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The Pride industrial complex ignores threats against women and doubles down on the myth of 2SLGBTQ+ ‘hate’

NYC Pride – 6/25/2023
My name is K. Yang, I’m a former trans rights activist & LGBT non-profit whistleblower. I was just kicked, hit, pushed, mobbed by dozens of people in Washington Square Park. ♂ who identify as ♀ called me “bitch” & assaulted me. @KnownHeretic @bjportraits pic.twitter.com/4J9AaFXSEf

— Stop Female Erasure / K Yang (@StopXXErasure) June 25, 2023

A brilliant and brave woman I know named K. Yang posted a video from NYC Pride on Sunday, showing her being mobbed by a gang of Pride-goers, frothing at the mouths, rabid with anger at a lone woman daring to stand up for herself and millions of girls and women around the globe.

Holding a sign reading, “Defend female sex-based rights,” and another with the words, “Trans ‘Rights’ = Big Pharma, Big Banks, United Nations Propaganda,” Yang was verbally abused, threatened, and assaulted by a number of men (surely claiming any identity but “man”) and screamed at by women in the crowd. Yang, once a trans activist who realized the (ever expanding) 2SLGBTQ+ was a misogynist, corporate con and began calling it out, tweeted:

“Two [men] followed me calling me a “bitch.” They began to explain misogyny to me. I was called a “cis bitch” by a [man] who claims to be a [woman]. Another begins the gang assault by hitting me, yet another kicks me from behind. #CisIsASlur

Many of you have likely observed the endless stream of fear-mongering propaganda force-fed to us by mainstream media outlets, politicians, and NGOs, insisting “attacks” against the  “2SLGBTQ+ community” are on the rise. In the month leading up to Pride, these claims have been amplified in what has become an ongoing war against reality.

On June 6, the Human Rights Campaign declared a national “state of emergency for LGBTQ+ people in the United States… following an unprecedented and dangerous spike in anti-LGBTQ+ legislative assaults sweeping state houses this year.”

What they are referencing is not, in fact, any actual “assault” — legislative or otherwise — but a series of bills passed in various red states preventing youth from being given harmful puberty blockers, cross-sex hormones, and surgeries on account of a declared “trans” identity.

What has happened is that states like Oklahoma, Iowa, North Dakota, and Kentucky (among others) have passed laws preventing the medical transition of kids. This legislation protects minors from making adult-influenced decisions that cause irreparable damage, rendering youth sterile before they have even had a chance to explore intimate relationships and their sexualities. The long term effects of these drugs are both known and unknown, leading to bone loss, increased risk of cancer, and all sorts of other obvious and perhaps less obvious problems related to interference in the natural, healthy development of human bodies. We don’t have enough long term research on this kind of experimentation to know the extent of the damage, but we do know there is damage.

The tragic story of Jazz Jennings, whose mother thrust him into the spotlight as a “trans child,” and who has now undergone four “sex reassignment” surgeries, all of which have resulted in painful complications, should have acted as a warning. Today, the 22-year-old struggles with eating disorders and depression, and will likely never experience sexual pleasure or be able to have children.

You cannot simply stop puberty, feed a developing child or teen hormones that increase cancer risk and result in a host of other side-effects in adults, and assume no harmful repercussions for youth. Yet, that’s what these NGOs insist, claiming these treatments are “life-saving” and medically necessary, and that laws limiting these interventions constitute an “assault” on “LGBTQ+ people.”

The response to this legislation has been hyperbolic, to say the least, suggesting that kids feeling confused or troubled by their changing bodies and entry into adulthood flee their hometowns in search of states that will allow these interventions.

An HRC guidebook directs youth in their decision to leave their homes for “friendly states” that allow minors to alter their IDs and bodies, no questions asked, and encourage them to find their “chosen families,” described as “people who are in your life, not because of biological ties, but for love and support, to celebrate you and help you no matter what.”

This kind of rhetoric is common to trans activists, who often recommend youth identifying as trans abandon their “non-supportive” families (labelled “abusive” for failing to encourage transition) for a “chosen family,” who support and validate their transition. “Come talk to me about your secrets — your parents don’t really love or understand you, but I do” should be treated as a red flag of epic proportions, but within trans activism is normalized.

Moreover, the irony of describing a “dizzying patchwork of discriminatory state laws that have created increasingly hostile and dangerous environments for LGBTQ+ people” becomes obviously rich when we look at how women are treated by these groups. In the past five odd years, women and girls have not only lost the right to women-only spaces — including change rooms, shelters, and prisons — and lost the right to compete on fair grounds, among females, in sport, but have lost the right to speak out about this. Women who have challenged gender identity legislation and policy have been fired, assaulted, censored, threatened, blackballed, ostracized, deplatformed, and banned from social media.

And all this has been perpetrated against women with impunity while being gaslit into oblivion by public officials, the media, institutions, corporations, progressives, activists, NGOs, and human rights organizations. We are told over and over again that it is not women, but the “LGBTQ community” who are under attack and in dire need of our support.

Nonetheless, yesterday, GLAAD, a non-profit originally founded to fight for gay rights (recently expanded to advocate the LGBTQ cultural revolution) published an open letter calling on Instagram, Facebook, YouTube, TikTok, and Twitter to “Stop the flow of anti-trans hate and malicious disinformation about trans healthcare.” Signed by a dizzying number of celebrities such as Ariana Grande, Demi Lovato, Haley Bieber, Elliot (nee Ellen) Page, and Jamie Lee Curtis, the letter claims “Dangerous posts (both content and ads) created and circulated by high-follower anti-LGBTQ hate accounts targeting transgender, nonbinary, and gender non-conforming people are thriving across your platforms, directly resulting in terrifying real-life harm.

The letter labels “misgendering and deadnaming” as “hate speech,” claiming that correctly sexing individuals or daring to acknowledge a name change is “utilized to bully and harass prominent public figures while simultaneously expressing hatred and contempt for trans people and non-binary people in general.”

By framing pushback against and discussion of the harms of transing kids as “disinformation and hate,” and claiming refusal to call men women as “dangerous,” GLAAD is able to demand censorship, insisting these social media companies “urgently take action to protect trans and LGBTQ users on your platforms (including protecting us from over-enforcement and censorship).”

It is all very urgent. An emergency. People are dying because of true statements and free speech. Not any real people, but certainly people in our imaginations. Either way, we are not used to being challenged and it is triggering.

On June 1, Marci Ien, minister for women and gender equality and youth, issued a statement to mark the start of what the Canadian government has rebranded as “Pride Season,” saying:

“While it is important that we take the opportunity to recognize the hard-earned victories of the Pride movement, we must continue pushing back on the sharp rise in anti-trans hate and anti-2SLGBTQI+ legislation, protests at drag events, the banning of educational books in schools, and calls against raising the Pride flag.”

She followed this statement with the announcement that the Liberal government would be “moving forward with the development of a new Action Plan to Combat Hate – that will address hate faced by 2SLGBTQI+ communities and, specifically, hate faced by trans people.”

Where is the Canadian government’s action plan to address the silencing, marginalization, and harassment of women who speak up about their sex-based rights and about biological reality? Where is our “feminist” Prime Minister on women’s rights and the actual assaults perpetrated against female inmates by the violent male criminals he has allowed to be transferred to female prisons?

Nowhere.

Justin Trudeau’s government didn’t stop with an action plan. On June 5, Ien announced that the government would be pledging $1.5million in “emergency funding to ensure Pride festivals stay safe across Canada.”

Safe from what? Where is the emergency?

Half of the population are losing their rights without any genuine public consultation or debate, and the government leaps to action, pouring money into a trend that is already the most well-funded marketing campaign I have seen in my life.

Today, Pride is a corporate-sponsored event that is celebrated as though it is the national religion. Dissent is unacceptable, but even if it were allowed, who is attacking Pride-goers? Nothing of the sort has been reported, nor was anything of the sort even threatened. What I did see was a lone woman mobbed by deranged, violent Pride fanatics, enraged that anyone would dare challenge their faith.

I would, frankly, never attend one of these things out of fear of being assaulted or worse, so clearly Yang is braver than I. We should all be enraged at the lack of support for women and women’s voices from those in power, who dare lie to our faces while we suffer the consequences.

The post The Pride industrial complex ignores threats against women and doubles down on the myth of 2SLGBTQ+ ‘hate’ appeared first on Feminist Current.

Markets Won’t Stop Fossil Fuels

Global climate institutions have embraced the primacy of capital, private firms, and markets—and in so doing have fatally undermined their own efficacy.

A Universal “Data-base” of Positive Intentions

“Around the world, people create amazing experiences and opportunities. When they do, energetically, it becomes available to everyone. Think of it as a universal database of Creative Consciousness. One that we are all uploading our divine talents to. Therefore, we make them vibrationally accessible to kindred spirits across the globe.”
What is Creative Consciousness?

A Brief History & Ethos of the Digital Garden

A garden is a collection of evolving ideas that aren’t strictly organised by their publication date. They’re inherently exploratory – notes are linked through contextual associations. They aren’t refined or complete – notes are published as half-finished thoughts that will grow and evolve over time. They’re less rigid, less performative, and less perfect than the personal websites we’re used to seeing.

Great read: A Brief History & Ethos of the Digital Garden

Night Vision

For American farmers, life changed dramatically in 1937. That year, electricity began flowing to hundreds of thousands of rural households, including some 12,000 in Wisconsin. The Rural Electrification Act (REA), which President Franklin D. Roosevelt had signed into law the previous year, provided stimulus for utilities to install poles and wires where, until then, it hadn’t been economical to do so. Most farmers were thrilled. One who lived near Janesville, Wisconsin, said of the power company crew, “I thought sometimes that they weren’t ever goin’ to get here. The organizers told us we’d have juice by spring. But we finally did get it, and, by golly, I’m goin’ to shoot the works.” He showed a city reporter every electric light in his barn. His newspaper profile reads like REA propaganda, and it might have been. To persuade skeptical farmers—who were still feeling the effects of the Great Depression and balked at the prospect of a monthly electric bill—REA advocates mounted a forceful public relations campaign. Agents traveled across the country demonstrating electric appliances. Theaters presented a popular film, Power and the Land, which touted the benefits of electricity for agricultural operations and concluded with the line, “Things will be easier now.” Part of the campaign focused on convincing women. Electricity would give them lights, refrigerators, ovens, vacuum cleaners, washing machines, and irons they could plug into an outlet. It would end their drudgery, the government promised.

But Jennie Harebo, a 64-year-old woman from central Wisconsin, wasn’t having it. After her town’s rural electric cooperative set eight poles and lines on her property, she sawed down one of the poles and parked her coupe on the downed wires. She stationed herself in the car, armed with a shotgun and a hoe. Newsmen called it a “sitdown strike,” a “vigil,” a “blockade.” Her husband, an “invalid,” brought her food. At dusk, she gathered blankets around her shoulders and lap and cradled the shotgun. One night, two nights, three nights she stayed. A sign on the windshield read, NOTICE: NO TRESPASSING. Harebo allowed no negotiating, entertained no tit-for-tat. Months earlier, she and her husband had won a case in the state’s supreme court that saved a riparian corner of their property from being seized by men who wanted to build a dam. The government’s lawyer must have suspected that his client’s case was doomed.

I imagine that Jennie Harebo, a woman of a certain age, was fed up with men’s impositions. Now they were trying to force lines through her vantage, light into her dark. Maybe she wanted to hold fast to twilight powers—the wonderment, the wisdom, the privileged views. Maybe she was simply cantankerous in the original sense of the word, which is rooted in the notion of “holding fast.”

What could she have seen in her three nights’ vigil? North Star, both dippers, crescent moon’s shine on the pump handle—the fixtures of haiku masters. Also, quotidian country lurkers and skulkers. Her night vision undefiled by electric shine, she surely saw scavenging raccoons, ambling possums, scuffling skunks. Maybe a lynx’s glassy gaze. She heard more, too, than her city relatives in their wired homes with their humming lights and fans and blathering radios. She could have made out the lawyer’s Pontiac approaching from a distance of 10 miles. She had plenty of time to aim her Remington out the driver’s side window.


Eighty years after Harebo’s stand, I took up wandering my rural Wisconsin property after nightfall. I longed for whatever sights diurnal living denied me. Trail cams mounted in the forest or by the creek had offered only glimpses: beavers adding branches to their dams, stock-still deer staring straight into the lens. The cameras, I was sure, didn’t reveal a fraction of the night’s secrets.

On clear nights, I stood under the Milky Way’s sprawling, splotchy canopy. I saw planets, constellations, comets, and once, a meteor afire and dying as it plummeted to Earth. The darkness of my rural township, an hour’s drive from the Harebos’ farm, was rare for modern times. In 2005, our town board passed a dark sky ordinance (whereas, whereas, whereas … and so, lights must be shielded, directed downward, calibrated, kept modest). Nevertheless, a yard light down the road, a sign at the corner bar, and the glow of a distant city interfered.

I sought deeper darkness. I found it at the nature preserve halfway between my place and the Harebos’ farm. One night, a self-made astronomer and his telescope met me and others at the preserve for a moonlit hike. Inside the visitors center, I discovered my friend Liz in the crowd, and we sat together. The occasion was a penumbral lunar eclipse. The astronomer began his program with canned, corny jokes. He introduced his two assistants, women who knew the trails and would guide us on the night hike. He must have mentioned the alignment of heavenly bodies, how Earth’s shadow would fall on February’s full moon, the snow moon, once it rose. But I’ve never retained stargazing facts. I’m slow to make out asterisms. I can’t recall which planets appear where and when or what temperaments the ancient Greeks assigned them. I merely love to bask under them.

We were all traipsing outside into the snow when, unexpectedly, the astronomer announced that hiking would be too dangerous because of ice. Instead, he would talk to us during the half hour before the moon rose. The group groaned, and Liz and I looked at each other. Like the astronomer’s assistants, we knew the preserve’s trails, at least the main ones. We backed away from the others and stole into the darkness.

We padded slowly and quietly over the glazed snow, keeping our eyes on the ground, gathering scant reflected light from unknown sources. The woodland trail was icy only on rocks or railroad ties. In those spots we braced ourselves and reached out to steady each other. Soon we joined the wider trail, formerly the old state highway. There, the snow was ridged from snowmobiles’ belts. As we walked on the crusted ridges, Liz told me about living in Dharamshala a few years earlier. I pictured her humid quarters in the mountains of northern India, the buildings’ bright colors, the Buddhist pilgrims surrounding her. I sensed the peace she had felt there and nowhere else. I shared her desire to return to Dharamshala, although I’d never been there. While visualizing that faraway place, I kept my eyes on my surroundings. Moving in the dark was a balancing art. I felt most adept when I looked out with a broad, allowing awareness, when I didn’t fix on fine details or make assumptions about the terrain. Liz and I arrived at the path’s apogee precisely when the clouds parted, the full moon rose orange, and as if cued by the shifting light, coyotes began howling.

I imagine that Jennie Harebo, a woman of a certain age, was fed up with men’s impositions. Now they were trying to force lines through her vantage, light into her dark. Maybe she wanted to hold fast to twilight powers.

What I have seen by the light of celestial bodies: rabbit prints as lavender shadows in the snow; bare, black elm branches waving; the red glow of varmints’ eyes at the compost heap; stars in puddles and brooks; my lover’s silhouette moving beside mine.

What I have not seen in the night and been surprised by: knee-deep muck; a snorting, thundering herd of deer; a frog on a door handle that I smashed under my palm as I hurried to get indoors during a rainstorm; a pickup truck without headlights barreling down the road—and the drunk young man at the wheel who, after nearly running me over, reversed and asked, “Are you okay? Geez, are you okay?” in a tone that told me his real question was, What are you doing walking out here after dark?

To be moon-eyed is to keep your eyes wide open and to be awed. But to be moony is to be absent-minded, loony, or at least naïve. With better night vision, I thought, I could steer my life toward more moon-eyed moments than moony ones. Maybe I could take in more good surprises than bad and live with heightened awareness, less delusion. Seeing what I’d been missing all along might grant me new, original insights.


Humans are born with the ability to see in low light. But compared with that of other animals, our night vision is feeble. We lack the nocturnals’ giant pupils (think doe-eyed  ) and their tapetum lucidum, a structure at the back of the eyeball that acts as a mirror, amplifying starlight into floodlight and reflecting it back onto the retina. Our natural night vision can be eased into—it takes a while for our sight to adjust to dimness—but in general, it can’t be enhanced. Using lubricating eye drops or eating more beta carotene, for most well-nourished Americans, won’t improve it. Other habits, such as staring at computer screens or the sun, can degrade it. Unfortunately for Harebo and me and others past their physical prime, night vision also diminishes with age.

To compensate for human deficiencies, engineers developed night vision goggles during World War II. Now every optics store sells them. Some years ago, craving a clear view of the outdoors after sunset, I bought a pair. I stood on our deck, held the goggles to my face, and scanned the horizon. Deer in the field glowed an unnatural phosphor green. Nothing more. No portal opened to a secret world. No mysteries were revealed. In the years following my purchase, I rarely picked up the goggles when I set out in the dark. What I really wanted was something innate and unencumbered, a better version of what I was born with.

Scientists have researched ways of improving human night vision. A chlorophyll derivative called chlorin e6 has shown promise in mice. In 2015, Gabriel Licina and Jeffrey Tibbets, self-styled biohackers with a group called Science for the Masses, gained notoriety for trying the substance. A solution of chlorin e6 was dropped into Licina’s eyes. Two hours later, he and others, acting as controls, were taken to a place where “trees and brush were used for ‘blending’ ”—presumably, an attempt to create a uniform backdrop for all participants. Licina and the control subjects were asked to identify letters, numbers, and other symbols on signs. The experiment appeared to have been successful. Controls correctly identified the objects a third of the time, while Licina did so 100 percent of the time. Afterward, he acknowledged to a journalist that the experiment was “kind of crap science.” Without knowing the potentially harmful effects of chlorin e6, the biohacker had been willing to risk his everyday vision for the possibility of gaining night vision, if only for a few hours (the drops’ effects wore off by sunrise). But Science for the Masses lacked sufficient funding to conduct the sort of extensive, ethical trials that more esteemed researchers require.

In photographs from that night, Licina stares at the camera like some mad alien, his eyes watery and opaque with their larger-than-life black irises—a consequence not of the chlorin e6 but of the oversize light-dimming contact lenses he wore. His creepy appearance and the report’s description of him roving in a dark wood made me think that the young men had especially enjoyed the homemade horror-film aspect of their experiment. Maybe they lusted after superpowers that would allow them to recognize and slay the dark’s monsters. After all, night vision is one superhuman capability that’s nearly achievable. Unlike time travel or leaping tall buildings, it’s only just beyond our grasp.


“Darkness, pitch black and impenetrable, was the realm of the hobgoblin, the sprite, the will-o’-the-wisp, the boggle, the kelpie, the boggart and the troll. Witches, obviously, were ‘abroad,’ ” journalist Jon Henley wrote of life before artificial lighting in a 2009 article in The Guardian. Real monsters coexisted with the fantastical. In the London, Munich, and Paris of the early 19th century, thieves, rapists, and murderous gangs roamed freely. According to Roger Ekirch, author of At Day’s Close, humans were never more afraid of the night than in the era just before gaslights illuminated the cities’ streets. Murder rates then were five to 10 times higher than they are today. And yet, Erkich adds, “large numbers of people came up for air when the sun went down. It afforded them the privacy they did not have during the day. They could no longer be overseen by their superiors.”

Darkness made equals of poor and wealthy, servants and masters, women and men. Past sunset, oppressors needed artificial light to point out their symbols of country and religion, to run factories and enforce conforming behaviors. For the less powerful, darkness and the ability to navigate celestially meant freedom.


Jennie Harebo’s vigil attracted reporters and photographers from across the state, their cars lining the roads near her farm. The visitors, she said, treated her courteously. A deputy sheriff persuaded her to put down the shotgun. And the REA’s lawyer finally relented, having decided to circumvent the Harebo farm after neighbors agreed to accept the poles and lines on their properties. The utility paid Harebo $25 for her trouble and removed the eight poles that it had installed on her land. “With nothing left to fight for,” a newsman wrote, Harebo ended her vigil after about 96 hours. “Storing her formidable hoe in the woodshed, [she] claimed victory today.” She abandoned her coupe, “her husky frame sagging a little with weariness.” The crowd that had gathered to watch the three-day standoff dispersed. “Ultimately,” another reporter mocked, the family’s “need for kerosene lamps continued.”

In opposing electricity, Harebo was a rare exception. Some farmers didn’t even wait for the REA. Two decades before her blockade, men who once lived along the road between my home and the nature preserve were so eager to have electricity that they collected their own poles and wire. They used tractors, shovels, and muscle to run lines from the nearest village. Theirs was the nation’s first farmer-led electrical cooperative. It functioned independently for 20 years, disbanding only in the early 1930s, when the state butted in and began interfering in its operations.

Although she opposed lines on her own property, I imagined that Harebo would have admired the farmers’ refusal to comply with state regulations. As one farmer remarked on the public service commission’s successful attempt to set his cooperative’s prices, it “was a good example of the chair-bottom warmers’ insatiable desire to run everything.” In the years since I learned about Harebo’s vigil, she’d become a minor heroine in my eyes. Here was a tough woman who had fended off the establishment. She had battled for her rights—to the darkness and the freedoms it brought her, to the preservation of her night vision—even if she was weary and sagging.


Standing on the groomed snowmobile route, Liz and I watched the full moon fade to yellow and shrink behind clouds. Then we left for the narrow forest trail. We picked over rocks and logs and a trickling, perennial creek. Farther on, we listened to our breathing and footfalls, nothing more. We found the meadow next to the parking lot of the visitors center. Ahead, clustered around the telescope, stood the astronomer and part of the group we’d started with.

The clouds disappeared again. I looked up to watch the space station dash a diagonal across the sky. The astronomer invited me to view the moon in the telescope. “Lean into the eyepiece,” he told me. “Don’t touch anything.”

Singled out in close-up, the moon nearly blinded me. The penumbral eclipse, a subtle shading on the moon’s surface, was too faint for me to detect. I kept my eye to the telescope only long enough to assure the astronomer that I’d made an effort. I didn’t like the way the instrument isolated the moon. Without its complement of stars and planets, it was a flattened, vapid object. I felt as if I were ogling it but not really seeing it.

Liz took a brief turn at the eyepiece, too. Then we walked to our cars, agreeing to meet again for more nighttime hikes.


We claimed our right to be safe from monsters in the dark—symbolically, of course. The real, human perpetrators were always about, day or night, visible or not. Who knows if our stand changed policies. But it changed me.

People soon will be able to choose better night vision like they can choose to eliminate forehead wrinkles. Professional scientists—not only biohackers—are working on it. In 2019, Gang Han and his fellow researchers at the University of Massachusetts Medical School announced that they had enabled mice to detect near-infrared light by injecting nanoparticles into their eyes. After the injection, the mice could see phosphor-green shapes in the dark, as if they were wearing night vision goggles.

Not surprisingly, safety and security, national or personal, are often cited as reasons for such research and its funding. What if soldiers, for example, could see enemies after dark without the hassle and weight of equipment? In one article, Han suggested testing the eye-injected nanoparticles on dogs next. “If we had a ‘super-dog’ that could see NIR [near-infrared] light,” he told a reporter, “we could project a pattern onto a lawbreaker’s body from a distance, and the dog could catch them without disturbing other people.” As if criminals wouldn’t dodge behind obstacles; as if police with their natural night vision could make out the perpetrators well enough to project shapes onto them; as if dogs wouldn’t be distracted by all the marvels their new night vision revealed and dash away from their handlers.

The delivery method—an injection into the eye—also makes this night vision technique impractical. Recently, though, when I spoke with Han, he told me that his lab might soon begin testing a wearable device, such as a patch or contact lens, on humans. He imagined an application in which a security agent wearing a night vision patch could see details in facial recognition software that others could not. But for this, more funding would be required. Of the lab’s many projects, night vision research has received the most attention in the media. But not from industry or government. People at the big granting agencies, such as the National Science Foundation or National Institutes of Health, Han told me, “can’t recognize its importance in daily life.”


Months after fixing Jennie Harebo’s image in my mind, I found an article about her that I hadn’t seen before. It included a photograph, likely taken after she ended her vigil. She looked nothing like the newsmen’s descriptions. Although the image was dim from age and poor scanning, I could tell that her hair was curled and styled. She wore a buttoned-up overcoat with a contrasting collar, maybe fur. She struck a movie star’s pose beside the coupe—jaw set, chin lifted, face turned slightly, gaze fixed on the middle distance. She was beautiful. Her frame was upright, not sagging. She showed no sign of weariness after 96 hours in the car. Shotgun held at her side, she looked ecstatic and carefree. Seeing the photograph chastened me. I had allowed the newsmen’s descriptions of Harebo to deceive me. I’d been willing to accept that she was crabby and exhausted from her ordeal. But the word vigil, after all, is rooted in “lively” and “strong.” Maybe she didn’t consider it an ordeal at all. Maybe she relished the standoff.

Harebo’s proud posture reminded me of when I lived in Lansing, Michigan, during college and joined friends to march down the middle of the street. We held posters or candles and shouted, “Women unite, take back the night!” We claimed our right to be safe from monsters in the dark—symbolically, of course. The real, human perpetrators were always about, day or night, visible or not. Who knows if our stand changed any policies. But it changed me. Marching to reclaim the dark brought me a sense of solidarity among women that school, work, and family had not. Even so, I thought as I studied Harebo’s photograph, my efforts hadn’t gone far enough. I hadn’t fully imagined what we would do with our freedom after we won the night.

During the summer after our first moonlit hike, Liz and I took more late-night excursions to the middle of nowhere. What I saw with my natural, flawed night vision: shooting stars, swooping bats, slumbering farm machinery, and the lift and dip of a rare, blue-glowing firefly. What I felt, as I listened and shared more stories with my friend: a keener attunement, an ease among shadows, and the assurance of being fully seen—so much of what daylight’s glare had been hiding.

The post Night Vision appeared first on The American Scholar.

The Whole World in His Hands

I got the call late on a summer afternoon. Yanai Segal, an artist I’ve known for years, asked me whether I’d heard of the Salvator Mundi—the painting attributed to Leonardo da Vinci that was lost for more than two centuries before resurfacing in New Orleans in 2005. I told him that I’d heard something of the story but that I didn’t remember the details. He had recently undertaken a project related to the painting, he said, and wanted to tell me about it. I was eager to hear more, but first I needed to remind myself of the basic facts. We agreed to speak again soon.

As I refreshed my memory in the following days, I learned that although there was considerable controversy about the history and legitimacy of the painting, there was some general consensus, too. The Salvator Mundi—“Savior of the World”—was most likely completed at the turn of the 16th century. An oil painting rendered on a walnut panel, it depicts Jesus offering a blessing with his right hand while holding an orb that represents Earth with his left. Studies made in preparation for the painting had been authenticated as genuine Leonardos, and at least 30 copies were believed to have been produced by Leonardo’s disciples directly from the original. Records show that the painting was in the collections of various British aristocrats and royals, including King Charles I, but sometime at the end of the 18th century, it effectively disappeared. When the work turned up at a New Orleans estate sale in 2005—heavily damaged, poorly restored, and painted over in several places—two veteran art dealers, Robert Simon and Alexander Parish, thought it might be significant and purchased it for around $10,000. They hired Dianne Modestini, a scholar and master art restorer, to clear away the restorations and repairs that the painting had undergone over the centuries to produce a definitive version. What emerged was an artwork that some experts believed to be the genuine Salvator Mundi. Others were not convinced.

Beginning in November 2011, the restored painting was displayed as part of a large exhibition of Leonardo’s works at London’s National Gallery, which had authenticated the painting. In 2013, it sold for about $80 million in a brokered deal that saw it resold the following day for $127.5 million. In 2017, it went up for auction again, this time selling for more than $450 million—the highest price ever paid for a work of art—to an unknown bidder who turned out to be a Saudi prince reportedly acting as a proxy for Crown Prince Mohammed Bin Salman. The work was supposed to be part of a landmark 2019 exhibition at the Louvre commemorating the 500th death anniversary of Leonardo, but the painting never went on display, the reasons for its exclusion never made public. And though scientific examinations done by the museum had confirmed that the painting was genuine (at least according to a secret book prepared, but never published, by the Louvre), questions about its authenticity have lingered. The entire saga of the painting’s travails through the contemporary worlds of art, wealth, and politics was traced in the 2021 documentary The Lost Leonardo, which portrayed how the superrich are able to hide their wealth in the form of high-end art.

I was surprised that so many discussions of the painting had focused more on these financial aspects, and the controversial nature of how it changed hands, than they did on aesthetics. To me, the bigger question was whether this artwork had the effect of a Leonardo. And when I looked at an image of the restored painting, I could not be sure. I saw a hint of the master before me, but something seemed to be missing.

I was curious about the kind of project Yanai had undertaken. His efforts lay mainly in the realm of contemporary art, which he usually exhibited in large-scale installations. He had studied academic drawing as a teenager and then visual art at the Bezalel Academy of Arts and Design in Jerusalem. He was a founding member and curator of the Barbur Gallery, a collective art space that has hosted both local and international artists since 2005, and has worked as an illustrator and a designer, creating everything from animated videos to children’s books. His studio, which I’d visited regularly over the years, was full of large-scale abstract paintings and conceptual sculptures made of such materials as hand-mixed concrete and Styrofoam. But there were often small oil paintings, too, scattered around, many of them still lifes of flowers. For as long as I’ve known him, Yanai has investigated the tension between figurative and abstract art, combining 20th-century modernist patterns with a contemporary aesthetic language. I had never known him to take an interest in the work of the Old Masters.

When I asked Yanai about his project, he told me that he had come across two images of the Salvator Mundi—the restored version that the world had come to know and an earlier, damaged iteration, with many of the original artist’s brushstrokes still visible. Wondering if a digital restoration would yield a different result, he decided to draw on his many years of computer experience and attempt to restore the painting himself. He had accomplished a great deal, he said, and though he wasn’t yet done, he sensed that his work might provide a clearer view of the artist’s original vision.

When I saw a photo of the damaged Salvator Mundi, I had an immediate idea of what had inspired Yanai. Looking at the half-tattered canvas, with the figure of Jesus bearing a haunting expression, I experienced an emotional reaction that had been absent when I’d seen an image of the physically restored version. Although I was not sure whether a digital restoration could be called legitimate, I was curious whether the emotion of the original—which, to me, was missing in the physical restoration—could be better captured using digital means. If so, it would raise a whole new set of questions about the painting and its authorship. When Yanai invited me to his studio in Tel Aviv to see the work in progress, I told him that I’d be there in a couple of days.

The Salvator Mundi in its damaged state—cleaned but not yet restored (Wikimedia Commons)


I got on the train from Jerusalem to Tel Aviv on a hot July afternoon. When I arrived at Yanai’s studio, he made me a cup of strong black coffee, sat me down in a chair, and opened up a laptop, revealing an image of a half-restored Salvator Mundi. This was nothing like the painting that was famous the world over. This one had more gravitas, more power. It had the kind of arresting presence I associated with Leonardo.

Yanai began to explain to me how he had performed his restoration. With extremely close-up zooms into a photograph of the damaged original, he was able to pick up pixel-resolution pigment traces adjacent to the damaged areas. Whereas a typical art restorer would, at this point, add new pigments to the painting, Yanai used digital impressions of the surviving work to fill in the missing sections. He looked at images of every known copy of the Salvator Mundi to determine what might have been on the original walnut panel. He constantly zoomed in and out, looking at the overall image, then going back in to fill in the pixels, watching as, step by step, a new version of the painting emerged.

I thought Yanai had a powerful image on his hands, and I asked him to tell me more about how the project came into being. He shrugged and said it was sort of by accident. During the pandemic, he began listening to podcasts while working on illustrations and book covers. One of those podcasts was about the Salvator Mundi. Intrigued, he searched for the painting online and came upon the image of the damaged work. It moved him. It was totally ruined, he said, but really like gazing at a figure behind a beaded curtain. If he could just reach out and move the curtain, he said, he could see what lay behind. He’d never attempted anything like a digital restoration of a painting, but the idea stayed with him. It wouldn’t leave him alone.

Yanai did a preliminary test, and the result turned out better than he’d imagined. It didn’t look like an artwork yet, but slowly he could see a new version of the painting appearing on the screen. As I looked at the image he had created, something about it tapped into a deep emotional well in me. Sure, the physical restoration had been historically researched. It had material integrity, dutifully bringing back to an optimal state a painting that had been badly damaged and inexpertly conserved over the centuries. I also understood that the motivation of the restorer was different: to preserve a physical object that could later be sold at auction. But for me, that object lacked feeling. And no matter how many times it was—or wasn’t—attributed to Leonardo, it could never be a legitimate Leonardo if it didn’t also have emotional force. It could be a Leonardo painting, but not a Leonardo artwork.

Yanai was heartened by my response, but he was still concerned about the significance of his undertaking—in particular, how it related to the ongoing debate about the physically restored painting. He was also wary of the fine line between the project of re-creating an image by Leonardo and the possibility of its being seen as an artwork of his own. He was not invested, he said, in creating a Yanai original. He was pursuing a vision that squarely belonged to Leonardo. But he couldn’t totally take himself out of the equation, either. Which left him with a lot of questions.

Still, he said, the project had become a compulsion. He’d sit down to create an illustration or design a book cover, feel compelled to take a quick look at the Leonardo, and then end up working on the restoration for hours. His initial aim had been to fill in the missing sections using information gleaned from the damaged original. Once he took this as far as it would go, however, he saw that some areas lacked sufficient data for him to finish the painting using simple digital deduction. In those sections, he explained, he had to think like an artist and re-create the missing areas in accordance with what he believed Leonardo might have intended. He was no longer fixing a painting, he said, but working on an interpolation. It was hard to move into this space, and that was why he’d stopped. He was looking to get some perspective on the project as it stood.

Yanai asked what I thought about his restored version so far. I told him the truth. That I didn’t quite know yet what to make of it, and that I needed to think some more. Since he was only half done, it was hard to make any final judgment. All I could say was that his version felt closer to what might have been the original. We agreed that I’d return once he’d worked on it some more. And I repeated that the main issue, for me, was the emotional element—there was something uncanny about the damaged painting that was missing from the physical restoration, something that seemed better preserved in Yanai’s image.

The Salvator Mundi after the restoration performed by Dianne Modestini. Although experts at the Louvre authenticated the restoration as a genuine Leonardo, questions about its authenticity remain. (Wikimedia Commons)


On the train ride home, I began to reflect on some questions that had been on my mind since Yanai first told me about his project—for reasons that had nothing to do with him or the Salvator Mundi. A decade earlier, during a trip to Paris, I had met a retired-businessman-turned-philosopher named Hervé Le Baut. I had been seeking information on the life of the French phenomenologist Maurice Merleau-Ponty, one of France’s foremost philosophers in the period after World War II. Merleau-Ponty had been a close friend and colleague of Jean-Paul Sartre and Simone de Beauvoir, who all together founded Le Temps modernes, one of the best-known postwar journals. In the early 1950s, not long after Albert Camus’s falling-out with Sartre over their political differences, Merleau-Ponty also cut ties with Sartre. Researching any direct links between Camus and Merleau-Ponty, I had sought out Le Baut, who had written a book on the French philosopher. When we met at his home, Le Baut said he knew little of Merleau-Ponty’s connection with Camus, but he then revealed to me something that was common knowledge to people with an interest in Beauvoir but was mostly unknown to everyone else. It was a story of legitimacy.

The story appears in Beauvoir’s Memoirs of a Dutiful Daughter (1958), in which she describes the death, nearly 30 years before, of her beloved friend Zaza, who, she reports, died after being spurned by a man named in the book as Jean Pradelle. In reality, this man was Merleau-Ponty. What Beauvoir didn’t know—and what she learned from Zaza’s sister only after her memoir was published—was that Merleau-Ponty had turned Zaza away for the simple reason that her parents, who’d hired a detective to look into his family’s past, had discovered that he was an illegitimate child. They told him to either halt his pursuit of Zaza or be publicly exposed. And so he ended the relationship. Zaza died not long after the breakup. Zaza’s sister supposedly showed Beauvoir letters suggesting that Zaza herself knew of the whole debacle—that the tragedy had indeed been fatal to her, killing her first in spirit and then in body.

Merleau-Ponty would have been 21 when this took place and seemingly hadn’t known of his own illegitimacy before it was revealed to him by Zaza’s family. It’s chilling to think of how he learned of his provenance, from people who were hardly more than strangers, crushing not only his love for his fiancée and his plans for the future but also his entire understanding of his own past. The moment was powerful and deeply traumatic, and perhaps that’s why, years later, sitting down to write an essay on Paul Cézanne, Merleau-Ponty found himself veering into the personal history of Leonardo—one of the most famous illegitimate children of all time.

As soon as I got home, I reread “Cézanne’s Doubt.” Merleau-Ponty first raises the matter of Leonardo’s illegitimacy as part of an argument about the relationship between childhood and adulthood—between the powerful feeling that our lives are determined by our births and the similarly powerful feeling that we can determine our future by our actions. And though the argument is first built on Cézanne, Merleau-Ponty makes a sudden pivot, referencing Sigmund Freud’s book on Leonardo and refocusing his discussion on one of the only times Leonardo ever mentioned his childhood: when he described the memory of a vulture coming to him in the cradle and striking him on the mouth with its tail. With this sleight of hand, Merleau-Ponty turns an essay ostensibly about the role of doubt in creativity into a meditation on origins—in this case, the origins of arguably the greatest master of all time.

Continuing to lean on Freud, Merleau-Ponty reminds us that Leonardo “was the illegitimate son of a rich notary who married the noble Donna Albiera the very year Leonardo was born. Having no children by her, he took Leonardo into his home when the boy was five”—the same age when Merleau-Ponty experienced the death of the man he thought was his father. Merleau-Ponty then adds, in a tone that takes on a subtle lyricism, that Leonardo “was a child without a father” and that “he got to know the world in the sole company of that unhappy mother who seemed to have miraculously created him.”

Those lines changed how I read Merleau-Ponty’s essay. When he writes about Leonardo’s “basic attachment” to his mother, “which he had to give up when he was recalled to his father’s home, and into which he had poured all his resources of love and all his power of abandon,” I imagined Merleau-Ponty refracting his own attachment to his mother through the Renaissance artist. When he later writes that Leonardo’s “spirit of investigation was a way for him to escape from life, as if he had invested all his power of assent in the first years of his life and had remained true to his childhood right to the end,” Merleau-Ponty seems to be mirroring his own sense of curiosity and wonder as a thinker. Elsewhere, when he writes that Leonardo “paid no heed to authority and trusted only nature and his own judgment in matters of knowledge,” I couldn’t help but think of Merleau-Ponty reflecting on his own moment of truth—when he discovered his illegitimate origins and, still young and insecure, succumbed to the social pressures exerted on him. He is writing about Leonardo, but he could well be writing about himself.

I was curious about the source of Merleau-Ponty’s ideas on Leonardo, so I turned to Freud’s Leonardo da Vinci, A Memory of His Childhood. “In the first three or four years of life,” writes Freud, “impressions are fixed and modes of reactions are formed towards the outer world which can never be robbed of their importance by any later experiences.” The impression that Leonardo would have had of himself as a fatherless child would have likely haunted him throughout his life. And, it occurred to me all at once, his circumstances would also have helped him identify with the most famous of “fatherless” boys—Jesus.

And that’s when it all came together. What better way to create an everlasting emblem of your most consequential childhood impression than to paint yourself as the Salvator Mundi—the savior of the world? What could be more audacious than to turn your illegitimacy into one of the most powerful religious symbols ever created?

It wasn’t a totally wild idea. Lillian Schwartz, a visual artist working with digital media since the 1960s, had made a claim back in 1987 that the Mona Lisa was a self-portrait of Leonardo. But it was one thing to turn yourself into a woman, and quite another to paint Christ in your own image. It took Leonardo’s penchant for games and riddles into the realm of blasphemy. Yet on another level, it was also a simple and perfect way to expose something about yourself that was otherwise difficult to address—to get an emotion across without having to identify the emotion itself. Merleau-Ponty, writing about Leonardo, had done the same thing. He had told his personal story through a figure so grand that no one had ever guessed he might have been talking about himself. He had done to Leonardo what Leonardo had done to Jesus.

I was tempted to call up Yanai and tell him about my hypothesis. But I realized that he first had to complete his image without knowing of my thought experiment. Then, once it was done, I could put his Salvator Mundi next to other portraits of Leonardo—and compare.

Yanai Segal’s digital restoration of the painting believed to be Leonardo’s Salvator Mundi (Yanai Segal)


Six months passed. It was a busy time—a new coronavirus variant was rampant, and obligations ballooned. I seemed unable to catch up with anything. By the time I talked to Yanai about his project again, he told me that he had gone as far as he could with the image. Finally, in early winter, I found a moment to visit him again at his studio. As we settled into our chairs and he reached for his laptop, I sensed that I was sitting next to a changed person. He hadn’t just stopped work on the digital restoration. He’d come to some sort of understanding.

Yanai opened his laptop and revealed the image. I was struck by how final it looked. I still had the damaged painting in mind, with its haunting rips and scratches, and it was somewhat jarring to see the apparent magic trick that Yanai had performed—as if he’d resurrected the original image. The digital process he’d used had evolved during those months. At some point, he thought he had finished, but the image had looked too smooth, too new, lacking any of the mystique or allure of a 500-year-old painting. The damaged work, he said, gives you a mental image that’s difficult to unsee. It has a kind of fuzziness, a softness around the eyes and face, from all of the scratches and erasures. He realized that to restore the image properly, he also had to preserve the damage it had suffered over the centuries. So he removed the most recent layer altogether and started putting the painting back piece by piece. Many of the sections he thought he’d “fixed,” he said, had turned from interpolations into interpretations, so that, slowly, the painting had also become his, which had never been his intention. Having fully restored the image, he began scaling back his work—but this time with the knowledge and experience of having examined every single pixel and pigment. He stopped “fixing” the painting and started reclaiming the parts that were lost. And as he did, he discovered that the sections that looked “lost” were not lost at all. They just needed a little push to make them more clearly visible.

I asked Yanai what he made of his effort, and he said it was hard to say what it was all about. It wasn’t just about the methodology of digitally restoring the painting, though he had invested a great deal of time in that, and it wasn’t just about satisfying his curiosity about what such a restoration might look like, though that was also a part of the story. It also wasn’t about putting his own mark on a Leonardo, as Marcel Duchamp had done when he famously added a mustache to the Mona Lisa in a 1919 print. Whatever Yanai had done, its meaning was somewhere at the crossroads of these things, though it was also about the painting itself. The digital restoration, Yanai said, brings us closer to the original. In the middle of the process, as he became intimate with its every corner, its every color and texture, he couldn’t shake the feeling that the painting had also become his own. Now, at the end, he no longer saw himself in the process. When he looked at the painting, what he saw was a contemporary artwork—a representation of all humanity holding a fragile world in his hands. It’s a beautiful image, he said. People had been so busy talking about its authenticity that they had missed this essential aspect of the painting.

In the end, he said, had he known the road he’d need to take to arrive at this point, he wasn’t sure he would have started. He likened the whole process to standing at a chasm with only enough raw material to build a bridge halfway across. You start building and get to the middle, but then you have to take the bridge you’ve built, while suspended in midair, and use the same raw material to build the second half. Then, having reached the other side, you have to build the bridge again in the opposite direction to get as close as possible back to the original.

All other matters aside, I asked, had the experience given him any new insights about himself as an artist? He chuckled and said that it had actually reconnected him with his roots. He’d gone back to his old notebooks, to the drawings he’d done as a teenager when first starting to paint, and found copies he’d made of Leonardo’s drawings. He pulled a few of these out to show me, and I recognized one image at once—the head of an old man believed to be a self-portrait. It felt like a sign. I finally shared with him my own thoughts about Leonardo and the possibility that the Salvator Mundi was also a portrait of the artist.

I suggested we put his final image next to images that were believed to be portraits of Leonardo—including the drawing he had copied as a teenager. He opened some tabs up on his computer. It was hard not to be moved. The sharp nose. The penetrating eyes. The delicate eyebrows. The unique curve of the mouth. Even a split beard. It was uncanny. It was all there. It was, without a doubt, Leonardo.

I cannot overstate the power of the moment. The symbolism of the painting disappeared, and I saw before me a person all too aware of the fragility of the world in which he lived and from which, unlike the immortal figure in his painting, he would one day have to depart.

I looked over at Yanai, who had given years of his own life to resurrecting the dead, and had another thought. If Leonardo painting Jesus was really Leonardo painting himself, and Merleau-Ponty writing about Leonardo was in reality Merleau-Ponty writing about himself, was it possible that Yanai’s restoration of the Salvator Mundi was in reality Yanai’s restoration of himself? Perhaps. But Leonardo had also painted Jesus, and Merleau-Ponty had also written about Leonardo, and Yanai had, regardless of anything else, also restored the Salvator Mundi—endowing it once again with the most important element lost along the way, something that could never be reproduced by technical means alone. Emotion.


Learn more about Yanai Segal’s digital restoration project here.

The post The Whole World in His Hands appeared first on The American Scholar.

Digital Gardens

“…as I wander the internet, I wonder where the digital gardens are that will connect me to fellow gardeners more deeply. More often than not, the digital gardens of today are botanic—privately owned online spaces made for visitors to fawn over while a “do not touch” sign looms in view. These private gardens are generative for our personal learning, but they are far from the communal gardens I grew up in that valued collective work and knowledge. Where are the digital gardens that lead us towards collective learning, play, and dreaming?”

On Digital Gardens: Tending to Our Collective Multiplicity by Annika Hansteen-Izora

(Thank you Annie)

Ideas Lying Around

A workbench with a pegboard behind it. from the pegboard hang an array of hand-tools.

This week on my podcast, I read a recent Medium column. “Ideas Lying Around,” about archivillain Milton Friedman’s surprisingly good theory of change, and how to apply it to progressive politics.

Enter Friedman: to people reeling in crisis, Friedman insisted that the missing oil was somehow the product of unionization, pollution controls, women’s lib, and the civil rights movement. Though this was transparent nonsense, akin to blaming witches for a crop failure, the crisis was so dislocating, and Friedman’s ideas had been lying around for so long, that they moved swiftly to the center.

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(Image: btwashburn, CC BY 2.0)

My mother is courageous, but faced with a man in her change room at Ottawa’s Nepean Sportsplex she went silent

For the past 40 years, my mother, Lynne Cohen,* has gone swimming several times a week at her local pool in Ottawa. Beginning in her teens and continuing off and on throughout her life, she swam competitively on teams and in triathlons. Her local pool has served both as her training ground and as her go-to for regular exercise. After decades, she knows most of the other regular swimmers, some of whom have become good friends. The pool has been a central part of her life for years now, but last month her once innocuous activity became unsafe.

Last week, as always, my mother finished her swim and went to the changerooms to shower. She and the other ladies — also regulars at the Nepean Sportsplex — chatted in the showers, catching up on news as they always do. My mother wrapped herself in a towel as she stepped out of the shower. There, facing away from her, was a naked man. Shocked, my mother hurried over to a corner of the changeroom to get dressed. The man, now standing across the changeroom, was over six feet tall, with a combover. He got dressed, turned around and leered at her, then left the changeroom.

Shaken, my mother rushed over to her friend, asking if she had seen “the man in the women’s changeroom.” The other woman nervously confirmed that yes, she had. They continued their conversation in hushed voices, afraid and feeling violated, yet did not mention a thing to community centre staff.

My mother is 66 years old and no shrinking violet. A longtime journalist in Ottawa, her writing reflects her heterodox views and tenacity for challenging dominant narratives. I have never known her in any circumstance to shy away from confrontation. In the decades she has been swimming at this pool, she has had several run-ins with the lifeguards, management, and other swimmers. From too-slow swimmers clogging up the fast lane to the Covid-related mask mandates, my mother has always fearlessly spoken her mind. During Covid, she fought back so relentlessly against having to wear a mask on the pool deck for the few minutes before entering the water that we worried she might end up in handcuffs. She wasn’t charged, but she did face a short-term suspension from all City of Ottawa pools as a result of her protests.

Yet when a man walked naked through the changeroom while she was in her most vulnerable state, my mother went silent.

Ten years ago, this incident would have been viewed unequivocally as a crime. Someone would have called the police, and the man would have been arrested. He would have been labelled a sexual predator and likely charged with voyeurism. But today, not one woman in the changeroom dared speak up, complain, or request help from staff in dealing with the issue.

These women would have very recently been considered the vulnerable population in this situation, and had the power of both social norms and the law on their side, yet now were self-silencing. Why?

We all know why: with four magic words — “I am a woman” — the intruder and potential predator becomes the vulnerable one, thereby protected from criticism, punishment, or accountability. Today’s political climate demands he be welcomed with open and loving arms into the female-only spaces, and that anyone who says different is labelled not only insensitive, but hateful.

The most astounding part of this story is that no one in the changeroom even asked if he identified as a man or a woman. For all anyone knows, this anatomically male individual may have been totally unaware that he had access to a convenient loophole. For all we know he might have answered, “Of course I’m a man, but I wanted to undress in the women’s changeroom.” Why then, did not a single woman say anything?

After my mother told me what happened to her, my initial reaction, like that of my father’s, was outrage. I was furious. To my mind, she was the victim of a crime. I kept asking her, “Why didn’t you say something?” Her answer was, “What’s the point?”

For the rest of the day, I was disturbed and shaken. I had to force the incident out of my mind just to function, to take care of my kids, to act normal. I was afraid not only for my mother, for myself, and for my daughter (how could I ever safely take her to the pool or any other place where she would have to undress, knowing at any moment she could be exposed to a naked man?), but for the entire world.

There is a saying, “Where there is no God, there is absurdity.” I am a religious person and believe this statement in a literal sense. I believe that human beings are not only physical beings, but deeply spiritual ones. Once our food and shelter are managed, we search for meaning. Humans have souls that require sustenance just as our stomachs do. A Higher Power and religion meet the needs of our spiritual longing and free our minds to deal with this physical world and all of its infinite challenges.

But I also believe that in this quote “God” can be interpreted to mean “objective and universal truths” — transcendent truths, immune to the whims of man. Where there is no truth, there is absurdity.

Postmodernism and gender ideology have helped society cast off the chains of objective, universal and verifiable truths. Mercurial self-identification is now the North Star that guides us. We left God and are now knee-deep in absurdity.

I won’t even address the massive issue that is decades of hard fought for women’s rights eroded within just a handful of years on account of gender ideology and the belief that “trans women are women.” Many more intelligent and stronger women have taken this issue head on.

I’m just a little person: a stay-at-home mom trying to launch each one of my children into this world. But what is a world or society where a woman is violated and can’t speak up because everyone will turn on her and call her a bigot? Where a person cannot name a crime and perpetrator? Where a person cannot speak the truth about the reality before her eyes?

We’ve become two different peoples speaking two very different languages and believing in two modes of living. One camp believes in some form of objective truth and labels humans as either male or female. There are endless variations in the ways that humans express themselves, but there are only two sexes. The other camp believes in a post-modernist version of constructed truth and that there are dozens of “fluid” genders that negate sex and biology. They also believe that anyone who does not subscribe to this belief is a heretic and as evil as a Nazi.

How do these two camps speak to one another? The two belief systems require very different laws and social norms. If there are only two sexes, the man in my mother’s story is not allowed in the women’s changeroom. If sex is a social construct and can change through self-declaration or self-perception, that man can be a woman and is therefore allowed in the women’s changeroom. Today, it seems the latter camp has won, and we no longer share a common understanding of basic truths or even of language. Words like  “man” or “woman” that were once universal are no longer.

A society that does not have a shared language cannot share thoughts. A society that is divided on whether or not there is an objective truth, outside of our own feelings and emotions, cannot set laws or policies that work for the broadest range of people.

A society where women and girls are cowed into silence when a crime is perpetrated against them for fear of being labelled the enemy is a shaky society indeed.

*Editor’s note: Lynne Cohen, the author’s mother, gave permission to publish her full name in this piece on June 11, 2023, after original publication.

Lindsy Danzinger is a stay-at-home mom who homeschools her three children. She lives with her husband and children in Toronto, Ontario.

The post My mother is courageous, but faced with a man in her change room at Ottawa’s Nepean Sportsplex she went silent appeared first on Feminist Current.

Money Power

If we want to move toward a world that meets everyone’s needs, we will need to get serious about the role of money on the left.

Transcript: Why are dangerous men still being housed in women’s prisons?

In recent years, prisons across the Western world have been allowing men who identify as women to be housed alongside female inmates, leading to sexual harassment, sexual assaults, pregnancies, and complaints from women both in prison and among the general public. These complaints have been mostly ignored by governments and those with the power to do something. That said, the policy in the UK was changed in February in response to one high profile case in particular, wherein a rapist name Adam Graham renamed himself “Isla Bryson” and claimed to be a woman in order to be reassigned to a women’s prison in Scotland. The new policy prevents men who “retain male genitalia or have been convicted of a violent or sexual offence” from being moved to women’s prisons.

The US and Canada, though, continue to lag on addressing this issue, and dangerous men remain in women’s prisons across North America.

I spoke with two women who are taking action: Amanda Stulman is the USA director of Keep Prisons Single Sex, and Jennifer Thomas is the founder of Free Speech for Women and runs an action group called “Get Men Out.”

You can listen to this interview on the podcast. This transcript has been edited lightly for clarity.

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Meghan: I would love if you could tell our listeners a little bit about the work that you do and how you came to be involved in this issue.

Amanda: Thanks for having us. I became involved in this issue in particular because I have a background in administrative law and policy, and because the issue of prisons is so distinct in so many different jurisdictions. On top of the 50 states, there’s the federal system and there are over 2000 separate municipal jails.. County… city… Each one can have its own, unique policy or law which applies to it. So I thought I could be useful in breaking down what those policies look like and how they end up applying in the real world.

So I worked with Kate Coleman, who is the founder of Keep Prisons Single Sex. She’s based in the UK and we opened a branch of Keep  Prisons Single Sex in the US over two years ago. The goal of Keep Prisons Single Sex is obviously to advocate against mixed sex prisons, and we do that by obtaining data, gathering research, lobbying lawmakers and policymakers, and trying to bring public awareness to the issue.

Meghan: Great. I’m so glad that you’re doing this work. This issue of of men being transferred into women’s prisons is so troubling, and I’ve been extremely frustrated, as I’m sure you both have as well, over the past few years that Governments in North America are really not paying attention to this and really not addressing women’s concerns.

Jennifer, can you tell us a little bit about your work and background and the activism that you are doing?

Jennifer: Well, I’m, I’m sort of an action group. So I focus on all the issues with that affect women, girls, and gender. I love working with Amanda because she’s so knowledgeable with the policies. And this last protest, Get Men Out, that was an action group I started. The first thing I wanted to do was aim at the prison situation because that is so abhorrent, you know, and it’s so obvious that it’s wrong. But I also diirect that towards the bathroom issue and other issues too — Get Men Out, Save Our Spaces… It sort of covers everything. What I like to do is read the temperature of what’s going on and try to anticipate where I will get the most exposure.

So that’s what I do. I don’t solely focus on the prison issue, but as with everything in this issue of the harms of gender ideology, you focus on one and the prison issue will lead you to the ACLU because they’re the ones that  sued for that policy to get in there. So I’ll start there and dig deeper just to try to see where I can get more action and more attention focused on that issue. I’ve worked with Amanda a few times, I’ve worked with Beth Steltzer from Save Women Sports, I’ve worked with a Partners for Ethical Care…

When they have an action that I think will really hit the temperature, of where I think America’s at,  then I go full force. So that’s what happened with this Get Men Out action. We worked with Amanda and Amy Ichikawa and we had a sense that the population was starting to be willing to see this. This issue is such a violation — we’re talking about women in prison, we’re talking about really some of the most vulnerable women in the country.

Meghan: Same thing in Canada. I interviewed Heather Mason a while back, who’s a really brave advocate and an ex inmate herself. She’s been one of the only ones speaking out in Canada about this issue. We’re talking about women who already have almost no rights, have no voice because they’re in prison, and they’re being housed with not just men, but the worst men — violent offenders, rapists, child molesters, and so on.

Jennifer, you mentioned that the ACLU was heavily involved  in pushing for this policy allowing men to be transferred into women’s prisons. Amanda, maybe you can speak to that a little bit — how did that happen?

Amanda: Sure. On top of the usual ire one should feel for the ACLU and their complete betrayal of what their mission is supposed to be and what they’re supposed to stand for, I have some extra ire for it. I, as a young adult in the early 90s, I interned at the ACLU in the exact same program that is now their LGBTQ++AI when it was the Lesbian and Gay Rights and HIV project. And to see them stray so far afield, not just from the substance of this issue in particular in terms of protecting women, but even on some of the ancillary issues. For example, they were the main drivers behind preventing a woman from requesting public records in Washington State. She was trying to learn how many men were in women’s prisons, how recently they’d been moved… People were starting to get wind of the policy change in Washington several years ago, and it was the A C L U who worked with several inmates representing them to fight the disclosure by Washington State Department of Corrections for a public records request.

The enormous irony of this is that this woman learned how to make her public records request from the ACLU’s own website. The ACLU’s  mission is transparency, public awareness, obtaining data from the government, you know, the government works for you, etc. And they actively worked to suppress access to data that would allow the public to learn the impact of these policies, and they were so successful.

That they managed to work with the Washington State legislature and actually passed a law modifying their public records  law to exclude disclosure of issues related to gender identity and prisoners. So unless you get information directly from women housed there, which you know, is incredibly dangerous and risky for them, there’s no way to do it on paper, publicly, directly because of the ACLU.

But getting back to the primary issue of pushing for this policy, the New York Civil Liberties Union, which is kinda a local version of the ACLU, I believe it originated with them. I haven’t been able to track it back any further, but they’re the ones who have developed the model transgender inmate policy that was enacted in California, that legislatures tried to enact in Maryland. They’re actively trying to enact a version of it in New York state right now, which is even more extreme than the version in California. So, they’re not only rhetorically pushing this issue, they are actively developing model laws. They’re actively pushing for those laws and actively working to prevent the public from learning about this issue.

Meghan: This is so appalling. I mean, for these kinds of organizations to be fighting against the rights of incredibly marginalized people. It’s really mindblowing that this is happening.

Jennifer: They’re acting as a legal agent of the gender industry. We have to expose and fight the ACLU because they are basically a legal firm that is pushing their policy.

It’s not just as simple as just saying, ok only men and women’s prisons. You have to dig deeper. I’m planning a protest in August against the ACLU in Washington DC because, you know, we can at least go after their donors — all the people that think the ACLU is so great because they protected the Nazis and Skokie and they believe in free speech and all that.

The whole narrative behind them that they’ve managed to hide—the new narrative—is still believed by a lot of Democrats. And I think if the Democrats knew what the ACLU have been doing with our civil liberties, they would stop donating.

Would that stop the ACLU? No, because the gender industry would just make up for that money. But you could see then a shift with the populace, you know, a shift of awareness.

Meghan: I’m glad that you brought that up, in terms of the donors, because one of the major obstacles to fighting gender identity ideology is that it’s infiltrated almost every single institution. Certainly every single civil rights organization, reproductive rights organization, LG now BTQ etc organizations. I mean, the reason that they’re doing this is because they’re getting all this funding to do it. Alternatively, you could look at it as they risk losing funding if they don’t push this.

Let’s talk about that. Where do we go to advocate against these policies when we’re dealing with these massive organizations and institutions? And clearly this ideology has infiltrated the Democratic Party. It feels so big and I know that people are getting really angry about it thanks to activism, like what you two are doing, but it feels like a big hill to climb. Have you had any successes? Or do you have suggestions in terms of who might be a productive target?

Amanda: I have found that to be among the most depressing part of working in this area, which is that there is not a single legacy civil rights organization or women’s rights group that understands this issue, or at least, pretends to. Every single one of them has been absolutely ideologically captured. So it really does seem as though either these organizations have to be built anew from the ground up — some other version of them. Or it’s going to take what Jennifer does an enormous amount of, which is on the street campaigning to bring awareness to force media to pay attention to the issue and to bring it to the public. We don’t have the numbers in North America of people advocating on this issue. We certainly don’t have the dollars. The reason that the ACLU changed the name of the program that addresses this is because they received a $15 million gift from John Stryker. That is what led to the change of the name and to their absolute commitment to the “T” all the time and none of the LGB. So I don’t think there’s a good answer to how we deal with the established organizations. I think people and especially women like Jennifer are the ones sort of creating a public groundswell.

Meghan: Right. I mean I’m, I’m verging towards thinking all these organizations need to be defunded and taken apart and started over again so that they’re not so tied up with this money that’s corrupted them so deeply.

Jennifer: The only real solution is the public against this, right? When we see thousands of people in the streets, fighting against this, that’s when we’ll see some change. People have to get mad enough to get out on the streets and this complacency that they’re under.

But inevitably I do think we will see a ground swell and that’s when we’ll regain our power. We won’t feel so helpless because we’ll look around and instead of seeing 20 or 30 people standing next to us, it’s thousands.

That’s how we know about Martin Luther King — because he went to the street. So it’s going to take that and it’s going to take an awareness level where we just have to keep plugging along and hitting these stories.

Now there’s this new media that is hungry for these stories. Tucker just got fired. James O’Keefe got fired. They’re looking for stories, right? Because they’re going to build their own thing. So we do have this interesting time right now where there’s new media that we can tap into that will tell our story. It’s getting out more and more, but it’s going to take work.

Meghan: So I wanna talk a bit about the law. I know that Joe Biden’s administration pushed through a policy allowing men to be transferred into women’s prisons. But I also am under the impression that things differ from state to state.

I know that New York lawmakers are pushing or trying to push through this bill called the Gender Identity Respect, Dignity and Safety Act, which would automatically place male prisoners in women’s facilities if they identify as women. I’m curious to know, first, if you know what’s happening with this bill, and second, if this is something that we actually need to be fighting on a state to state basis or that we can fight on a federal level.

Amanda: So the New York State Bill, as you say, presumptively houses people according to their self-declared gender identity. And there is such an insanely high burden and such a quick turnaround time required to deny that to someone that the bill was clearly drafted in New York with the intent to never, ever, ever deny someone. There are also mechanisms built in for the state to be sued if someone is denied, and to have attorney’s fees and damages paid. So it is so unidirectional a law, it’s a little frightening that that came about after all we’ve heard coming out of California and New Jersey and Canada, to the extent that people hear about it, um, the, the answer more broadly is yes, for right now, this is having to be fought on a state by state basis.

When this administration — the Biden administration — came in on its first day in office, it issued an executive order directing federal agencies to interpret the laws and regulations that they have some control over and that they manage in the various agencies to interpret sex to include gender identity. So with one pen stroke on his first day in office, he directed every federal agency to work through that process for the Bureau of Prisons, which is the only direct mechanism the federal government has. There are some indirect ones, which I’ll mention, but it’s the only direct prison system that the federal government controls, putting aside military.

During the Obama administration’s last month in office, they created a transgender offender manual and literally chucked it in the air and walked out the door and left that for the Trump administration to deal with. It was a very aggressive policy. Again, not a federal law, not a regulation, didn’t go through any voting process, didn’t go through any public comment process.

It was merely an in-house manual that the Federal Bureau of Prisons was expected to follow. It took the Trump administration two years to grapple with that policy and try to modify it, which they did, in kind of half-hearted way.

And then following Biden’s executive order and a few other similar executive orders, the Federal Bureau of Prisons again reissued the transgender offender manual and again leaning much more heavily towards a pathway for men to be moved into the women’s prisons based on self declaration. So that’s what covers the federal prison.

The way that the federal government impacts the state prison system is they have money and there’s a federal regulation called the PREA regulations, and it derives from the Prison Rape Elimination Act. The PREA regulations provide — and those did go through a public comment period, but that was so long before this issue was in the public’s line of vision.. You know, it was over a decade ago, nobody was paying attention to this… Well, some rare people were paying attention, but very few people were paying attention… And through the regulatory process, the Obama Department of Justice issued regulations that contemplated cross-sex housing. The act itself did not. And that’s the first time in the federal legal system there was anything speaking to even the concept of developing cross-sex housing. So what those regulations provide is that in order to maintain full federal funding — and every state receives some in order to maintain that —  you get massively dinged until you receive no money. Year after year, you get successively more dinged if you do not adhere to those regulations. So every state has to, at least on paper, consider housing people based on their self-declared trans identity. So for a number of years, most states were like, “okay.” And then went about their business. But some of them took it really seriously.

So now a number of states have either laws or policies that not only implement those regulations of contemplating cross-sex housing, but presumptively housed according to self-declared gender identity.

Jennifer: And this is how the federal government influences states throughout, like the federal government has the right — the president can come in and put out an executive order.

That’s what he did. This crazy executive order that virtually anybody would think was insane, you know, prioritizing gender identity above sex-based rights. They can come in and do that, and then they have this mechanism. The schools are funded federally, so they basically blackmail them into adopting these policies by withholding money.

So you think, well, why would the states go along with this? Well, they wouldn’t get their money. They even threatened the school lunch program at one point with, you know, “if you don’t adopt these policies, your school lunch program is going to be threatened.”

It’s a withholding of money if you don’t do this right. So like the universities that are, there are some laws in there, but they’re just not pursuing them. These executive orders have a lot of control even with Title IX. Amanda could probably speak better to this, but that’s why it’s being messed with, because it’s not, it’s not a law per se?

Amanda: Right. Just to clarify, Title IX is itself a law, but it’s the regulations that they’re kind of messing with right now. And what they’re trying to do is trying to apply what both Jennifer and I have been talking about in terms of the executive orders — redefining sex to mean sex or gender identity. The reason we’ve heard a lot about Title IX is they are going through the formal rulemaking process and putting it out for public comment. They received a record number of comments, which is really heartening, about modifying the language of the regulations, which is where you’ll find all the meaty stuff about what you have to do to get money if you’re a state or a state entity.

Meghan: I want to talk about some specific cases. I believe that there are 27 males currently being housed at Edna Mahan Correctional Facility for women? Which was a central focus of the Get Men Out protest in New Jersey last month. Is that normal throughout the states?

Amanda: Well, woohoo, now there’s only about 10. A number of them managed to behave so poorly they got themselves moved out.

About two years ago, we worked with Women’s Declaration International to do a statewide FOIA project of every state prison to try to see what the numbers were in each location. Many were extremely uncooperative and we were not able to get a completely exhaustive list. But there are states that are in that range… admittedly not many two years ago. I think there’s probably more now, if we were to circle back and do it again. But even in states where you wouldn’t necessarily think of it, there’s a handful.

Virginia had one for decades, even before this recent push. But a number of states have several dozen. Obviously California does now. Washington State is getting up there. Illinois’ numbers are growing and they have neither a policy nor a law. A federal judge keeps putting men in women’s prison in Illinois. So it’s everywhere, though the numbers change. But we’re, we’re only seeing them go up. We’re not seeing them go down much. New Jersey went down just because they had a kind of freak out placement of men in there when they reached the settlement with the ACLU that Jennifer referenced, and then they had another panic in the other direction when it went so badly.

Meghan: And what are some of the cases — like what are we hearing about what’s actually going on in these prisons? I know that when I talk about this issue online, people will respond in these very blase ways. People will say like, “Well, you know, women get raped in prison either way.” Or they say, “If they’re in male prisons, then these males who identify as women are going to get raped.” Or they say, “Well prison is really bad.” And I don’t know, maybe they’re just not able to picture the situation and what’s actually going down and what the danger is when you’re putting men in women’s prisons. Can you talk to some specific cases that have happened?

Jennifer: So when a woman gets convicted of a crime and the judge reads out her sentence, he doesn’t say, “Okay, your sentence is possible rape, possible forced childbirth or an abortion, and then possible abandonment of your child.”

We don’t agree. We don’t have agreed upon laws to cover this. The public is not in agreement on this. Otherwise, that would be the sentence. This apathy around it just upsets me to no end. I also think people think it can’t happen to them.

The fastest growing category of inmates is women. When women get convicted, it’s harsher sentences for lesser crimes.

I think this sort of bleeds into that industrial complex. Like in New Jersey they were making $61,000 per person off of their prisoners. And women are easier to manage than men. Actually, prison reform is working for men and not women. So men are getting shorter sentences for worse crimes and getting out. They can add more to that prison population by adding men. Right now, if Bundy applied, he would get into a woman’s prisons. If Richard Speck, who killed eight nurses in Chicago, took hormones and dressed like a woman when he was in jail he would be in there with them. There’s no distinction of how bad the crime is.

Amanda: I think those are really good points, and I think a lot of it speaks to, aside from the sort of disregard for prisoners in general, it’s just treated as a kind of a throwaway population. But aside from that, I think it is largely a misconception. This is a subset of, at best, men they’re imagining are a particular kind of man or worse, they think there’s some sort of version of a subset of women. But I think most people imagine that it’s non-violent criminals, that it’s men who have had genital surgery, that it’s men who are on hormones, that it’s men who are tiny and pretty and vulnerable. All of those assumptions are out there and obviously, even if somebody is those things and not a violent criminal who is tiny and has had genital surgery and is on hormones, if they’re a man, they still don’t belong in a woman’s prison.

But I think that is what most of the public imagines when they hear these stories, which is one reason that it’s so important for the stories and the names and the visuals and the crimes and all of that to be made really right in people’s faces so they can see the criminal history of these men. They can see what they look like, which I know seems really superficial, That page on Keep Prisons’s Single-Sex’s website that has a sample of men and their crimes who are in women’s prisons, I mean, I’ve peaked people in 30 seconds by showing them that page. Just the, the visual of is sometimes what people need. Like, oh, still has a penis and is massive? That’s crazy.

Meghan: Yeah. And I guess, probably a lot of people — I’m gonna give them the benefit of the doubt — are imagining these men who are identifying as women or trans women as being men who “pass.” So men who “look like women,” probably men who’ve gone through all the surgeries and so on and so forth. So I imagine that what’s happening there when you’re showing them that actually these are the men who are in these women’s facilities: they just look like regular dudes. Like not even trying to look like women.

Amanda: Or they look exactly like men who have literally put their hair in pigtails, which is somehow even more alarming. You know, the superficiality of it.

Jennifer: The women said in their letters at the protest that these men dropped that act right when get into the facility then it’s a million dollar baby game, you know, let’s make a baby.

They’re not acting vulnerable when that’s going on. It’s a complete facade.

Meghan: In the UK they’ve actually had some success and have started to change their policies in order to bar violent offenders, as I understand it, from being transferred to women’s prisons. Do I have that right?

Amanda: I believe that’s right. There’s a certain category where the answer is just “no.”

Meghan: Have you had any success in that regard? In terms of advocating for change in the US or have you managed to have an impact when you talk to politicians, for example?

Amanda: Aside from public awareness, which is kind of hard to measure, but in terms of objective successes, a number of organizations and women, including Keep Prisons Single Sex and me, fought very hard in Maryland to keep a proposed law there from getting out of committee, and that was successful.

A year or two ago, New York State’s law sat in committee the last legislative session, um, through a letter writing campaign from Keep Prisons Single Sex, and I like to think we had something to do with it not making it out of committee. No successes in terms of turning things around necessarily, but like putting a hand up to the train that just keeps going faster.

But the public awareness is huge. That some mainstream media in the New York Post did a story about Jennifer’s action  last month…  They’re covering it, as Jennifer mentioned, and alternative media is becoming more interested in it. So in terms of public awareness, I think that’s where we’re seeing success.

I can’t say so much elsewhere.

Jennifer: Yeah. And public awareness is a tricky thing because you have to get ’em mad enough to come out. I think there’s a sense of helplessness that can be overcome with just more people on the ground and you know, the more people rally and organize and get together because we have to rebuild almost all our organizations. So we’re going to be needing to mesh with new people, churches that have retained their organization  and can relay messages without the dictatorship of social media and tech… We’re going have to come up with alternatives, and alternative ways of networking, and different people to network with to really get the ball rolling. Because it’s too scary alone. I think a lot of people are aware, and we’re at the stage of how do we get them to join us? How do we get them to come and let us ease some of that helplessness they’re feeling about this by joining together. And then lawyers mix in, and then we’re cooking with gas, you know, and we can make change.

We’re behind England. We have different laws here. It’s a totally different landscape here. But I do feel like it’s changed over the past couple of years in America. And there are more people interested in fighting this. So we are at the stage of just kind of weaving that blanket together.

We’re going to get better at this. I have hope for the future.

Meghan: I’m glad to hear that. I think that unfortunately, we — and I’m speaking like for myself, I’m not speaking for you two because I don’t know how long you guys have all been involved in this work — but we, a lot of the radical feminists who were worried about this early on, really didn’t understand how big this was and how deep the issue goes, so probably naively thought, “If we can just get the word out, then we can stop it,” not realizing that this was coming top down from these very wealthy funders. Just letting people know about it may have not been enough. Although, of course, the more people that know, the more people will push back, especially at a government level, and hopefully we can have an impact on things like legislation that way.

Amanda: You had asked about politicians, and I think there’s something relevant on that issue, particularly to contrast how it’s gone in the US and Canada vs the UK and that is that our politicians, you know, the Democratic party — liberal politicians, or I should say lefty politicians — are absolutely committed to holding onto the belief that the only people who could object to these policies are religious conservatives.

You know, I write as a constituent to my own representatives, and I’m in New York, so they’re all Democrats. And every time I do, I get back a form letter that says, “We’re excited to learn about your interest in religious freedom, blah, blah, blah, blah, blah. You must be concerned about this for religious reasons.” And I write back and I say, that is not my concern. My concern is this. And I get another form letter that’s their like letter two in this letter tree, saying, you know, “Thank you for demonstrating your interest in religious freedom. We’re concerned about that too.”

So some of what’s happened and some of the challenge in the US and perhaps to some extent in Canada too, probably to a slightly lesser degree, is there is this artificial reinforced divide about who’s for these policies and who’s against them and why.

It becomes additionally challenging when much of the media who will cover this is either conservative or religious or both, and bless them. I am so thankful that they do. But all of us who need to be interested and concerned about this issue are just allergic to the arguments because they come out of the gate thinking this is tribal and we’re not in that tribe, so we’re not joining hands with you.

Meghan: Yeah. I mean that’s been the media and the political view from the get-go, which is why it was so difficult for feminists to get their perspectives out in the first place.

In Canada the media would only cover this issue as one of the religious right — which is strange because the religious right in Canada is really pretty marginal — as though it was only a debate between the religious right and everybody else.

Clearly they’ve done the same thing to a larger extent in the US which is frustrating because as you say people kind of just shut down and think, “Well, I guess you must be a religious right, Christian, gay hating jerk.”

Jennifer: And throw abortion on top of that, which they have done, and it’s just division everywhere. But there is this new media and there are so many people who are politically homeless who just want good schools for their kids and don’t want them brainwashed. So I think people are converging on almost every issue in gender. We’re all starting to kind of sing the same message. We want to work together, we can set aside whatever differences we have. This is too important. So I think there’s hope. There’s always hope, right?

We’re basically fighting the one percent. And if everyone could come in on even the free speech issue where, you know, if we don’t have it, we are literally slaves — then they can tell us to say anything and do anything..

Even with Covid, it galvanized people. But we’re fighting a big machine. Like even with Tucker, you know, he was the top — the top host of the top show in America, and they showed us he can be taken off the throne. They want to model behavior of defeat with us. And we have to fight that with modeling behavior of not using pronouns and demanding our autonomy. Individually and then together. And I think we are getting there and more and more people are getting pissed about this.

I have sisters and a lot of them were against me. But after Tucker, a couple of them came around, so the temperature has changed. My sisters are full on Democrats raised in Chicago, but they’re coming around because they’re seeing it affect them. And you know, that’s how it goes with issues. It has to affect you. Your kid has to be in peril. So I think we are going to see game momentum and then it’ll kind of rub off on Canada because we’re so close.

That’s what I’m hoping for. I’m so sorry. That’s all I have to say about Canada.

Meghan: I mean, it’s really, really bad. It’s a really bad situation in Canada and nothing’s really changing and there’s a little bit of pushback here and there, but not nearly enough and nothing comparable to what’s going on in the US, but you’re right that Canada does follow America’s lead, so, I think you might be right on that end.

And I’m glad that you made the point about we’re fighting the one percent because this trans rights movement has done so much work very successfully to present itself as just another grassroots civil rights movement. Like this is just about these marginalized people who don’t have rights, fighting for their lives, fighting back for their rights, fighting back for them, their safety. And that is not how any of this happened. This was fully a top down thing. And those of us fighting back are the ones who have very, very, very little power.

Jennifer: They always say, You don’t want us to exist.” And then they erase the word women. Bizarre. You know, when this mass propaganda machine captured all the young people online, basically they internalized this dialogue with everything they’re doing to us.

That’s why there’s no dialogue with them. I think what they don’t want people to hear is how ridiculous their answers are.

Meghan: Of course. It’s always a reversal. It’s always about the trans activists presenting themselves as these downtrodden, silencenced, everyone’s after them, they’re being threatened and harassed all the time, etc. And we know as women who are trying to speak out on this that it’s the total opposite. And I mean, I think anyone who’s really paying attention to this debate can see what happens  to women in particular who speak out and who really has the power in all of this institutionally. And in a lot of cases literally the physical power as well as we’re talking about men.

Before I let you go can you please tell me how to find your work, your organizations, and how to support your work, as well as if you have any upcoming actions that people might be able to support or attend?

Amanda: Sure. So the USA website for Keep Prisons Single Sex is kpssinfo.org. Other than that, we’re most active on Twitter, which is @NoXY_USA. We’re also on Facebook.

Meghan: Awesome. And can people support your work in any way?

Amanda: Yes. Thank you for asking about that. We do have a donate button on our website and just so people are aware, everything gets funded through the UK. So if it is in pounds, don’t be surprised. The UK group will honour requests to direct that towards the USA efforts. That’s what funds all of our work. Everyone is a volunteer. Any expenses we have get paid through fundraisers to the UK Keep Prisons Single Sex.

Jennifer: I’m Jennifer Thomas Rev @RevFemStBeatfem. I run the action group, Get Men Out.

My next event is on June 16th in Pittsburgh at the City Council building at 1PM. I’m aiming to get men out of women’s bathrooms. And of course it’s a Free Speech for Women event, so we’ll invite speakers. The following protest I have on the calendar is for the ACLU and that is Friday, August 11th in Washington, DC on the Supreme Court steps. You can email me at [email protected] for more info and I’ll get back to you. I do fundraising, but I peg it to each protest. So the fundraiser won’t come out for the Pittsburgh event until about a month before. So if you just follow me on Twitter, that’s the best way to find me. Or email me.

Meghan: Okay, perfect. Thank you both so much for speaking with me about this.

I’m really excited about the work that you’re doing, and I’m glad that you both feel hopeful about affecting change and I’m really grateful for your willingness to fight and for all the hard work that you’re doing.

Jennifer: Oh, well thank you Meghan. It’s such a pleasure and you are a woman that I admire, and I thank you so much for the interview.

Amanda: Same. Thank you.

The post Transcript: Why are dangerous men still being housed in women’s prisons? appeared first on Feminist Current.

There is a reason men feel shame about their porn use, and it’s time for them to pay attention

For many years now, I have been accused of “shaming” people for their sexual pastimes. This is in large part because of my criticisms of porn and the sex industry.

To be fair, I probably have written and said less than positive things about various kinks and fetishes, particularly of the violent nature. I’ve never been particularly shy about my view of men who need costumes, skits, creepy scenarios, or pornographic performances in order to get off. Your body is quite literally built to enjoy sex: just regular old penis in vagina sex. Now, of course, this “regular” sex is called “vanilla” in defense of the people who have conditioned their bodies and minds to need a bunch of bells and whistles just to do what nature intended, long before the invention of smart phones and Hentai. But requiring a silly costume or a near death experience for either you or the object of your ejaculation signals a problem to me.

While in the past porn was something you had to go out of your way to find, often in rather embarrassing ways — stealthily going into Red Hot Video after dark or purchasing a plastic-wrapped magazine from behind the counter at your local corner store — today, it is not only easily accessible, but unavoidable. You really can’t exist online without porn being pushed on you in one way or another — via porn bots in your comments or dms on social media, pop ups on torrent sites, or what is simply embedded into pop culture — music, movies, late night jokes, your fav Twitch streamers, etc.

It is far from taboo — rather, it is expected. Men will often tell women that any man who claims not to use porn is lying.

The overriding message is that porn is a normal — even healthy — part of men and boys’ lives. It is a long running joke in comedy films and locker rooms, but also something girls and young women expect to have to participate in. For the younger generations, “sending nudes” is part of dating, watching porn with your partner is recommended as a fun and sexy way to get in the mood, and performing pornographic scenarios in the bedroom is expected. For young women today, one’s social media feed is an opportunity to display one’s fuckability in exchange for validation from men and OnlyFans is viewed as little more than a side hustle.

Unfortunately, much of the fault lies with third wave feminism. Modern faux feminism embraced “sex work is work” as a mantra, insisting that porn and prostitution are just jobs “like any other.” Anyone who suggested these were not spaces of freedom, neutrality, or empowerment was guilty of “slut-shaming.”

The reality is, of course, that young women who get into the sex industry tend to get used up and spat out quickly, with little to show for it financially, but instead stuck with a lot of regret, often some trauma and additional mental health issues. The eternity of the internet becomes a lot more upsetting when there are videos of you at your most vulnerable out there for life. The lie told to young women by this industry-approved “feminism” is meant to empower them to feel proud of their choices but fails to tell them the truth: that some choices are harmful, even if you shroud them in a veneer of sexual liberation, and actual self-worth never comes from the superficial.

It isn’t, let’s be honest, sexually liberating to perform unpleasant, degrading, or painful sex acts with men who don’t care about you, that you would never engage in voluntarily. That’s someone else’s sex dream — not yours.

But while women often leave the sex industry with a heaping of shame, what of the consumer?

Men’s relationship to porn tends to leave out the woman factor. Odd, considering the whole point is meant to be the woman on the screen. But to the consumer, the question of how she got there, how she is being treated on set, whether or not she is in fact enjoying herself, or what mental, financial, or emotional state got her there is erased from path towards the main event: orgasm.

Considering the messages we are bombarded with — that porn is normal, a harmless fantasy, and a healthy release for men who can’t access the real thing — you would think men and boys (as I think we all know, most young men start watching at around 11 years old these days — sometimes earlier) would have let that old-fashioned shame go. But they haven’t.

If you talk to men about their porn use, as I do quite often, most will tell you that the minute they orgasm, the sense of shame rolls in. It is often, I’m told, quite nauseating — a sense of disgust with oneself: “What have I just done, I am an animal” kind of thing.

You might chalk this up to shame around sex, as some attempt to, but that doesn’t make much sense. It’s not as though after having sex with one’s partner you feel a sense of regret. In fact, sex is (if done properly) the thing that bonds us and brings us closer in an intimate relationship or marriage.

I posed a question about porn-related shame in my Substack chat yesterday, curious to see what insight men might offer, asking:

“I want to hear from you (men, in particular): why do men feel ashamed of their porn use? Porn has been fully mainstreamed and normalized–we are told it’s nothing more than a harmless fantasy, perfectly natural, and even a healthy outlet that reduces male sexual violence (this is a myth, for the record), yet I hear over and over again that men and boys feel shame after masturbating to porn. Why? Be honest.”

A number of responses stood out. One man named Des told me that “A lot of men have some pretty confused attitudes towards arousal,” pointing out that “Boys can become aroused by the weirdest of things… including things that are taboo or otherwise ‘wrong.’” He went on to say:

“The thing that is especially personal to me, because I wasn’t especially ashamed of my interest in porn when I was younger, is the insidious, creeping increase in the ‘extremity’ of pornographic content. It took an experience of being traumatised by some video I stumbled upon in my search for something “new” to make me stop and withdraw from porn altogether. I used this experience as an opportunity to learn about the problems porn presents and to work through the residual feeling of shock and disgust from the awful video I saw.”

This made a lot of sense to me, considering what male friends have told me about their sense of shame around porn use. Essentially, the nature of internet porn is that it drags you deeper and deeper down evermore extreme and gruesome holes. You are fed videos you might not be seeking out, but masturbate to anyway, leaving you with the knowledge you just jerked off to “daddy-daughter” porn, “step-brother gives unsuspecting sister a surprise,” or some facial abuse video, wherein a young woman (and hopefully not an actual girl) is choked and violated until she is brutalized and crying.

If you didn’t feel shame around watching this kind of thing there would be something seriously wrong with you. Yet this is mainstream porn now. It’s not some niche fantasy. It is what will pop up should you end up on Pornhub crusing for something “normal,” whatever that means…

A man named Jacob said:

“Shame serves a social function. I don’t think you do feel shame unless you anticipate/experience social alienation. The excuses and justifications are just defenses of people who are hiding feelings of insecurity. Porn itself is marketed as ‘naughty,’ ‘taboo,’ and ‘barely legal.’ That it’s shameful/anti-social is part of the engine that drives its compulsive use. Perhaps counter-intuitively, I think if it really was normalized/mainstreamed to the point someone didn’t feel ashamed, i.e., still felt socially supported and connected, it would just become apparent that it’s not very satisfying or fulfilling. You’re punching a chemical reward button in the brain of a social animal that’s supposed to bring you closer to other humans. You need to feel disconnected first before porn provides any relief. It’s like the Rat City experiment. I don’t think men in really connected relationships would even want to use porn.”

I found this quite insightful. Sex is designed to bond us: our bodies release oxytocin, which is called the love hormone for a reason, bonding mothers with babies and couples with one another. If your body is producing oxytocin on account of watching porn, you’re bonding with a person who isn’t there, isn’t bonding with you, and in a way isn’t even real. You aren’t actually connecting with anyone. Instead, you’re training your brain to crave and seek out the scenarios and imagery you see in porn, which are often abusive or immoral, but also leave you lacking. You have the orgasm but the bond with another human doesn’t follow, so you end up feeling alone, empty, and isolated when you are meant to be feeling the opposite.

What follows is the addiction cycle, wherein you continue to seek the oxytocin, so use porn, get the rush, but then feel alone, empty, ashamed so must seek it out again.

In this context, the shame makes sense: you’re doing a thing that is meant to make you feel good but doesn’t in the long term, only for a blip. It’s never satisfying the thing it’s meant to satisfy.

But of course it isn’t only single, lonely men who use porn. Men with partners are avid users as well.

The fact so many women normalize this as nothing more than a harmless fantasy that has nothing to do with them has always baffled and troubled me. To start, those are real women and girls in the videos your partner is consuming — women and girls who are possibly being trafficked, abused, or raped. They are at very least mentally unwell, and are probably suffering physical consequences from what happens on porn sets as well. One would think you wouldn’t want your partner supporting the abuse and exploitation of women and girls, at least.

But beyond that, why on earth would you be ok with your partner “bonding” sexually with other women?? This doesn’t strike me as any different than cheating. Sure, you won’t end up with an STD, but your partner is engaging in sex acts with strange women regardless. Have a boundary. Come on. You deserve it.

Men in relationships, no matter how much they’ve told themselves porn is their right (After all, she’s not up for it all the time — what is he supposed to do while she’s tired or grouchy or out of town? Suffer?) must know, deep down, that jacking off to 18-year-olds in the basement is not a respectful or ethical act within a relationship. And because you’re probably hiding your porn use from your partner, knowing she won’t be happy about it, even if she is playing out-of-sight-out-of-mind, the porn use functions as an ever-growing mountain of lies, creating guilt — an emotion akin to shame. You might be hurting her, the person you claim to love; you’re hurting your own mental health and ability to connect sexually and otherwise in your relationship; plus you’re actually hurting a whole bunch of women and girls you don’t even know on the other side of the screen.

Not a great recipe for self-respect!

It’s almost like mantras can’t alter biology and people’s inherent sense of ethics. And it’s almost like these industries and ideologies are going out of their way to mindfuck you into being an unhealthy, unethical person so you’ll keep coming back.

Don’t let em.

The post There is a reason men feel shame about their porn use, and it’s time for them to pay attention appeared first on Feminist Current.

The Swivel-Eyed Loons Have a Point

A row of silhouetted protesters carrying signs with humorous slogans, e.g. 'I shaved my balls for THIS?' and 'This sign will accomplish NOTHING.'

This week on my podcast, I read my lastest Locus column. “The Swivel-Eyed Loons Have a Point,” about the unlikely – but undeniable – common ground I share with the most unhinged far-right conspiracists.

The swivel-eyed loons at the anti-15-minute-city protests point out that such a scheme constitutes a form of pervasive location-tracking surveil­lance, and that this surveillance could be leveraged to attack disfavored minorities. They’re not wrong. Just look at London, where a (again, perfectly sensible) system of “congestion charging” and “low-emissions zones” has made serious progress in improving the air quality, reducing traffic, and improving journey times for public transit.

London also uses ALPRs to enforce its traffic restrictions, and pairs this with a massive public/private network of street cameras aimed at pedestrians, backstopped by a public transit system whose Oyster payment cards are virtually impossible to use anonymously.

The thing is, the UK government has a long history of abusing this kind of power. The Metropolitan London police ran a 40-year covert operation to infiltrate, track, and disrupt trade union organizers and activists, from students to Members of Parliament. The Met also colluded with large construction firms to maintain a secret blacklist of union organizers who were denied employment and had their lives ruined.

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It’s the funding, stupid

A common galvanizing trope among progressives claims the good and open-minded among us are in a constant battle against the evil right, who wishes to stamp out the struggling and marginalized. This holds true in the trans debate.

Just last night at the Met Gala, actress Gabrielle Union told Variety she and her husband, former Miami Heat basketball player Dwyane Wade, had decided to leave Florida on account of the couple’s “trans child.” She explained that “in 2016, there was a move towards a less inclusive world,” going on to imply that their children would have nowhere to attend school were they to stay in Florida, as schools in the state were not “open to teaching facts and accurate history.”

“Where can they say gay, much less trans?” Union asked, referencing a parental rights bill passed in Florida in March, inaccurately dubbed the “Don’t Say Gay” bill. She expressed concern that she and Wade “might get arrested for affirming [their] child’s identity.”

Her commentary was odd, considering that it those who challenge gender identity ideology and the practice of transitioning kids who are under threat, not the other way around. Indeed, a Vancouver father was jailed in 2021 for refusing to go along with his child’s transition. Bill C-6 (which later became Bill C-4) passed in Canada last year, claiming to ban “conversion therapy,” but in fact criminalizing therapists and medical practitioners who do not practice the “affirmative model” — which means confirming a child’s “trans identity” unquestioningly, and placing them on a path towards medicalization.

These reversals aren’t new. Indeed they have been the go-to narrative in the media for many years now.

Last month, The New York Times published a piece entitled, “How a Campaign Against Transgender Rights Mobilized Conservatives.” In it, Adam Nagourney and Jeremy W. Peters argue that the swift rise of trans rights activism began on account of the right having nothing left to fight against once gay marriage rights were won. They write:

“The ruling stripped them of an issue they had used to galvanize rank-and-file supporters and big donors. And it left them searching for a cause that — like opposing gay marriage — would rally the base and raise the movement’s profile on the national stage.”

It was frankly one of the strangest reversals I’ve yet to read on this issue, blaming conservatives for igniting the fight for trans rights rather than the other way around.

It is true that this movement appeared suddenly, as if out of nowhere, leaving many of us searching for an explanation. What other movement in history has taken hold of every institution, media outlet, and political party so quickly?

The answer, though, is not in Republican strategizing. It is much more simple than that: it was about funding.

In 2015, the Supreme Court ruled by a 5-to-4 vote that same-sex couples had the right to marry. This decision was, as reported by The New York Times, “the culmination of decades of litigation and activism.” This changed things for individual gay people, of course, but it also changed things for the gay rights organizations who had been fighting for this decision for years. The charities and NGOs and civil rights organizations once heavily invested in advocating for same-sex marriage no longer had a raison d’etre, and as such lost a key justification for future funding.

Gluing the “T” to the LGB allowed for an easy transition into a new civil rights movement, using the same language and mantras of “born this way” and “accepting people as they are,” as well as a need to fight for “equal rights” on this basis.

Indeed, it was the Democrats and Democrat-adjacent organizations that were looking for a new way to galvanize their base and solicit funding, and Republicans were frankly the last to catch on.

Trans intrusion on women’s spaces and the women’s rights movement began long ago, but didn’t really take hold until money was involved. While we often hear men on the right demanding to know “Where are all the feminists?!” the feminists were in fact the only ones to notice the advancement of trans ideology and its impending threat to women’s spaces for many years. Second wave feminists like Gloria Steinem, Robin Morgan, and Germaine Greer spoke out against the very sexist lie that a man can transform himself into a woman through stereotypes and cosmetic alterations long before this was on the radar of Republicans.

In 1977, Steinem responded to the situation of James Humphrey Morris, a British army officer who transitioned to become Jan Morris, and the transition of tennis player Richard Raskind to Renée Richards, by writing that, “Feminists are right to feel uncomfortable about the need for and the uses of transsexualism.” While it was important, she believed, to “protect the right of an informed individual to make that decision [to transition], and to be identified as he or she wishes,” it was also clearly not a “feminist goal.” A preferred solution would be to “transform society” so that men feel comfortable stepping outside traditional masculine roles and women can step outside the rigid limitations of feminine stereotypes, without need to “mutilat[e] our bodies into conformity.” Steinem added that, “In the meantime, we shouldn’t be surprised at the amount of publicity and commercial exploitation conferred on a handful of transsexuals.”

In 1973, Morgan, a founder of Ms. Magazine, was even more forthright, responding to a scheduled performance by Beth Elliott, a “male-to-female transsexual” folk singer at the West Coast Lesbian Conference in Los Angeles, by saying in her keynote speech:

“I will not call a male ‘she;’ 32 years of suffering in this androcentric society, and of surviving, have earned me the title ‘woman;’ one walk down the street by a male transvestite, five minutes of his being hassled (which he may enjoy), and then he dares, he dares to think he understands our pain? No, in our mothers’ names and in our own, we must not call him sister.”

Greer, ever outspoken, wrote an article for The Independent magazine in 1989 entitled, “On why sex-change is a lie.” It began:

“On the day that The Female Eunuch was issued in America, a person in flapping draperies rushed up to me and grabbed my hand. ‘Thank you so much for all you’ve done for us girls!’ I smirked and nodded and stepped backwards, trying to extricate my hand from the enormous, knuckly, hairy be-ringed paw that clutched it. The face staring into mine was thickly-coated with pancake makeup through which the stubble was already burgeoning, in futile competition with a Dynel wig of immense luxuriance and two pairs of false eyelashes. Against the bony ribs that could be counted through its flimsy scarf dress swung a polished steel women’s liberation emblem.

I should have said ‘You’re a man. The Female Eunuch has done less than nothing for you. Piss off.’”

Greer went on to describe how this man would mysteriously turn up outside her hotel, and that while he “certainly considered that he was psychologically a female… he behaved exactly like a predatory man.”

Her article could have been written today, though it likely wouldn’t have been published. Needless to say, we were warned:

“Knee-jerk etiquette demanded that I humour this gross parody of my sex by accepting him as female, even to the point of allowing him to come to the lavatory with me. Bureaucratic moves were afoot to give him and his kind the right to female identity, a female passport even…”

Predicting exactly the future that came a couple of decades later, Greer wrote, “The general populace, despite the evidence of their eyes and ears, will go along with this bluff.”

Where were all the feminists?!

Radical feminists continued this fight for the years leading up to 2015/16, which is when gender identity ideology began to take hold across institutions, followed by the passage of gender identity legislation.

I was interviewed for a 2014 article by Michelle Goldberg published in The New Yorker entitled “What is a woman?” My interview was omitted, but she spoke with a number of other feminists who had organized a conference in Portland in an attempt to discuss the encroaching ideological and institutional takeover. Goldberg documents numerous attempts by such women to speak against this, all of whom were subsequently shut down, no-platformed, threatened, and harassed endlessly — cancelled, as it’s known today. Lierre Keith, Sheila Jeffreys, Janice Raymond, and Julie Bindel were among these women, as well as many lesser-knowns.

I interviewed Lee Lakeman, a founding member of the Vancouver Rape Relief and Women’s Collective (VRR), in 2012, about her battle to defend women-only space at the shelter and transition house, beginning back in the 90s. VRR has been plagued by attacks and accusations of “transphobia” ever since, resulting in the City of Vancouver pulling their funding in 2019.

Great efforts were made to suppress debate surrounding not just the social and cultural phenomenon of transgenderism, but the related legislative changes. Because most of the pushback was coming from women with no financial or political power, that was not hard to do.

I am aware of course, that the modern, mainstream feminist — the kind of “feminist” who did have a voice within Democratic organizations, well-funded institutions, the mainstream media, and academia — went along with the whole thing. This baffled me for a long time. I didn’t understand the funding mechanisms behind the whole operation, and was livid at seeing organizations that should be among the most invested in understanding how the female body works — reproductive rights organizations, for example — suddenly and in unison erasing women from their work and politics.

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On September 2, 2016, Planned Parenthood tweeted that “Menstruators in New York started to #tweetthereceipt celebrating the repealed tampon tax…” A day later, the Planned Parenthood account reported that “Purvi Patel has been released from prison, but people continue to be criminalized for their pregnancy outcomes.”

These tweets might seem innocuous, but were significant. Where once would have been the word “woman,” we saw “menstruators” and “people.” And Planned Parenthood was not alone. The word we had always used to describe adult human females rather suddenly had cooties.

In 2013, Lauren Rankin, an American reproductive rights activist, wrote that “abortion rights activists have overlooked and dismissed a very important reality: Not everyone who has an abortion is a woman,” adding:

“We must acknowledge and come to terms with the implicit cissexism in assuming that only women have abortions. Trans men have abortions. People who do not identify as women have abortions.”

Rankin explained that an organization called the New York Abortion Access Fund (NYAAF) was “leading the way on becoming more gender inclusive around the issue of abortion,” directing a change in language. NYAAF had changed its language a year earlier, in 2012, replacing sexed language in its mission statement with words like “anyone,” “every person,” and “the people who call our hotline.” In 2013, they explained that “embracing gender inclusivity” meant “not assuming the gender pronouns that our callers use and replacing ‘woman’ with ‘people’” on their website, and had taken it upon themselves to “reach out to the LGBTQ communities and inform them that NYAAF helps fund abortions for all people, not just women.”

In 2015, Fund Texas Women, which pays the travel and hotel costs of women who need to get an abortion but don’t have access to a clinic nearby, became Fund Texas Choice. Co-founder Lenzi Scheible wrote:

“With a name like Fund Texas Women, we were publicly excluding trans* people who needed to get an abortion but were not women. We refuse to deny the existence and humanity of trans* people any longer.”

At the time, longtime feminist and political columnist Katha Pollitt noted that while the idea that the word “woman” was “exclusionary” or “cissexist” might “sound arcane to most people,” this directive had been “quietly effective” in reproductive rights activism.

She was right. But most had not yet caught on to this push to erase women from language.

Why, of all places, is this starting in the reproductive rights movement? A movement that, if nothing else, is centered around about female bodies and autonomy?

The truth is in the funding.

Big name funders and billionaire philanthropists like Jennifer Pritzker, the Arcus Foundation, George Soros’ Open Society Foundations, and Jon Stryker not only fund numerous trans rights and LGBT organizations, but Planned Parenthood. At the same time it was decided the “T” would be added to the “LGB,” the associated New Speak was applied across the board, not just to trans lobby groups and LGBT organizations, but to reproductive rights organizations and clinics across the US.

Journalist Jennifer Bilek has done ample work demonstrating the funding sources behind the trans ideology takeover, pointing out that men like Pritzker also fund the now trans-obsessed American Civil Liberties Union (ACLU), who joined Planned Parenthood as a major player in the institutionalization of “female-erasing language.”

Not only that, but Planned Parenthood has since moved into the trans market, selling kids on puberty blockers and hormone treatments. Today, the organization claims to be America’s “second largest provider of hormone therapy.”

Embracing trans ideology was rendered mandatory for any organization wishing to continue getting funding from these corporations and donors. If you’ve ever wondered why UN Women has continued to insist “transwomen are women” despite endless pushback from women or why the Twitter accounts of Amnesty International and Human Rights Watch (HRC) appear to be run by woke teenagers, it’s useful to know that Arcus, founded by Stryker, is a key funder. Of course the Democrats are compromised as well. As Bilek also points out, even Obama’s campaign was deeply connected to and funded by Pritzker.

Needless to say, this was no “grassroots movement.” It has never been “the civil rights issue of our time,” as then Vice-President Joe Biden called it in 2012. Certainly it wasn’t “the result of careful planning by national conservative organizations to harness the emotion around gender politics” in response to “gender norms shifting and a sharp rise in the number of young people identifying as transgender,” as Nagourney and Peters claim in The Times.

From the moment men began attempting to identify their way into womanhood, feminists have been there, saying “no.” Some of those women became compromised, as apparently Steinem did, recanting in 2013, claiming that her words were “taken out of time and context” and that what she “wrote decades ago does not reflect what we know today as we move away from only the binary boxes of ‘masculine’ or ‘feminine’ and begin to live along the full human continuum of identity and expression.” Others always were — careerist in their intentions and profiting too much from their cowardice to veer towards truth.

The reason, I now realize, that radical feminists could speak up against transgenderism was the same reason they weren’t heard: radical feminists aren’t funded by anyone.

Once mainstream feminists made their activism their careers, they became dependent on the same funding sources pushing trans ideology from the top down. While feminists like me who had always worked independently, free to push back against what I saw as the anti-feminist third wave and the big name women who kept their message neat and tidy and confined to Democrat-stamped messaging, struggled to understand why anyone would fall for this clearly anti-woman nonsense, it actually did all make sense.

When you start putting your paycheck ahead of your integrity, you’ll say anything. Even “menstruator.” Even “transwomen are women.”

It’s fair to say that since this debate has finally exploded into the public realm, the fight against transgender ideology has probably become a grift for some men on the right (and beyond). But this is not where it began. It began with the selling of the “T” to people who needed the money, and continued to the point of practically no return because those pushing back didn’t have a bargaining chip.

The post It’s the funding, stupid appeared first on Feminist Current.

How To Make a Child-Safe TikTok

The exterior of a corporate office building, with the TikTok logo and wordmark over its revolving doors. From behind the revolving doors glares the hostile red eye of HAL9000 from Kubrick's '2001: A Space Odyssey.

This week on my podcast, I read my recent Medium column. “How To Make a Child-Safe TikTok: Have you tried not spying on kids,” about the bizarre unwillingness of considering a middle-ground between “unregulated TikTok” and “banning TikTok” – namely, prohibiting TikTok from spying on kids.

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(Image: Cryteria, CC BY 3.0; Vxla, CC BY 2.0; modified)

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