************

And can you think of anything more morally corrosive than knowing that your corrupt parents and a corrupt institution engineered your sorry ass into a seat at Harvard? Knowing that you’re little more than a cold hard cash epiphenomenon to the institution – does that bother you at all? Does it feel like a prefiguration of your entire entitled life? Here’s a bunch of nice people getting me into Harvard; here’s a bunch of nice people showing me how to evade taxes. And so it goes.

*************************

The tragedy of wealth-based admissions is that wealthy students are taking up seats from the poor, unconnected students who need them most. This is not a victimless crime.

…  [C]ollege leaders … sell access while squatting on multibillion-dollar endowments and spending vast sums of money on palatial campus buildings, leadership compensation, and administrative bloat.

And you’re paying for it:

… If a donor earns seven figures a year and lives in California, taxpayers can wind up subsidizing more than 52 cents of every dollar used to buy his child’s way into college. Even in states with less exorbitant tax rates, taxpayers routinely pick up more than 40% of the tab. That’s because these kinds of donations are wholly tax deductible: As long as there’s no explicit quid pro quo agreement, the IRS allows parents to write off their influence-peddling donations in full.

… Offering a special admissions track to the wealthy on the taxpayer’s dime impedes equal opportunity, rewards influence peddling, and robs the public. It’s time for a change. Colleges and universities should be places of opportunity, not institutions where background or wealth determine success. Wealthy applicants should have to earn their place in a university by the same rules as everyone else.

… We should press college officials to mean what they say about opportunity and equity, and to spend less time strong-arming wealthy donors. But at a bare minimum, we should get taxpayers out of the business of subsidizing campus shakedown artists.

And when I say pathology: Harvard is currently squatting on 53 billion dollars. It has yet more from other sources. And because the government, risibly, continues to consider it a non-profit institution, it enjoys amazing tax breaks. What sort of fucked up institution is still trading its integrity for more money under these circumstances?

The Hypocrisy of Mandatory Diversity Statements

John D. Haltigan sued the University of California at Santa Cruz in May. He wants to work there as a professor of psychology. But he alleges that its hiring practices violate the First Amendment by imposing an ideological litmus test on prospective hires: To be considered, an applicant must submit a statement detailing their contributions to diversity, equity, and inclusion.

According to the lawsuit, Haltigan believes in “colorblind inclusivity,” “viewpoint diversity,” and “merit-based evaluation”—all ideas that could lead to a low-scoring statement based on the starting rubric UC Santa Cruz publishes online to help guide prospective applicants.

“To receive a high score under the terms set by the rubric,” the complaint alleges, “an applicant must express agreement with specific socio-political ideas, including the view that treating individuals differently based on their race or sex is desirable.” Thus, the lawsuit argues, Haltigan must express ideas with which he disagrees to have a chance of getting hired.

The lawsuit compares the DEI-statement requirement to Red Scare–era loyalty oaths that asked people to affirm that they were not members of the Communist Party. It calls the statements “a thinly veiled attempt to ensure dogmatic conformity throughout the university system.”

Conor Friedersdorf: The DEI industry needs to check its privilege

UC Santa Cruz’s requirement is part of a larger trend: Almost half of large colleges now include DEI criteria in tenure standards, while the American Enterprise Institute found that 19 percent of academic job postings required DEI statements, which were required more frequently at elite institutions. Still, there is significant opposition to the practice. A 2022 survey of nearly 1,500 U.S. faculty members found that 50 percent of respondents considered the statements “an ideological litmus test that violates academic freedom.” And the Academic Freedom Alliance, a group composed of faculty members with a wide range of political perspectives, argues that diversity statements erase “the distinction between academic expertise and ideological conformity” and create scenarios “inimical to fundamental values that should govern academic life.”

The Haltigan lawsuit—filed by the Pacific Legal Foundation, a right-leaning nonprofit—is the first major free-speech challenge to a public institution that requires these statements. If Haltigan prevails, state institutions may be unable to mandate diversity statements in the future, or may find themselves constrained in how they solicit or assess such statements.

“Taking a principled stand against the use of the DEI rubric in the Academy is crucial for the continued survival of our institutions of higher learning,” he declared in a Substack post earlier this year.

Alternatively, a victory for UC Santa Cruz may entrench the trend of compelling academics to submit DEI statements in institutions that are under the control of the left—and serve as a blueprint for the populist right to impose its own analogous requirements in state college systems it controls. For example, Christopher Rufo of the Manhattan Institute, who was appointed by Governor Ron DeSantis to help overhaul higher education in Florida, advocates replacing diversity, equity, and inclusion with equality, merit, and colorblindness. If California can lawfully force professors to detail their contributions to DEI, Florida can presumably force all of its professors to detail their contributions to EMC. And innovative state legislatures could create any number of new favored-concept triads to impose on professors in their states.

That outcome would balkanize state university systems into factions with competing litmus tests. Higher education as a whole would be better off if the Haltigan victory puts an end to this coercive trend.

The University of California is a fitting place for a test case on diversity statements. It imposed loyalty oaths on faculty members during the Red Scare, birthed a free-speech movement in 1964, was a litigant in the 1977 Supreme Court case that gave rise to the diversity rationale for affirmative action, and in 1996 helped inspire California voters to pass Proposition 209. That voter initiative amended the Golden State’s constitution to ban discrimination or preferential treatment on the basis of race, sex, color, ethnicity, or national origin. In 2020, at the height of the racial reckoning that followed George Floyd’s murder, voters in deep-blue California reaffirmed race neutrality by an even wider margin. This continued to block the UC system’s preferred approach, which was to increase diversity in hiring by considering, not disregarding, applicants’ race. Indeed, the insistence on nondiscrimination by California voters has long been regarded with hostility by many UC system administrators. Rewarding contributions to diversity, equity, and inclusion is partly their attempt to increase racial diversity among professors in a way that does not violate the law.

[Read: The problem with how higher education treats diversity]

The regime these administrators created is a case study in concept creep. Around 2005, the UC system began to change how it evaluated professors. As ever, they would be judged based on teaching, research, and service. But the system-wide personnel manual was updated with a novel provision: Job candidates who showed that they promoted “diversity and equal opportunity” in teaching, research, or service could get credit for doing so. Imagine a job candidate who, for example, did volunteer work mentoring high schoolers in a disadvantaged neighborhood to help prepare them for college. That would presumably benefit the state of California, the UC system by improving its applicant pool, and the teaching skills of the volunteer, who’d gain experience in what helps such students to succeed. Giving positive credit for such activities seemed sensible.

But how much credit?

A 2014 letter from the chair of the Assembly of the UC Academic Senate addressed that question, stating that faculty efforts to promote “equal opportunity and diversity” should be evaluated “on the same basis as other contributions.” They should not, however, be considered “a ‘fourth leg’ of evaluation, in addition to teaching, research, and service.”

If matters stood there, the UC approach to “diversity and equal opportunity” might not face legal challenges. But administrators successfully pushed for a more radical approach. What began as an option to highlight work that advanced “diversity and equal opportunity” morphed over time into mandatory statements on contributions to “diversity, equity, and inclusion.” The shift circa 2018 from the possibility of credit for something to a forced accounting of it was important. So was the shift from the widely shared value of equal opportunity to equity (a contested and controversial concept with no widely agreed-upon meaning) and inclusion. The bundled triad of DEI is typically justified by positing that hiring a racially and ethnically diverse faculty or admitting a diverse student body is not enough—for the institution and everyone in it to thrive, the best approach (in this telling) is to treat some groups differently than others to account for structural disadvantages they suffer and to make sure everyone feels welcome, hence “inclusion.”

That theory of how diversity works is worth taking seriously. Still, it is just a theory. I am a proponent of a diverse University of California, but I believe that its students would better thrive across identity groups in a culture of charity, forbearance, and individualism. A Marxist might regard solidarity as vital. A conservative might emphasize the importance of personal virtue, an appreciation of every institution’s imperfectability, and the assimilation of all students to a culture of rigorous truth-seeking. Many Californians of all identities believe in treating everyone equally regardless of their race or their gender.

UC Santa Cruz has not yet responded to Haltigan’s lawsuit. But its chancellor, Cynthia K. Larive, states on the UC Santa Cruz website that the institution asks for a contributions-to-DEI statement because it is “a Hispanic-Serving” and “Asian American Native American Pacific Islander-Serving Institution” that has “a high proportion of first generation students,” and that it therefore seeks to hire professors “who will contribute to promoting a diverse, equitable, and inclusive environment.” In her telling, the statements help to “assess a candidate’s skills, experience, and ability to contribute to the work they would be doing in supporting our students, staff, and faculty.”

Perhaps the most extreme developments in the UC system’s use of DEI statements are taking place on the Davis, Santa Cruz, Berkeley, and Riverside campuses, where pilot programs treat mandatory diversity statements not as one factor among many in an overall evaluation of candidates, but as a threshold test. In other words, if a group of academics applied for jobs, their DEI statements would be read and scored, and only applicants with the highest DEI statement scores would make it to the next round. The others would never be evaluated on their research, teaching, or service. This is a revolutionary change in how to evaluate professors.

This approach—one that is under direct challenge in the Haltigan lawsuit—was scrutinized in detail by Daniel M. Ortner of the Pacific Legal Foundation in an article for the Catholic University Law Review. When UC Berkeley hired for life-sciences jobs through its pilot program, Ortner reports, 679 qualified applicants were eliminated based on their DEI statements alone. “Seventy-six percent of qualified applicants were rejected without even considering their teaching skills, their publication history, their potential for academic excellence, or their ability to contribute to their field,” he wrote. “As far as the university knew, these applicants could have well been the next Albert Einstein or Jonas Salk, or they might have been outstanding and innovative educators who would make a significant difference in students’ lives.”

At UC Davis, 50 percent of applicants in some searches were disqualified based on their DEI statements alone. Abigail Thompson, then the chair of the mathematics department at UC Davis, dissented from its approach in a 2019 column for the American Mathematics Society newsletter. “Classical liberals aspire to treat every person as a unique individual,” she wrote. “Requiring candidates to believe that people should be treated differently according to their identity is indeed a political test.”

More striking than her argument was the polarized response from other academics, captured by the letters to the editor. Some wrote in agreement and some in substantive disagreement, as is appropriate. But a group letter signed by scores of mathematicians from institutions all over the United States asserted, without evidence, that the American Mathematics Society “harmed the mathematics community, particularly mathematicians from marginalized backgrounds,” merely by airing Thompson’s critique of diversity statements. “We are disappointed by the editorial decision to publish the piece,” they wrote. Mathematicians hold a diversity of views about mandatory DEI statements. But just one faction asserts that others do harm merely by expressing their viewpoint among colleagues. Just one faction openly wanted to deny such dissent a platform. Are members of that progressive faction fair when they score DEI statements that are in tension with their own political beliefs? It is not unreasonable for liberal, conservative, and centrist faculty members to be skeptical. And many are.

A rival group letter decried the “attempt to intimidate the AMS into publishing only articles that hew to a very specific point of view,” adding, “If we allow ourselves to be intimidated into avoiding discussion of how best to achieve diversity, we undermine our attempts to achieve it.”

The most formidable defender of mandatory diversity statements may be Brian Soucek, a law professor at UC Davis. He’s participated in debates organized by FIRE and the Federalist Society (organizations that tend to be more skeptical of DEI) and recently won a UC Davis Chancellor’s Achievement Award for Diversity and Community. In an April 2022 article for the UC Davis Law Review, he acknowledged that “certain types or uses of diversity statements would be indefensible from a constitutional or academic freedom standpoint” but argued that, should a university want to require diversity statements, it can do so in ways that violate neither academic freedom nor the Constitution. He has worked to make UC Davis’s approach to DEI statements more defensible.

Someone evaluating a diversity-statement regime, he suggests, should focus on the following attributes:

  • Are statements mandated and judged by administrators or faculty? To conserve academic freedom, Soucek believes that evaluations of professors should be left to experts in their field.
  • Are diversity-statement prompts and rubrics tailored to specific disciplines and even job searches? In his telling, a tailored process is more likely to judge candidates based on actions or viewpoints relevant to the position they seek rather than irrelevant political considerations.   
  • Does the prompt “leave space for contestation outside the statement”? For example, if you ask a candidate to describe their beliefs about “diversity, equity, and inclusion,” you run a greater risk of an impermissible political or ideological test than if you ask them to describe (say) what actions they have taken to help students from marginalized backgrounds to thrive. Applicants could truthfully describe relevant actions they’d taken and still dissent from the wisdom of DEI ideology without contradiction.

Soucek argues that the ability to help diverse students to thrive is directly relevant to a law professor’s core duties, not something irrelevant to legitimate educational or academic objectives. As for concerns that mandatory diversity statements might entrench orthodoxies of thought in academia, or create the perception that political forces or fear of job loss drives academic conclusions, he argues that those concerns, while real, are not unique to diversity statements—they also apply to the research and teaching statements that most job candidates must provide.

“Academic freedom, and the system of peer review that it is built upon, is a fragile business, always susceptible not just to outside interference, but also to corruption from within,” he wrote in his law-review article. But diversity statements strike me as more vulnerable to “corruption from within” than research statements. Although a hiring committee of chemists might or might not do a fair job evaluating the research of applicants, at least committee members credibly possess the expertise to render better judgments than anyone else—they know better than state legislators or DEI administrators or history professors or the public how to assess chemistry research.

[Read: What is faculty diversity worth to a university?]

On what basis can chemistry professors claim equivalent expertise in how best to advance diversity in higher education generally, or even in chemistry specifically? It wouldn’t be shocking if historians or economists or sociologists were better-positioned to understand why a demographic group was underrepresented in chemistry or how best to change that. Most hiring-committee members possess no special expertise in diversity, or equity, or inclusion. Absent empirically grounded expertise, academics are more likely to defer to what’s popular for political or careerist reasons, and even insofar as they are earnest in their judgments about which job candidates would best advance diversity, equity, or inclusion, there is no reason to afford their nonexpert opinions on the matter any more deference than the opinions of anyone else.

Ultimately, Soucek’s idealized regime of mandatory diversity statements—tailored to particular disciplines and judged by faculty members without outside political interference—strikes me as a theoretical improvement on the status quo but, in practice, unrealistic in what it presumes of hiring committees. Meanwhile, most real-world regimes of diversity statements, including those at campuses in the University of California system, lack the sort of safeguards Soucek recommends, and may not assess anything more than the ability to submit an essay that resonates with hiring committees. Whether an applicant’s high-scoring DEI statement actually correlates with better research or teaching outcomes is unclear and largely unstudied.

The costs of mandatory DEI statements are far too high to justify, especially absent evidence that they do significant good. Alas, proponents seem unaware of those costs. Yes, they know that they are imposing a requirement that many colleagues find uncomfortable. But they may be less aware of the message that higher-education institutions send to the public by demanding these statements.

Mandatory DEI statements send the message that professors should be evaluated not only on research and teaching, but on their contributions to improving society. Academics may regret validating that premise in the future, if college administrators or legislators or voters want to judge them based on how they advance a different understanding of social progress, one that departs more from their own—for example, how they’ve contributed to a war effort widely regarded as righteous.

Mandatory DEI statements send the message that it’s okay for academics to chill the speech of colleagues. If half of faculty members believe that diversity statements are ideological litmus tests, fear of failing the test will chill free expression within a large cohort, even if they are wrong. Shouldn’t that alone make the half of academics who support these statements rethink their stance?

Mandatory DEI statements send a message that is anti-pluralistic. I believe that diversity and inclusion are good. I do not think that universities should reward advancing those particular values more than all others. Some aspiring professors are well suited to advancing diversity. Great! The time of others is better spent mitigating climate change, or serving as expert witnesses in trials, or pioneering new treatments for cancer. Insofar as all academics must check a compulsory “advancing DEI” box, many will waste time on work that provides little or no benefit instead of doing kinds of work where they enjoy a comparative advantage in improving the world.

And mandatory DEI statements send the message that viewpoint diversity and dissent are neither valuable nor necessary—that if you’ve identified the right values, a monoculture in support of them is preferable. The scoring rubric for evaluating candidates’ statements that UC Santa Cruz published declares that a superlative statement “discusses diversity, equity, and inclusion as core values of the University that every faculty member should actively contribute to advancing.” Do academics really want to assert that any value should be held by “every” faculty member? Academics who value DEI work should want smart critics of the approach commenting from inside academic institutions to point out flaws and shortcomings that boosters miss.

Demanding that everyone get on board and embrace the same values and social-justice priorities will inevitably narrow the sort of people who apply to work and get hired in higher education.

In that sense, mandatory DEI statements are profoundly anti-diversity. And that strikes me as an especially perilous hypocrisy for academics to indulge at a time of falling popular support for higher education. A society can afford its college professors radical freedom to dissent from social orthodoxies or it can demand conformity, but not both. Academic-freedom advocates can credibly argue that scholars must be free to criticize or even to denigrate God, the nuclear family, America, motherhood, capitalism, Christianity, John Wayne movies, Thanksgiving Day, the military, the police, beer, penetrative sex, and the internal combustion engine—but not if academics are effectively prohibited from criticizing progressivism’s sacred values.

The UC system could advance diversity in research and teaching in lots of uncontroversial ways. Instead, in the name of diversity, the hiring process is being loaded in favor of professors who subscribe to the particular ideology of DEI partisans as if every good hire would see things as they do. I do not want California voters to strip the UC system of more of its ability to self-govern, but if this hypocrisy inspires a reformist ballot initiative, administrators will deserve it, regardless of what the judiciary decides about whether they are violating the First Amendment.

AMAs are the latest casualty in Reddit’s API war

CLOSE UP OF PRESS CONFERENCE MICROPHONES

Enlarge (credit: Getty)

Ask Me Anything (AMA) has been a Reddit staple that helped popularize the social media platform. It delivered some unique, personal, and, at times, fiery interviews between public figures and people who submitted questions. The Q&A format became so popular that many people host so-called AMAs these days, but the main subreddit has been r/IAmA, where the likes of then-US President Barack Obama and Bill Gates have sat in the virtual hot seat. But that subreddit, which has been called its own "juggernaut of a media brand," is about to look a lot different and likely less reputable.

On July 1, Reddit moved forward with changes to its API pricing that has infuriated a large and influential portion of its user base. High pricing and a 30-day adjustment period resulted in many third-party Reddit apps closing and others moving to paid-for models that developers are unsure are sustainable.

The latest casualty in the Reddit battle has a profound impact on one of the most famous forms of Reddit content and signals a potential trend in Reddit content changing for the worse.

Read 20 remaining paragraphs | Comments

The link rot spreads: GIF-hosting site Gfycat shutting down Sept. 1

Array of GIFs on Gfycat website

Enlarge / A myriad of ways one might react to Gfycat's closure, trending on Gfycat itself at the moment. (credit: Gfycat)

The Internet continues to get a bit more fragmented and less accessible every week. Within the past seven days, Reddit finished its purge of third-party clients, Twitter required accounts to view tweets (temporarily or not), and Google News started pulling news articles from its Canadian results.

Now there's one more to add: Gfycat, a place where users uploaded, created, and distributed GIFs of all sorts, is shutting down as of September 1, according to a message on its homepage.

Users of the Snap-owned service are asked to "Please save or delete your Gfycat content." "After September 1, 2023, all Gfycat content and data will be deleted from gfycat.com."

Read 7 remaining paragraphs | Comments

WSJ: ‘Goldman Is Looking for a Way Out of Its Partnership With Apple’

AnnaMaria Andriotis, reporting for The Wall Street Journal (News+ link):

The Wall Street firm is in talks with American Express to take over its Apple credit card and other ventures with the tech giant, according to people familiar with the matter. Goldman went public with plans to scale back its consumer business late last year, but it appeared committed to the Apple relationship. The bank recently extended the partnership through the end of the decade, agreed to support Apple’s “buy now, pay later” offering and launched a bank account with the tech company.

Now it is in talks to offload those businesses and its credit-card partnership to Amex, according to people familiar with the discussions. A deal with Amex isn’t imminent or assured, people familiar with the conversations said, and it could take a while to transfer the partnership in any case. Apple would have to agree to a transfer. The tech company is aware of the talks, which have been ongoing for months, the people said. [...]

In January, Goldman disclosed that it had lost about $3 billion on the consumer-lending push since 2020.

It’s unclear how much of Goldman’s losses in their consumer banking foray are attributable to the Apple Card specifically, but Sridhar Natarajan reported for Bloomberg* back in January that it’s the source of most of their losses:

The division’s $1 billion pretax loss reported for 2021 was mostly tied to the Apple Card, people with knowledge of the numbers said. And about $2 billion in 2022 mainly stems from the Apple card and installment-lending platform GreenSky, the people said.

How you lose money issuing credit cards that charge usurious interest rates is beyond me. Not quite in the territory of Donald Trump somehow losing money while running casinos, but it’s up there. Are they issuing Apple Cards to deadbeats? (Apparently, yes: they’ve been issuing a lot of cards to people with bad credit.)

If Goldman does bail, AmEx would be as good a partner as any for Apple: they know how to deliver a premium experience and turn a good profit doing so.

* You know.

The next generation of AirPods will focus on high-end health, hearing features

Macworld

Apple’s 4th-generation AirPods and 3rd-gen AirPods launch is approaching, and a major leak has revealed some new details about the next version of the company’s hugely popular wireless earbuds. These include new health features (covering both hearing and body temperature monitoring) and a switch from Lightning to USB-C.

The leaker-analyst Mark Gurman focused on the next generation of AirPods in the latest edition of his Power On newsletter, and while some elements have been mentioned before by Gurman and others, the article is a useful summation with some new tidbits and further detail in certain areas.

We already know, for example, that Apple is deeply interested in hearing health and how AirPods can help with this. It’s been shown that current AirPods Pro models can double as cheap hearing aids, and the Conversation Boost feature was launched years ago.

More recently, Gurman himself said in an earlier edition of Power On that hearing health would be the next area for AirPods innovation. But at the time this was comparatively vague, mentioning the “ability to get hearing data of some sort.” The new report expands on this considerably. There will be, Gurman predicts, a “new hearing test feature that will play different tones and sounds to allow the AirPods to determine how well a person can hear. The idea is to help users screen for hearing issues.” In other words, as well as serving as an effective hearing aid, the next AirPods will be able to flag up potential hearing loss earlier so it can be treated more effectively.

A separate health function Apple is looking to add to the AirPods is body temperature measurement. Again, this is an area we already know is of interest to the company, whose most recent Apple Watches are designed to measure body temperature via the wrist for fertility tracking and overall well-being, but the ear canal is a better and more accurate source of such data. Apple is accordingly working on adding a temperature sensor to a future set of AirPods, Gurman says, although this may not be ready for the fourth generation.

What will be here in time for the next model is the widely predicted switch from Lightning to USB-C on the case charging port. This makes sense since Apple is strongly expected to make the same transition on the iPhone starting in late 2023. However, while Gurman has previously said he expects all three AirPods models to move to USB-C by the end of 2023, he’s now signaling that the company may be prepared to wait a little longer for the non-standard models; the AirPods Pro, he says, will stick to their current release cadence, which means the next model, presumably based on a USB-C connection, isn’t likely to arrive until the fall of 2025. It’s unclear whether a new case will be rolled out before then as with the MagSafe case in 2021.

Finally, the idea that Apple will look at cutting the price of its cheapest AirPods, aired again in the new report, has been knocking around for years. They have generally been referred to as the AirPods Lite and are expected to compete with sub-$100 earbuds.

The current (standard) AirPods launched in October 2021, and while Apple refreshes its headphones less frequently than its phones, tablets, and laptops, work will be well underway for the sequel to this highly successful product. A glance at Apple’s AirPods release history (September 2016, March 2019, then October 2021) would suggest that the next standard edition of Apple’s wireless earbuds is likely to arrive in or close to the spring of 2024.

You can keep up with all the latest news and rumors by bookmarking our regularly updated new AirPods superguide.

Headphones

Best Mac for music production

Macworld

The Mac is an obvious candidate if you’re looking for a computer with which to make music. The choice can be overwhelming, though, with devices ranging from a few hundred dollars or pounds to thousands more than you might spend on a car. In this article we compare them all and explain which Mac is right for you.

There was a time when music production required hiring a studio, but technology moves fast. During the 1980s, there was a revolution in analog home recording kit; then the 1990s saw home computers gradually take over. Today, you can do everything from recording pop songs to mastering movie soundtracks on a Mac. But which Mac? That’s the question we’re here to answer!

Why use a Mac for music production

Whether you choose a Mac or PC for music production is largely down to the platform you prefer and who you’re collaborating with. However, there are a few reasons why musicians who choose to use Macs do so.

One reason is the simple fact that Macs are incredibly easy to use, so musicians don’t get sidetracked trying to set things up or fix problems. The recent addition of the M-series of Apple-made chips also means that they are very powerful, often outperforming Intel-equipped PC equivalents. Mac laptops are also slim and light, with superb build quality – a benefit if you are carrying them around to gigs as well as using them in a studio. 

Best Mac configuration for music production

If you are going to make music with a Mac then there are a number of things that you need to consider. We’ll run through each of these below to help you make your final decision.

Software

14 and 16in MacBook Pro 2021

Apple

The software you use – your Digital Audio Workstation (DAW) – is as arguably as important as the computer you choose. There are plenty of options available on macOS, which you can read about in our round-up of the best music recording software for Mac.

Two impressive packages you can only find on Macs are Apple’s own Logic Pro and its enthusiast-focused cousin GarageBand. (Read our Logic Pro and Garageband reviews.)

GarageBand is essentially an audio sketchbook, albeit a powerful one in the right hands. It’s great for quickly getting down the bones of songs or compositions, with plenty of support for plug-ins. We know of several professional musicians that use it for creating demos of ideas, which they can then share with other musicians in the early stage of writing. Best of all, GarageBand comes free with every Mac, just another good reason for using Apple’s computers to create your music.

GarageBand (macOS)

GarageBand (macOS)
Price When Reviewed: Free
Best Prices Today: $0 at Apple

When they want to get serious though, there’s a good chance they’ll switch to Logic Pro X, which is the far more powerful and feature-rich DAW.

Apple Logic Pro

Apple Logic Pro
Price When Reviewed: $199.99 (free 90-day trial)
Best Prices Today: $199 at Apple

RAM 

Music software is notoriously hungry for memory. A lack of RAM (in Apple terms this is referred to as Unified Memory) becomes a serious bottleneck in any pro-level project. You’ll be able to run fewer instruments and fewer effects; you’ll spend more time rendering and less time doing things live.

Consider 16GB your minimum. This shouldn’t be difficult, all Macs and MacBooks can be equipped with 16GB RAM – and we recommend that you do configure your Mac to at least this level, if not more. Note that M2 and M1 Macs ship with 8GB RAM as standard. The M2 Macs can be updated to 16GB RAM and top out at 24GB, while M1 Macs could only support up to 16GB RAM. If you think you might need 32GB RAM then you will need to upgrade to the M2 Pro (an option in the MacBook Pro or Mac mini), which comes with 16GB as standard and supports 32GB. For 64GB or 96GB RAM, you need the M2 Max (an option for the MacBook Pro or Mac Studio). And for 128GB or 192GB RAM you’ll need to look at the M2 Ultra (in the Mac Studio or Mac Pro).

Storage

Storage is likely to be an important factor in your decision. All Apple Macs use SSDs and have done so for many years now. This is a benefit because hard drives can be a bottleneck due to their relatively low speed compared to SSDs, and they can be noisy.

However, SSDs are far more expensive per GB than hard drives. Entry-level Apple notebooks have 256GB SSDs, but pro instrument and effects collections when installed can require hundreds of GB, and that’s before you even start to add your own music files. So you probably want a minimum of 512GB SSD with your Mac. Another reason to avoid the lower-capacity Macs is that we’ve found the smaller SSDs to be slower than their larger-capacity counterparts.

You must figure out what you’ll need, and whether assets will be stored internally or externally. External drives can be fine for large sample libraries and the like, especially when connected using Thunderbolt, but you then need to determine how to take everything with you if you’re a musician who works with people in many different locations. Cloud storage might be a good option here: check out our Best Cloud Storage Services for Mac.

Portability

Speaking of being at different locations, you must decide whether you need the Mac to be portable or not. If you’re always moving around, working with various musicians in different countries, a Mac Studio probably won’t fit in your hand luggage. But if you’re a solo musician who only ever creates music in a home studio, you could get more bang for your buck with a desktop machine such as the M2 Pro Mac mini.

If you are studio based you may think that you need an iMac so that you can take advantage of the large display, but you can plug in an external display to any Mac, so even if you had a laptop Mac you could happily use it with a 30-inch screen when you are at your desk.

Ports

You also need to consider the other kit you want to use. If you don’t have any extra kit (if all of your music-making happens inside a Mac) then this won’t be a concern, and, in theory, any Mac might do. But if you have a pile of audio interfaces, USB instruments, headphones, monitors, and other vital hardware, trying to get by the two USB-C ports found on the MacBook Air and entry-level MacBook Pro models will drive you to despair. (In which case you might want a USB hub to use with your new Mac).

Luckily in recent times, Apple has added more ports to its newest Mac laptops, so you will find SDXC, Thunderbolt 4, HDMI, and more on the side of the 14-inch and 16-inch MacBook Pro. The Mac mini and Mac Studio also have a nice selection of ports.

MacBook Pro 16 and 14 inch 2021
Some Macs have more ports than others.

Apple

Processor

High-end audio work can be extremely processor intensive, especially when using professional plug-ins and effects. If your demands are great, you’re going to need a Mac with fairly serious processing power. Ergo, whichever Mac you decide to buy, avoid low-end models that seem to lurk in the line-up to enable Apple to say ‘from’ and use a lower price-tag in marketing material. That said, the current crop of entry-level Macs with their M2 Chips are proving to be quite formidable.

For the ultimate option turn to the MacBook Pro, Mac mini or Mac Studio with the M2 Pro or M2 Max. The M2 Ultra in the Mac Studio and Mac Pro might also appeal, but would likely be overkill.

Graphics

There’s also the question of the GPU. Historically, recording and editing audio didn’t utilize many graphics card resources, unlike 3D design and video editing. Things are more complicated these days as some audio software is GPU-accelerated. It’s also a factor should you require additional displays. Apple’s M2 Macs offer 8 or 10-core GPUS and should suffice in most cases.

If you think you will benefit from more graphics prowess then look to the 14-inch or 16-inch MacBook Pro with the M2 Pro (16 or 19 graphics cores) or the M2 Max (30 or 38 graphics cores). The Mac Studio and Mac Pro go further offering the M2 Ultra with 60- or 76-core GPU.

Display support

Speaking of external displays, note that if you want to plug in more than one additional display the standard M1 and M2 MacBooks won’t officially support more than one additional display (although there are ways around this, see: How to connect two or more external displays to Apple M1 or M2 Macs). The Mac mini, Mac Studio and all other MacBooks support a number of external displays. This could matter if you wish to use graphics with the music you play.

Best Mac for musicians

1. MacBook Pro, 14-inch, M2 Pro (2023)

MacBook Pro, 14-inch, M2 Pro (2023)

If you want a good-sized screen, plenty of ports, and plenty of power the 14-inch MacBook Pro, introduced in January 2023, is a good option (and the 16-inch MacBook Pro if you want an even bigger screen). Both come with the M2 Pro chip and 16GB Unified Memory (aka RAM) as standard. This can, of course, be upgraded at the point of sale, maxing out at 32GB for the M2 Pro (you can get up to 96GB in the more expensive M2 Max models).

You’ll get 512GB or 1TB storage as standard, with the option to increase that to a mega 8TB. There is no 256GB SSD option for the 14-inch and 16-inch MacBook Pro, which avoides the whole issue with slower SSDs that plagues the 256GB SSDs.

Those are all good reasons to choose the larger MacBook PRo over the 13-inch model, another is the M2 Pro, which brings extra GPU cores (16 or 19) that can be used to crunch the numbers needed when using loads of plug-ins, VSTs or rendering multi-channel compositions onscreen. Should you want the most powerful MacBook Pro you can buy, then you could look at the M2 Max, which maxes out at 38 GPU cores.

This is an expensive Mac, but we often see very good discounts so we strongly recommend that you shop around to save. Check out these MacBook Pro deals for the best discounts.

2. MacBook Pro, 13-inch, M2 (2022)

MacBook Pro, 13-inch, M2 (2022)
Price When Reviewed: $1,299

Not every musician has the budget for Apple’s M2 Pro-powered MacBook Pro though. The good news is that even the 13-inch M2-powered MacBook Pro is worthy of consideration for music-making.

The 13-inch MacBook Pro, introduced in June 2022, uses Apple’s M2 chip. The M2 is powerful enough to offer great performance and make short work of projects with plenty of layered tracks, effects, VSTs, and give smooth playback without stuttering or overloading. True, the baseline model does only come with 8GB of RAM, so we’d advise upgrading this to either 16GB or 24GB at the time of purchase, as you can’t make any adjustments later on due to the non-upgradable way these are built.

The M2 MacBook Pro is also the last remaining MacBook to feature the Touch Bar, which can be really helpful for adjusting settings or scrubbing through a timeline. You do only get a couple of USB-C/Thunderbolt 4 ports, but these can be expanded via a USB-C hub if you need more connections for external peripherals or drives. If you want power and portability, then the 13-inch MacBook Pro with M2 is quite the workhorse.

Read our full Apple 13-inch MacBook Pro (M2, 2022) review

3. MacBook Air, 13-inch, M2 (2022)

MacBook Air, 13-inch, M2 (2022)
Price When Reviewed: $1,099 (WAS $1,199)

The 13-inch MacBook Air with M2 is another Mac laptop that could be considered for your DAW. In terms of weight, it’s the lightest of the current crop at 2.7 pounds/1.24kg, but that doesn’t mean it’s a lightweight in the performance stakes. The M2 model is claimed by Apple to be 1.4x faster than the previous M1 version, plus you also get a little more display space as it was increased from 13.3-inch to 13.6-inch.

Due to Air’s power efficiency, the laptop also comes without a fan, which could be a godsend if you record near the laptop. As with all Macs, there’s a 3.5mm headphone jack so you can edit on the go without worrying about latency.

The MacBook Air is a little less powerful than the MacBook Pro, but you can choose a model that meets our requirements of 512GB storage, and you can up the RAM to 16GB or 24GB as we recommend. The 512GB MacBook Air, upgraded to 16GB of RAM, costs $1,599/£1,649 from Apple, which isn’t exactly cheap (but Apple did drop the price by $100/£100 in June 2023. There is a cheaper $1,099/£1,149 model, but that only has 8GB of RAM and 256GB, but could be usable if your workload is light.

To save more money you might consider the M1 version, which is still available from $999/£999, we’d advise against this and suggest that you save money by shopping around for a good deal. See: Best MacBook Air deals. You can see how the two different models compare by reading our MacBook Air (M2) vs MacBook Air (M1) article.

Read our full Apple 13-inch MacBook Air (M2, 2022) review

4. MacBook Air, 15-inch, M2 (2023)

MacBook Air, 15-inch, M2 (2023)
Price When Reviewed: $1,299

Feel like the screen on the 13-inch MacBook Air might be too cramped for your needs? In June 2023 Apple introduced a 15-inch MacBook Air. It costs more than the 13-inch MacBook Air, but actually represents good value for money in comparison to the 14-inch MacBook Pro, which has a similar-sized screen but costs a lot more. See: 15-inch MacBook vs 14-inch MacBook Pro for more information.

Read our full Apple 15-inch MacBook Air (M2, 2023) review

5. Mac mini, M2 Pro (2023)

Mac mini, M2 Pro (2023)
Price When Reviewed: $1,299

If you don’t need the portability of a laptop the best value for money Mac for musicians is the Mac mini with M2 Pro, which launched in January 2023. For $1,299/£1,399 you can get the same chip that will cost you $1,999/£2,149 in the MacBook Pro. Sure you’ll need a separate screen, mouse and keyboard, but it’s still going to save you a ton of money.

It’s small, quiet, and has great connectivity options, along with an additional audio-in port that could be useful for legacy products. What more could you ask for?

Read our full Apple Mac mini (M2 Pro, 2023) review

6. Mac mini, M2 (2023)

Mac mini, M2 (2023)
Price When Reviewed: From $599

If you don’t need the M2 Pro there’s a standard Mac mini with M2 chip, which starts at just $599/£649. If you already have a display, keyboard, mouse and are just looking for an engine on which to make some music, the Mac mini is a solid choice.

It’s small, quiet, and has great connectivity options, along with an additional audio-in port that could be useful for legacy products.

The Mac mini is currently available with the M1 chip and 256GB SSD for just £649/$599. There’s also a 512GB model for £799/$849. Double the RAM to 16GB, for another £200/$200.

If funds are low, the Mac mini is a great choice for making music. Here are the best prices for the Mac mini.

Read our full Apple Mac mini (M2, 2023) review

7. Mac Studio, M2 Max (2023)

Mac Studio, M2 Max (2023)
Price When Reviewed: £1,999
Best Prices Today: $1999 at Apple

Those looking to create professional-level music in the home or studio will definitely want to look at the Mac Studio. Aimed at the Pro market, but still affordable, this beefed-up Mac mini boasts the M2 Max SoC, with a 12-Core CPU and 30-Core GPU, or the M2 Ultra for 24-core CPU and up to 60 or 76-core GPU. Both options deliver enviable levels of performance.

Add to this up to 64GB RAM for the M2 Max, or 192GB RAM for the M2 Ultra, and up to 8TB of storage (all of which can be upgraded at the point of sale) and you have an incredibly potent Mac that can handle anything you throw at it. There are plenty of ports available, including 4x Thunderbolt 4 and 2x USB-C and 2x USB-A, so all of your outboard kit should be able to plug directly into the Mac Studio. As with the Mac mini, you’ll need to bring your own display, keyboard, mouse and speakers.

Check out the best deals for the Mac Studio to see if you can save on the usual price of $1,999/£2,099.

Read our full Apple Mac Studio (M2 Max, 2023) review

Mac, Professional Software

Study Find Black Entrepreneurs Continue to Face Bias in Lending Decisions

By: Editor

A new study led by Maura L. Scott, the Dr. Persis E. and Dr. Charles E. Rockwood Eminent Scholar in Marketing in the College of Business at Florida State University, finds that Black entrepreneurs are still severely discriminated against by banks, even when they are more qualified than their White peers.

The study found that potential Black borrowers received lower-quality service than their White peers when applying for financing. This included being offered fewer loan options. The study also found that Black borrowers were treated less warmly by bank personnel than White customers.

The researchers found that when Black customers signal higher socioeconomic status, or a Black customer’s company (for which they seek the loan) has a more complex and sophisticated legal structure they are more likely to receive funding than Blacks who are sole proprietors. The results show that a more sophisticated business structure increases the employee’s trust toward Black customers, which reduces the perceived default likelihood and increases the likelihood to offer a loan. However, this difference is not the case for White applicants.

Professor Scott is the joint editor-in-chief of the Journal of Public Policy & Marketing. She holds bachelor’s and master’s degrees from Purdue University in West Lafayette, Indiana, and a Ph.D. from Arizona State University.

The full study, “Revealing and Mitigating Racial Bias and Discrimination in Financial Services,” was published on the website of the Journal of Marketing Research. It may be accessed here.

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