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Sifting through the aftermath of a disastrous blaze. The romance that launched a thousand Supreme Court opinions. A poetic ode to a simple life, well lived. Tracing the arc of food writing. And examining the hidden costs of a particularly sensitive surgical procedure. Our favorites of the week, pulled from all of our editors’ picks.
Megan Greenwell | Wired | June 27, 2023 | 7,987 words
Megan Greenwell’s piece does what the best longform features do: It mesmerizes you with an opening so powerful and a story so compelling that you deliberately read it slowly, just to make it last. This piece—about a devastating fire at a branch of the National Archives and Records Administration that happened to contain records belonging to Greenwell’s grandfather—is nearly 8,000 words long, but the prose is so sharp and cinematic that you’ll wish it was longer. “The National Personnel Records Center fire burned out of control for two days before firefighters were able to begin putting it out,” she writes. “Photos show the roof ablaze, a nearly 5-acre field of flame. The steel beams that had once held up the glass walls jut at unnatural angles, like so many broken legs.” Even were it not set against a backdrop of the U.S. government, this would be a fascinating mystery: What or who started the fire and how do workers attempt to uncover precious facts from seriously damaged files? Did Greenwell’s grandfather’s records survive the blaze? Be sure to take it slow and let this story smolder. I’m certainly glad I did. —KS
Kerry Howley | New York | June 21, 2023 | 7,555 words
My husband sent me this story while I was reporting in Idaho last week, with a message that said, “Isn’t this by that writer you like?” The answer, reader, is yes. Kerry Howley’s 2022 story about anti-abortion activist Marjorie Dannenfelser was rightly named a finalist for a National Magazine Award—one of several nominations Howley’s work has received in the last several years—and I suspect this piece about Clarence and Ginni Thomas will be in the running for many, many honors. Whereas with Dannenfelser, Howley was shedding light on a powerful person who isn’t a household name, here she tackles two of the better-known political (yes, SCOTUS justices are political) figures in America. She does it without access to them, instead surveying pre-existing material on the Thomases with remarkable facility, mustering everything she needs, and nothing she doesn’t, to tell the story of their marriage. Take the seemingly mundane detail of Ginni telling a bunch of right-wing youth that her favorite charm on a bracelet Clarence gave her is a pixie because, to her husband, she is “kind of a pixie…kind of a troublemaker,” which Howley convincingly positions as a metaphor for the havoc Ginni has wreaked on American democracy. Consider this brilliantly constructed sentence: “They take, together, lavish trips funded by an activist billionaire and fail, together, to report the gift.” And that’s just in the first section! This piece is one for the ages in both substance and style. I mean, damn. —SD
Jeremy B. Jones | The Bitter Southerner | June 6, 2023 | 1,580 words
I have never before picked an obituary for our Top 5, but Jeremy B. Jones’ ode to his grandfather deserves recognition. At just over 1500 words, it’s not a particularly long piece, but it’s a particularly poetic one, and is enough to get to know—and respect—Jones’ Papaw. Ray Harrell lived a simple life on a little bit of land in Fruitland, North Carolina. To many, it would not be enough; for Harrell, it was plenty. After all, as Jones writes, he had “a reliable tractor and a fiery woman.” It was a good life because he appreciated what he had, was contented with his lot. Jones notes that these quiet lives often slip past unnoticed, “yet those are the lives in our skin, guiding us from breakfast to bed. They’re the lives that have made us, that keep the world turning.” A small essay about a simple life that I found hugely moving. —CW
Marian Bull | n+1 | June 15, 2023 | 3,978 words
In reviewing Rebecca May Johnson’s Small Fires, Marian Bull looks at how infusing recipes with introspection and experience begat the cooking memoir. What I loved about about this piece—besides spurring me to pick up Small Fires, which also appeared in our recent feature “Meals for One”—is that while Bull surveys chef memoirs, she hails Johnson’s book as one for the home cook, the self-trained enthusiast. “Johnson has inverted this form by writing a memoir of a recipe, rather than a ‘memoir’ with recipes,” she writes. Johnson looks at cooking as translation and recipes as a form of performance, which is comforting for someone like me who views a recipe as a guide: “The unpredictable ‘I that cooks,’ who resists the recipe again and again, generates new translations.” How inspiring and affirming to be invited to take a seat at this generous table where nothing is lost and everything is gained in translation. —KS
Ava Kofman | ProPublica and The New Yorker | June 26, 2023 | 8,601 words
It’s easy to think that “men trying to upgrade their dongs” is a journalism cheat code of sorts. Having written about them myself many years ago, I can assure you that it’s not. Pitfalls abound. Tone is everything. Jokes are easy; reserve is hard. (So is avoiding double entendres.) Yet, Ava Kofman manages to thread every needle in her stunning examination of the state of penile-enlargement procedures, which focuses primarily on issues surrounding the popular Penuma implant. She writes compassionately about the patients, not dismissing the complex psychological situations that led them to pursue surgery. She writes unblinkingly about the doctor who popularized the procedure, and whose practice seems at times to operate with all the care of a 30-minute oil change joint—and about the surgeon who “was doing such brisk business repairing Penuma complications that he’d relocated his practice from Philadelphia to an office down the street.” And speaking of unblinking, I dare you not to wince as she plays fly on the wall during an implantation; you may never hear the phrase “inside out” the same way again. This story may have drawn you in with its imagined salaciousness, but it delivers something far better: truth. —PR
What piece did our readers love most this week? One that makes clear that the kids are not all right.
Joseph Cox | Vice | June 20, 2023 | 2,111 words
Those looking for dirty deeds to be done seem to be going no further than the Comm, a series of Discord communities in which people order violence, including commissioning robberies for bitcoin, and organizing swats against vulnerable people for perceived slights and insults. For Vice, Joseph Cox infiltrated this vile, testosterone-fueled world of crime. —KS
This extraordinary profile of Clarence and Ginni Thomas—he a Supreme Court justice, she among other things an avid supporter of the January 6 insurrection—is a masterclass in everything from mustering archival material to writing the hell out of a story:
There is a certain rapport that cannot be manufactured. “They go on morning runs,” reports a 1991 piece in the Washington Post. “They take after-dinner walks. Neighbors say you can see them in the evening talking, walking up the hill. Hand in hand.” Thirty years later, Virginia Thomas, pining for the overthrow of the federal government in texts to the president’s chief of staff, refers, heartwarmingly, to Clarence Thomas as “my best friend.” (“That’s what I call him, and he is my best friend,” she later told the House Select Committee to Investigate the January 6th Attack on the United States Capitol.) In the cramped corridors of a roving RV, they summer together. They take, together, lavish trips funded by an activist billionaire and fail, together, to report the gift. Bonnie and Clyde were performing intimacy; every line crossed was its own profession of love. Refusing to recuse oneself and then objecting, alone among nine justices, to the revelation of potentially incriminating documents regarding a coup in which a spouse is implicated is many things, and one of those things is romantic.
“Every year it gets better,” Ginni told a gathering of Turning Point USA–oriented youths in 2016. “He put me on a pedestal in a way I didn’t know was possible.” Clarence had recently gifted her a Pandora charm bracelet. “It has like everything I love,” she said, “all these love things and knots and ropes and things about our faith and things about our home and things about the country. But my favorite is there’s a little pixie, like I’m kind of a pixie to him, kind of a troublemaker.”
A pixie. A troublemaker. It is impossible, once you fully imagine this bracelet bestowed upon the former Virginia Lamp on the 28th anniversary of her marriage to Clarence Thomas, this pixie-and-presumably-American-flag-bedecked trinket, to see it as anything but crucial to understanding the current chaotic state of the American project. Here is a piece of jewelry in which symbols for love and battle are literally intertwined. Here is a story about the way legitimate racial grievance and determined white ignorance can reinforce one another, tending toward an extremism capable, in this case, of discrediting an entire branch of government. No one can unlock the mysteries of the human heart, but the external record is clear: Clarence and Ginni Thomas have, for decades, sustained the happiest marriage in the American Republic, gleeful in the face of condemnation, thrilling to the revelry of wanton corruption, untroubled by the burdens of biological children or adherence to legal statute. Here is how they do it.
New York City is mandating that all of its elementary schools change how they teach reading. Some may not make the change willingly.
After Houghton University fired two employees for listing their pronouns in emails, some alumni have protested the decision as un-Christian.
Over the last two decades, thousands of New York City children have struggled to pick up reading skills. Now, schools will be forced to change how they teach reading.
I started composting a couple of years ago using two bins in my yard. Ever since then, I’ve dutifully collected fruit and veggie scraps, egg shells, and coffee grounds, alternating these “greens” with layers of “browns” — dead leaves from the oak trees in our yard. This spring I will harvest my first batch of compost and I don’t know if it’s possible to be more excited about moist mulch. That’s why Clio Chang’s Curbed story caught my eye. I’ve always wondered what happens in the industrial composting process and Chang’s piece does a terrific job going behind the scenes of a compost collection service that begins under the cover of darkness in Queens, New York.
This is the sorting phase of the process, and no fewer than six Waste Management employees have been assembled to take me around. First, we watch as the trucks line up to be weighed, since customers pay by weight to dump. “Is it priced by pound?” I ask. “Tons,” everyone responds in unison, and we all laugh at my inability to grasp orders of magnitude. One-third of the residential trash — some 4,000 tons daily — that New Yorkers throw away is food or yard waste that could be diverted from methane-emitting landfills. The heap of food scraps we are looking at, which has cartoon-like steam rising off the top, is massive, but only constitutes a tiny fraction of what it could be. There are pigeons resting and scavenging on its peak. Darryll Persad, the site manager, tells me that they have an air-filtration system and a deodorizer that puts out a scent to help control the odor. There are multiple scents to choose from, but Persad says, with a decisiveness that I can only dream of, that he “just orders cinnamon.” (Since all I smell is trash, I’ll just have to take his word for it.)
Yeshiva University has said it is a religious institution, not an educational institution. But that raises questions about whether it can receive public funds designated for schools.
In this interview, Amanda Petrusich talks with Nick Cave about grief, resilience, religion, music, and Faith, Hope and Carnage, a book based on his conversations with journalist Seán O’Hagan. Sure, these are topics you’d expect in a Q&A with the Australian singer-songwriter, but that doesn’t make it any less rich or moving. I like their exchange about channeling spirituality or some kind of “enigmatic otherness” when making music, and dealing with loss over time, which Cave says gives us a deeper understanding of being human. His thoughts on AI, ChatGPT, and art also bring music to my ears.
Art has to do with our limitations, our frailties, and our faults as human beings. It’s the distance we can travel away from our own frailties. That’s what is so awesome about art: that we deeply flawed creatures can sometimes do extraordinary things. A.I. just doesn’t have any of that stuff going on. Ultimately, it has no limitations, so therefore can’t inhabit the true transcendent artistic experience. It has nothing to transcend! It feels like such a mockery of what it is to be human. A.I. may very well save the world, but it can’t save our souls. That’s what true art is for. That’s the difference. So, I don’t know, in my humble opinion ChatGPT should just fuck off and leave songwriting alone.
SAN FRANCISCO—When The New York Times acquired daily puzzle mega-hit Wordle at the beginning of 2022, there were plenty of skeptics who were sure it signaled the end of the game's incredible viral rise. Apparently, those skeptics included some of the people at the Times itself.
At a presentation at the Game Developers Conference Thursday, Times game producer and industry veteran Zoe Bell said the new owners expected Wordle's daily users "would just immediately decline" after the acquisition. Partly that was out of fear that some players would recoil from the "huge corporate behemoth" that now owned the indie hit. But it was also a simple recognition of the usual cycle for viral "zeitgeist" games: "How long can exponential growth go on?"
Just over a year after the acquisition, though, Bell said the company's efforts at "preserving Wordle as an Internet treasure" have paid off. That's largely thanks to a patient, "first do no harm" strategy that didn't seek to directly monetize the game or introduce a lot of half-baked changes to the game's successful formula, she said.