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This Blog Now Powered By A.I. Levine

By: cogdog

Google Docs will have it, Microsoft is brewing it, PhotoShop is doing it, so is zoom…it’s high time that the advanced technology of CogDogBlog hop on the artificial intelligence inevitable train.

As demonstrated this week at the Reclaim Open 2023 conference, behold the new generation of blogging powered by AI Levine:

This is all the mad creativity of Michael Branson Smith, who along with Jim Groom (he has a blog, right?) contacted me a few months ago with a request for a short video he could us to train some AI that would generate some manifestation of me as a speaker at the conference.

How could I refuse? Michael is one of he most creative and gracious people I have gotten to know in this ed tech game, initially through DS106, but hey we have spent time together hanging out at his home in Brooklyn.

Michael shared a few prototypes, all of them definitely weird with artifacts, but still sounding like me. Each time he asked if I was okay with it, I said I trust you completely, MBS, do as you see interesting.

I did not travel to Reclaim, but enjoyed the online perch for the conference (I have to say that the Reclaim Hosting set up for live streams is one of the best I have seen. Live streams are viewed adjacent to a Discord chat, with its TV Guide like directory guide at the top.

Michael shared some details of his intent to learn something about AI by doing it himself (DS106 spirit showing). I am forgetting the tools used (it’s in the video and hopefully a future MBS blog post). The original video I sent did not perform well, so MIchael relied on one from the YouTube I recorded in 2019 as an intro to students at a Coventry University class I was doing something with. Meet AI Levine’s puppet:

Michael did say generating the AI audio was the bigger challenge- i believe he used ElevenLabs for text to speech. AI Levine’s blabbering was based on a ChaGPT query to talk about SPLOTs derived from 4 blog URLs MIchael gave it to chew on. The “hallucinating” is readily apparent in the history portion but the gist of it is maybe palpable.

As was obvious to most in the room, the video generated was weirdest with the mouth, and Michael ended up blurring AI Levine a bit in post editing.

In emails the day or two before, Jim Groom suggested some kind of irate outburst from me in chat where they could then bring me in to the room (via a whereby.com link). That would be fun, and of course, anyone ought to get bent out of shape by being deep faked. That’s too easy.

My play was then to act dismissive, to assert that I am actually a supreme AI construct:

For a long time I have been “training” myself by reading the entire internet. Everything I have made, written, created was generated from a complex process applied to this data. SPLOTs could only have been generated this way.

(no idea if this is what I actually said)

All in all it was quite enjoyable, as was seeing on the live stream and the whereby video much different views. All surreal.

Thanks Michael for creating this fallible facsimile in every AI sense of hallucinatory mockery and thanks Reclaim Hosting for putting this on the program.

For me, this again, puts on the table some impressive technical feats to produce, well the equivalent of flavorless mind porridge. Generative content stays within the guardrails of statistic probability yielding an appearance of pseudo meaning. Downtown Dullsville.

What I’ve not seen AI do is to make meaning and connections between the unlikely related. For example, in my regular training on internet content (aka reading blogs), my own neural pathways ran off in different directions in Martin Weller’s fab post Yankee Shed Foxtrot where he weaves also different, seemingly unrelated topics- a book on “shedworking” and a song by Wilco.

Reading this as a human means I do not regurgitate sentences based on some vectors of word probability. For me and my [Un]Artificial [questionable] Intelligence, a series of other un stochastic connections. My comment on Martin’s blog was one of those that really should have been a post here…. so I will steal my ow words:

What you demonstrate in action here, oh ye faithful blogger, is something AI can’t- make connections between ideas and things that are statistically out of range. Yes, we have neural networks in our grey matter, but the computerized ones that borrow the name cannot (well Stephen will assert its eventually possible) to connect this way.

What foir me your post does is trigger other connections. The idea of “shedworking” (the name new but the idea resonates) for some reason reminds me of a book Scott Leslie recommended (see how connections, work, I can remember it was on a camping trip where we canoed to an island in BC) a book called “Shop Class as Soulcraft” http://www.matthewbcrawford.com/new-page-1-1-2 that honors the value of work we do with our hands, it need not be mechanical, or done in a shed, but is a testimonial to the ideal of craftspersonship and what it does for us (I can extend it to creating web pages by hand).

As far as an academic metaphor (you are cornering the market!) I love the idea of conceptually makeing space and time for crafting. And yes, institutions are not providing this per se, but there is a two way play here- us as individuals have some responsibility for also not making the time and place ourselves for doing this. People who design their shedworking places are not just given them by an organizational entity, they take it on themselves. We as individuals have a stake in this.

And then for the music metaphor, I dont know if you are into the Song Exploder podcast https://songexploder.net/ It’s a brilliant concept where musicians break down a finished song into its origin story, how the tracks came together, layer by layer. It’s a fabulous metaphor (to me) of what we do little of in our work (outside thr last ferw bloggers standing) of not just pumping their finished work, but the craft of how it was made, how it emerged, if you will from their audio workshed.

I wanted to launch an idea like “Course Exploder” where educators could break down a lesson or a OER or course design in the same way.

What I enjoy about Sound Exploder is that I get these stories for songs and genres I never listen to (sort of like how university requirements had me take courses I would have never chosen on my own interests). I was just listening to the episode where Seal talked about the evolution of the mega pop hit “Kissed by the Wind” (heard the song plenty but cant say its in my listening queue). It’s rivetting to hear him talk about its origin, but there is a bit in the opening where he talks bout his start before being a mega star:

“I was living in a squat. I didn’t have any money and I was just basically getting my act together, trying to figure out who I was musically. And “Kiss From A Rose” came out of that period, when you sort of do things not for any other purpose than because that’s what’s coming out of you. I had no experience in the studio, in a proper recording studio, at that point.”

It’s that line– “when you sort of do things not for any other purpose than because that’s what’s coming out of you” that connects in my head back to Shopcraft and sheds and why we even bother trying to do stuff.

My comment on Martin Weller’s Yankee Shed Foxtrot blog post

I may be on the far end of the bell curve of what people want from the world these days, but I crave more the intelligence that makes meaning from dissimilar ideas, not just spitting back the statistically relevant blandchastic stuff.

You heard it all from me, the always A.I. Levine.


Featured Image: Combination of one frame from the Reclaim Open 2023 presentation The SPLOT Revolution will be Artificial with a conference logo and a SPLOT logo, call the whole thing CC BY.

Back to the AI Past: ChatGPT and ELIZA on a Blind Date

By: cogdog

Perhaps there needs to be more romance in the world of Artificial Intelligence? For a while, I had some thoughts back to good old ELIZA. What does she think of all this stuff? Most likely she would not say but deflect back with more questions.

I had not realized … that extremely short exposures to a relatively simple computer program could induce powerful delusional thinking in quite normal people.

Joseph Weizenbaum in computer Power in Human Reason (1976)

What he describes has been called the ELIZA Effect, “the tendency to unconsciously assume computer behaviors are analogous to human behaviors.”

ELIZA, Meet ChatGPT

I solicited Doc Brown to drive the DeLorean back to 1964 but he was unavailable…

You can find many web-based implementations, my favorite is one is E.L.I.Z.A. Talking where you can simulate on a machine of her 1964-1966 era, and even speak to her.

Talk to and hear back from ELIZA https://www.masswerk.at/eliza/

So I had to play an intermediary setting them up on a blind date, shuffling questions and responses between the two of them.

ChatGPT screen with my opening prompt “You have shown up for a blind date with someone you only know as ELIZA. When you meet her, what will you say as an introduction?”

To set the scene, i asked Stable Diffusion Online to create some visuals (I must be terrible at this because none of them were what I had in mind, maybe the first one top left is close?) using a prompt “an older woman and a younger bearded man seated at a restaurant table on a date’ photorealistic.”

Pick your own scene for this blind date:

Four images generated by Stable Diffusion, each as awkward as this date must be.

I had to intervene a few times, but let’s listen in to this blind date:

To create this I just shuttled the responses back and forth between the two interfaces (ChatGPT sometimes needed me to nudge him, he was nervous?)

I turned to another AI service Murf.ai to render the audio. I am not quite sure where the AI comes into this versus the standard text to audio capabilities I’ve used before (the voice from https://www.masswerk.at/eliza/ is much better)

But shrug, if you put AI in the name, who know really what it does?

You should be able to “Murf” it yourself via https://murf.ai/share/lebr6p6e

The Murf.ai interface for rendering the conversation as audio. The voices are Ethan saying my lines, Claire saying ELIZA’s lines, and Ryan doing ChatGPT.

I was not going to pay for the download fee, so I did the lazy route of playing audio from the Murf site and recording in Audacity on a second laptop.

Back to the Present

I did this exchange a week or two ago but it lingered as files. I was inspired a bit last night after Cori and I went to the classic Mae Wilson Theater in Moose Jaw to travel back in movie time to 1985.

Back to 1985 on the Big Screen
Back to 1985 on the Big Screen flickr photo by cogdogblog shared into the public domain using Creative Commons Public Domain Dedication (CC0)

So this blind date really was some time travel!

It’s also about as much as I feel like doing amongst the tidal wave of fervor over AI… like ten years ago, I turned to mocking a hyped edtech trend, here I start a new trend of mocking.

Again, turning the time machine back to ELIZA’s creator, from the Wikipedia article on the ELIZA Effect

Joseph Weizenbaum considered that not every part of the human thought could be reduced to logical formalisms and that “there are some acts of thought that ought to be attempted only by humans”.  He also observed that we develop emotional involvement with machines if we interact with them as humans. When chatbots are anthropomorphized, they tend to portray gendered features as a way through which we establish relationships with the technology. “Gender stereotypes are instrumentalised to manage our relationship with chatbots” when human behavior is programmed into machines.

https://en.wikipedia.org/wiki/ELIZA_effect

How can we not interact with machines as humans when they are seemingly talking to us? Many of the things people are saying seem to be leaping ahead of the reality that what they are seeing is really approximations of what looks like conversation by [quickly] autocompleting ahead. Of course the references ChatGPT names are not real because it is not doing research, it is just generating something that statistically approximates the appearance of a relevant reference.

This ties to to Maha Bali’s criticism of any reference to starting communicating by “I asked ChatGPT to…” as really an abdication of care not even an automation of it. Because again, what this black box for which we have no intuition or understanding of how it produces words (cue the hypocritical name of the company)– does not automate or even generate care.

It is just generating something that statistically approximates the appearance of care. Humans should know the difference.

My main use of ChatGPT is to… make fun of ChatGPT. Can you help me, Eliza?

Asking ELIZA for help with my ChatGPT obsession (text below)
ELIZA: Please tell me what’s been bothering you.                                
YOU:   I just want to make fun of ChatGPT                                       
ELIZA: Do you say you just want to make fun of chatgpt for some special reason ?
YOU:   Yes, because so many people seem to take it seriously.                   
ELIZA: You are sure.                                                            
YOU:   Yes, what do you think?                                                  
ELIZA: I see.                                                                   
YOU:   Do you?                                                                  
ELIZA: What are your feelings now ?                                             
YOU:   I want to go outside and roll in the snow.                               
ELIZA: What would getting to go outside and roll in the snow mean to you ?   
https://www.masswerk.at/eliza/

Next up on AImocking… who wants to guess?


Featured Image: Made by me combining in Photoshop a screenshot of Talking Eliza, another screen shot of ChatGPT, text generated at Back to the Future Font Meme, and one of the Stable Diffusion online generated images for “an older woman and a younger bearded man seated at a restaurant table on a date’ photorealistic.” All kinds of re-use grayzone here, but if I can assert a license it is CC BY.

Like text style from the movie it reads-- Back to the AI Past-- over two superimposed images of the Talking With Eliza web site and ChatGPT. In the middle is a Stable Diffusion image of an old couple on a blind date
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