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The MacRumors Show: Product Designer Marcus Kane Envisions What Apple's AR/VR Headset Could Look Like

On this week's episode of The MacRumors Show, we discuss the design of Apple's upcoming mixed-reality headset with professional product designer Marcus Kane.


Marcus is an industrial designer and UX consultant who uses virtual and augmented reality headsets on a daily basis to support his workflow. He recently created detailed concept renders of what he expects Apple's mixed-reality headset will look like with YouTuber David Lewis based on rumors, Apple patent filings, and his own expertise.

Subscribe to the MacRumors YouTube channel for more videos

We talk through Marcus's approach to the design and what existing Apple products inspired him, looking at some of the key aspects that Apple will have had to consider with the device. We also discuss the broader user experience with the headset, including its rumored waist-mounted battery pack โ€“ย which Marcus has envisioned as enclosed in a pouch on a shoulder-strap that also contains a cable to power the device, potential restriction to indoors use only, and real-world passthrough with a "reality dial."


Since Marcus uses existing headset products to support his design work, we learn about some of practical use-cases for this category of device, where Apple could compete, and what key software features the company could deliver. See more of Marcus's work over in David Lewis's latest video, and follow him on Instagram and Twitter.

We also discuss some of this week's latest Apple news, including the rumor that watchOS 10 will include significant UI changes, iOS 17's purported Control Center redesign, display changes for 2025's iPhone lineup, and more.

Listen to The MacRumors Show in Apple Podcasts, Spotify, Overcast, Pocket Casts, Castro, Google Podcasts, or your preferred podcasts app. You can also copy our RSS feed directly into your podcast player. Watch a video version of the show on the MacRumors YouTube channel.


If you haven't already listened to the previous episode of The MacRumors Show, catch up for our discussion about WWDC 2023 and whether Apple's headset will finally emerge at the event.

Subscribe to โ€ŒThe MacRumors Showโ€Œ for more episodes, where we discuss some of the topical news breaking here on MacRumors, often joined by exciting guests like Christopher Lawley, Frank McShan, David Lewis, Andru Edwards, Tyler Stalman, Jon Prosser, Sam Kohl, Quinn Nelson, John Gruber, Federico Viticci, Sara Dietschy, Luke Miani, Thomas Frank, Jonathan Morrison, iJustine, Ross Young, Ian Zelbo, Jon Rettinger, Rene Ritchie, and Mark Gurman. You can also head over to The MacRumors Show forum thread to engage with us directly. Remember to rate and review the show, and let us know what subjects you would like the podcast to cover in the future.
Related Roundup: AR/VR Headset

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Leliรจvre Brings the La Boite Concept LX Turntable to the Crossroads of Decor + Audio

Leliรจvre Brings the La Boite Concept LX Turntable to the Crossroads of Decor + Audio

The original La Boite concept LX Turntable presented itself as a handsome all-in-one audio system, combining speaker, turntable, and amp onto a furniture-like stand that looked closer to a desk than hi-fi system. Spiritually, its integrated componentry shares the lineage of vintage stereos systems designed to become part of the home decor, rather than impose itself upon the rest of the home. To take this presence further, the hi-fi technologists La Boite concept have paired with textile house Leliรจvre Paris for Maison&Objet, in creation of a special edition LX Turntable covered with two fabric options exuding a quintessentially French sense of style and drama.

Detail of corner with red and white striped textile covering turntable top.

Available in two fabric sheathed options, the first is the Hera, fabric in a graphic two-tone geometric pattern with rosewood intended to evoke a labyrinth (fans of the show Twin Peaks may be reminded of another mysterious destination).

Detail of corner with red and white striped textile covering turntable top.

Overhead view of red and white striped textile covering turntable top.

Green Riga corduroy velvet topped turntable and speaker system set in room surrounded by curtain backdrops.

The second is one sheathed in the Riga fabric, a sporty and chunky dark green corduroy. The dense and supple pile calls out to be touched; fortunately, the fabric itself is โ€œextremely resistantโ€ in texture to endure such temptations.

Green Riga corduroy velvet topped turntable and speaker system set in room surrounded by curtain backdrops from overhead angled view showing turntable arm and platter.

Green Riga corduroy velvet topped turntable and speaker system set in room surrounded by curtain backdrops from overhead side view showing turntable arm and platter.

The Leliรจvre fabric-covered turntable itself features a carbon arm tipped with an Ortofon OM10 cartridge, engineered on an integrated anti-vibration board with shock absorbers for optimal stability and to minimize distortion.

Onto the audio system itself: the LX Turntable Special Edition continues to present itself as an audio system designed for those obsessed with details beyond technological specs, a minimalist 4.1 audio system where nary a cable can be found. The desk style design comprises a floating plywood turntable sitting upon an all-black front base with black stained solid beech legs.

Green Riga corduroy velvet topped turntable and speaker system set in room surrounded by cream curtain backdrop.

Outfitted with two front-firing speakers, two rears placed at the top-back surface, and a woofer, each channel is powered by its own Class D amp; all five channels are rated for a total power of 285 W (1 x 90 watts + 2 x 25 watts + 2 x 20W) โ€“ plenty to inhabit a large room with a lively sound.

The entire system is engineered to be a self-contained solution, but can also pair with other traditional and digital sources, including laptops, tablets, CD players, and other wireless protocols via Bluetooth Apt-X, Sonos, Apple Airplay USB, and Google Chromecast. But at nearly $5,000, the Leliรจvre Special Edition Concept LX Turntable is every bit a statement piece, intended just as much to be seen as heard.

Photos by ยฉMario Simon Lafleur.

Marc Thorpe Imagines a Modern Pavilion Hovering Over a Lake

Marc Thorpe Imagines a Modern Pavilion Hovering Over a Lake

While we normally do not post design concepts, we couldnโ€™t pass up the latest project from Marc Thorpe Design. Thorpe designed the Crystal Lake Pavilion as a concept proposed to reside in the West Catskills in New York on a 32-acre man-made lake. With the surrounding 497-acre Crystal Lake Wild Forest, the area offers seeps, streams, wetlands, a beaver pond, and rolling hills, all home to countless types of indigenous species of plants, trees, and flowers, as well as wildlife and insects.

closeup of concept image of pavilion-like house floating on lake

The pavilionโ€™s tranquil location, which is reached by boat, provides the perfect backdrop for its designed purpose โ€“ meditation, yoga classes, and group therapy. The glass enclosure ensures nature views from all angles for optimum relaxation.

concept image of pavilion-like house floating on lake

The Crystal Lake Pavilion is made with a traditional King Post construction method resulting in a timber frame structure with light steel connections, a standing seam steel roof, and a glass skin. The volume utilizes heavy pieces of timber with lap joints and pegged mortise and tenon joints.

concept image of pavilion-like house floating on lake

To elevate the design, both literally and figuratively, a solid concrete pier is set into the bed of the lake with a center post that cantilevers out to form the base. With just the single pier, the pavilion looks as if itโ€™s hovering above the water, which creates an optical illusion that makes it appear weightless.

concept image of pavilion-like house floating on lake

concept image of pavilion-like house's interior floating on lake

Architecture by Marc Thorpe Design.
Visualization by Truetopia.

Who Gets to Be a Person?

Written by Muriel Leuenberger

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The question of who gets to be a person is one of those old but never outdated classics in philosophy. Throughout history, philosophers have discussed which human beings are persons, when human beings start to be persons, when they are no longer the same person, and whether non-human beings can be persons โ€“ and the discussion continues.

The task of defining the concept of a person can be approached from a purely ontological angle, by looking at what kind of entities exist in the world. There are those beings we want to call persons โ€“ what unites them and what separates them from non-persons? This ontological project has, at least at first sight, nothing to do with how the world should be and purely with how it is.

But many moral practices are connected to this concept. Persons deserve praise and blame, they should not be experimented on without their consent, they can make promises, they should be respected. The status of personhood is connected to a moral status. Because of the properties persons have they deserve to be treated and can act in a certain way. Personhood is what can be called a thick concept. It combines descriptive and normative dimensions. To be a person one must meet certain descriptive conditions. But being a person also comes with a distinctive moral status.

Defining thick concepts is particularly tricky. Those definitions are not just judged for their descriptive plausibility but whether they imply acceptable moral practices. In the debate on personhood, philosophers have repeatedly drawn boundaries on the descriptive level that lead to normative implications they do not want to support. Notably, individuals who they would like to see treated as persons do not meet their criteria for personhood because they do not have certain cognitive capacities.[i] Most recently, this happened in this yearโ€™s John Locke Lecture by Susan Wolf on Selves like us.[ii] She argued compellingly for a definition of character as a complex of dispositions and tendencies that reflect and express oneโ€™s distinctive way of seeing the world. She furthermore seemed to imply that certain types of attitudes, such as resentment, gratitude, forgiveness, anger, or love (Strawsonโ€™s reactive attitudes[iii]), can only be directed towards โ€˜selves like usโ€™ which meet her definition of having a character. In her account, character requires cognitive faculties of โ€œactive intelligenceโ€. Because of this, the question arose what this implies for individuals with cognitive disorders. She replied that she would certainly not want to exclude them from being appropriate objects of reactive attitudes and would have to do more research to work out how they would fit in her framework.

There seems to be a disparity between our intuitions and opinions on who should be treated as a person and descriptive definitions of the term. One attempt at fixing this problem has been to stipulate that while the suggested definition of personhood excludes, for instance, people suffering from dementia from being persons, this does not undermine their moral status.[iv] But because the normative and descriptive dimensions are intertwined in thick concepts, such attempts at separating them do not seem to be successful. Itโ€™s too little too late to reassert the moral status of an individual whose personhood has just been denied. The rhetorical power of denying that someone is a person should not be underestimated โ€“ a reassurance that this does not affect their moral status seems insufficient to counteract it.

Personhood is usually defined via capacities, such as moral agency, autonomy, self-awareness, narration, or rationality. Those capacities require certain brain functions โ€“ they are tied to biological facts about the individual. But biology is fuzzy, gradual, and full of multiple but slightly different solutions for the same problem (e.g., for realizing a capacity). As David DeGrazia[v] argues, those capacities are multidimensional and gradational. For instance, there are different kinds of self-awareness (bodily, social, introspective) and they come in degrees. To know whether, for example, great apes are persons, we would have to define arbitrary cut-off points for the capacities that are defined as essential to personhood. Thus, personhood is a vague concept, meaning that there is no non-arbitrary way to define whether an individual is a person. Because it is also a thick concept, arbitrary cut-offs are particularly worrisome since they can have far-reaching normative implications.

In the face of those considerations, we should be aware of and thematize the limits of definitions of personhood (or selves). Marginal cases can and should remain undecided. This does not mean that philosophy has nothing to say about what is distinctive of persons. Identifying common properties of clear, paradigmatic cases of persons can make salient in which way marginal cases differ. Differences in moral practices can be accounted for through distinct properties, instead of an overarching term like personhood or self. This allows for more nuance in our moral practices.

Pattern theories of personhood or self, which take a range of properties and capacities into account, can be particularly helpful in this regard.[vi] According to a pattern-theory, personhood or self are constituted by a cluster of dimensions that interact with each other and that take a different value and weight for each individual. A self might, for instance, be constituted by embodied, experiential, affective, behavioral, intersubjective, and narrative dimensions. Someone becomes a person through the dynamic interaction of a range of capacities, such as, moral agency, autonomy, self-awareness, narration, and rationality. Changes to one dimension may cause modulations in others. Concepts like personhood or the self are not reducible to any one of these aspects but are complex systems that emerge from the dynamic interactions of those constituents.

Pattern theories can illuminate how a range of properties and capacities interrelate to produce characteristics typical of clear cases and make salient in which ways other individuals differ. Instead of either ascribing marginal cases the status of personhood or not, pattern theories can describe them in terms of different types of persons (with gradual transitions in-between) which warrant distinct moral practices. Thereby, they can help us to avoid the philosopherโ€™s compulsion to draw clear lines where there are none.

ย 

[i] On the other hand, definitions of personhood can of course also appear to be overly inclusive.

[ii] Self and person are often used interchangeably. Definitions of the self face the same problems because the self tends be considered as a thick concept as well (albeit less obviously than in the case of personhood).

[iii] Strawson, P. F. (2008). Freedom and resentment and other essays. Routledge.

[iv] Schechtman, M. (1996). The Constitution of Selves. Cornell University Press.

[v] DeGrazia, D. (1997). Great apes, dolphins, and the concept of personhood. The Southern journal of philosophy, 35(3), 301-320.

[vi] Leuenberger, M. (Forthcoming) A Narrative Pattern-Theory of the Self. In: Personhood, Self-Consciousness, and the First-Person Perspective. Edited by Markus Hermann. Brill mentis.

Gallagher, S. (2013). A Pattern Theory of Self. Frontiers in Human Neuroscience, 7, 443-443.

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