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Lonely people see the world differently, according to their brains

A person sitting alone at a table with a cake on it. The man is wearing a festive hat.

Enlarge (credit: D. Anschutz)

There is a reason countless songs about loneliness exist. Many are relatable, since feeling alone is often part of being human. But a particular song or experience that resonates with one lonely person may mean nothing to someone else who feels isolated and misunderstood.

Human beings are social creatures. Those who feel left out often experience loneliness. To investigate what goes on in the brains of lonely people, a team of researchers at the University of California, Los Angeles, conducted noninvasive brain scans on subjects and found something surprising. The scans revealed that non-lonely individuals were all found to have a similar way of processing the world around them. Lonely people not only interpret things differently from their non-lonely peers, but they even see them differently from each other.

“Our results suggest that lonely people process the world idiosyncratically, which may contribute to the reduced sense of being understood that often accompanies loneliness,” the research team, led by psychologist Elisa Baek, said in a study recently published in Psychological Science

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Reason and Emotion: Scottish Philosopher John Macmurray on the Key to Wholeness and the Fundaments of a Fulfilling Life

“The emotional life is not simply a part or an aspect of human life. It is not, as we so often think, subordinate, or subsidiary to the mind. It is the core and essence of human life. The intellect arises out of it, is rooted in it, draws its nourishment and sustenance from it.”


Reason and Emotion: Scottish Philosopher John Macmurray on the Key to Wholeness and the Fundaments of a Fulfilling Life

We feel our way through life, then rationalize our actions, as if emotion were a shameful scar on the countenance of reason. And yet the more we learn about how the mind constructs the world, the more we see that our experience of reality is a function of our emotionally directed attention and “has something of the structure of love.” Philosopher Martha Nussbaum recognized this in her superb inquiry into the intelligence of emotion, observing that “emotions are not just the fuel that powers the psychological mechanism of a reasoning creature, they are parts, highly complex and messy parts, of this creature’s reasoning itself.”

A century before Nussbaum, the far-seeing Scottish philosopher John Macmurray (February 16, 1891–June 21, 1976) took up these questions in a series of BBC broadcasts and other lectures, gathered in his 1935 collection Reason and Emotion (public library).

John Macmurray by Howard Coster, 1933. (National Portrait Gallery, London.)

Macmurray writes:

We ourselves are events in history. Things do not merely happen to us, they happen through us.

They happen primarily through our emotional lives — the root of our motives beneath the topsoil of reason and rationalization. We suffer primarily because we are so insentient to our own emotions, so illiterate in reading ourselves.

Three decades before James Baldwin marveled at how “you think your pain and your heartbreak are unprecedented in the history of the world, but then you read,” Macmurray considers the universal resonance of our emotional confusion, which binds us to each other and makes our responsibility for our own lives a responsibility to our collective flourishing:

All of us, if we are really alive, are disturbed now in our emotions. We are faced by emotional problems that we do not know how to solve. They distract our minds, fill us with misgiving, and sometimes threaten to wreck our lives. That is the kind of experience to which we are committed. If anyone thinks they are peculiar to the difficulties of his own situation, let him… talk a little about them to other people. He will discover that he is not a solitary unfortunate. We shall make no headway with these questions unless we begin to see them, and keep on seeing them, not as our private difficulties but as the growing pains of a new world of human experience. Our individual tensions are simply the new thing growing through us into the life of mankind. When we see them steadily in this universal setting, then and then only will our private difficulties become really significant. We shall recognize them as the travail of a new birth for humanity, as the beginning of a new knowledge of ourselves and of God.

Art by the 16th-century Portuguese artist Francisco de Holanda. (Available as a print and as stationery cards.)

At the heart of this recognition, this reorientation to our own inner lives, lies what Macmurray calls “emotional reason” — a capacity through which we “develop an emotional life that is reasonable in itself, so that it moves us to forms of behaviour which are appropriate to reality.” The absence of this capacity contributes both to our alienation from life and to our susceptibility to dangerous delusion. Its development requires both a willingness to feel life deeply and what Bertrand Russell called “the will to doubt.” Macmurray writes:

The main difficulty that faces us in the development of a scientific knowledge of the world lies not in the outside world but in our own emotional life. It is the desire to retain beliefs to which we are emotionally attached for some reason or other. It is the tendency to make the wish father to the thought. .. If we are to be scientific in our thoughts… we must be ready to subordinate our wishes and desires to the nature of the world… Reason demands that our beliefs should conform to the nature of the world, not the nature of our hopes and ideals.

In consonance with Romanian philosopher Emil Cioran’s insightful insistence on the courage to disillusion yourself, Macmurray adds:

The strength of our opposition to the development of reason is measured by the strength of our dislike of being disillusioned. We should all admit, if it were put to us directly, that it is good to get rid of illusions, but in practice the process of disillusionment is painful and disheartening. We all confess to the desire to get at the truth, but in practice the desire for truth is the desire to be disillusioned. The real struggle centres in the emotional field, because reason is the impulse to overcome bias and prejudice in our own favour, and to allow our feelings and desires to be fashioned by things outside us, often by things over which we have no control. The effort to achieve this can rarely be pleasant or flattering to our self-esteem. Our natural tendency is to feel and to believe in the way that satisfies our impulses. We all like to feel that we are the central figure in the picture, and that our own fate ought to be different from that of everybody else. We feel that life should make an exception in our favour. The development of reason in us means overcoming all this. Our real nature as persons is to be reasonable and to extend and develop our capacity for reason. It is to acquire greater and greater capacity to act objectively and not in terms of our subjective constitution. That is reason, and it is what distinguishes us from the organic world, and makes us super-organic.

And yet reason, Macmurray argues, is “primarily an affair of emotion” — a paradoxical notion he unpacks with exquisite logical elegance:

All life is activity. Mere thinking is not living. Yet thinking, too, is an activity, even if it is an activity which is only real in its reference to activities which are practical. Now, every activity must have an adequate motive, and all motives are emotional. They belong to our feelings, not our thoughts.

[…]

It is extremely difficult to become aware of this great hinterland of our minds, and to bring our emotional life, and with it the motives which govern our behaviour, fully into consciousness.

This difficulty is precisely what makes us so maddeningly opaque to ourselves, and what makes emotional reason so urgent a necessity in understanding ourselves — something only possible, in a further paradox, when we step outside ourselves:

The real problem of the development of emotional reason is to shift the centre of feeling from the self to the world outside. We can only begin to grow up into rationality when we begin to see our own emotional life not as the centre of things but as part of the development of humanity.

Art by Jean-Pierre Weill from The Well of Being

In a sentiment evocative of E.E. Cummings’s wonderful meditation on the courage to feel for yourself, Macmurray adds:

There can be no hope of educating our emotions unless we are prepared to stop relying on other people’s for our judgements of value. We must learn to feel for ourselves even if we make mistakes.

An epoch before neuroscience uncovered how the life of the body gives rise to emotion and consciousness, Macmurray echoes Willa Cather’s insistence on the life of the senses as the key to creativity and vitality, and writes:

Our sense-life is central and fundamental to our human experience. The richness and fullness of our lives depends especially upon the richness and fullness, upon the delicacy and quality of our sense-life.

[…]

Living through the senses is living in love. When you love anything, you want to fill your consciousness with it. You want to affirm its existence. You feel that it is good and that it should be in the world and be what it is. You want other people to look at it and enjoy it too. You want to look at it again and again. You want to know it, to know it better and better, and you want other people to do the same. In fact, you are appreciating and enjoying it for itself, and that is all that you want. This kind of knowledge is primarily of the senses. It is not of the intellect. You don’t want merely to know about the object; often you don’t want to know about it at all. What you do want is to know it. Intellectual knowledge tells us about the world. it gives us knowledge about things, not knowledge of them. It does not reveal the world as it is. Only emotional knowledge can do that.

Emotional reason thus becomes the pathway to wholeness, to integration of the total personality — a radical achievement in a culture that continually fragments and fractures us:

The fundamental element in the development of the emotional life is the training of this capacity to live in the senses, to become more and more delicately and completely aware of the world around us, because it is a good half of the meaning of life to be so. It is training in sensitiveness… If we limit awareness so that it merely feeds the intellect with the material for thought, our actions will be intellectually determined. They will be mechanical, planned, thought-out. Our sensitiveness is being limited to a part of ourselves — the brain in particular — and, therefore, we will act only with part of ourselves, at least so far as our actions are consciously and rationally determined. If, on the other hand, we live in awareness, seeking the full development of our sensibility to the world, we shall soak ourselves in the life of the world around us; with the result that we shall act with the whole of ourselves.

One of English artist Margaret C. Cook’s illustrations for a stunning 1913 edition of Walt Whitman’s Leaves of Grass. (Available as a print.)

A generation after William James made the then-radical assertion that “a purely disembodied human emotion is a nonentity,” and an epoch before science began illuminating how our bodies and our minds conspire in emotional experience, Macmurray considers what the achievement of emotional reason requires:

We have to learn to live with the whole of our bodies, not only with our heads… The intellect itself cannot be a source of action… Such action can never be creative, because creativeness is a characteristic which belongs to personality in its wholeness, acting as a whole, and not to any of its parts acting separately.

This wakefulness to the sensorium of life, he argues, is not only the root of emotional reason but the root of creativity:

If we allow ourselves to be completely sensitive and completely absorbed in our awareness of the world around, we have a direct emotional experience of the real value in the world, and we respond to this by behaving in ways which carry the stamp of reason upon them in their appropriateness and grace and freedom. The creative energy of the world absorbs us into itself and acts through us. This, I suppose, is what people mean by “inspiration.”

And yet we can’t be selectively receptive to beauty and wonder — those rudiments of inspiration — without being receptive to the full spectrum of reality, with all its terrors and tribulations. Our existential predicament is that, governed by the reflex to spare ourselves pain, we blunt our sensitivity to life, thus impoverishing our creative vitality and our store of aliveness. Macmurray writes:

The reason why our emotional life is so undeveloped is that we habitually suppress a great deal of our sensitiveness and train our children from the earliest years to suppress much of their own. It might seem strange that we should cripple ourselves so heavily in this way… We are afraid of what would be revealed to us if we did not. In imagination we feel sure that it would be lovely to live with a full and rich awareness of the world. But in practice sensitiveness hurts. It is not possible to develop the capacity to see beauty without developing also the capacity to see ugliness, for they are the same capacity. The capacity for joy is also the capacity for pain. We soon find that any increase in our sensitiveness to what is lovely in the world increases also our capacity for being hurt. That is the dilemma in which life has placed us. We must choose between a life that is thin and narrow, uncreative and mechanical, with the assurance that even if it is not very exciting it will not be intolerably painful; and a life in which the increase in its fullness and creativeness brings a vast increase in delight, but also in pain and hurt.

Art by Olivier Tallec from Big Wolf & Little Wolf

The development of emotional reason, Macmurray argues, is the development of our highest human nature and requires “keeping as fully alive to things as they are, whether they are pleasant or unpleasant, as we possibly can.” It requires, above all, being unafraid to feel, for that is the fundament of aliveness. He writes:

The emotional life is not simply a part or an aspect of human life. It is not, as we so often think, subordinate, or subsidiary to the mind. It is the core and essence of human life. The intellect arises out of it, is rooted in it, draws its nourishment and sustenance from it, and is the subordinate partner in the human economy. This is because the intellect is essentially instrumental. Thinking is not living. At its worst it is a substitute for living; at its best a means of living better… The emotional life is our life, both as awareness of the world and as action in the world, so far as it is lived for its own sake. Its value lies in itself, not in anything beyond it which it is a means of achieving.

[…]

The education of the intellect to the exclusion of the education of the emotional life… will inevitably create an instrumental conception of life, in which all human activity will be valued as a means to an end, never for itself. When it is the persistent and universal tendency in any society to concentrate upon the intellect and its training, the result will be a society which amasses power, and with power the means to the good life, but which has no correspondingly developed capacity for living the good life for which it has amassed the means… We have immense power, and immense resources; we worship efficiency and success; and we do not know how to live finely. I should trace the condition of affairs almost wholly to our failure to educate our emotional life.

In the remainder of the thoroughly revelatory Reason and Emotion, Macmurray goes on to explore the role of art and religion in human life as “the expressions of reason working in the emotional life in search of reality,” the benedictions of friendship, and the fundaments of an emotional education that allows us to discover the true values in life for ourselves. Complement it with Dostoyevsky on the heart, the mind, and how we come to know truth and Bruce Lee’s unpublished writings on reason and emotion, then revisit Anaïs Nin on why emotional excess is essential for creativity.


donating = loving

For a decade and half, I have been spending hundreds of hours and thousands of dollars each month composing The Marginalian (which bore the unbearable name Brain Pickings for its first fifteen years). It has remained free and ad-free and alive thanks to patronage from readers. I have no staff, no interns, no assistant — a thoroughly one-woman labor of love that is also my life and my livelihood. If this labor makes your own life more livable in any way, please consider lending a helping hand with a donation. Your support makes all the difference.


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An Antidote to the Anxiety About Imperfection: Parenting Advice from Mister Rogers

“It’s part of being human to fall short of that total acceptance and ultimate understanding — and often far short.”


An Antidote to the Anxiety About Imperfection: Parenting Advice from Mister Rogers

Being responsible for ourselves, knowing our own wants and meeting them, is difficult enough — so difficult that the notion of being responsible for anyone else, knowing anyone else’s innermost desires and slaking them, seems like a superhuman feat. And yet the entire history of our species rests upon it — the scores of generations of parents who, despite the near-impossibility of getting it right, have raised small defenseless creatures into a capable continuation of the species. This recognition is precisely what made Donald Winnicott’s notion of good-enough parenting so revolutionary and so liberating, and what Florida Scott Maxwell held in mind when she considered the most important thing to remember about your mother.

And yet to be a parent is to suffer the ceaseless anxiety of getting it wrong.

A touching antidote to that anxiety comes from Fred Rogers (March 20, 1928–February 27, 2003) in Dear Mister Rogers, Does It Ever Rain in Your Neighborhood? (public library) — the collection of his letters to and from parents and children.

Mister Rogers

Writing back to a young father-to-be riven by anxiety about the task before him, Mister Rogers offers:

Parenthood is not learned: Parenthood is an inner change. Being a parent is a complex thing. It involves not only trying to feel what our children are feeling, but also trying to understand our own needs and feelings that our children evoke. That’s why I have always said that parenthood gives us another chance to grow.

In a sentiment that applies as much to parenting as it does to any love relationship — one evocative of Iris Murdoch’s superb definition of love as “the extremely difficult realisation that something other than oneself is real” — he adds:

There is one universal need we all share: We all long to be cared for, and that longing lies at the root of our ability to care for our children. If the day ever came when we were able to accept ourselves and our children exactly as we and they are, then I believe we would have come very close to an ultimate understanding of what “good” parenting means. It’s part of being human to fall short of that total acceptance and ultimate understanding — and often far short. But the most important gifts a parent can give a child are the gifts of our unconditional love and our respect for that child’s uniqueness.

Art by Olivier Tallec from Big Wolf & Little Wolf

With the mighty touch of assurance that is personal experience, he reflects:

Looking back over the years of parenting that my wife and I have had with our two boys, I feel good about who we are and what we’ve done. I don’t mean we were perfect parents. Not at all. Our years with our children were marked by plenty of inappropriate responses. Both Joanne and I can recall many times when we wish we’d said or done something different. But we didn’t, and we’ve learned not to feel too guilty about that. What gives us our good feelings about our parenting is that we always cared and always tried to do our best.

Couple with Kahlil Gibran’s timeless advice on parenting, then revisit the young single mother Susan Sontag’s 10 rules for raising a child.


donating = loving

For a decade and half, I have been spending hundreds of hours and thousands of dollars each month composing The Marginalian (which bore the unbearable name Brain Pickings for its first fifteen years). It has remained free and ad-free and alive thanks to patronage from readers. I have no staff, no interns, no assistant — a thoroughly one-woman labor of love that is also my life and my livelihood. If this labor makes your own life more livable in any way, please consider lending a helping hand with a donation. Your support makes all the difference.


newsletter

The Marginalian has a free weekly newsletter. It comes out on Sundays and offers the week’s most inspiring reading. Here’s what to expect. Like? Sign up.

The Experience Machine: Cognitive Philosopher Andy Clark on the Power of Expectation and How the Mind Renders Reality

“We are never simply seeing what’s ‘really there,’ stripped bare of our own anticipations or insulated from our own past experiences. Instead, all human experience is part phantom — the product of deep-set predictions.”


The Experience Machine: Cognitive Philosopher Andy Clark on the Power of Expectation and How the Mind Renders Reality

Attention is less a lens on the world than a mirror for the mind. “My experience is what I agree to attend to,” William James wrote in his foundational treatise on attention in the final years of the nineteenth century. In the epoch since, we have discovered just what an “intentional, unapologetic discriminator” attention is, just how much it shapes our entire experience of reality. But we are only just beginning to discover that, far from a passive observer of the outside world, our attention is an active creator of it as the brain makes constant conscious and unconscious predictions of what it expects to find when it looks, then finds just that; we are only beginning to understand how right Thoreau was when, in James’s epoch, he observed that “we hear and apprehend only what we already half know.”

That is what cognitive philosopher Andy Clark explores in The Experience Machine: How Our Minds Predict and Shape Reality (public library) — an illuminating investigation of the human brain as a prediction machine that evolved to render reality as a composite of sensory input and prior expectation, replete with implications for neuroscience, psychology, medicine, mental health, neurodiversity, the relationship between the body and the self, and the way we live our lives.

René Magritte. The False Mirror. 1929. (Museum of Modern Art.)

Clark writes:

Contrary to the standard belief that our senses are a kind of passive window onto the world, what is emerging is a picture of an ever-active brain that is always striving to predict what the world might currently have to offer. Those predictions then structure and shape the whole of human experience, from the way we interpret a person’s facial expression, to our feelings of pain, to our plans for an outing to the cinema.

Nothing we do or experience — if the theory is on track — is untouched by our own expectations. Instead, there is a constant give-and-take in which what we experience reflects not just what the world is currently telling us, but what we — consciously or nonconsciously — were expecting it to be telling us. One consequence of this is that we are never simply seeing what’s “really there,” stripped bare of our own anticipations or insulated from our own past experiences. Instead, all human experience is part phantom — the product of deep-set predictions.

Because these predictions are informed by our past experience, reality is not how the present self parses the world but how the Russian nesting doll of selves we carry — all the people we have ever been, with all the experiences we have ever had — constructs the world before its eyes. Our sensorium is a simulation we ourselves are constantly running. Clark traces this predictive process as it unfolds at the meeting point of stimulus and expectation:

Incoming sensory signals help correct errors in prediction, but the predictions are in the driver’s seat now. This means that what we perceive today is deeply rooted in what we experienced yesterday, and all the days before that. Every aspect of our daily experience comes to us filtered by hidden webs of prediction — the brain’s best expectations rooted in our own past histories.

[…]

When the brain strongly predicts a certain sight, a sound, or a feeling, that prediction plays a role in shaping what we seem to see, hear, or feel.

Emotion, mood, and even planning are all based in predictions too. Depression, anxiety, and fatigue all reflect alterations to the hidden predictions that shape our experience. Alter those predictions (for example, by “reframing” a situation using different words) and our experience itself alters.

Art from Thomas Wright’s An Original Theory or New Hypothesis of the Universe, 1750. (Available as a print.)

At the heart of this equivalence is the recognition that changing our expectations changes our experience — not in a New Age way, but in a neurocognitive way. With an eye to the opportunity to “hack our own predictive minds,” which Bruce Lee intuited in his insistence that “you will never get any more out of life than you expect,” Clark observes:

Since experience is always shaped by our own expectations, there is an opportunity to improve our lives by altering some of those expectations, and the confidence with which they are held.

Both the nature of our expectations and the confidence with which we hold them are shaped by a constellation of biological and psychological factors, from brain structure and neurochemistry to environment and personal history. Leaning on a large body of research, Clark examines how the brain’s unconscious compulsion for informed prediction shapes everything from our most basic sensations of heat and pain to our most complex experiences of selfhood and transcendence, revealing our brains to be not passive receptors of reality but “buzzing proactive systems that constantly anticipate signals from the body and from the world.” He writes:

To perceive is to find the predictions that best fit the sensory evidence. To act is to alter the world to bring it into line with some of those predictions… It is this deep reciprocity between prediction and action that positions predictive brains as the perfect internal organs for the creation of extended minds — minds enhanced and augmented by the use of tools, technologies, and the complex social worlds in which we live and work. Extended minds are possible because predictive brains automatically seek out actions that will improve our states of information, reducing uncertainty as we approach our goals (highly predicted future states). When such actions become parts of habit systems that call upon resources that are robustly available, trusted, and fully woven into our daily ways of dealing with the world, we become creatures whose effective cognitive apparatus exceeds that of the biological brain alone.

Down the Rabbit Hole
Down the Rabbit Hole. One of Salvador Dalí’s rare illustrations for Alice in Wonderland.

Emanating from the mind’s powerful predictive faculty is the haunting inevitability of personal responsibility for shaping our own experience. Centuries after Milton admonished in Paradise Lost that “the mind is its own place, and in it self can make a Heav’n of Hell, a Hell of Heav’n,” Clark writes in a sentiment of especial poignancy in the context of our present reckoning with consciousness and artificial intelligence:

Human minds are not elusive, ghostly inner things. They are seething, swirling oceans of prediction, continuously orchestrated by brain, body, and world. We should be careful what kinds of material, digital, and social worlds we build, because in building those worlds we are building our own minds too.

In the remainder of The Experience Machine, Clark goes on to explore how conscious expectations and unconscious predictions impact human experiences as varied as chronic pain and psychosis, and what we can do to hack this cognitive compulsion in order to ameliorate our suffering and magnify our vitality. Complement it with the fascinating science of the extended mind, then revisit Mary Oliver on what attention really means and Iris Murdoch on how it unmasks the universe.


donating = loving

For a decade and half, I have been spending hundreds of hours and thousands of dollars each month composing The Marginalian (which bore the unbearable name Brain Pickings for its first fifteen years). It has remained free and ad-free and alive thanks to patronage from readers. I have no staff, no interns, no assistant — a thoroughly one-woman labor of love that is also my life and my livelihood. If this labor makes your own life more livable in any way, please consider lending a helping hand with a donation. Your support makes all the difference.


newsletter

The Marginalian has a free weekly newsletter. It comes out on Sundays and offers the week’s most inspiring reading. Here’s what to expect. Like? Sign up.

Ep. 319: Schiller on Experiencing Beauty (Part Two)

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Starting with letter 20 in On the Aesthetic Education of Man (1795), we tell more of the story of how art is supposed to get us from sensation to thinking.

Aesthetic perception ends up being essential to any conceptualization (thinking) whatsoever!

Sponsor: Check out the Skeptoid podcast at skeptoid.com.

The post Ep. 319: Schiller on Experiencing Beauty (Part Two) first appeared on The Partially Examined Life Philosophy Podcast.

Between Matter and Spirit: Psychoanalyst Allen Wheelis on the Substance of What We Are

“We are carriers of spirit… into a future unknown, unknowable, and in continual creation.”


Between Matter and Spirit: Psychoanalyst Allen Wheelis on the Substance of What We Are

We live as cells winged with sentience, filaments with feeling — creatures tasked with comprehending the ceaseless dialogue between our materiality and our spirituality, tasked with living it. “Blessed be you, mighty matter,” the French theologian and scientist Pierre Teilhard de Chardin wrote as he set out to reconcile the two. A generation after him, the poetic physicist Richard Feynman marveled at our inheritance as “atoms with consciousness… matter with curiosity.” In the age of AI — this precarious prosthesis of our consciousness — the question of what makes us human, a question of matter and spirit, rattles us with ever more disquieting urgency.

The psychoanalyst Allen Wheelis (October 23, 1915–June 14, 2007) brings an uncommonly lyrical perspective to this eternal perplexity in his 1975 book On Not Knowing How to Live (public library).

I see my soul reflected in Nature by Margaret C. Cook from a rare 1913 English edition of Walt Whitman’s Leaves of Grass. (Available as a print.)

Wheelis — who anchored his worldview in the insistence that life “escapes reason” — considers the abiding relationship between matter and spirit:

We come into being as a slight thickening at the end of a long thread. Cells proliferate, become an excrescence, assume the shape of a man. The end of the thread now lies buried within, shielded, inviolate. Our task is to bear it forward, pass it on. We flourish for a moment, achieve a bit of singing and dancing, a few memories we would carve in stone, then we wither, twist out of shape. The end of the thread lies now in our children, extends back through us, unbroken, unfathomably into the past. Numberless thickenings have appeared on it, have flourished and have fallen away as we now fall away. Nothing remains but the germ-line. What changes to produce new structures as life evolves is not the momentary excrescence but the hereditary arrangements within the thread.

We are carriers of spirit. We know not how nor why nor where. On our shoulders, in our eyes, in anguished hands through unclear realm, into a future unknown, unknowable, and in continual creation, we bear its full weight. Depends it on us utterly, yet we know it not. We inch it forward with each beat of heart, give to it the work of hand, of mind. We falter, pass it on to our children, lay out our bones, fall away, are lost, forgotten. Spirit passes on, enlarged, enriched, more strange, complex.

Wheelis revisits this manifold complexity in his essay “Spirit” for Douglas Hofstadter and Daniel Dennett’s 1981 collection The Mind’s I: Fantasies and Reflections on Self and Soul (public library):

Spirit is the traveler, passes now through the realm of man*. We did not create spirit, do not possess it, cannot define it, are but the bearers. We take it from unmourned and forgotten forms, carry it through our span, will pass it on, enlarged or diminished, to those who follow. Spirit is the voyager, man is the vessel.

Spirit creates and spirit destroys. Creation without destruction is not possible, destruction without creation feeds on past creation, reduces form to matter, tends toward stillness. Spirit creates more than it destroys (though not in every season, nor even every age, hence those meanderings, those turnings back, wherein the longing of matter for stillness triumphs in destruction) and this preponderance of creation makes for the overall steadiness of course.

Art by Francisco de Holanda, 1573. (Available as a print and as stationery cards.)

Returning to the indelible materiality of our lives, Wheelis traces back the elemental roots of our sentience and projects forward its most realized internal reality:

From primal mist of matter to spiraled galaxies and clockwork solar systems, from molten rock to an earth of air and land and water, from heaviness to lightness to life, sensation to perception, memory to consciousness — man now holds a mirror, spirit sees itself. Within the river currents turn back, eddies whirl. The river itself falters, disappears, emerges, moves on. The general course is the growth of form, increasing awareness, matter to mind consciousness. The harmony of man and nature is to be found in continuing this journey along its ancient course toward greater freedom and awareness.

Complement with physicist Alan Lightman’s wonderful notion of spiritual materialism and Nobel laureate Erwin Schrödinger on the relationship between quantum physics and Eastern spirituality, then revisit the science of how a cold cosmos kindles the wonder of consciousness.


donating = loving

For a decade and half, I have been spending hundreds of hours and thousands of dollars each month composing The Marginalian (which bore the unbearable name Brain Pickings for its first fifteen years). It has remained free and ad-free and alive thanks to patronage from readers. I have no staff, no interns, no assistant — a thoroughly one-woman labor of love that is also my life and my livelihood. If this labor makes your own life more livable in any way, please consider lending a helping hand with a donation. Your support makes all the difference.


newsletter

The Marginalian has a free weekly newsletter. It comes out on Sundays and offers the week’s most inspiring reading. Here’s what to expect. Like? Sign up.

Everything Is Already There: Javier Marías on the Courage to Heed Your Intuitions

“This has nothing to do with premonitions, there is nothing supernatural or mysterious about it, what’s mysterious is that we pay no heed to it.”


Everything Is Already There: Javier Marías on the Courage to Heed Your Intuitions

It starts with a tremble in the stomach, a palpitation in the chest. You may call it intuition, premonition, foreboding. You may press it down with the firm fist of rationalism. And yet it persists, this flutter of feeling — this haunting sense that the future is not about to happen to you, but is already happening in you.

For all the marvels and flaws of our intuition, we expend immense cerebral and emotional energy on repressing these emissaries of our secret knowledge — these deep truths we perceive about ourselves and others, which we would rather not see and not heed in order to keep the surface of our lives unruffled. It is only in hindsight that we recognize their sharp validity, so blunted in the moment by our compulsive rationalizations, our comforting denials, and our willful blindness.

That is what Javier Marías (September 20, 1951–September 11, 2022) explores in some stunning passages from his 2002 novel Your Face Tomorrow (public library).

Art by Olivier Tallec from Big Wolf & Little Wolf

Considering how hindsight often gives us the clear sense that “everything was already there, somewhere, before it even reached or penetrated the mind,” Marías writes in one of his breathless streams of reckoning:

Everything is there on view, in fact, everything is visible very early on in a relationship just as it is in all honest, straightforward stories, you just have to look to see it, one single moment encapsulates the germ of many years to come, of almost our whole history — one grave, pregnant moment — and if we want to we can see it and, in broad terms, read it, there are not that many possible variations, the signs rarely deceive if we know how to read their meanings, if you are prepared to do so — but it is so difficult and can prove catastrophic; one day you spot an unmistakable gesture, see an unequivocal reaction, hear a tone of voice that says much and presages still more, although you also hear the sound of someone biting their tongue — too late; you feel on the back of your neck the nature or propensity of a look when that look knows itself to be invisible and protected and safe, so many are involuntary; you notice sweetness and impatience, you detect hidden intentions that are never entirely hidden, or unconscious intentions before they become conscious to the person who should be concealing them, sometimes you foresee what someone will do before that person has foreseen or known or even become aware of what this will be, and you can sense the betrayal as yet unformulated and the scorn as yet unfelt; and the feelings of irritation you provoke, the weariness you cause or the loathing you inspire, or perhaps the opposite, which is not necessarily any better: the unconditional love they feel for us, the other person’s ridiculously high hopes, their devotion, their eagerness to please and to prove themselves essential to us in order to supplant us later on and thus become who we are; and the need to possess, the illusions built up, the determination of someone to be or to stay by your side, or to win your heart, the crazed, irrational loyalty; you notice when there is real enthusiasm and when there is only flattery and when it is mixed (because nothing is pure), you know who isn’t trustworthy and who is ambitious and who has no scruples and who would walk over your dead body having first run you down, you know who has a candid soul and what will happen to these last when you meet them, the fate that awaits them if they don’t mend their ways, but grow still worse and even if they do mend their ways: you know if they will be your victims When you are introduced to a couple, married or not, you see who will one day abandon whom and you see this at once, as soon as you say hello, or, at least, by the end of the evening. You detect too when something is going wrong or falling apart, or flips right over and the tables are turned, when everything is collapsing, at what moment we stop loving as we once did or they stop loving us, who will or will not go to bed with us, and when a friend will discover his own envy, or, rather, decide to give in to it and allow himself to be led and guided from that moment on by envy alone; when it starts to ooze out or grow heavy with resentment; we know what it is about us that exasperates and infuriates and what condemns us, what we should have said, but did not, or what we should have kept silent about, but did not, why it is that suddenly one day they look at us with different eyes — dark or angry eyes: they already bear a grudge — when we disappoint or when we irritate because we do not as yet disappoint and so do not provide the desired excuse for our dismissal; we know the kind gesture that is suddenly no longer bearable and that signals the precise hour when we will become utterly and irredeemably unbearable; and we know, too, who is going to love us, until death and beyond and, much to our regret sometimes, beyond their death or mine or both… against our will sometimes… But no one wants to see anything and so hardly anyone ever sees what is there before them, what awaits us or will befall us sooner or later.

Art by Harry Clarke from Tales of Mystery and Imagination. (Available as a print.)

With a gauntlet thrown at the reductionist bias of the Western mind and its hasty dismissal of such uncomputable forms of knowledge, he adds:

This has nothing to do with premonitions, there is nothing supernatural or mysterious about it, what’s mysterious is that we pay no heed to it. And the explanation must be a simple one, since it is something shared by so many: it is simply that we know, but hate knowing; we cannot bear to see.

For an equally stirring counterpoint, couple with George Saunders on the courage of uncertainty, then revisit E.F. Schumacher on the notion of adaequatio and the art of seeing with the eye of the heart.


donating = loving

For a decade and half, I have been spending hundreds of hours and thousands of dollars each month composing The Marginalian (which bore the unbearable name Brain Pickings for its first fifteen years). It has remained free and ad-free and alive thanks to patronage from readers. I have no staff, no interns, no assistant — a thoroughly one-woman labor of love that is also my life and my livelihood. If this labor makes your own life more livable in any way, please consider lending a helping hand with a donation. Your support makes all the difference.


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Florida Schools Question Content on Gender and Sexuality in A.P. Psychology

The embattled College Board said it would not change the course.

Ron DeSantis, the Florida governor, has threatened to reconsider his state’s relationship with the College Board.

Ep. 319: Schiller on Experiencing Beauty (Part One)

Subscribe to get parts 1 and 2 of this now, ad-free, plus tons of bonus content including (next week) a supporter-exclusive part three to this discussion.

On the second half of Friedrich Schiller's On the Aesthetic Education of Man (1795), getting into the mechanics of how aesthetic experience work in giving us a midpoint between animality and pure rationality where we can feel free. Also, does art reveal truth?

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The post Ep. 319: Schiller on Experiencing Beauty (Part One) first appeared on The Partially Examined Life Philosophy Podcast.

Kierkegaard on the Value of Despair

“To despair over oneself, in despair to want to be rid of oneself, is the formula for all despair.”


Kierkegaard on the Value of Despair

“There is no love of life without despair of life,” Albert Camus wrote as he reckoned with the rudiments of happiness. “We hope. We despair. We hope. We despair. This is what governs us,” artist Maira Kalman observed in her illustrated chronicle of the pursuit of happiness.

To accept that there can be no happiness without despair is to recognize that, rather than a malady of the spirit, despair is the rudder course-correcting the ship of the self, steering it from the actual to the ideal.

That is what Søren Kierkegaard (May 5, 1813–November 11, 1855) explores in his characteristically grimly titled and characteristically deeply insightful 1849 book The Sickness Unto Death (public library), so radical in some of its ideas that he published it under a pseudonym.

Illustration by Margaret C. Cook for a rare 1913 edition of Leaves of Grass. (Available as a print.)

For Kierkegaard, the spirit and the self are one and despair is a sickness in them — one exposing the gap between the self that is, the self that keeps us small, and the self that can be, the vast eternal self of full potentiation. With an eye to this spiritual sickness, he writes:

The self is a relation which relates to itself… A human being is a synthesis of the infinite and the finite, of the temporal and the eternal, of freedom and necessity… A synthesis is a relation between two terms. Looked at in this way a human being is not yet a self.

[…]

Despair is the imbalance in a relation of synthesis, in a relation which relates to itself.

Considering the disruption of the self’s relation to itself as the root of despair, he traces the inner machinery of how it sets in:

If a person in despair is, as he thinks, aware of his despair and doesn’t refer to it mindlessly as something that happens to him… and wants now on his own, all on his own, and with all his might to remove the despair, then he is still in despair and through all his seeming effort only works himself all the more deeply into a deeper despair. The imbalance in despair is not a simple imbalance but an imbalance in a relation that relates to itself and which is established by something else. So the lack of balance in that for-itself relationship also reflects itself infinitely in the relation to the power which established it.

This then is the formula which describes the state of the self when despair is completely eradicated: in relating to itself and in wanting to be itself, the self is grounded transparently in the power that established it.

One of teenage artist Virginia Frances Sterrett’s 1920 illustrations for old French fairy tales. (Available as a print.)

Kierkegaard observes that, on the surface, you always feel yourself despairing over something. But beneath that is really the self’s relation to that something, fomenting a desire to rid yourself of your self in order to expunge the negative feeling — which, Kierkegaard cautions, is an existential impossibility and, as such, sunders the spirit with despair:

The relation to himself is something a human being cannot be rid of, just as little as he can be rid of himself, which for that matter is one and the same thing, since the self is indeed the relation to oneself… With despair a fire takes hold in something that cannot burn, or cannot be burned up — the self… To despair over oneself, in despair to want to be rid of oneself, is the formula for all despair.

And yet in this very impossibility lies the life-affirming aspect of despair — it asserts our relation to the eternal. Having devoted his life to bridging the ephemeral and the eternal, Kierkegaard writes:

Despair is an aspect of spirit, it has to do with the eternal in a person. But the eternal is something he cannot be rid of, not in all eternity.

[…]

If there were nothing eternal in a man, he would simply be unable to despair… Having a self, being a self, is the greatest, the infinite, concession that has been made to man, but also eternity’s claim on him.

Complement with May Sarton on the cure for despair and a remedy for it from Gabriel Marcel and Nick Cave, then revisit Kierkegaard on how to save yourself, our greatest source of unhappiness (and what to do about it), and the only true cure for our existential emptiness.


donating = loving

For a decade and half, I have been spending hundreds of hours and thousands of dollars each month composing The Marginalian (which bore the unbearable name Brain Pickings for its first fifteen years). It has remained free and ad-free and alive thanks to patronage from readers. I have no staff, no interns, no assistant — a thoroughly one-woman labor of love that is also my life and my livelihood. If this labor makes your own life more livable in any way, please consider lending a helping hand with a donation. Your support makes all the difference.


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A Taste of How It Feels to Be Free: Pioneering Psychoanalyst Karen Horney on Our Inner Conflicts, the Psychology of Hopelessness, and the Path to Wholeness

“The most comprehensive formulation of therapeutic goals is the striving for wholeheartedness: to be without pretense, to be emotionally sincere, to be able to put the whole of oneself into one’s feelings, one’s work, one’s beliefs. It can be approximated only to the extent that conflicts are resolved.”


A Taste of How It Feels to Be Free: Pioneering Psychoanalyst Karen Horney on Our Inner Conflicts, the Psychology of Hopelessness, and the Path to Wholeness

To be human is to be divided yet indivisible — a totality of personhood constantly sundered by conflicting impulses and desires, violently pulling us in opposite directions, paralyzing us with the inability to move ahead toward happiness and wholeness. “When we are in conflict we tend to make such sharp oppositions between ideas and attitudes and get caught and entangled in what seems to be a hopeless choice,” Anaïs Nin wrote in her diary as she contemplated inner conflict and the measure of maturity, “but when the neurotic ambivalence is resolved one tends to move beyond sharp differences, sharply defined boundaries and begins to see the interaction between everything, the relation between everything.”

The supreme challenge of human life is that we are much more opaque to ourselves than we like to admit — mighty subterranean rivers of emotion and motive course beneath the reasoned surface of our conscious beliefs, values, and desires. Neurosis might be an old-fashioned word, but it is useful shorthand for the tension that arises from these conflicting facets of our experience that leave us unsure of what we want, what to want. For all his groundbreaking contribution to the understanding of those subterranean currents, Freud’s great error was his pessimism about the mutability and treatment of our neuroses — to him, the cards were dealt in early childhood and the game of life played out deterministically. His tragedy was his lack of faith in human growth and human goodness — Freud was the supreme cynic of the psyche.

A counterpoint to his view of human nature and potential comes from the work of the pioneering German psychoanalyst Karen Horney (September 16, 1885–December 4, 1952), nowhere more insightfully than in her book Our Inner Conflicts: A Constructive Theory of Neurosis (public library), based on a series of lectures she delivered in 1943, as the world itself was being sundered by human nature’s warring factions. What emerges is a radical effort to allay neurotic hopelessness and contour the route to wholeness, governed by Horney’s conviction that we have both the will and the capacity to develop our potential for happiness and goodness, and that rather than living as victims of some deterministic pathology, we go on changing for as long as we live.

Karen Horney

Horney defines neurosis as “a protective edifice built around the basic conflict.” Concerned with “what unresolved conflicts do to people, how they produce states of anxiety, depression, indecision, inertia, detachment, and so on,” concerned about the immense emotional energy and intelligence we exert on trying to solve our inner conflicts — “or, more precisely, to deny their existence and create an artificial harmony” — she writes:

Neurotic conflicts cannot be resolved by rational decision. The neurotic’s attempts at solution are not only futile but harmful. But these conflicts can be resolved by changing the conditions within the personality that brought them into being.

[…]

It is not neurotic to have conflicts. At one time or another our wishes, our interests, our convictions are bound to collide with those of others around us. And just as such clashes between ourselves and our environment are a commonplace, so, too, conflicts within ourselves are an integral part of human life.

[…]

To experience conflicts knowingly, though it may be distressing, can be an invaluable asset. The more we face our own conflicts and seek out our own solutions, the more inner freedom and strength we will gain. Only when we are willing to bear the brunt can we approximate the ideal of being the captain of our ship.

Horney observes that most of our inner drives, from the longing for affection to the craving for power, operate by an engine of compulsion fueled by conflicting desires. She writes:

Compulsive drives are specifically neurotic; they are born of feelings of isolation, helplessness, fear and hostility, and represent ways of coping with the world despite these feelings; they aim primarily not at satisfaction but at safety; their compulsive character is due to the anxiety lurking behind them.

One of teenage artist Virginia Frances Sterrett’s 1920 illustrations for old French fairy tales. (Available as a print.)

With an eye to her extensive work with patients, she reflects on the four major attempts to resolve our inner conflicts:

The initial attempt was to eclipse part of the conflict and raise its opposite to predominance. The second was to “move away from” people. The function of neurotic detachment now appeared in a new light. Detachment was part of the basic conflict — that is, one of the original conflicting attitudes toward others; but it also represented an attempt at solution, since maintaining an emotional distance between the self and others set the conflict out of operation. The third attempt was very different in kind. Instead of moving away from others, the neurotic moved away from himself. His whole actual self became somewhat unreal to him and he created in its place an idealized image of himself in which the conflicting parts were so transfigured that they no longer appeared as conflicts but as various aspects of a rich personality… The need for perfection now appeared as an endeavor to measure up to this idealized image; the craving for admiration could be seen as the patient’s need to have outside affirmation that he really was his idealized image. And the farther the image was removed from reality the more insatiable this latter need would logically be. Of all the attempts at solution the idealized image is probably the most important by reason of its far-reaching effect on the whole personality. But in turn it generates a new inner rift, and hence calls for further patchwork. The fourth attempt at solution seeks primarily to do away with this rift, though it helps as well to spirit away all other conflicts. Through what I call externalization, inner processes are experienced as going on outside the self. If the idealized image means taking a step away from the actual self, externalization represents a still more radical divorce. It again creates new conflicts, or rather greatly augments the original conflict — that between the self and the outside world.

Our inner conflicts, Horney observes, are in dynamic relationship with the outside world — we are creatures of culture, and the tumults of our culture invariably magnify our inner tumults:

The kind, scope, and intensity of such conflicts are largely determined by the civilization in which we live. If the civilization is stable and tradition bound, the variety of choices presenting themselves are limited and the range of possible individual conflicts narrow. Even then they are not lacking. One loyalty may interfere with another; personal desires may stand against obligations to the group. But if the civilization is in a stage of rapid transition, where highly contradictory values and divergent ways of living exist side by side, the choices the individual has to make are manifold and difficult.

Art Art from East of the Sun and West of the Moon by kay Nielsen, 1914. (Available as a print and as stationery cards.)

The central bind of our inner conflicts, beyond their largely unconscious nature, is the inability to choose one of the contradictory impulses over the other — a metastasis of our general inability to know what we want. Horney observes:

We must be aware of what our wishes are, or even more, of what our feelings are. [And yet] we do not know what we really feel or want.

[…]

Even if we recognize a conflict as such, we must be willing and able to renounce one of the two contradictory issues. But the capacity for clear and conscious renunciation is rare, because our feelings and beliefs are muddled, and perhaps because in the last analysis most people are not secure and happy enough to renounce anything.

In a sentiment Joan Didion would echo in her assertion that “character — the willingness to accept responsibility for one’s own life — is the source from which self-respect springs,” Horney adds:

To make a decision presupposes the willingness and capacity to assume responsibility for it. This would include the risk of making a wrong decision and the willingness to bear the consequences without blaming others for them.

The commonest consequence of this paralysis in the effort to resolve inner conflicts is hopelessness — the debilitating fear that because the resolution is difficult to do, it cannot be done. All hopelessness is a form of fear-based cynicism. As far as our capacity for growth goes, it is a dangerous and self-limiting mindset — perhaps the most pernicious tactic we have for standing in our own way. Horney writes:

Human beings can apparently endure an amazing amount of misery as long as there is hope; but neurotic entanglements invariably generate a measure of hopelessness… It may be deeply buried: superficially the neurotic may be preoccupied with imagining or planning conditions that would make things better… The neurotic expects a world of good from external changes, but inevitably carries himself and his neurosis into each new situation.

Hope that rests on externals is naturally more prevalent among the young… As people grow older and one hope after another fades, they are more willing to take a good look at themselves as a possible source of distress.

Art Art from East of the Sun and West of the Moon by kay Nielsen, 1914. (Available as a print and as stationery cards.)

It is this paralytic sense of hopelessness that keeps us in untenable situations — situations that can be bettered by some effort and initiative, the motive spring of which is hope. In its absence, we remain stuck. Horney considers the root of this self-limitation:

Hopelessness is an ultimate product of unresolved conflicts, with its deepest root in the despair of ever being wholehearted and undivided. A mounting scale of neurotic difficulties leads to this condition. Basic is the sense of being caught in conflicts like a bird in a net, with no apparent possibility of ever extricating oneself. On top of this come all the attempts at solution which not only fail but increasingly alienate the person from himself. Repetitive experience serves to intensify the hopelessness — talents that never lead to achievement, whether because again and again energies are scattered in too many directions or because the difficulties arising in any creative process are enough to deter the person from further pursuit. This may apply as well to love affairs, marriages, friendships, which are shipwrecked one after another. Such repeated failures are as disheartening as is the experience of laboratory rats when, conditioned to jump into a certain opening for food, they jump again and again only to find it barred.

Echoing Holocaust survivor Viktor Frankl’s hard-earned conviction that “everything can be taken from a man but one thing: the last of the human freedoms — to choose one’s attitude in any given set of circumstances,” Horney outlines the deceptively simple psychological mechanism beneath our feelings of hopelessness:

[Your] situation is hopeless only so long as the status quo persists and is regarded as unchangeable… What makes it hopeless is your own attitude toward it. If you would consider changing your claims on life there would be no need to feel hopeless.

As we begin to work on resolving our inner conflicts, we get “a taste of how it feels to be free” — which is the ultimate aim of therapy. Horney writes:

The conflicts can be resolved only by changing those conditions within the personality that brought them into being. This is a radical way, and a hard one. In view of the difficulties involved in changing anything within ourselves, it is quite understandable that we should scour the ground for short cuts.

[…]

The most comprehensive formulation of therapeutic goals is the striving for wholeheartedness: to be without pretense, to be emotionally sincere, to be able to put the whole of oneself into one’s feelings, one’s work, one’s beliefs. It can be approximated only to the extent that conflicts are resolved.

In the remainder of Our Inner Conflicts, Horney goes on to explore the antidote to the forces of fear, hopelessness, and impoverishment of personality stemming from our interior divisiveness and the mechanism by which we grow whole. Complement these fragments from it with her equally insightful contemporary Erich Fromm on the antidote to helplessness and disorientation and Marion Milner’s wonderful century-old field guide to knowing what you really want, then revisit Horney on the key to self-realization.


donating = loving

For a decade and half, I have been spending hundreds of hours and thousands of dollars each month composing The Marginalian (which bore the unbearable name Brain Pickings for its first fifteen years). It has remained free and ad-free and alive thanks to patronage from readers. I have no staff, no interns, no assistant — a thoroughly one-woman labor of love that is also my life and my livelihood. If this labor makes your own life more livable in any way, please consider lending a helping hand with a donation. Your support makes all the difference.


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The Marginalian has a free weekly newsletter. It comes out on Sundays and offers the week’s most inspiring reading. Here’s what to expect. Like? Sign up.

The Art of Human Connection: Pioneering Psychologist and Philosopher William James on the Most Important Attitude for Relationships

“Neither the whole of truth nor the whole of good is revealed to any single observer.”


The Art of Human Connection: Pioneering Psychologist and Philosopher William James on the Most Important Attitude for Relationships

To be human is to continually mistake our frames of reference for reality itself. We so readily forget that our vantage point is but a speck on the immense plane of possible perspectives. We so readily forget that there are infinitely many kinds of beautiful lives.

The discipline of countering our reflex for self-righteousness is a triumph of existential maturity — one increasingly rare in a culture where most people would rather armor themselves with judgment than tremble with uncertainty, would rather be right than understand.

The pioneering psychologist and philosopher William James (January 11, 1842–August 26, 1910), who coined the term “stream of consciousness,” explores the making of that triumph in a pair of wonderful lectures — “On a Certain Blindness in Human Beings” and “What Makes Life Significant” — posthumously collected in the 1911 volume Talks to Teachers on Psychology: And to Students on Some of Life’s Ideals (public library | public domain).

William James

With an eye to “the price we inevitably have to pay for being practical creatures,” James considers those rare moments when our habitual blinders fall away and we see a fuller picture of reality:

Only in some pitiful dreamer, some philosopher, poet, or romancer, or when the common practical man becomes a lover, does the hard externality give way, and a gleam of insight into the ejective world… the vast world of inner life beyond us, so different from that of outer seeming, illuminate our mind. Then the whole scheme of our customary values gets confounded, then our self is riven and its narrow interests fly to pieces, then a new centre and a new perspective must be found.

That new perspective includes the recognition that other people strive for happiness and meaning in ways other than our own, just as valid in the making of a life. James considers the value of this shift in understanding:

It absolutely forbids us to be forward in pronouncing on the meaninglessness of forms of existence other than our own; and it commands us to tolerate, respect, and indulge those whom we see harmlessly interested and happy in their own ways, however unintelligible these may be to us. Hands off: neither the whole of truth nor the whole of good is revealed to any single observer, although each observer gains a partial superiority of insight from the peculiar position in which he stands.

Art by Margaret C. Cook from a rare 1913 edition of Walt Whitman’s Leaves of Grass. (Available as a print)

Observing “the falsity of our judgments, so far as they presume to decide in an absolute way on the value of other persons’ conditions or ideals,” observing “how soaked and shot-through life is with values and meanings which we fail to realize because of our external and insensible point of view,” observing how often and how readily we judge the outward choices of others while losing sight of the “inward significance” of those choices, James writes:

The first thing to learn in intercourse with others is non-interference with their own peculiar ways of being happy, provided those ways do not assume to interfere by violence with ours. No one has insight into all the ideals. No one should presume to judge them off-hand. The pretension to dogmatize about them in each other is the root of most human injustices and cruelties, and the trait in human character most likely to make the angels weep.

Complement with Joan Didion on learning not to mistake self-righteousness for morality, then revisit William James on the psychology of attention, how our bodies affect our feelings, and the four features of transcendence.


donating = loving

For a decade and half, I have been spending hundreds of hours and thousands of dollars each month composing The Marginalian (which bore the unbearable name Brain Pickings for its first fifteen years). It has remained free and ad-free and alive thanks to patronage from readers. I have no staff, no interns, no assistant — a thoroughly one-woman labor of love that is also my life and my livelihood. If this labor makes your own life more livable in any way, please consider lending a helping hand with a donation. Your support makes all the difference.


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The Marginalian has a free weekly newsletter. It comes out on Sundays and offers the week’s most inspiring reading. Here’s what to expect. Like? Sign up.

The Epoch of the Child

The Epoch of the Child

Five years ago, I worked briefly as an assistant in a Montessori elementary classroom. A few weeks into my time there I found myself on the playground, watching along with thirty silent children between the ages of nine and six as their teacher began to unroll a bolt of black fabric across the wood chips. “At first the earth was a fiery ball,” she said, “and this went on for a long time.” The fabric continued to unroll as she talked about volcanoes, rains, and cooling, and by the time the whole strip of fabric was laid out it was a hundred meters long, covering most of the playground. At the far end was one slender red line, which she told the students represented all of human history. This, she said, is how long it took the earth to be ready for the coming of the human being.

This lesson I witnessed, known now as the Black Strip, was first given more than seventy years before on the other side of the world. Italian doctor and educator Maria Montessori took what was supposed to be a six month training trip to India in 01939 after having found herself on the wrong side of the fascist powers of Europe. The Nazis had closed Germany’s Montessori schools and reportedly burned her in effigy. Mussolini, with whom she had originally collaborated, followed suit and closed Italy’s schools after Dr. Montessori, a pacifist, refused to order her teachers to take the fascist loyalty oath.

This seemingly opportune moment to leave Europe also came up against the moment when Italy entered World War II on the side of the Axis powers. As an Italian in India, Montessori was at the mercy of  the British colonial government. They confined her to the grounds of her host organization — India’s Theosophical Society — and interned her adult son Mario, who had come along with her. Mario was eventually released and Montessori’s internment relaxed, but neither of them was permitted to leave India for the duration of the war. Their six month trip became seven years of training teachers and students in her methodology throughout India and Sri Lanka, and to this day a robust network of Montessori education remains in place there.

According to Montessori biographer Cristina De Stefano, it was during these seven years in India that Montessori developed much of what would become the natural history curriculum in her schools. The story behind the Black Strip I saw all those years later goes like this: some of Montessori’s Indian students considered their civilization superior to hers because it was older, one of the oldest in the world. In response, she devised a piece of black fabric three hundred meters long, spooled onto a dowel rod and unwound by a bicycle wheel down a village road somewhere near Kodaikanal. Montessori told her students that the black fabric (which has since been shortened by most Montessori schools for practical reasons) represented the fullness of geologic time on Earth, and that the line at the far end was the entire history of our species, Indian and Italian alike.

There’s no record of exactly how old these first students were, but current Montessori practice introduces the Black Strip along with what are known as The Great Lessons at the beginning of elementary school, where it is repeated each year so that by the time they are nine, students have seen the strip unroll three times.

The Epoch of the Child

Six years old might seem a bit early to introduce the depths of geologic time, but according to Alison Awes, the AMI Director of Elementary Training at the Montessori Center of Minnesota and the Director of Elementary Training at the Maria Montessori Institute in London, it’s exactly the right age. She notes that in Dr. Montessori’s scientific observations of children, “they were capable of so much more than what adults typically expected.” Elementary age children, Montessori noticed, possessed a strong capacity to reason, a drive to understand the world around them and how it functioned

Tracy Fortun, the teacher I worked for who rolled out the Black Strip on that day five years ago, tells me that the other elementary superpower that makes this the perfect age to introduce these concepts is a vivid imagination. Before her training, Fortun thought of imagination simply as fantasy, but she now sees it as a necessary tool for thinking about anything we can’t observe. “I have to use my imagination to think about five billion years,” she says.

Montessori lessons about natural history, like the Black Strip and the Clock of Eras (a poster of an analog clock in which the last 14 seconds represent humanity, presented once children are old enough to tell time), are not meant to deliver facts. Those, Fortun tells me, can come later. There is no scale of years to centimeters on the strip, nor are there many words spoken as it is rolled out. The lessons are impressionistic in order to engage the faculties of reason and imagination together and prompt a child’s own responses and questions, for which they can then seek answers. Awes tells me a story of a child who heard the third Great Lesson, The Coming of Human Beings, and then decided to sit down and make a list of every single thing he had done that day with his hands —  tasks and capabilities unique to his species.

Each Montessori lesson involving the concept of deep time is a particular blend of these same components. There’s the Timeline of Life, in a sense the opposite of the Black Strip — it’s crammed with pictures of the different forms of life inhabiting each geologic era up to our own. Then there is the Hand Chart, similar to the Black Strip but with one picture on it: a hand holding a stone tool. On the Hand Chart the black expanse represents, instead of geologic time, all of human history before the invention of writing, and the small red line at the end contains the Bible, the Bhagavad Gita, everything any of us has ever written. “Human beings have been busy,” says Fortun to her students, “using their intelligence, using their hands, transforming their environment, taking care of each other, telling their stories, for all this time before anybody wrote anything down.”

And there is the BCE/CE timeline that uses a string teachers pull on both ends, to show that time is going in both directions and we can at once learn about the past and imagine the future. The ends of the string are frayed to demonstrate that time is still going, always. Awes tells me that she once saw a group of children take out the BCE/CE timeline and proceed to organize themselves along it as the historical figures they were currently studying. “It was this ‘aha’ moment of, ‘Hey, you and I are living and working at the same time, but you guys are 800 years before.’”

Given the impressionistic nature of the lessons and the student-led response to them, I ask how exactly teachers can tell that the concepts are really sinking in. The response they all give is that the full results can take years to see. Fortun says that long after they’ve moved out of her classroom, students will put together a project that astounds her, and when she asks where they got the idea they will say, “Remember what you showed us in second grade?”

Children, it turns out, need time to process and incorporate these expansive ideas. “Something really deep and important is happening,” Awes says of the seemingly fallow periods that can follow these lessons, “we just might not know what it is. And that’s where the adult has to get out of the way of the child. We can be obstacles, because we don’t give children enough time to reflect.”

Seth Webb, Director of School Services at the National Center for Montessori in the Public Sector, echoes this sentiment. “What schools need to do to allow for these concepts to be rooted in the hearts and souls of kids is to give them the time to explore them. I mean, if you want an appreciation of deep time, you have to give them the time to appreciate it deeply.”

What strikes me most is the faith these teachers seem to have in their students. To wait on children in this way requires immense trust, especially in the high-stakes years of a child’s education. It’s an attitude that stands in sharp contrast to the anxious system I remember growing up, a system constantly requiring evidence that children are indeed learning everything they must know. The question, I suppose, is what we consider most essential in preparing children for the world we are going to hand them. In a Montessori framework, one of the most central interdisciplinary goals is for children to grasp what Dr. Montessori calls the Cosmic Task — something shared by animate and inanimate earth alike. Awes puts it this way: “Each organism and inanimate object has a dual purpose. One of the purposes is to do what they do for survival, but while doing that they're giving something back.” So plants, for instance, remove carbon dioxide from the atmosphere in order to survive. But in doing that, what they give back to the rest of us is oxygen. There are lessons called “the work of wind” and “the work of water.” The universe and the earth are presented as a system of interdependence, developed over billions of years and honed with immense specificity to create the conditions under which life exists. Children who understand this, who are exposed to it repeatedly and given time to contemplate it, Awes tells me, start to wonder what their own Cosmic Task might be, how they might support their community and their future, how they might give back.

The Epoch of the Child

But how many children are even given the opportunity to wonder in this way? Maria Montessori began her work with some of Rome’s most underprivileged children, but now, in the U.S. at least, Montessori education is often seen as something of an elite luxury.  In a widely read 02022 New Yorker review of De Stefano’s biography on Montessori, Jessica Winter noted that “there are only a few hundred public Montessori schools in the U.S.,” and that the Montessori method has been “routed disproportionately to rich white kids.”

Sara Suchman, the Executive Director of the National Center for Montessori in the Public Sector, paints a very different picture of Montessori in contemporary public education. In 02022 there were around  200,000 students receiving a Montessori education in nearly 600 U.S. public schools, she says, and more than half of them are Black, Indigenous, and People of Color. In a letter to the editor challenging Winter’s review, Suchman wrote that “there is nothing inherent in a Montessori classroom or school that makes it the unique domain of the wealthy.”

What is certainly true of these public Montessori schools, however, is that they tend to almost always be choice schools — open to all students in a school district regardless of address, but with an enrollment cap that means only a certain number can be admitted. Suchman cites Mira Debs’ Diverse Families, Desirable Schools (02019) to explain that over time more white, higher-income families proactively work the system to place their children in such schools. This problem is beyond the scope of the Montessori model itself, though presumably not beyond the scope of education policy in general.

“When a single model is serving 200,000 students, that both shows accomplishment and also opportunity,” Suchman tells me. One of the reasons Montessori education is worth our advocacy, according to Suchman, is that it is the model that best takes into account both the present and the future. “Kids are human beings right now, in this moment, and they need a positive experience right now…but they also need to be prepared. A lot of other methodologies will do one or the other, but Montessori does them together.”

Making Montessori more publicly accessible and therefore available to children in a wider economic range is a challenge for many reasons, but one that Suchman highlights strikes directly at the allowance for deep contemplation: the tension introduced by yearly testing, and our expectation of seeing constant, steady, measurable improvement. We don’t want to wait, and Montessori classrooms — which are multi-generational and span three grades — tend to demonstrate a burst of gains in each third year. For instance, when schools test yearly they will often see a plateau through first and second grade in Montessori schools instead of steady progress, which can cause anxiety if allowances aren't made for the fact that third grade is when much of the progress will manifest.

Educators must be prepared to accept a certain amount of waiting, to take a longer view and give kids some time.

The Epoch of the Child

Even outside of more public schools transitioning to a full Montessori model, there are opportunities for some of these concepts and methodologies for teaching natural history to make their way into all kinds of classrooms. Seth Webb sees the current moment as an opportunity for pedagogical cross pollination: “There are really amazing teachers everywhere, regardless of the overarching pedagogical foundation. We’ve moved into a new era where our pedagogy would do well to collaborate more.”

Children who have been given the Great Lessons and the time to appreciate the interdependence of our environment, the fragility and specificity and particularity of circumstances that allow for our existence, who know what it took for the earth to “be ready” for us, might be just the kind of people that we need right now. According to the Clock of Eras, it’s been 14 seconds, and we don’t know how many seconds more we have. So what will we do?

Maria Montessori believed that she was working at the end of the Adult Epoch, and that what was coming was the Epoch of the Child. It’s unclear precisely what she had in mind with that terminology, but it seems to speak of a time when children who are treated with sufficient respect and given sufficient time and resources become adults and alter, on a large scale, the way we carry out our lives. Crucially, however, nothing new like this can be ushered in without decisions made now, by those of us who are not yet citizens of any of these new possibilities. A cosmic task for us, perhaps.

I can imagine what it might look like, rolled out in front of me. These brief years of our unprecedented technological dominion I imagine a pale, sickly yellow, the color of the fear so many of my generation seem to carry — the fear that we have gone too far. And at the end, slender but frayed at the edges to connote its expansion, a full, deep, blue-tinted black of possibility like a bare night sky, like a beginning.

The Epoch of the Child

Bette Adriaanse

Bette Adriaanse

Our bodies, our houses, our land, our space - we humans don’t always like to share. Author Bette Adriaanse talks with Chelsea T. Hicks, and virtual guests Brian Eno and Aqui Thami, about property and sharing, and how to make a lasting positive change in the way we share the world with each other. Alternating between thinkers and doers, whose actions help foster long term equality, this evening explores the choices that can be made to share time and resources with others in radical ways.

Chelsea T. Hicks is an author, activist, and citizen of the Osage Nation.

Brian Eno is a musician, artist, writer, and co-founder of Earth Percent and The Long Now Foundation.

Aqui Thami is an artist, activist, and Thangmi woman of the Kiratima peoples of the Himalayas.

My son’s autistic language

My son’s language is made of a bundle of sounds that do not exist in the Spanish that we speak around the Río de la Plata. He repeats syllables he himself invented, he alternates them with onomatopoeias, guttural sounds, and high-pitched shouts. It is an expressive, singing language. I wrote this on Twitter at 6:30 in the morning on a Thursday because Galileo woke me up at 5:30. He does this, madruga (there is no word for “madrugar”, “waking up early in the morning” in English, I want to know why). As I look after him, I open a Word document in my computer. I write a little while I hear “aiuuuh shíii shíiii prrrrrr boio boio seeehhh” and then some whispers, all this accompanied with his rhythmic stimming of patting himself on the chest or drumming on the walls and tables around the house.
My life with Gali goes by like this, between scenes like this one and the passionate kisses and hugs he gives me. This morning everything else is quiet. He brings me an apple for me to cut it for him in four segments. He likes the skin and gnaws the rest, leaving pieces of apples with his bitemarks all around the house. He also brings me a box of rice cookies he doesn’t know how to open. Then he eats them jumping on my bed. He leaves a trace of crumbles. Galileo inhabits the world by leaving evidence of his existence, of his habits, of his way of being in the world.
When we started walking the uncertain road to diagnosis, someone next of kin who is a children’s psychologist with a sort of specialisation in autism informally assessed him. She ruled (diagnosed, prognosed) that he wasn’t autistic, that we shouldn’t ask for the official disability certificate (because “labels” are wrong, she held), and that he should go on Lacanian therapy and music therapy on Zoom —now I think this is a ready-made sentence she just gives in general to anyone.


The most violent intervention in Galileo’s subjectivity is denying his being-disabled in an ableist world and his being-autistic in an allistic world. We, as a culture, have internalised the terror of disability so deep in our minds that we hurry to deny it. We are not willing to accept that what causes us so much angst and dread actually exists, that it is not an imagined ghost. Denying like this, in this delusional way, is an instinct only humans have. It is so human (so stupid) that it is not a survival instinct. When we deny autistic affirmation, we prepare the ground for its annihilation, i.e., for the annihilation of everyone who is autistic. Being autistic isn’t being an imperfect allistic, a not-yet-allistic person. Being disabled isn’t the same as being a flawed abled person. The denial of disability doesn’t amount to affirming an alternative ability, it implies the ableist annihilation of all vulnerability. But when disability is negated, able people do not survive either. We are born and we die in disability. How did it happen that we dare to imagine we can supersede need? (Maybe by the same process by which it is believed that capitalist profits are meant to satisfy human needs).


The instinct of denying disability is not innate, though. It is an intelligent trap designed to break communities apart, to disorganise, to debilitate us: not to make us disabled but to make us unable, powerless. This is how ableism works, de-politicising vulnerability and unease, making disability, at most, an object of pity and compassion, a matter of bad luck, a fate to try to twist and avoid.



***



Galileo’s spoken language has the musical texture of a genre he alone can perform. There was a (short) time when I thought that my role in his life was to be her translator, a mediation between him and the rest of the world. This is impossible for many reasons. The most important of them isn’t that I don’t get him (I don’t), it isn’t that I don’t speak his language (I don’t), or that no one (much less a mother) can or should mediate anyone. The main reason is that Galileo speaks as someone who plays in their instrument a piece that they have composed for themselves.
Sometimes language is comprehensible only insofar as one gets ready to listen to it as if they were in an empty church in front of a little bench where Rostropovich is about to play Bach’s suites with his Duport, and as if he were Bach himself. Then, and only then, we understand that we don’t understand, that we are at the gates of the incomprehensible. When is language more language than when it is spoken so incomprehensibly? The impossibility of interpreting oneself, myself, comes not only from the fact that no one controls or owns language. No one plays their own scores because no one creates their own language. No one, but Galileo and his equals. The autistic non-verbal language is that impossible thing that we try not to talk about when we talk, that we try to drown by talking too much, moving our hands, and writing for example this text. Autistic languages say what can’t be said in any articulated allistic “normal” language. Galileo speaks a language that complements other languages. This language of his is not the opposite of language: it perfects other languages, like music or silence do.

***


Does my son have a mother tongue? Do we speak to each other as mother and child? What do we tell each other when we chat? My son’s autism and his magic words lend me a whole new vocabulary for my own neurodiversity, a new and authentic view on my severe misophonia, hyperacusis, and hyperosmia, and on my life-long inability to grasp the majority of the rules of interpersonal relationships, among other things I thought were personal flaws that made me inferior. I won’t mask it anymore. I won’t keep it a secret anymore. Now I know how to talk about it, now I have names to name it. Maybe he will never speak his mother tongue or any other “normal” language, but he has taught me to speak a language in which I now can say what I couldn’t formulate in an allistic alien tongue. Stripping me of all the allistic and ableist expectations that have shaped the way I was meant to raise my children has liberated me from the suffering of trying to meet them myself. The truly difficult thing, besides raising an autistic child in an allistic world, besides being a non-verbal autistic child in an ableist world, is how to de-internalise all this life-long inferiorisation.


But I know he will tell me how.

No-Bullshit Democracy

Hugo Mercier, Melissa Schwartzberg and I have two closely related publications on what we’ve been calling “No-Bullshit Democracy.” One is aimed at academics – it’s a very short piece that has just been officially published in American Political Science Review. The other just came out in Democracy. It’s aimed at a broader audience, and is undoubtedly livelier. An excerpt of the Democracy piece follows – if you want to read it, click on this link. The APSR academic letter (which can be republished under a Creative Commons license) is under the fold. Which one you might want to read depends on whether you value footnotes more than fisticuffs, or vice versa …

The New Libertarian Elitists

What might be called “no-bullshit democracy” would be a new way of structuring democratic disagreement that would use human argumentativeness as a rapid-growth fertilizer. … But first we need to sluice away the bullshit that is being liberally spread around by anti-democratic thinkers. … . Experts, including Brennan and Caplan (and for that matter ourselves), can be at least as enthusiastic as ordinary citizens to grab at ideologically convenient factoids and ignore or explain away inconvenient evidence. That, unfortunately, is why Brennan and Caplan’s books do a better job displaying the faults of human reasoning than explaining them.

Analytical Democratic Theory: A Microfoundational Approach

Henry Farrell, Hugo Mercier and Melissa Schwartzberg.

Abstract

A prominent and publicly influential literature challenges the quality of democratic decision making, drawing on political science findings with specific claims about the ubiquity of cognitive bias to lament citizens’ incompetence. A competing literature in democratic theory defends the wisdom of crowds, drawing on a cluster of models in support of the capacity of ordinary citizens to produce correct outcomes. In this Letter, we draw on recent findings in psychology to demonstrate that the former literature is based on outdated and erroneous claims and that the latter is overly sanguine about the circumstances that yield reliable collective decision making. By contrast, “interactionist” scholarship shows how individual-level biases are not devastating for group problem solving, given appropriate conditions. This provides possible microfoundations for a broader research agenda similar to that implemented by Elinor Ostrom and her colleagues on common-good provision, investigating how different group structures are associated with both success and failure in democratic decision making. This agenda would have implications for both democratic theory and democratic practice.

Over the last 15 years a prominent academic literature tied to libertarian thought has argued that democracy is generally inferior to other forms of collective problem solving such as markets and the rule of cognitive elites (Brennan 2016; Caplan 2008; Somin 2016). Following a long tradition of skepticism about democracy, these libertarians appeal to findings in cognitive and social psychology and political behavior to claim that decision making by ordinary citizens is unlikely to be rational or well grounded in evidence. Their arguments have been covered in magazines such as the New Yorker (Crain 2016) and popularized in proposals in the National Review for restrictions to dissuade “ignorant” people from voting (Mathis-Lilley 2021). Democratic theorists have mostly retorted with “epistemic” accounts, invoking mechanisms through which citizens can potentially reach good decisions—most significantly, deliberative mechanisms (Schwartzberg 2015).

This debate has been largely unproductive. Libertarian skeptics argue that democracy is generally inferior because of incorrigible flaws in citizens’ individual psychology, whereas democratic theorists lack a shared, compelling, and realistic micropsychological theory within which to ground their broader claims. Each side emphasizes empirical evidence that appears to support its own interpretation while discounting counterevidence.

This letter adopts a different approach. It demonstrates that democratic skeptics’ pessimistic conclusion—that democracy is unfixable—rests on a misleading and outdated account of the relevant psychological literature. Similarly, epistemic democrats often overestimate deliberation’s role in producing wise results or assume that aggregative models will operate at scale. We seek to avoid unwarranted skepticism and enthusiasm alike, instead providing microfoundations for a more empirically robust program investigating both the successes and mishaps of democracy, drawing on the experimental psychological literature on group problem solving (inter alia) to discover the conditions under which specific institutions perform well or fail in discovering solutions to collective problems.

Adapting a term from past debates, we contribute one foundational element of an approach that might be dubbed “analytical democracy.” Like the “analytical Marxism” associated with scholars such as G. A. Cohen, Jon Elster, John Roemer, and Adam Przeworski (see Roemer 1986), we provide more demanding and specific microfoundations for an account we find broadly sympathetic. Our research program might also be analogized to Ostrom’s work on the decentralized provision of common goods (Ostrom 1990). This emerged in response to Garrett Hardin’s influential article on “the tragedy of the commons,” which claimed that common-goods governance would inevitably collapse (Hardin 1968). Ostrom and her colleagues tested and falsified Hardin’s claims. However, rather than simply defending the proposition that decentralized communities could provide common goods, they investigated when common-good provision was likely to succeed or fail. Similarly, a research program on democratic problem solving, investigating success and failure, might not only provide possible foundations for a truly realistic account of democracy but also generate practical advice on building and improving democratic institutions. This program would build on research on the consequences of group composition and structure to understand the conditions under which democratic problem solving will operate well or badly.

Democratic Skepticism, Optimism and Social Science
A recent pessimistic literature, dominated by libertarian scholars, diagnoses widespread democratic ignorance and incompetence. Bryan Caplan (2008, 19) asserts that voters are irrational and “rule by demagogues … is the natural condition of democracy.” Jason Brennan believes that the democratic electorate is “systematically incompetent” so “some people ought not have the right to vote, or ought to have weaker voting rights than others” (Brennan 2016, 201, viii). Ilya Somin claims that “widespread public ignorance is a type of pollution” so that “democracy might function better if its powers were more tightly limited” (Somin 2016, 6, 9).

Each argues that democracy is profoundly flawed because of irremediable problems in individual incentives and cognition. Each proposes circumscribing democracy in favor of some purportedly superior alternative principle of social organization. Caplan claims that markets impose an effective “user fee” for irrationality that is absent from democracy (Caplan 2008, 133–4). Brennan proposes “epistocracy,” an aristocracy of those who know best. He defends restrictions on suffrage, identifying familiar possibilities such as restricting the franchise to those who pass a voter qualification exam and assigning plural votes to college graduates. Somin advocates what he calls “foot voting” (exit) over “ballot box voting” and emphasizes “the market and civil society as an alternative to government” (Somin 2016, 154), although he admits that the benefits “are likely to vary from issue to issue, from nation to nation, and perhaps also from group to group” (180).

These scholars ground their claims in social science findings. They invoke a literature leading back to Downs’s (1957) argument that citizens are rationally ignorant about politics because they do not have sufficient incentive to gather good information or to make good decisions. They emphasize that ordinary citizens display severe cognitive bias. Caplan (2008) blames such biases for differences between voters’ beliefs about economics and the beliefs of PhD economists, which he takes as a reasonable representation of empirical truth. Brennan (2016, 37ff) and Somin (2016, 94ff) cite work showing that biases lead people to search for information that supports their prior views and “not only reject new information casting doubt on their beliefs but sometimes actually respond by believing in them even more fervently” (Somin, 93–4; invoking the “backfire effects” described in Nyhan and Reifler 2010).

Brennan (2016, 40) unites rational ignorance and cognitive bias into a single stylized account in which most voters are either low information “hobbits” (ignorant) or politically fanatical “hooligans” (biased). He invokes Mercier and Sperber’s explanation of how “[r]easoning was not designed to pursue the truth. Reasoning was designed by evolution to help us win arguments” (Brennan 2016, 38). Furthermore, “human beings are wired not to seek truth and justice but to seek consensus… . They cower before uniform opinion” (Brennan 2012, 8; see also Brennan 2016, 47) as demonstrated by the famous Asch (1956) “conformity experiments,” where participants followed the obviously false opinions of confederates who were sitting next to them.

Achen and Bartels’ (2016) “realist” account of democracy does not share the skeptics’ normative priors but provides a similarly bleak judgment. They too draw on Asch and “similar studies” for social psychological microfoundations that stress the force of group identity and conformity (Achen and Bartels 2016, 220).

There is little scope for democratic problem solving if individual consensus seeking invariably leads to group conformity and “echo chambers” (Sunstein 2002), affective polarization (Iyengar et al. 2018), the rejection of countervailing arguments from nongroup members, and backfire effects. Yet it is far from clear that the despairing picture is empirically accurate. Growing affective polarization may not increase ideological polarization and extremism (e.g., Desmet and Wacziarg 2021). People’s economic beliefs are affected by economic reality (e.g. Duch and Stevenson 2008). Party leaders influence party members on some issues but on others adopt what they perceive to be the public’s dominant opinion (Lenz 2013). Backfire effects are the exception, not the rule (Nyhan 2021; Wood and Porter 2019). People generally change their minds when presented with well-sourced facts and good arguments (see, e.g., Nyhan et al. 2020; Sides 2015).

In part, we do not see the expected universally negative consequences because citizens are not as ignorant as the skeptical consensus suggests. “Issue publics,” whose members acquire specialized information on a particular issue across a spectrum of opinion (Converse 1964), provide an important epistemic resource for democracy (Elliott 2020; Han 2009). Citizens do better on domain-specific knowledge, including information about candidates’ positions on issues they care about (Henderson 2014; Krosnick 1990), than on the surveys of general factual information that skeptics rely on.

More fundamentally, individual-level biases are not devastating for collective democratic problem solving. The psychological literature on group effects and individual cognition is systematically misunderstood by skeptics and underexploited by political scientists. Contrary to Brennan’s (2016) misinterpretation, scholars like Mercier and Sperber (2017) find that even if humans are subject to “myside bias,” they can filter out erroneous messages (including those from their “side”) and change their minds when presented with good evidence from the other “side.” A realistic understanding of the capacities of democratic citizens need not be altogether bleak.

But it should not be overly sanguine. Democratic theorists (including those who are interested in practicalities) often rely on either conjecture or quasi-empirical claims. For instance, David Estlund argues that democratic procedures will tend to outperform non-democratic ones epistemically while acknowledging that the claim is conjectural rather than empirical (Estlund 2008, 157, 160, 176). Hélène Landemore (2020, 8) asserts more forcefully that what she calls “open democracy” is empirically superior to other forms of social decision making: “in a complex and uncertain world, … empowering all members of the demos equally … is overall the best method we have to figure out solutions to common problems.”

We lack a research framework for establishing whether this strong assertion is more robust than competing claims from those who champion different forms of democratic decision making or who emphasize the possibility of democratic failure. Even if deliberation and other forms of reasoned exchange are morally valuable, they may not necessarily yield superior solutions to problems. Extrapolations such as Landemore’s (2013, 104) “Numbers Trump Ability” postulate that democracy can readily be scaled up so that “if twelve jurors are smarter than one, then so would forty-one or 123 jurors,” building on Hong and Page’s (2004) “Diversity Trumps Ability” theorem. Such claims are qualified by empirical findings from jury deliberations (Watanabe 2020) and Hong and Page’s later prediction that increasing group size does not necessarily improve problem-solving capability (Hong and Page2021).

To move away from general claims for democracy’s superiority, epistemic democrats need to understand not just when democracy works but also when it doesn’t. Neblo et al. (2017, 915) establish an important possibility claim by showing how “scholars have assembled strong evidence that deliberative institutions positively influence citizens.” Still, it is hard to build from such demonstrations to a properly scientific account that can explain both democratic success and failure without some externally grounded theory of human decision making. Similarly, there is no very straightforward way of moving from a demonstration that Habermasian claims for deliberation can be grounded in plausible psychological mechanisms (Minozzi and Neblo 2015) to a broader account of when these mechanisms will or will not operate.

Surprisingly, possible microfoundations for such an account can be found in the literature on group psychology and cognition that skeptics have deployed against democracy. As Landemore (2013, 143) says, the “argumentative theory of reasoning” allows us to predict where deliberation will and will not work well. This is a pivotally important claim: we need to know where deliberation will function well to empirically assess theories of institutional design and practical justifications of democracy.

The argumentative account of reasoning is grounded in a recent “interactionist” literature in psychology, which explores how individual bias may or may not be corrected through social interaction. It investigates how mechanisms of “epistemic vigilance” allow people to employ cues to evaluate communicated information including the expertise and benevolence of the source, the plausibility of the message, and the quality of the arguments (for an overview, see Mercier 2020; Sperber et al. 2010). Chambers (2018) has also identified both the interactionist approach and the empirical literature on deliberation as reasons to doubt skeptical claims based on group psychology.

For example, contrary to skeptical claims that people conform to majority opinion, the experimental literature finds that people take account of relevant cues when evaluating the majority opinion including the absolute and relative size of the majority, the competence and benevolence of the majority’s members, the degree of dependency in the opinions of the majority, and the plausibility of the opinion (for review, see Mercier and Morin 2019). The much-bruited Asch (1956) experiments describe the consequences of external pressure rather than those of internalized bias. Practically no one was influenced when participants did not have to voice their opinion in front of the group, and contrary to the widespread academic folklore (Friend, Rafferty, and Bramel 1990), the experiments demonstrated independence as well as conformity. The literature finds that people are well able to evaluate arguments, that they are more influenced by strong than weak reasons (e.g., Hahn and Oaksford 2007), and that they partly change their minds when confronted with challenging but good arguments (e.g., Guess and Coppock 2020).

Interactionist scholarship suggests that reasoning processes are best evaluated in their normal environment of social interaction. It provides possible microfoundations for theories of variation. Instead of looking to the (supposedly invariant) cognitive limitations of ordinary citizens as skeptics do, an interactionist approach suggests that we should investigate the social context of decisions—how groups are structured—to understand when group identity and social pressure can distort or swamp problem solving. Both problem-solving capacity (which depends on whether groups harness individual biases and mechanisms of epistemic vigilance) and collective pressures to conformity will plausibly vary with group structure. Skeptical accounts, which depict group politics as simple condensates of individual bias writ large, are poorly fitted to capturing this variation. Equally, interactionism provides microfoundations for a framework that can investigate democratic theorists’ findings about when democracy works well while also investigating democratic failure.

This provides a more promising path forward than does the universal pessimism of democratic skeptics. It also provides more robust foundations for the claim that deliberation can occur under psychologically realistic circumstances and a starting point for investigating what those circumstances are. Democratic “realists” like Achen and Bartels (2016) need not be democratic pessimists. A microfoundational approach, grounded in endemic individual cognitive bias, avoids the possible charge that the desired normative outcomes are baked into the initial empirical assumptions.

If outright democratic skeptics are sincerely committed to understanding the cognitive underpinnings of democratic processes, as their reliance on this literature ought to entail, they too should find it attractive. It allows the serious investigation of observed democratic failure as well as democratic success. Of course, these are not the only possible microfoundations, and like all empirically based accounts, they may be modified or even rejected as empirical evidence emerges.

Still, such microfoundations could support a broader analytical account that seeks to understand and address variation. If both the benefits and disadvantages of democracy arise at the group rather than individual level, then the challenge for advocates of democracy is to build democratic institutions that can better trigger the relevant cognitive mechanisms so as to capture the benefits of group problem solving instead of deferring to the social pressures that do sometimes lead to conformity. In other words, our goal is to better explain how democracy incorporates the capacities of groups to solve problems (under some circumstances) as well as their tendency to magnify conformity and factionalism (under others).

We do not provide a complete alternative account of democracy here. That would be a heroic undertaking, which would involve not just providing microfoundations but rebuilding existing institutional and organizational theories on their basis. Instead, we sketch the beginnings of a broader research program that we hope others will find attractive.

A Research Program on Democratic Problem Solving
Ostrom (1990) began by demonstrating the systematic flaws in Hardin’s skepticism of common goods but went on to articulate a coherent alternative research agenda on the conditions under which common goods provision succeeds or fails. Political science and related disciplines should commence a similar research program, uniting scientific research on group composition, network structure, and institutional form to investigate the conditions under which democratic problem solving is likely to succeed or fail.

As we have argued, this program could build on research in experimental cognitive psychology, which provides an alternative set of microfoundations to both rational choice and the social psychological arguments that have dominated political science debates. Specifically, this research identifies specific dimensions along which trade-offs in group problem solving plausibly occur:

• Between social comfort and comfort in expressing dissent (Baron 2005).

• Between shared common ground and some measure of preexisting disagreement. Stasser and Titus (1985) point to the benefits of ground-level agreement for problem solving, whereas Schulz-Hardt et al. (2006) discuss how some level of background dissent allows for better problem solving.

• Between group size and the need to represent diversity. Fay, Garrod, and Carletta (2000) discuss how the quality of communication deteriorates as group size increases, whereas Hong and Page (2004; 2021) highlight the benefits of diversity and its complex interaction with group size and Mercier and Claidière (2022) examine whether deliberation is robust to increases in group size.

• Between pressures for conformity and concerns for epistemic reputation, Origgi (2017) describes how the cognitive mechanisms of reputation can generate both market bubbles and reliable collective information systems.

By understanding how different positions in this multidimensional space are associated with better or worse problem solving, we can arrive at useful hypotheses about how to fashion democratic systems. This research program should also incorporate scholarship on a broader level of social aggregation, which explores how network structure and social influence affect flows of information and opinion between individuals with different perspectives (Feng et al. 2019). It might incorporate practical findings about democratic decision making—for instance, the circumstances under which juries can form more accurate collective beliefs (Salerno and Diamond 2010) and how citizen constitutional assemblies (Farrell and Suiter 2019) and online town halls (Neblo, Esterling, and Lazer R2018) can support better communication between politicians and the public.

Crucially, the proposed research program would investigate democratic failures as well as successes, better explaining, for example, the circumstances under which epistemic breakdown and misinformation can become established in democracies. O’Connor and Weatherall (2018; Weatherall and O’Connor Weathera2021) investigate how epistemic factionalization occurs among people who do not trust others with different beliefs. Nyhan (2021) emphasizes the importance of elite messaging and information decay in spreading misinformation, suggesting that punishing elites who spread falsehoods and focusing on intermediaries may have benefits.

Finally, such a research program would help address recent (Neblo et al. 2017) and current (Notes from the Editors 2020) demands for a “translational” approach to democracy that “challenges dominant disciplinary norms.” It would seek to reconcile scientific rigor with normative analysis, providing the groundwork for institutional improvement and reform.

The Remedy for Creative Block and Existential Stuckness

“Faithfulness to the moment and to the present circumstance entails continuous surrender… Only unconditional surrender leads to real emptiness, and from that place of emptiness I can be prolific and free.”


The Remedy for Creative Block and Existential Stuckness

To create anything — a poem, a painting, a theorem, a garden — is not to will something new into being but to surrender to the most ancient and alive part of ourselves — the stratum of spirit vibrating with every experience we have ever had, every book we have ever read, every love we have ever loved, every dream we have ever dreamt. It is a process that requires great strength and great patience, for it asks of us to quiet the din of demand and break free from the straitjacket of habit in order to make audible the inner voice whispered from the depths of life, wild and free. “The most regretful people on earth,” Mary Oliver wrote as she contemplated creativity, “are those who felt the call to creative work, who felt their own creative power restive and uprising, and gave to it neither power nor time.”

How to live into our creative power is what improvisational violinist and computer artist Stephen Nachmanovitch explores in his classic Free Play: Improvisation in Life and Art (public library), published the year I was born.

Art by Arthur Rackham from Peter Pan in Kensington Gardens. (Available as a print.)

Writing in the spirit of Lewis Hyde’s The Gift, Nachmanovitch considers a common stage of the creative process — what the polymathic mathematician Henri Poincaré called “sudden illumination” and the physicist Freeman Dyson called “a flash of illumination” — and offers an essential guardrail against the mythos of such Eureka! moments:

The literature on creativity is full of tales of breakthrough experiences. These moments come when you let go of some impediment or fear, and boom — in whooshes the muse. You feel clarity, power, freedom, as something unforeseeable jumps out of you. The literature of Zen… abounds with accounts of kensho and satori — moments of illumination and moments of total change of heart. There come points in your life when you simply kick the door open. But there is no ultimate breakthrough; what we find in the development of a creative life is an open-ended series of provisional breakthroughs. In this journey there is no endpoint, because it is the journey into the soul.

[…]

Our subject is inherently a mystery. It cannot be fully expressed in words, because it concerns the deep preverbal levels of spirit. No kind of linear organization can do justice to this subject; by its nature it does not lie flat on the page. Looking at the creative process is like looking into a crystal: No matter which facet we gaze into, we see all the others reflected.

Art by the Brothers Hilts from A Velocity of Being: Letters to a Young Reader.

Echoing Emerson’s admonition against the cult of originality — an admonition Nick Cave would amplify two centuries later — Nachmanovitch examines the prerequisites of creation — “playfulness, love, concentration, practice, skill, using the power of limits, using the power of mistakes, risk, surrender, patience, courage, and trust” — and adds:

The creative process is a spiritual path. This adventure is about us, about the deep self, the composer in all of us, about originality, meaning not that which is all new, but that which is fully and originally ourselves.

But there come moments in life when some monolith of agony or apathy lodges itself in the middle of the spiritual path, leaving us too painfully cut off from ourselves to create. We may call this creative block, we may experience it as depression, but no matter the conceptual container, the ineffable stuff inside pulsates with aching unease. In such moments, there is no way out we can claw our way to — there is only the soft allowing of the passage through. Echoing Henry Miller’s insistence on the value of surrender as an antidote to despair, Nachmanovitch writes:

Faithfulness to the moment and to the present circumstance entails continuous surrender. Perhaps we are surrendering to something delightful, but we still have to give up our expectations and a certain degree of control — give up being safely wrapped in our own story. We still engage in the important practice of planning and scheduling — not to rigidly lock in the future, but to tune up the self. In planning we focus attention on the field we are about to enter, then release the plan and discover the reality of time’s flow. Thus we tap into living synchronicity.

[…]

Only unconditional surrender leads to real emptiness, and from that place of emptiness I can be prolific and free. We create and respond from the wonderful empty place that is generated when we surrender.

Art by Dorothy Lathrop, 1922. (Available as a print and as stationery cards.)

With an eye to intelleto — Michelangelo’s notion of visionary intelligence beyond rational thought, capable of seeing beyond the veneer of appearances — and temenos — the magic circle of ancient Greece, demarcating a sacred space for play that summons the extraordinary — Nachmanovitch offers concrete strategies for active surrender:

When you are stuck, meditate, free associate, do automatic writing, talk to yourself and answer yourself. Play with the blocks. Stay in the temenos of the workplace. Relax, surrender to the bafflement; don’t leave the temenos, and the solution will come. Persevere gently. Use intelleto, the visionary faculty. Stay close to the zero mark; indulge neither in great highs nor in great lows. The depths are obscured in us when we try to force feelings; we clarify them by giving them adequate time and space and letting them come.

In a sentiment embodied in Pablo Neruda’s lovely childhood memory of the hand through the fence, Nachmanovitch considers the ultimate impetus of why we are called to create at all:

Beyond the drive to create is yet a deeper level of commitment, a state of union with a whole that is beyond us. When this element of union is injected into our play-forms, we get something beyond mere creativity, beyond mere purpose or dedication; we get a state of acting from love. Love has to do with the perpetuation of life, and is therefore irrevocably linked to deeply held values.

Complement these fragments of the altogether vitalizing Free Play with poet Diane Ackerman’s soulful inquiry into the spiritual and creative rewards of deep play and violinist Natalie Hodges on improvisation and the quantum of consciousness, then revisit some life-tested advice on getting unstuck from working artists, working writers, and Lewis Carroll.


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For a decade and half, I have been spending hundreds of hours and thousands of dollars each month composing The Marginalian (which bore the unbearable name Brain Pickings for its first fifteen years). It has remained free and ad-free and alive thanks to patronage from readers. I have no staff, no interns, no assistant — a thoroughly one-woman labor of love that is also my life and my livelihood. If this labor makes your own life more livable in any way, please consider lending a helping hand with a donation. Your support makes all the difference.


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Coleridge on the Paradox of Friendship and Romantic Love

On sympathy, reciprocity, and satisfying the fulness of our nature.


Coleridge on the Paradox of Friendship and Romantic Love

All relationships are asymmetrical. But there are some asymmetries that fray the fabric of the relationship and maim both people involved — none more so than those of a deep friendship where one person feels the tug of romantic love and the other does not, cannot. The challenge, then, is how to preserve the sanctity of friendship from being crushed beneath the weight of unequal expectations.

Samuel Taylor Coleridge (October 21, 1772–July 25, 1834) addressed this haunting paradox of friendship and romance in his marginalia while anguishing over a decade-deep chaste infatuation with his friend William Wordsworth’s sister-in-law, Sarah Hutchinson, all the while editing his literary journal, The Friend, which he dedicated to Sara.

Samuel Taylor Coleridge

In the margins of the 1669 classic Religio Medici by Sir Thomas Browne — himself a man of intense and anguished propensity for romantic friendship — the 38-year-old Coleridge writes:

Friendship satisfies the highest parts of our nature; but a [beloved], who is capable of friendship, satisfies all.

He contemplates why friendship alone will always feel less satisfying than a love that includes friendship but reigns supreme over all other relations:

We may love many persons, all very dearly; but we cannot love many persons, all equally dearly. There will be differences, there will be gradations — our nature imperiously asks a summit, a resting-place — it is with the affections in Love, as with the Reason in Religion — we cannot diffuse & equalize — we must have a SUPREME — a One the highest. All languages express this sentiment.

But such supremacy, Coleridge observes, is only real when buoyed by mutuality — by the sheer laws of logic, by the sheer laws of physics and their force-counterforce equivalence, there can be no such “summit” on one side only, or else it is merely an echo of selfishness or delusion. Pulsating beneath this fact is the necessity of accepting that, in some fundamental sense, all unrequited love is not real love but fantasia — and only by letting go of that fantastical longing can symmetry be restored to the lopsided relationship.

Art by Sophie Blackall from Things to Look Forward to

Coleridge writes:

In order that a person should continue to love another, better than all others, it seems necessary that this feeling should be reciprocal. For if it be not so, Sympathy is broken off in the very highest point. A. (we will say, by way of illustration) loves B. above all others, in the best & fullest sense of the word, love; but B. loves C. above all others. Either therefore A. does not sympathize with B. in this most important feeling; & then his Love must necessarily be incomplete, & accompanied with a craving after something that is not, & yet might be; or he does sympathize with B. in loving C. above all others — & then, of course, he loves C. better than B. Now it is selfishness, at least it seems so to me, to desire that your Friend should love you better than all others — but not to wish that a Wife should.

Coleridge considers the way a balanced love — be it friendship or romance — helps us integrate ourselves, uniting the mind and the heart into a single force-field of being:

The great business of real unostentatious Virtue is — not to eradicate any genuine instinct or appetite of human nature; but — to establish a concord and unity betwixt all parts of our nature, to give a Feeling & a Passion to our purer Intellect, and to intellectualize our feelings & passions.

Complement with Van Gogh on heartbreak and unrequited love as fuel for creativity and the philosopher-poet David Whyte on the deeper meanings of friendship, love, and heartbreak, then revisit Coleridge on the interplay of terror and transcendence in nature and human nature.


donating = loving

For a decade and half, I have been spending hundreds of hours and thousands of dollars each month composing The Marginalian (which bore the unbearable name Brain Pickings for its first fifteen years). It has remained free and ad-free and alive thanks to patronage from readers. I have no staff, no interns, no assistant — a thoroughly one-woman labor of love that is also my life and my livelihood. If this labor makes your own life more livable in any way, please consider lending a helping hand with a donation. Your support makes all the difference.


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The Marginalian has a free weekly newsletter. It comes out on Sundays and offers the week’s most inspiring reading. Here’s what to expect. Like? Sign up.

May Sarton on Grieving a Pet

“It is absolutely inward and private, the relation between oneself and an animal.”


May Sarton on Grieving a Pet

There is an ineffable comfort that our non-human companions bless upon our lives — those beings whose daily task it is to “bite every sorrow until it fled” — and with their loss comes an ineffable species of grief.

Two centuries after the young Lord Byron tried to put it into words in his soulful elegy for his beloved dog, the poet and novelist May Sarton (May 3, 1912–July 16, 1995) captured it in stirring prose in the wake of her beloved cat’s death, reflecting on the emotional rollercoaster of loss — the syncopation of grief and relief that is any death.

May Sarton

In a diary entry from the autumn of 1974, found in her uncommonly rewarding journal collection The House by the Sea, Sarton writes:

In some ways the death of an animal is worse than the death of a person. I wonder why. Partly it is absolutely inward and private, the relation between oneself and an animal, and also there is total dependency. I kept thinking as I drove home, this is all inside me, this grief, and I can’t explain it, nor do I want to, to anyone. Now, six days later, I begin to feel the immense relief of no longer being woken at five by angry miaows, “Hurry up, where’s my breakfast?” from the top of the stairs, no longer having to throw away box after box of half-eaten food because she was so finicky, no longer trundling up three flights with clean kitty litter — but, above all, no longer carrying her, a leaden weight, in my heart. She was the ghost at the feast, here where everything else is so happy. But, oh, my pussy, I wish for your rare purrs and for your sweet soft head butting gently against my arm to be caressed!

Complement with John Updike’s stirring elegy for his dog and Leonard Michaels’s playful, poignant meditation on how our cats reveal us to ourselves, then revisit May Sarton how to cultivate your talent, the relationship between presence, solitude, and love, the cure for despair, and her timeless ode to the art of being alone.


donating = loving

For a decade and half, I have been spending hundreds of hours and thousands of dollars each month composing The Marginalian (which bore the unbearable name Brain Pickings for its first fifteen years). It has remained free and ad-free and alive thanks to patronage from readers. I have no staff, no interns, no assistant — a thoroughly one-woman labor of love that is also my life and my livelihood. If this labor makes your own life more livable in any way, please consider lending a helping hand with a donation. Your support makes all the difference.


newsletter

The Marginalian has a free weekly newsletter. It comes out on Sundays and offers the week’s most inspiring reading. Here’s what to expect. Like? Sign up.

An Introvert’s Field Guide to Friendship: Thoreau on the Challenges and Rewards of the Art of Connection

“We only need to be as true to others as we are to ourselves that there may be ground enough for friendship.”


Friendship is the sunshine of life — the quiet radiance that makes our lives not only livable but worth living. (This is why we must use the utmost care in how we wield the word friend.) In my own life, friendship has been the lifeline for my darkest hours of despair, the magnifying lens for my brightest joys, the quiet pulse-beat beneath the daily task of living. You can glean a great deal about a person from the constellation of friends around the gravitational pull of their personhood. “Whatever our degree of friends may be, we come more under their influence than we are aware,” the trailblazing astronomer Maria Mitchell observed as she contemplated how we co-create each other and recreate ourselves in friendship. Her friend Ralph Waldo Emerson — whom she taught to look through a telescope — believed that all true friendship rests on two pillars. In his own life, he put the theory into practice in his friendship with his young protégé Henry David Thoreau (July 12, 1817–May 6, 1862) — a solitary and achingly introverted person himself, who thought deeply and passionately about the rewards and challenges of friendship.

Henry David Thoreau (Daguerreotype by Benjamin D. Maxham, 1856)

Like all unusual people, Thoreau had a hard time connecting. In a desponded diary entry from his mid-thirties, found in The Journal of Henry David Thoreau, 1837–1861 (public library), he writes:

Why should I speak to my friends? for how rarely is it that I am I; and are they, then, they? We will meet, then, far away.

Several months later, just before the Christmas holidays with their cruel magnifying lens of loneliness for the lonely, he rues his inability to connect openheartedly:

My difficulties with my friends are such as no frankness will settle. There is no precept in the New Testament that will assist me. My nature, it may be, is secret. Others can confess and explain; I cannot.

Thoreau finds himself pocked with self-doubt about his ability to connect, his sense of isolation at times swelling into punitive despair:

Nothing makes me so dejected as to have met my friends, for they make me doubt if it is possible to have any friends. I feel what a fool I am.

Art by Giuliano Cucco from Before I Grew Up by John Miller

Over and over, Thoreau anguishes with the extreme shyness and reticence of his nature, longs for a confidante beyond the diary page, longs for companionship beyond the birds and the trees. On a beautiful spring Sunday, he despairs:

I have got to that pass with my friend that our words do not pass with each other for what they are worth. We speak in vain; there is none to hear. He finds fault with me that I walk alone, when I pine for want of a companion; that I commit my thoughts to a diary even on my walks, instead of seeking to share them generously with a friend; curses my practice even. Awful as it is to contemplate, I pray that, if I am the cold intellectual skeptic whom he rebukes, his curse may take effect, and wither and dry up those sources of my life, and my journal no longer yield me pleasure nor life.

Months after publishing Walden, with its lyrical celebration of solitude, his loneliness deepens into a primal scream of longing for connection:

What if we feel a yearning to which no breast answers? I walk alone. My heart is full. Feelings impede the current of my thoughts. I knock on the earth for my friend. I expect to meet him at every turn; but no friend appears, and perhaps none is dreaming of me.

And yet this openhearted longing is itself the only real raw material of friendship — only by surrendering to it, with all the vulnerability this demands of us, do we become receptive to the longing of others, the mutual yearning for connection that is shared heartbeat of humanity. Thoreau quietly intuits this equivalence, so that when he does connect, when he does feel the warm glow of friendship envelop him, it is nothing less than an exultation:

Ah, my friends, I know you better than you think, and love you better, too.

Illustration by Maurice Sendak from a vintage ode to friendship by Janice May Udry

At only twenty-four, Thoreau had arrived at a foundational fact of living — his own grand unified theory of human connection, which he spent the remainder of his short life trying, often with touching difficulty, to put into practice:

Friends are those twain who feel their interests to be one. Each knows that the other might as well have said what he said. All beauty, all music, all delight springs from apparent dualism but real unity. My friend is my real brother.

Pulsating beneath all of his uneasy reckonings is a deep-thinking, deep-feeling recognition of the essence of friendship:

The field where friends have met is consecrated forever. Man seeks friendship out of the desire to realize a home here… The friend is like wax in the rays that fall from our own hearts. My friend does not take my word for anything, but he takes me. He trusts me as I trust myself. We only need to be as true to others as we are to ourselves that there may be ground enough for friendship.

Art by Sophie Blackall from Things to Look Forward to

Complement these fragments from The Journal of Henry David Thoreau — a biblical kind of book, replete with his deep-souled wisdom on how to see more clearly, the myth of productivity, the greatest gift of growing old, the sacredness of public libraries, the creative benefits of keeping a diary, and the only worthwhile definition of success — with Seneca on true and false friendship, Kahlil Gibran on the building blocks of meaningful connection, Henry Miller on the relationship between creativity and community, Lewis Thomas on the poetic science of why we are wired for connection, and this lovely vintage illustrated ode to friendship.


donating = loving

For a decade and half, I have been spending hundreds of hours and thousands of dollars each month composing The Marginalian (which bore the unbearable name Brain Pickings for its first fifteen years). It has remained free and ad-free and alive thanks to patronage from readers. I have no staff, no interns, no assistant — a thoroughly one-woman labor of love that is also my life and my livelihood. If this labor makes your own life more livable in any way, please consider lending a helping hand with a donation. Your support makes all the difference.


newsletter

The Marginalian has a free weekly newsletter. It comes out on Sundays and offers the week’s most inspiring reading. Here’s what to expect. Like? Sign up.

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