You could write a long essay unpacking the many implied layers of this phrase, ย โeasily perfect all of your memories,โ but I really want to bring up something that my friend the photographer Clayton Cubitt taught me: whatever you think is boring or ugly in your photograph today might quite possibly be the most interesting thing about the photograph in the future.
Knowing this, I am inclined to go the other direction and do my best to imperfect my memories: leave in all the things Iโm supposed to crop out. (This is why I leave in all the dumb, mundane crap I do every day in my logbook: what I have for lunch, meetings, what I watched on TV, etc.)
I try to remember that I have no idea today exactly what Iโll want to remember about today in the future.