2023 Mid-Year Recap: Reader Favorites from the First Six Months of 2023

As part of my annual mid-year review, I always take a look at the blog statistics and see what type of content readers have enjoyed. The five posts featured here are the ones from 2023 that either received the most traffic and/or comments (relative, of course, to how recently some of them were posted). In terms of overall popular content, our posts on Hierarchies of Fountain Pen Friendly Paper, Picking a Workhorse Pen, and Fountain Pen Inks for Everyday Writing continue to be popular among T.G.S. readers, especially those new to fountain pens.

Many thanks for all your support and readership! For additional installments of our 2023 Mid-Year Recap, check out this post on my own personal favorite posts (with minimal overlap), as well as the favorite new product releases from the Curated Shop.

1. Workhorse Pens: Considerations and Pitfalls of High Capacity Pocket Fountain Pens. It’s extremely interesting to me that this particular post is among the most popular new content from the first six months of the year. The TWSBI Diamond Mini and Vac-Mini, as well as smaller Opus 88 pens, get very little attention, generally in favor of their larger counterparts. TWSBI at least has started paying some attention to the Diamond Mini, with the recently released Mini AL Grape.

2. Schon DSGN Full-Size Fountain Pen with Monoc Nib. Well, this is timely, because Schon DSGN announced recently (and posted pics last night) that they are working on anodized versions of their in-house Monoc nib. These look absolutely stunning. Follow them on Instagram to learn more and see what might be coming down the pipeline!

3. Ark of Pens (Guest Post from R.B. Lemberg). We had an outstanding response to the first T.G.S. Guest Post in a while, where R.B. went through their personal pen collecting story and discussed how they came to the hobby and collecting in general.

4. Triangular Grip Pens: Love ‘em or Leave ‘em? Nontraditional fountain pen sections are a love/hate proposition. Either people love the added structure intended to “guide” their fingers into writing position, or it simply doesn’t work for them. Personally, I’ve come to appreciate the slightly rounded triangular shape of the TWSBI ECO-T, and the Safari and AL-Star have never bothered me all that much. I never could use those molded “pencil grips” though….

5. Fountain Pen Basics: Five Best Practices for Fountain Pen Users. This post sparked the most comments, all of which I enjoyed reading! Everyone uses and cares for their pens in different ways - there really is no “right” or “wrong” way (other than anything that results in a puddle of ink in your bag, pen case, or pocket). I’ve made an effort to do more “Fountain Pens 101-style” posts, since I know we have a lot of readers who are coming to fountain pens for the first time this year!

The Gentleman Stationer is supported entirely by purchases from the T.G.S. Curated Shop and pledges via the T.G.S. Patreon Program. We greatly appreciate your support! If you’ve been considering the Patreon, now is a great time to join, as we are preparing to launch a new exclusive fountain pen release, and are in the middle of the Patrons-exclusive “Gently Used” sale.

2023 Mid-Year Recap: Five Favorite Posts from the First Half of 2023

Every year around this time I take a pause from creating new content to assess where I am in terms of the goals I set for myself and the site at the beginning of the year. This provides the opportunity to reflect on the progress made and to reassess priorities and make adjustments in light of new developments. As part of that review, I’ll look at both the shop and the blog, and always start by evaluating what worked, including my favorite posts from the first part of the year. This year, they include:

1. Journaling in 2023: Use It or Lose It? Well, did I use it or did I lose it? Neither. I've kept up on my journaling, but irregularly. Now is the perfect time to jump back into the daily habit, because I definitely start feeling off-track and disconnected without taking that time for myself. I’d also like to add in 20-30 minutes of morning pages, but that’s adding something entirely new to my routine so I’ll have to see how it fits.

2. Serious Nibbage: Do No. 8 Nibs Live Up to the Hype? Yes, they do. I’ve continued to use my No. 8 nibs regularly, and am actively looking to add more to my collection. In addition to just being more visually interesting, I love the way they write. Smoother? Slightly more springy?

3. Schon DSGN Full-Size Fountain Pen and Monoc Nib First Impressions. Schon DSGN’s completely in-house Monoc nib is easily my favorite product released this year. I can’t wait to pick up one of the color-anodized versions at a pen show later this summer.

4. Review Revisited: Pilot Iroshizuku Yama-Budo and Tsuki-Yo. As the year has progressed, one of the projects I’ve picked up along the way is revisiting things I first looked at in the early days of T.G.S., and if they’re items I continue to use, why they have such staying power. These two inks started out as two of my favorites, and remain at the top of my list.

5. Catching Up with Tactile Turn: The Side Click "Deep Space" Seasonal Edition. I still love my Tactile Turn “Deep Space” Side Click, as much as I did the day I purchased the pen. Just a reminder that the current seasonal release, “8-Bit”, is about to go away, so if you’ve been looking to get one now’s your chance.

The Gentleman Stationer is supported entirely by purchases through the T.G.S. Curated Shop and pledges via the T.G.S. Patreon Program.

Proprietary Ink Cartridges: Endearing or Annoying?

It doesn't take long for new fountain pen users to recognize that all fountain pen ink cartridges aren't created equal. While there is such a thing as a "standard international" ink cartridge and converter, it’s neither “standard” nor particularly “international”, as that term has essentially come to mean that the standard version "fits pens with JoWo, Bock, or Schmidt nib/feed assemblies." Nearly all of the Japanese brands, as well as some European brands like Lamy, use their own proprietary cartridge/converter format. Today I'll talk a bit about why I tend to prefer the Japanese-style cartridges to the standard international format.

Note: Whenever you buy a new pen from a brand you haven't previously used, ALWAYS check whether you also need a specific converter and/or cartridge to go with that brand.

Pilot Makes My Favorite Ink Cartridge, Followed By Platinum

Why these two, you might ask? Capacity. While each format is unique to each brand, these cartridges hold a LOT of ink. Moreover, the "wide mouth" format of the cartridge both ensures better ink flow than the typical international cartridge (which has a narrower opening) and makes the cartridge easier to refill with ink of your choice using a pipette or small eyedropper rather than a syringe. Of course, part of the reason why these cartridges tend to work so well may be due to the proprietary nature itself, with the cartridge engineered to fit the brand's specific nib and feed.

As an aside, there has been a lot of speculation as to why Pilot recently released the Iroshizuku Inks in cartridge form, and why they believe they can price these cartridges at the relatively high price point of $14 for six. Personally, I think it's because a large portion of users write with fine or extra-fine nibs (if not finer). Given that Pilot cartridges hold a decent volume of ink, six of these cartridges could last someone up to a year, especially if they don't write extensively by hand and, for example, use their pen to make occasional notes in a planner. (Standard Pilot cartridges are much less expensive, as are Platinum cartridges, and are sold in boxes of one dozen.)

While Sailor cartridges also feature a proprietary format with a wider opening similar to Pilot and Platinum, and work just fine, they don't hold as much ink. On the other hand, I find that Lamy cartridges have narrower openings similar to the Western-style Standard International cartridge. As a result, the ink doesn't flow quite as well, and Lamy cartridges can be difficult to puncture to the point where I sometimes worry I'm about to break the pen.

Takeaways and Lessons Learned Over the Years

At the end of the day, the proprietary systems of cartridges and ink converters can be both a pain to navigate and part of the charm of using fountain pens. Sure, it would be much more convenient to have a single universal format for all brands, and to not have to worry about stocking refills from multiple brands, but over time I've just come to accept that "the cartridge singularity" is not going to happen and learned to love the different shapes and peculiarities of each cartridge. My own opinion is that the Japanese pen companies make better cartridges than Western manufacturers. Not only do I get better performance - mainly ink flow - when I use these cartridges, but the cartridges seem to last longer on the shelf. My insanely busy week/weekend of work saw me cycling through several cartridges on the fly, and the number of half-evaporated cartridges I discovered in my office desk drawer stash (mostly standard short international) reminded me that these things don't last forever. Use 'em if you got em'!

The Gentleman Stationer is supported by purchases from the T.G.S. Curated Shop and pledges via the T.G.S. Patreon Program.

The Ark of Pens

Today we have a Guest Post from a friend of the blog, R.B. Lemberg! It’s been a long while since T.G.S. has featured a guest post, and I’ve been looking to bring in some new voices and hope to make this a semi-regular event. Enjoy!

In The Cultures of Collecting, editors Elsner and Cardinal describe the biblical Noah as the first collector. “Adam had given names to the animals, but it fell to Noah to collect them… Menaced by a Flood, one has to act swiftly. Anything overlooked will be lost forever: between including and excluding there can be no half- measures. The collection is the unique bastion against the deluge of time.” (Elsner and Cardinal 1994:1)

It took a global crisis to make me a collector of pens.

In 2020, shuttered in my room and yet overloaded with responsibilities of teaching, leadership, caregiving, and generative work, I stepped into the world of fountain pens for respite. It wasn’t my first pen venture; I learned about writing with dip pens and fountain pens in Soviet elementary school. I was a clumsy child and the pens were of poor quality; I hated every moment of it. Later, in graduate school in the US, I happily used a single Pilot Falcon. I put it aside after getting my doctorate, and switched to Pilot V5s; but something shifted during the pandemic. I think this describes many people.

I remember 2020 and 2021 as joyful years for pens. Everything else was ash and fear, but pens were a happy creative outlet, and many new people joined the hobby. I certainly did not think about myself as a stationery collector before the pandemic, but I found myself reading fountain pen books and blogs and watching instructional videos. In a quest after that special magic of a perfectly tuned nib touching paper, I tried a whole lot of pens. I sent a few pens to Mark Bacas for a grind. I talked about fountain pens endlessly. By the end of 2021, I figured out what I liked, and began curating.

I wasn’t collecting pens to save them from the deluge of time, and these days I’m not sure if I am a collector at all. I like to use my pens, but I also enjoy simply lining them up; I live for an aesthetically pleasing pen tray. There’s certainly a central theme to my collecting. I love Italian pens. I gravitate towards stubs and italic nibs, as well as the sometimes-maligned European mediums. The colors and textures of pens in my tray reassure me that beauty persists beyond the devastation of wars and pandemics, beyond market pressures and too-rapid technological advances. Fiddling with my pens reminds me that history is a human story. We value not just what’s the latest and fastest and flashiest; my pens promise and deliver a contemplative world.

As a curator, I am infinitely curious about other people’s practices. Over the last three years, I read blogs and talked to folks online and offline about managing fountain pen collections. Some never give anything up – once the pen enters a collection, it is there to stay, whether used frequently or not. In the story of the flood, only a single raven (and later: a single dove) ever left the Ark. Others rotate through pens, frequently buying and selling; a prime example of this approach is the fascinating UK Fountain Pens blog. Many people are somewhere in the middle  - they keep most or many of their pens, and let some go. Some folks call their pens a collection, others an accumulation. I call mine the gathering. Sometimes I think my pens are alive – not just items on display, but friends who hang out with me, and help me get words down on page in a way that nurtures my soul.

Sometimes, pens leave the gathering. They’ve had enough of my party. :) Others are here to stay.

Today’s Highlights

Onoto Scholar in Mandarin Yellow. I got this one from Onoto directly for a great introductory price in early 2022; the nib in it right now is a special order stub, I believe ground for Onoto by John Sorowka.

Leonardo Momento Magico in Brooks Bohemian Twilight. This one was a birthday present from Limited Pens Korea. I swapped the steel Medium it arrived with for the excellent Franklin Christoph M Sig – one of the best nib grinds I’ve tried so far (thank you, Audrey!) It is an incredibly versatile and joyful pen – I love the ink window and the fact that the nib unit unscrews for cleaning, making it excellent for shimmers.

Aurora Optima Viola with a Factory Stub. I got it for an amazing price on Fountain Pen Day. This also was subsidized by birthday moneys. I wanted to try an Aurora, and this one is superb and easily one of my favorite pens ever.

What are some of your fountain pen standouts? Do you curate, and if so, what is your approach?

R.B. Lemberg (they/them) is a queer, neurodivergent academic and writer of speculative fiction. They are the author of The Unbalancing (2022), The Four Profound Weaves (2020), and other books. You can find them on their website http://rblemberg.net, on their Instagram as @rblemberg, and on Patreon at https://www.patreon.com/rblemberg

Five Things You Can Do To Introduce New Users to Nice Pens

This is a bit of a different post this year, following up on trips to three different pen shows (Baltimore, Arkansas, and - this past weekend - Atlanta), all of which had a large contingent of new users. If you saw me at the show this past weekend, you probably noticed that I had my own “new user” in tow, as my nine-year old daughter accompanied me to her first pen show (well, really the first pen show that she can remember). It was a big hit, especially judging from our haul below! I thought it might be fun to do a post in which I discuss my own thoughts on introducing new users to this passion of ours. And if you’re a new user yourself, hopefully you can find something here that might interest you!

1. Start with Paper. There are many more people interested in notebooks and planners than there are people really into pens. I’ve found that one of the best ways to show someone why I’m so passionate about stationery is to ask them to write with a good notebook or writing pad, and compare it to the paper they’ve been using that they either stole from their office’s supply cabinet or picked up for a couple of dollars at a big-box outlet. My favorite brands for this sort of experiment are Maruman Mnemosyne and Clairefontaine, since these brands are less intimidating both price and design-wise, making newbies less nervous about using them (and buying more).

2. Start with a Non-Fountain Pen. Retro 51 is a great “gateway brand” for nice pens, featuring both fun designs and a quality refill. (My daughter’s first pen was one of Brad’s Shiba Retro 51 rollerballs.) Ballpoints are also great. At this year’s San Francisco Pen Show, I ordered personalized Traveler’s Company Ballpoint Pens in limited edition colors for all of my family members, and they were a huge hit. Again, the goal here is to start someone with a pen that’s not intimidating and where there’s little-to-no learning curve from something that they’re already familiar with.

3. Give Someone a Pen from Your Collection. If they’re insistent on trying a fountain pen, give them a pen from your collection that you’re not using anymore. One of my colleagues at work bugged me for weeks to let her try a fountain pen, and I finally decided to just give her a Lamy Safari that I had at home and hadn’t inked up in a while. She loves it. For someone who hasn’t used a fountain pen at all, and is on the fence about them, gifting that person a pen may work out better in the long run because you remove the frustration that might result from someone feeling like they “wasted money” while they figure things out.

4. Take Someone to a Smaller Pen Show or a Beginner-Friendly Store. This is especially important if you’re trying to introduce a child to fountain pens. Smaller shows tend to be easier to navigate, and aren’t so large that they’re overwhelming to new users like D.C. or San Francisco. Vendors and attendees both seem less stressed, and can take the time to explain things to children (and new users in general). If you have a local “beginner-friendly” store - meaning that the store has both a friendly, helpful proprietor as well as products available for people to hold and try - that’s a great place to start. For this reason, the Arkansas Pen Show is an excellent show for first-timers, as you have both the show itself and Vanness Pens available to visit locally.

5. Don’t Treat Your Pens as “Ultra-Precious” Around Others. I always keep a Platinum Preppy, Platinum Plaisir, or TWSBI Swipe fountain pen inked up and available for people to try if they ask. I also make sure that people see me using my stationery, whether it’s my beat-up Traveler’s Notebook, or my ink-stained Nanami-paper Café Note and Lochby Quattro. Anybody who visits me at my house is free to sort through the piles of stuff I have in my office, with anything truly fragile or valuable put safely away to just avoid the issue entirely. If people see pens, paper, and related accessories as tools to be used in the real world, as opposed to fussy fetish objects to be collected and babied, they’re more likely to develop an interest themselves.

To read more on my pen recommendations for beginners, check out the T.G.S. “Best Pens” list, which is in the process of being updated for 2023 and should be slightly refreshed sometime this month. Also, if you’re interested in learning more about paper (and specifically, fountain pen-friendly paper), check out this post, which has a vibrant comments section with tons of recommendations in addition to the brand that I discuss. Now excuse me while I’m off to ink up someone’s new eyedropper….

The Gentleman Stationer is supported entirely by purchases through the T.G.S. Curated Shop and Pledges via the T.G.S. Patreon Program. This post does not contain affiliate links or paid third-party advertising.

Pen Show Adventures: Dipping Back into Vintage, or Pursuing Vintage-Style Modern Pens?

Up front, I will admit that I’m neither a vintage collector nor even a vintage pen enthusiast, and my knowledge of most brands and specific models pale in comparison to others in this community. So take whatever I say regarding vintage pens and the vintage market with a (very) large grain of salt. That said, I attended both the Baltimore and Arkansas pen shows - and particularly Arkansas - looking to pick up a few vintage pens for my collection, mainly to replace certain models I wish I hadn’t let go during “catch and release” phases over the years.

Smaller shows like the Arkansas Pen Show make excellent opportunities to shop for vintage pens. Larger shows like D.C. can feel overwhelming, and because the shows are both crowded and geared towards higher-end collectors and sales between dealers, they can be difficult for the newbie or the casual buyer to navigate. Pens also tend to be more expensive because they are either more pristine collectors pieces, or outright overpriced. (I also advise people to adopt a “buyer beware” attitude at these larger shows. In my early days of collecting, I had more than one experience at D.C. where I purchased a vintage pen that later turned out to be “not as advertised,” to put it politely. More on this later, as I plan to update my vintage pen resources.)

Smaller shows - particularly shows run by a local pen club - are friendlier, with many of the “dealers” being club participants and collectors selling for “show money”, to rotate pens out of their own collection, and/or to help grow the hobby. Many are happy to talk with new enthusiasts, and will give you honest appraisals of pens, flaws and all. If you have to deal with the same show attendees and club members year after year, reputation matters. At the Arkansas Pen Show, I purchased two Parker 51s from Danny Fudge (aka “The Write Pen”), both of which are excellent “user grade” pens, expertly restored, with character. One had a broader nib that I had Matthew Chen shape to a semi-Naginata, and the other sports a hammered gold fill finish (“possibly by Ariel Kulloch”) with an excellent stub nib. The first pen cost me $100, and the second $175, which I consider to be very fair pricing for functional vintage pens restored by a reputable dealer.

If You Don’t Want to Fiddle with Actual Vintage pens, the Current Market Has a TON of Vintage-Style Options

While vintage pens like the Parker 51 are fairly durable, easy to repair, and timeless, other models don’t translate as well to the experience sought by many modern users. For example, I’ve always admired the oversized Sheaffer Balance fountain pens, and have even owned a few over the years, but found the material prone to cracking and I’m not a huge fan of lever-fillers. Fortunately, these days you have a wide range of modern options in a similar “vintage” style, and I spent many hours next to the Vanness Pens table eyeing (1) the Tibaldi Bononia Limited Editions; (2) the modern Conway Stewart lineup in their classic materials; and (3) both the modern Onoto Magna and Scholar fountain pens, which have garnered rave reviews and which I’m in the process of reviewing. If you appreciate vintage design, but perhaps not the “adventurous” nature of writing with an actual vintage pen, you have plenty of options!

Lately, this trend has even started to extend beyond fountain pens. I wrote the entire first draft of this review on a series of airplane flights and in the back row at a work conference using an Anterique “Mach Ball” click pen. I love the aesthetics of vintage Bic Clic-style ballpoints, but generally can’t stand the refill. Anterique uses a .5mm low-viscosity hybrid gel-ballpoint ink refill that even fits some actual vintage ballpoints.

If you’re not a purist, you can sometimes find the best of both worlds: vintage-style design without the unpredictability of finicky filling systems or refills. As a user of fountain pens and other writing instruments, as opposed to a collector, I’m equally drawn to both vintage writing instruments and quality modern alternatives. It certainly offers a wider range of options to enjoy everyday writing!

This post does not contain paid third-party affiliate links or advertising. Vanness Pens did loan me certain of the pens pictured in this review. I am not being compensated for content, and The Gentleman Stationer is supported entirely by purchases from the T.G.S. Curated Shop and pledges via the T.G.S. Patreon Program.

"Boring" Can Be Better: In Defense of Standard Stationery

Sometimes what’s fun from a hobby perspective isn’t always what’s best for everyday use. That multichromatic triple-shading ink with shimmer? Probably not the best choice for quick meeting notes or signing closing paperwork on your mortgage. That triple-broad double-eagle reversible stub architect nib? That’s gonna bleed through a legal pad. While most of us enjoy our crazy stationery, it can’t take us everywhere.

The most common questions I get, both here on the blog and in-person when I’m behind a table at a pen show, concern what pen/ink/paper I can use everyday, without worrying how it’s going to perform. I often recommend that those planning on using their pens for everyday writing keep at least a couple of “workhorses,” or pens designed to write, without regard to unique design, collectibility, etc. I feel so strongly about this that I’ve devoted an entire series of articles on the blog to this topic, which I’ve compiled into an archive that’s constantly being updated.

But while pens get the most attention, more critical components of “everyday writing” are ink and paper. With fountain pens, I would say that ink is the key variable, since you often cannot control the paper you’re forced to use in a context such as the office. You therefore need to have a handful of “workhorse” inks in addition to your “workhorse” pens, that you can use knowing that they will likely perform decently on most paper options. Back in 2020, I even put together a sample pack of some of my favorite inks, including Waterman Blue, Sheaffer Skrip Red, and Lamy Black. While I may consider running that one back in the future, I’m not sure that recommending specific inks is all that helpful or necessary. For the most part, standard inks made by major pen company such as Waterman, Lamy, Sheaffer, Pilot, TWSBI, etc. will generally be “safe” to use in most pens and on most papers, and even boutique lines such as J. Herbin and Diamine - both made by ink companies that have existed for a very long time - are extremely reliable provided you stick to the water-based core lineup for your office writing, as opposed to inks with special properties such as shimmer that can be unpredictable on anything other than high-quality paper.

Advantages and Considerations When Using So-Called “Boring” Inks

So why don’t quality, reliable inks get more attention? Honestly, the fountain pen internet and social media tends to be driven in large part by people who either don’t actually write with their pens everyday, or use their inks for art and journaling where practical considerations are less relevant. When those creating the content consider the inks “boring,” they don’t get promoted and fall by the wayside. But I’m here to tell you that sometimes “boring” has a lot to offer! Consider:

• Ease of Cleaning. While some exceptions exist (pinks and purples in particular tend to be hard to clean no matter what), I value inks that flush out of pens quickly when you refill or change colors. Most of the brands I mentioned above take little to no effort to flush, and shouldn’t stain most materials, vintage or modern.

• Expense. Looking for an ink that you’re going to use a lot? While ink isn’t the most expensive part of this hobby, if you write through several converters a week like I can when I’m really busy, you probably don’t want to be stocking up on ink at $50 per bottle. Most of the inks I consider workhorses are less than $20 for 30-50ml.

• Permanence. People tend to treat “permanence” (more specifically, the lack thereof) as a negative rather than a positive when it comes to fountain pen ink, but I’ve come to believe it’s overrated. While it’s nice to have some water resistance, I can count on one hand the number of times I’ve spilled water or a drink on some notes, and completely lost what I had written. On the other hand, I’ve frequently spilled ink when filling pens, when a pen leaks during travel, or when I accidentally drag a shirtsleeve across some writing that’s not quite dry. If it’s permanent ink, it’s probably going to stain. On the other hand, a few weeks ago I spilled a sample vial of Iroshizuku Tsukushi onto the rug in my office. I ran the rug through the washing machine and the ink washed out completely on the first try. On the other hand, I spilled a bottle of permanent blue-black on some carpet several years back and had to recarpet the room. Personally, I’ll take the safe/impermanent/washable option for those inks I plan to use everyday, but I’m also a klutz.

Now here’s the part where I sort of contradict myself: When I first entered this hobby, it used to be a reliable rule-of-thumb that if you were looking for a “safe” ink (i.e., to use in a finicky, valuable, or vintage pen) any ink made by a “pen company” was generally suitable. Today, I still get e-mails from people asking whether “X” shimmer ink is safe for vintage pens, since it’s made by “X” pen company. Having seen the rapidly expanding market for fountain pen ink, including inks that shimmer, sheen, and multi-shade, pen companies are expanding into these more specialized offerings. So while you can take the “pen company manufacturer rule” into account, it’s no longer something you can solely rely upon, and you have to do some homework. I generally advise people that if you want to purchase a particular ink for use everyday, and you want the ink to be versatile enough to use in as many different pens, on as many different papers as possible, it’s wise to avoid inks with special properties.

Come Visit Us At an upcoming pen show!

As I mentioned above, I’m getting ready to visit this year’s Baltimore Washington International Pen Show, as well as the Arkansas Pen Show the following week, and at both shows I’ll be conducting a free workshop tentatively titled “Stationery for Daily Use with the Gentleman Stationer,” in which I plan to discuss pens, inks, paper, and notebook systems appropriate for managing your daily life and work. The class will be similar to the “Everyday Writers: Choosing the Best Pens for Home and Office” seminar that I held at the last Baltimore Show I attended as a vendor, back in 2020.

We will also plan to bring a curated selection of pens, inks, and notebooks with us to both shows, so you’ll have the opportunity to test out many of the goods in our shop in person. We hope to see you there!

The Gentleman Stationer is supported entirely by purchases from the T.G.S. Curated Shop and pledges via the T.G.S. Patreon Program, and is an authorized retailer of all brands sold, including certain ink brands mentioned in this article.

Triangular Grip Pens: Love 'em or Leave 'em?

In the world of pens, there are a handful of highly polarizing products, and I’d place “molded grip” or “triangular grip” pens in the top five. The most well-known, of course, is the iconic Lamy Safari, with the Lamy AL-Star, TWSBI ECO-T, Kaweco Perkeo and others falling into this category. So why do pen companies opt for this type of design? How big of a “real world” issue is it? And how has it affected my own ability to use these pens?

Triangular Grip Pens: Origins and Purpose

Before they went hipster mainstream (j/k), pens like the Lamy Safari were intended for students - particularly students learning to write with a fountain pen for the first time. Most molded grip sections are shaped similarly to those slide-on pencil grips that teachers in the 1980s would force on those of us who refused to hold our pencils “correctly,” in order to guide our hands into the “proper” position. These days, Lamy markets the Safari/AL-Star pens to a market beyond students, billing the section as an “[e]rgonomically shaped grip area to enable writing for long periods of time without tiring,” but as with most things ergonomic, these pens don’t work for everyone. While I’ve not done any sort of survey, anecdotally, lefties tend to have more issues with the grip, since they’re designed with the right-handed majority in mind. And even those righties with nontraditional finger placement can have a difficult time with a shaped section.

My Own Personal Handwriting Struggles and Preferences

I have a history of handwriting struggles. Until I entered college, I used what could charitably be described as an “unusual” pencil grip. Nobody could understand how it worked, how I learned it, and why I continued to write that way. Despite the fact that I was generally a good student, with visually excellent script, I regularly received a “C” or “D” in “handwriting” on my report card, solely due to how I held my pencil. I had one elementary school teacher dub my grip “The Claw”, and made it their personal mission in life to change it. They failed.

At some point The Claw became a matter of personal pride, not to mention practicality. If you grip your pen or pencil a certain way for years, you reach a point in high school where you can’t change it because to do so would sacrifice speed. (To add some context, I graduated from high school in 1998, which dates me but it’s necessary here. I was probably one of the last classes where e-mail and internet access was available to us, but not required, and all of our examinations and most of our homework, including research papers, had to be handwritten as opposed to typed. Handwriting speed was therefore a factor. I understand that this changed at my school a couple of years after I graduated.) It wasn’t until late college/early law school, when I started transcribing most of my lecture notes on a laptop, that I was able to change my grip because I had the luxury of slowing down.

So why did I change? RSI issues in my hand and wrist, as well as a semi-deformed right ring finger that had a huge, painful callous that only completely disappeared three or four years ago - nearly 20 years after I changed my handwriting style. While my current grip isn’t “textbook,” it’s closer to what’s contemplated by most molded-grip pens, and if I’m honest, probably could have saved me a lot of trouble over the long-term if I hadn’t been so stubborn.

How to Use a Triangular or Molded-Grip Pen

Unfortunately, the truth is that unless you’re willing to change your grip, these pens either work for you or they don’t. Some pens, like the TWSBI ECO-T and the Kaweco Perkeo, feature a “softer” triangular grip that’s much more forgiving. The sharper edges of the Safari and AL-Star tend to cause more problems for people. While the Lamy pens aren’t a perfect fit, and for this reason have never become “favorite” everyday writers, they’re not incompatible with my current grip because I can rest my index finger on the top ridge, similar to how I’m able to rest my finger atop the clip of a Pilot Vanishing Point and Decimo. The good thing is that these pens are relatively inexpensive to test out, coming in at $35 or less. If you’re considering a more expensive pen like one of the retractable nib Pilot pens, I’ve found that how one’s hand holds the Safari approximates how you would have to grip a Vanishing Point or Decimo, so if you can’t get to a pen show and try one of these in person, picking up a less expensive pen with a triangular grip might save you from a more costly mistake.

I’m interested in hearing: How many of you can’t use these types of pens at all? Also, I rarely hear from anyone who purchases a pen with a shaped grip specifically for that section, but does anyone particularly enjoy this feature? Personally, I’ve really been enjoying the the ECO-T, which has a much more subtle grip shape, and I have plans to get my hands on another Kaweco Perkeo soon.

The Gentleman Stationer is supported entirely by purchases from the T.G.S. Curated Shop, and pledges via the T.G.S. Patreon Program. While this post does not contain third-party affiliate links or paid advertising, the Gentleman Stationer is an authorized retailer of certain brands discussed in this article. Please view the shop for the full range of brands sold, which is subject to change.

APA Philosophy Journal Survey

This post is just to remind readers about the American Philosophical Association’s Journal Survey site.

The site solicits information from authors about their experiences with journals, and lists the reported acceptance rates, response times, and ratings of reviewer comments and editorial experience. If you haven’t supplied data for it in a while, consider doing so. Check it out here.

Some background on the project is here.

What's the Most Popular Nib Size? By a Wide Margin, It's Fine or Medium.

Sorry broad-nib lovers, but the numbers don’t lie.* You may have noticed that I’ve been doing some surveys lately, both via Patreon and via Instagram, and it’s for several reasons. First of all, I’m always curious about people’s preferences and what they use for their everyday writing. Second, I’ve noticed that as many as 65% of the pens I sell are fines and mediums. If that holds as true, my buying strategy of stocking up on equal numbers of all nib sizes probably isn’t the best idea, especially as I bring in more pen lines and invest in more expensive inventory. So I posed the question: If you’re purchasing a pen to use unmodified, in one of the “default” nib sizes of extra-fine, fine, medium, broad, or stub, what size do you prefer?

Here are the results (which as of the time of writing are still preliminary on Instagram, but overall consistent with data I’ve seen elsewhere so I have no problems going ahead and posting my conclusions):

• On T.G.S. Patreon, 75% of respondents chose fine or medium. The other 25% chose broad, stub, or wider (if available). Surprisingly, nobody chose extra-fine.

• On Instagram, as of the time of writing, 63% chose fine or medium. 16% chose broad or wider, and 21% chose extra-fine. The Instagram results are probably more reflective of the community at large, as it’s a bigger sample size.

As I noted above, anyone with rudimentary training in statistics could find multiple ways to criticize this poll, and it’s neither intended to be scientific nor taken completely seriously. When I posed the question, I also framed it around “stock” nibs that are generally universal across brands, as there’s a lot of variation between different companies’ in-house nibs. But let me say this: the results of this poll are 100% consistent with what I see going out the door in my shop, so at a minimum the responses are a pretty accurate reflection of the nib preferences of The Gentleman Stationer readership. One of the fun parts of being a retailer is having a bit of insight into what people actually buy, as opposed to what gets the attention on blogs, social media, and podcasts. If you follow pen-related social media at all, you might be forgiven for thinking that most true fountain pen enthusiasts write only with broad nibs or stubs - nibs that lay as much ink as possible on the page - or microscopically small needlepoints. While many people certainly enjoy having a few unusual nibs in their collection, those of us who are forced to go out into the word and write on what passes for “office paper” these days recognize that’s not a sustainable approach to modern life.

Personally, I default to purchasing pens with medium nibs. A medium is broad enough to show off ink without soaking a page of copy paper, and usually still has enough tipping to support a nib grind. That said, I have so many medium nibs in my collection - including handfuls of loose JoWo and Bock nib units - that I’ve recently taken to purchasing broad or double-broad nibs solely for the purpose of accumulating a ready stock of nibs for modification. Nahvalur nibs in particular have a LOT of tipping, so if you’re purchasing a pen with the specific intention of getting a specialty nib grind, keep that in mind. In San Francisco, I had C.Y. of Tokyo Station Pens modify my Double-Broad Nahvalur Nautilus into a Naginata-style grind, with an excellent result.

I’m still interested in hearing directly from readers: What factors do you consider when selecting a nib? Why do you prefer one nib size over another? Please feel free to leave a comment or send me an e-mail!

Disclaimer: The Gentleman Stationer is supported entirely by purchases from the T.G.S. Curated Shop and pledges via the T.G.S. Patreon Program. This post does not contain paid advertisements or third-party affiliate links.