A nice bit of Brown University history after graduation weekend. The first university presidentโs house was built in 1770 and by 1840 it had been moved and a new house builtโ the current house at Brown and Power is the 4th according to the Encyclopedia Brunonia. Among early images of the university, this needlework by Polly Turner, a student at Mary Balchโs school, is my favorite. Balchโs studentsโ samplers are renowned among collectors and scholars. Her school was at 22 George Street, just down the hill from the library where I work, in a home that was cleared by the mid-19th century to make way for the Dorrance mansion (now Wilbour Hall).
Polly Turner chose to profile the presidentโs house in a glorious burst of color and careful needlework. โHonour and Renown Will the Ingenous Crown,โ she heads the piece. The sampler is in the collection at the Cooper Hewitt Museum, which has a short blog about it here.
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If you spend any time at all in archives of early American material, you will stumble over genealogies. Lots of ways and types of producing genealogy. What I call โvernacular genealogy.โ (And you can see lots of examples on my Instagram, where my handle is VernacularGenealogy.) Although the John Carter Brown Library is known as a world-class collection of early American printed materials (books, maps, prints about the early Americas and the Caribbean), with one major archive, the Brown Family Business Papers, we do also have a few codices. And last week I stumbled over one I hadnโt read before, an account of the Kimber family of England, New York and Pennsylvania. This notebook of family history was written by multiple hands, from the mid- 18th into the mid-20th century.ย
Thereโs a lot thatโs interesting in this volume, lots of ways it echoes other like family histories, but one thing caught my eye immediately. There are pages missing. Right at the start of the volume, one page is torn, and one is cut. I can see some letters from words in the gutter of the latter, nothing of the former (torn too close). I always wonder what could possibly have been there to warrant its removal. It could be sensitive material. Or it could be that, like many of us and like many of their contemporaries, the authors of the volume started to use it one way, then decided on another purpose and just got rid of the first few pages.
Whatโs helpful about these kinds of material observations is they remind me to stay close to the purposes of the workโeven when thatโs obscured. Someone had intent here in the production of these texts, the full volume itself, and even in the pages torn and cut away.
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โHannah Waterman Her Book and Hand wrote at Warwick January 14 AD 1770โ is a family record book, just 16 pages, comprised of folded and single sheets stitched together with a few tantalizing suggestions of what might be missing.ย It is both like and unlike the many examples of such eighteenth-century genealogies Iโve seen in my research.ย Not many start with a womanโs hand and authorship, for example, though this one likely didnโt either.ย It clearly includes pages written by earlier generations โthe first page by Hannahโs fatherโand as the work of multiple hands it is very like other family records.
Last month I participated in the marvelous Archival Kismet conference, an informal online conference developed by historian Courtney Thompson to, as she put it in a blog post on Nursing Clio, allow the archival materials you stumble across โto guide you, and [to be] open to questions and topics well outside of your wheelhouse.โย ย She had in mind that historians would explore more and different literatures and fields, learning as we go, rather than focusing always on one place/ time/ topic.
I confess I subverted the remit a bit by talking about a family history record!ย But itโs one I only started to work with last Fall as I first began to explore in earnest the collections of the Rhode Island Historical Society.ย Iโd worked in the RIHS collections some years ago, but only returned to deeper now that itโs just a few blocks from where I work.ย What extraordinary collections they hold and, as ever, family histories arenโt always where youโd expect them to be within it.
Two things Iโll point out about Hannah Waterman for now.ย First, the title page is itself both provocative and compelling.ย Bringing together not only the information but also the texts written by others and then titling the little book as hers makes this unusual.ย She would have been twenty when she wrote that it was โHer Book.โย ย
And second, the size of this volume is perfect for a pocketโ a womanโs pocket, that is.ย Plenty of good scholarship has explored how and where women wrote as well as what they wrote.ย Size of books made from folded papers is somewhat confined by the size of standard papers.ย But that size, shown here as relative to my pencil, was an intimate one.ย It was befitting of the intimacy of the material it contained.ย Lossesโ a brother who never returned from going to seaโโRemains on Heard ofโโand parents dying old, children dying much too young.
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