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Austin, Texas-based URBS Studio is joining us for July’s Designer Desktop with a background that’s cool-tempered but energizing. Through her interdisciplinary design studio, Alyson Beaton explores the urban culture that surrounds her. The details and detritus observed all contribute to the whole of the studio’s work: grids, grit, signs, symbols, rhythm, scribbles, weeds, chaos, order, and more. URBS translates these visual tales of urban renewal and environmental sustainability through spaces, textile collections, children’s products, and more. The man-made environments that are part of our everyday lives are constantly evolving in different ways, and most of it’s nothing you or I have control over. But we’ll never tire of seeing creativity rise from the most unexpected of places.
For this month’s Desktop, Beaton shares her Glimmer design inspired by “The glimmer of light that reflects off the glassy buildings when the sun hits just right.” The trippy design is paired with the quote, “While you are looking, you might as well listen, linger, and think about what you see,” from Jane Jacobs.
Download yours with the links below!
Town Square Text
Whichway Cover
Metropolis
Flaneur Cushion
Facade
Glimmer
Alyson Beaton, URBS Studio
DESKTOP: 1024×768 \\\ 1280×1024 \\\ 1680×1050 \\\ 1900×1200 \\\ 2560×1440
MOBILE: iPhone XS \\\ iPhone XS Max \\\ iPad Pro
Learn more about URBS Studio here and follow along on IG here.
View and download past Designer Desktops here.
Trouble's brewing, what with all the unreadable AI dreck turning up in search results. Soulless and repetitious generated text is forcing out everything from the old machine-written junk (like those those gadget spec-comparison sites) to things that expensive humans write. — Read the rest
Kimberly Garza grew up going to the river, which depending on the day and her family’s mood could have meant the banks of one of a few bodies of water: the Frio, the Sabinal, or the Neuces. All three rivers are in close proximity to Garza’s hometown of Uvalde, Texas:
RIVERS ARE PLACES OF FORGETTING, of memory. But they are also places of healing.
The use of rivers and water in therapeutic practices is millennia old, employed by nearly every Indigenous culture known around the world. The term “river therapy” refers to the practice of swimming in a river or walking near one and drawing positive benefits and relief from the space and its elements. River sounds are used in relaxation training systems to soothe and calm people. Studies have shown that just listening to a river can alleviate stress.
The term “spa” derives from the Latin phrase sanitas per aquas—” health through water.”
UVALDE IS NO LONGER known for rivers but for tragedy. We are part of a terrible tradition of Texas towns with this fate, among places like Santa Fe, El Paso, Sutherland Springs, and Allen. Since the massacre of May 24, 2022—the murder of 19 children and two teachers at Robb Elementary—we have seen our unraveling, our sorrow and our rage, broadcast to the world. We have watched our town’s name, the names of our neighbors and families and friends, carried on a current farther away from us. We grieve, even today. Some part of Uvalde always will.
But the rivers are still here, the moments of respite in the waters around us.
I hope the healing is coming, too.
That’s the Canadian River in the Texas Panhandle. The lovely photo is by Sean Fitzgerald from this story. The theme of this issue of Texas Highways is rivers — and more generally water in Texas. It’s something that concerns me profoundly. I have an essay on water and the West coming out in Raritan soon — I’ll link to it when it appears.
Jack, a Canadian soldier recuperating in a European hospital during World War I, begins a correspondence with Louisa, the librarian in his hometown whom he has only seen and loved from afar. Their letters turn romantic. But when the war ends and he returns home, Jack never shows his face to Louisa and marries another woman, leaving Louisa to wonder if she’s been the victim of some diabolical trick. Then Jack becomes the victim of an accident at the local factory. Wes & Erin discuss Alice Munro’s short story “Carried Away” and asking how the unforgiving machinery of a factory might mimic the so-called machinery of courtship, and how being carried away, whether by love or by ideas, might prove dangerous.
The post (sub)Text: Losing Your Head in Alice Munro’s “Carried Away” first appeared on The Partially Examined Life Philosophy Podcast.
Cindy Campos reads the book "Stay Safe" to one of her sons in Dallas.
In the parking lot of the Twin Pines Mall, Doc Brown plans to use his Delorean time machine to head 25 years into the future and see, as he puts it, “the progress of mankind.” But like the license plate on the Delorean, Doc is out of time. Through his absent-mindedness—and angering some terrorists—Doc has failed to provide a future into which he or his friend Marty McFly can progress. Meanwhile, Marty’s own options and possibilities have been foreclosed by the mistakes of his parents, whose inaction and passivity have failed to secure happy lives for themselves or their children. Out of time and without a viable future, Marty’s only way forward is back. Wes & Erin discuss the 1985 film, “Back to the Future,” and how securing the provisions for one’s own future depends on two modes of confrontation: one in the present and one with the past.
The post (sub)Text: Time and Taboo in “Back to the Future” (1985) first appeared on The Partially Examined Life Philosophy Podcast.
Dade Phelan, Speaker of the House in Texas, overseeing debate in the House chamber at the Capitol in Austin on Tuesday.
Gov. Ron DeSantis of Florida has campaigned against what he has described as “woke indoctrination” in the classroom.
In “Holy Sonnet 14,” John Donne would like his “three person’d God” to break instead of knock, blow instead of breathe, and burn instead of shine. This vision of redemption is about remaking rather than reform. And it seems to be motivated by a sense that reason and the typical rhetoric of faith are not enough to bridge the mortal and the divine—what’s needed is God’s violent intervention. Wes & Erin discuss Donne’s surprising and paradoxical use of war and rape as metaphors for salvation.
The post (sub)Text: The Violence of Redemption in John Donne’s “Batter My Heart” (Holy Sonnet 14) first appeared on The Partially Examined Life Philosophy Podcast.Get the Longreads Top 5 Email
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Joshua Kaplan, Justin Elliott, and Alex Mierjeski | ProPublica | April 6, 2023 | 2,936 words
No matter where you get your news, you’ve likely seen this story sometime in the last 24 hours. It’s a bombshell investigation that reveals how Supreme Court Justice Clarence Thomas has received lavish gifts from a billionaire Republican donor named Harlan Crow, likely in violation of federal law. Said gifts include international cruises on a staffed superyacht, a Bible that once belonged to Frederick Douglass, flights on a private jet, and annual vacations to Crow’s luxury compound in upstate New York. Anyone with an iota of respect for democracy should be appalled — albeit unsurprised, given everything we already know about Thomas’s associates, including his wife. Read it and rage. But also read it and admire the craft that went into telling the story. It is rich in detail, yet precise. Its tone is finely tuned. The selection and placement of quotes are [chef’s kiss]. The writers dole out gobsmacking information throughout the piece, right down to the kicker. This is top-notch reporting and delivery. A+ all around. —SD
Michael Hall | Texas Monthly | April 4, 2023 | 8,672 words
The legend of Robert Johnson dwarfs the man himself in many ways. Johnson wasn’t the first recorded blues musician, nor the most prolific of his era. Yet, his brief career and early death shrouded him in mystery and mythology, ultimately influencing the evolution of popular music itself — and confounding would-be biographer Mack McCormick. McCormick, who spent much of his life chasing down the stories and music of men like Johnson, is the focus of this remarkable story, but he’s by no means a hero. He may have been once, when Texas Monthly executive editor Michael Hall first profiled him 20 years ago; that was before his obsession overwhelmed his clarity, and his remarkable research into Johnson’s life turned into something far more toxic. Now, Hall revisits McCormick’s life after his death, teasing the truth from hagiography and telling the long, twisting tale of a man crushed by his own masterwork. Having helped titans like Lightnin’ Hopkins find the spotlight, McCormick long ago achieved his own legendary status. The question that persists is whether a legacy like his can be tainted by a flawed final act. —PR
Ben Goldfarb | Hakai Magazine | April 4, 2023 | 2,400 words
A reported essay on the intricacies of dog-leashing rules could have felt like a real slog. But Ben Goldfarb’s piece lifts off the page. In the opening paragraphs, we meet Kit, Goldfarb’s dog, as she runs along the beach with the wind flying through her floppy ears. It’s an image I could instantly relate to: Like all dog owners, I love watching my own dog dash around off-leash. (Well, meander around. She isn’t the speediest.) But, sometimes, there can be an environmental cost. Goldfarb meticulously takes us through the problems of letting dogs off-leash on a beach, raising some concerns I had never considered. I felt for the shorebirds trying to rest after a long migration; as a contributor eloquently puts it, “Imagine you’ve just gotten home from work and want nothing more than to chill on the couch with a beer — and then a pack of barking dogs tears into the house and chases you outside, over and over again.” Combined with some horrific facts about little blue penguin deaths, this piece will make you think about when to unclip that leash. —CW
Meg Bernhard | n+1 | March 2, 2023 | 3,367 words
This week, Meg Bernhard’s piece hit the sweet spot for me as a reader, offering insight into a world I know nothing about: what it’s like to be a female long-haul truck driver. I’m fascinated by the minutia of others’ jobs and this piece delivered. You’ll meet members of REAL Women in Trucking, a rights advocacy group for women drivers, and get to know Jess, age 39, who escaped an abusive relationship to see America behind the wheel of her rig dubbed “The Black Widow.” “Jess kept a secret credit card,” Bernhard writes, “and left their home only with the clothes she was wearing. She went to her stepdad’s, applied for a trucking job, and was on a bus to a training facility in Indiana four days later. Halima spent fifth grade on the road. They solved math problems with dry erase markers on the truck’s windows and played catch in warehouse parking lots.” —KS
Angela Burke | Eater | March 24, 2023 | 1,533 words
At an early age, I had mastered a critical skill in our house: lifting the lid on our humongous cookie jar to pilfer a treat, then replacing that lid in complete silence. As a cookie burglar, I was an apple that hadn’t fallen far from its tree. My Dad was always there first. And when my mom complained about dwindling stock, dad pointed the finger directly at me and my brother. (The nerve!) That cookie jar (a brown ceramic wooden stump with a creepy, grinning gray squirrel on top) sits on their kitchen counter to this day. At Eater, in this love letter to the kooky cookie jar, Angela Burke introduces us to artist and vintage ceramic cookie jar maker Hazy Mae. Her custom jars, in homage to Dolly Parton, Andy Warhol, Elvis, and Madonna (among others), can run $800 or more. That may feel steep, but can you really put a price on a vessel that could eventually contain fond memories, too? —KS
This is the piece our audience loved most.
Jayson Greene | Pitchfork | March 29, 2023 | 4,435 words
Yes, it has one of the best hed/dek combos I’ve seen this year, but Jayson Greene’s look back at the spuming cultural wave known as the pop-R&B gigahit “Blurred Lines” doesn’t stop there. It aims primarily at Robin Thicke, though Greene’s got heat for everyone from Thicke collaborators Pharrell Williams and T.I. to Miley Cyrus. Sometimes the best culture-crit is steeped in a vat of acid. (That said, I regret to inform you that “Shooter” still goes superduperhard.) —PR
If you have zero interest in the blues — the very foundation of American music — I can’t promise you a gripping tale. But if you have even a passing awareness of Robert Johnson, or the impossibly rich tradition that descended from his scant recordings, then you won’t be able to tear yourself away. Discovery, dispute, and deceit: from those three chords Michael Hall composes an unforgettable tune.
On April 4, Mack’s manuscript, Biography of a Phantom, was finally published, more than five decades after he started it. But it’s very different from the pages I held in my hands back in 2016. In parts of the book, Mack’s presence outweighs Johnson’s—and not to Mack’s benefit. By the last page, Mack has become the villain of his own life’s work.
Mack’s favorite Dickinson poem begins, “This is my letter to the World that never wrote to me.” If you’re familiar with the poem, you know that it ends, “Judge tenderly—of Me.” As Mack’s friend, I’m going to try to do that for him. Though he made it really hard, because a lot of what I thought I knew about Mack was all wrong.
Matriarch is the sixth and final addition to the In Your Skin upholstery collection, a collaboration between HBF Textiles and product and interiors designer Erin Ruby. Aptly named, Matriarch is a twill weave with strong color combinations that evoke wisdom and experience. Visually, the twill blends bold complementary colored yarns to create a subtle melange and moire effect.
The six sensorial textiles in the woven fabric collection celebrate being comfortable in your own skin, inspired by the human experience and the ephemeral nature of life. Tactile with a handmade quality, In Your Skin looks like a residential product, yet has the durability for contract and hospitality environments. Each of the fabrics are certified Indoor Advantage Gold (SCS), woven and manufactured in the United States with wool locally sourced from the Midwest, and most patterns are made using post-consumer and/or recycled materials.
In Your Skin marks Ruby’s third collaboration with HBF Textiles. “Sometimes contract textiles can tend toward being cold or lifeless for pragmatic reasons, but this collection is so warm and tactile even with its high performance functionality. It’s full of life – imbued with optimism and aspiration, which I think will resonate within a space,” she shared.
The collaboration continues HBF Textiles’ focus on supporting women-owned businesses. “I love promoting talented female designers. It gives me a sense of pride to utilize the HBF Textiles platform to share their story and creative vision to a wider audience,” says Mary Jo Miller, Vice President of Design and Creative Direction at HBF Textiles. With like-minded mills and collaborators locally and globally, the brand continually explores the possibilities materiality can offer and how it can further connect us with other people and our environment.
Ultra Violet
Cernelion
Labradorite
Cernelion
Rose Quartz
Ultra Violet
Aura
To learn more about Matriarch, visit hbftextiles.com.
Bison at Caprock Canyons State Park in the Texas panhandle, which I visited a couple of weeks ago. With that experience in mind I was glad to see this essay: “The Return of the Bison.” And yes, though you may not be able to see them in that photo above, there really are canyons at Caprock Canyons:
A current first grade history lesson in use in Florida.
A recusant Catholic turned Protestant, a rake turned priest, a scholar, lawyer, politician, soldier, secretary, sermonizer, and of course, a poet— John Donne’s biography contains so many scuttled identities and discrete lives, perhaps its no wonder that his great subjects were mortality and death. His Holy Sonnets, likely composed between 1609 and 1610, and published posthumously in 1633, are a collection of 19 poems written after the sea change in Donne’s subject matter from the secular to the sacred. They reflect his anxiety over his conversion to Anglicanism and his eventual decision to enter the priesthood, and meditate on salvation, death, and the wages of sin. Erin & Wes discuss Sonnet 10 in this series, “Death Be Not Proud,” an address of Death personified, whose power gradually diminishes beneath the force of Donne’s dazzling poetic rhetoric.
The post (sub)Text: Mortal Pretensions in John Donne’s “Death Be Not Proud” (Holy Sonnet 10) first appeared on The Partially Examined Life Philosophy Podcast.Roman Polanksi’s 1974 film “Chinatown” seems to have little to do with its titular neighborhood, which is the setting for only one horrible and final scene. Chinatown functions instead to represent the traumatic moment that drives this story just because it is hidden from view—a place indecipherable even to the hard-boiled private investigator who has seen it all … the place he doesn’t go … the place that bothers him to talk about … the place where inaction and evasion are the only ways to avoid causing harm. Wes & Erin discuss what Chinatown has to do with “Chinatown,” and how the theme connects the seemingly disparate themes of police work, political corruption, water rights, and incest.
The post (sub)Text: Trauma and Repetition in Roman Polanski’s “Chinatown” (1974) first appeared on The Partially Examined Life Philosophy Podcast.
FreshRSS 