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As Twitter continues to figuratively kneecap itself by limiting tweet views, Meta is hustling to bring its Twitter rival to reality. A listing for an app called Threads was spotted on the iOS App Store with an estimated release date of July 6th. In May, a report said the microblogging service was nearing completion and could be out as soon as the end of June. While an end-of-June launch didn't quite happen, the app could arrive when Twitter users are more willing (and maybe even eager) to finally jump ship.
Twitter boss Elon Musk announced at the weekend that verified accounts — which translates to paying users — can read 6,000 posts daily, while non-paying users can only read 600. He said the website is adopting the measure to "address extreme levels of data scraping [and] system manipulation."
From both the app listing and rumors, we’re expecting Threads will migrate your followers and circles from your existing Instagram handle, ensuring you should have an active timeline right from the outset. That is, if you’re an Instagram user.
– Mat Smith
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The best mobile microphones for 2023
Since smartphones started eating casual photography’s lunch, camera makers have focused on devices designed for very specific uses. Action cams provide sharp, fluid video. Compact cameras target both tourists and vloggers. And DSLRs are available at some of the best prices we’ve seen. Then there are mirrorless cameras, which continue to improve their autofocus and video. And that’s where some guidance helps. Whether you’re a creator looking for just the right vlogging camera, an aspiring wildlife photographer or a sports enthusiast, we’ll help you find the perfect camera to match your budget and needs.
Remember the early days of the AI hype train, when everyone spent their time making stupid images using text prompts? If you want to recapture the nostalgic haze of, uh, late 2022, Picsart has you covered. The popular image editor just launched an AI-powered animated GIF generator, calling the tool its “most unhinged” platform yet. Type a bunch of nonsense into the chat box, wait a minute or so and marvel at your “chaotic and eccentric” creation. The platform’s integrated into the regular Picsart app and is available for iOS, Android devices and on the web.
If you've been having trouble using Twitter recently, you aren't alone — the service has been having issues since it started limiting the daily number of posts users could view. Although many of the platform's issues stabilized over the weekend, TweetDeck remains broken unless users switch to the beta version of the list aggregator. Now, Twitter is gearing up to solve the issue by making that beta version of TweetDeck the main version. According to Twitter Support, the feature will become exclusive to Twitter Blue subscribers in the near future, noting that "in 30 days, users must be Verified to access TweetDeck."
There really is an HBO show on Netflix. All five seasons of Issa Rae's highly acclaimed comedy-drama series Insecure are now streaming on Netflix in the US. Even more HBO shows are on the way, too. Band of Brothers, The Pacific, Six Feet Under and Ballers are also coming to Netflix as part of the deal, the company told Deadline. Meanwhile, Netflix users outside the US can stream True Blood on the service.
This article originally appeared on Engadget at https://www.engadget.com/the-morning-after-metas-instagram-linked-twitter-rival-could-arrive-this-week-111508536.html?src=rss
Threads
Screenshots of the iPhone screen showing a new app called Threads by Meta.
Enlarge / Artist's conception of the early Solar System, which was at risk of a nearby supernova. (credit: NASA/JPL-Caltech)
Stars are thought to form within enormous filaments of molecular gas. Regions where one or more of these filaments meet, known as hubs, are where massive stars form.
These massive stars, located nearby, would have put the early Solar System at risk of a powerful supernova. This risk is more than just hypothetical; a research team at the National Astronomical Observatory of Japan, led by astrophysicist Doris Arzoumanian, looked at isotopes found in ancient meteorites, finding possible evidence of a massive star’s turbulent death.
So why did the Solar System survive? The gas within the filament seems to be able to protect it from the supernova and its onslaught of radioactive isotopes. “The host filament can shield the young Solar System from stellar feedback, both during the formation and evolution of stars (stellar outflow, wind, and radiation) and at the end of their lives (supernovae),” Arzoumanian and her team said in a study recently published in The Astrophysical Journal Letters.
Google's Pixel 8 Pro may have been revealed in new photos on Reddit by someone affiliated with Google, DroidLife has reported. The back shows a very Pixel-like camera array along with the rumored body temperature sensor, along with a sticker that reads "for test/evaluation only." Another reads "Zuma - B1," a possible code name for Google's incoming Tensor G3 chip. The front screen, meanwhile, shows a Fastboot Mode indicating 12GB of Samsung LPDDR5 DRAM, 128GB of storage and "husky," a previously revealed codename for the Pixel 8 Pro.
The Pixel 8 Pro is supposed to have a more capable camera array, with a 50-megapixel (MP) Samsung main camera that allows 50 percent more light, and a 64MP ultrawide Sony camera. It also looks to have a flat display, as rumored, rather than a curved one like the Pixel 6 Pro and Pixel 7 Pro models. According to yet another leak, it will have a 5,000 mAh battery (roughly the same as the Pixel 7 Pro) and a modest bump from a 23W to a 27W max charging speed.
In a series of posts on Reddit, the poster "annoyingtoread", said that he received it "from the device team in Google for testing." The person then mused that they should perhaps use a throwaway account, and someone replied "you really should, considering that in this account you've even posed pictures of yourself." The original poster subsequently deleted his account.
This article originally appeared on Engadget at https://www.engadget.com/googles-pixel-8-pro-prototype-revealed-in-leak-091118014.html?src=rss
Google's Pixel 8 Pro prototype revealed in leak
Google's Pixel 8 Pro prototype revealed in leak
Amazon has the Blink Mini for a mere $17.50 in an early Prime Day deal — half off the security camera’s $35 sticker price. The small plug-in device can give you extra peace of mind while you’re away from home, letting you check in remotely to ensure your space is free from intruders (or talk to your pets using its two-way audio). The lower price for Prime Day could make it easier to set up a fleet of them in your home without breaking the bank.
Unlike the more expensive Blink Indoor, the Blink Mini is a plug-in device, so make sure you have a nearby power outlet or can run an extension cord to the area where you’ll set it up. The Blink Mini offers 1080p capture, infrared night vision and optional phone alerts if it senses motion while armed. Setup is straightforward, only requiring a few minutes of following instructions in the Blink app to connect it to WiFi. However, the camera only works with Amazon Alexa, so you may want to look at competing products in Engadget’s Smart Home Guide if you rely on Siri or Google Assistant for voice control.
If you’re more interested in monitoring your yard or entrance, Amazon also has the Blink Outdoor for half off as part of the same early Prime Day deal. Usually $100, you can snag it today for $50. The “weather-resistant” wireless camera records in 1080p and can last up to an estimated two years on a pair of AA batteries. Remember that you’ll need a Blink Sync Module 2 and a Blink Subscription to save your recorded photos and videos to the cloud with this model.
Finally, this Blink Video Doorbell bundle — which includes the Sync Module 2 — is on sale for $47.49 (usually $95.) Like the other devices, it supports 1080p live video with nighttime infrared support and can run for up to two years on a couple of AA batteries. Amazon also describes it as weather-resistant, with a seal protecting it against water. Setup can vary, depending on whether you connect it wired or wirelessly, but either way, the Blink app will guide you through the steps. And if you opt for the simpler wireless setup, you can configure it to use a Blink Mini to play a chime indoors when someone visits.
Amazon has deals on several other Blink bundles as well. You can check out the entire sale for the full details.
Your Prime Day Shopping Guide: See all of our Prime Day coverage. Shop the best Prime Day deals on Yahoo Life. Follow Engadget for the best Amazon Prime Day tech deals. Learn about Prime Day trends on In the Know. Hear from Autoblog’s car experts on must-shop auto-related Prime Day deals and find Prime Day sales to shop on AOL, handpicked just for you.
This article originally appeared on Engadget at https://www.engadget.com/amazon-discounts-the-blink-mini-by-50-percent-in-an-early-prime-day-deal-070938182.html?src=rss
Blink Mini
Marketing photo for the Blink Mini indoor security camera. The camera has a black front face and a white body. It’s facing the right with a power cord fading off to the left.
We've known for quite a while that Meta has been building a Twitter competitor, but now we have a more solid idea of when it will become available. A listing for the app called Threads has popped up in the iOS App Store with an estimated release date of July 6th. In May, a report came out saying that the microblogging service was nearing completion and could be out as soon as the end of June. While an end-of-June launch didn't quite happen, the app could be arriving at a time when Twitter users are more willing (and maybe even eager) to try an alternative.
Twitter recently put a cap on how many tweets an unverified account can read per day. In a post, Elon Musk announced that verified accounts — which translates to paying users — can read 6,000 posts a day, while unverified/nonpaying users can only read 600. He said the website is adopting the measure to "address extreme levels of data scraping [and] system manipulation." A regular user can easily hit 600 posts, so people who haven't been paying $8 to $11 a month for blue checkmark have been getting locked out of their feeds as a result.
Meta describes Threads as "Instagram's text-based conversation app." Based on the screenshots posted in the listing, users can keep their Instagram handle and follow the same accounts they follow on the photo-sharing platform. That means users will have a pre-existing following and circles on the new app, giving it an edge over other Twitter rivals. Users will also be able to choose the privacy of their posts and make them visible to anyone, to the profiles they follow or only to the accounts they mention. They will be able to heart, send and share other people's posts, as well.
Previous reports said Meta's Twitter competitor would be a decentralized service that's compatible with Mastodon, but it's unclear if that's still the case when it launches. We'll know for sure within a few days.
This article originally appeared on Engadget at https://www.engadget.com/metas-instagram-linked-twitter-rival-threads-could-arrive-on-july-6th-063129168.html?src=rss
Threads
Screenshots of the iPhone screen showing a new app called Threads by Meta.
If you've been having trouble using Twitter recently, you aren't alone — the service has been having issues ever since it started limiting the number of posts users could view each day. Although many of the platform's issues stabilized over the weekend, Tweetdeck remains broken unless users switch to the beta version of the list aggregator. Now, Twitter is gearing up to solve the issue by making that beta version of Tweetdeck the main version, announcing on Monday that it has "launched a new, improved version of Tweetdeck."
We have just launched a new, improved version of TweetDeck. All users can continue to access their saved searches & workflows via https://t.co/2WwL3hNVR2 by selecting “Try the new TweetDeck” in the bottom left menu.
— Twitter Support (@TwitterSupport) July 3, 2023
Some notes on getting started and the future of the product…
Despite officially launching, this "new" Tweetdeck still calls itself the "Tweetdeck Preview" while in app, and users still need to opt-in to using it in the menu of the original Tweetdeck interface. Even so, switching to the new interface does indeed restore basic Tweetdeck functionality for users that rely on its list aggregation features. Twitter says the process should be fairly straightforward as well, promising that saved searches, lists and columns should carry over instantly. Although Twitter says that the updated preview build should now support Twitter Spaces, polls and other features that were previously missing, it notes that Teams functionality is currently unavailable.
Twitter hasn't officially announced that it's retiring the old version of Tweetdeck, but in a thread discussing the issues a Twitter employee suggested the change would be permanent, stating that they were "migrating everyone to the preview version."
Hey folks, looks like the recent changes have broken the legacy TweetDeck, so we're working on migrating everyone to the preview version
— Ben (@ayroblu) July 3, 2023
Although switching to the new version of Tweetdeck potentially resolves the issue, many legacy users may still find themselves without access to the power-user tool in the near future. According to Twitter Support, the feature will become exclusive to Twitter Blue subscribers in the near future, noting that "in 30 days, users must be Verified to access Tweetdeck." It's unclear if that change will be applied to all users in early August, or if all users will have a 30-day trial of the new Tweetdeck before being prompted to subscribe.
This article originally appeared on Engadget at https://www.engadget.com/twitter-launches-new-tweetdeck-as-the-old-version-breaks-down-231939160.html?src=rss
Twitter Issues
FILE - A sign at Twitter headquarters is shown in San Francisco on Nov. 18, 2022. Thousands of people logged complaints about problems accessing Twitter on Saturday, July 1, 2023, after owner Elon Musk limited most users to viewing 600 tweets a day — restrictions he described as an attempt to prevent unauthorized scraping of potentially valuable data from the site. (AP Photo/Jeff Chiu, File)
If you consider yourself a mobile creator and you’re not using some sort of dedicated microphone, you might be holding yourself back. We’re not judging, but your audience likely is. Audio, especially dialog, is often overlooked, but if you want true, high-quality content, you need good sound. There are many, many options for the home or office/studio, but there are a surprising amount of mobile-specific (or at least, mobile-friendly) solutions out there to elevate your on-the-go recordings be that for social, a jam session, live streaming, making movies, podcasting and beyond.
What “the best mic for your iPhone or Android” is will vary depending on the task you need it for. If you want to record a TikTok or a podcast or even a jam session, all have slightly different needs but the selection below covers most bases (and maybe even a few you didn’t think of yet) for recording high-quality sound with little more than a mobile phone.
This guide is all about recording on the go, free from the constraints of a studio or office, but also far away from luxuries like power outlets, acoustically friendly rooms and a full-size PC. As such there are two styles of microphone that really shine here: Lavalier (lapel) and shotgun. We’ll be covering a few other types, too, but between those, most tasks are covered.
We’ll also show you how you can use the USB mics you may already have with your phone and even ways to connect heavy-duty studio classics (XLR) to your humble handset, but all that will be through accessories. For now, let’s start with the classic clip mics.
The obvious benefit of a lapel mic is size. Their small profile makes them perfect for presenting to the camera with the flexibility to move around while maintaining consistent audio quality. If you’re a budding TikTok or YouTube creator it’s definitely worth having one of these in your bag.
The main trade-off, however, is that they’re only good for recording the person they’re attached to. If you have two people talking and only one is wearing the mic, you’ll only get good audio for one half of the conversation, so for multi-person recordings you’ll need a mic for each guest and a way to record them at the same time, so costs can go up quickly.
Fortunately, lapel mics have become a very competitive market with good, viable options costing as little as $14.95. For an absolute bargain with a long cord and some connectivity accessories, the Boya BY M1 is hard to argue with. But, while these budget choices are great value, if you want something that should either last longer, is more versatile or just sounds better it’s worth paying a little bit more.
Rode’s Lavalier II is a slick-looking low-profile lavalier that sounds great. At $99, it’s somewhere in the sweet spot between budget and higher-end clip-on options. It’s easy to recommend the Lavalier II just on its sound alone, but it comes with a rugged case and a good selection of accessories. For even more flexibility you can pair this with Rode’s AI Micro interface ($79) which provides easy connection to an iPhone or Android (or even PCs) and adds support for a second mic – perfect for recording podcasts or interviews.
At $60, Sennheiser’s XS (USB-C) lav mic is fairly affordable, sounds great and plugs right into your phone (or laptop) without needing an adapter. This not only makes it convenient but reduces the overall cost as you don’t need a headphone adapter for your phone. What’s more, the XS has a 2-meter long cable which gives you plenty of scope for movement or framing.
Recently there has been an explosion in mobile-friendly wireless systems but there are two we really like. The first is Rode’s Wireless GO II. Arguably the original defined this category, but the second generation improves on it with two wireless transmitters making this podcast and interview friendly. This wireless microphone is also incredibly versatile as it doubles as a standalone recorder, can be mounted in a camera cold shoe and even has its own “reporter” mic adapter. Oh, and you can make any 3.5mm mic (including the lavaliers above) wireless by plugging it into one of the receivers.
The second is the Mikme Pocket. This Austrian-designed pack is a high-end wireless lavalier microphone system designed to be particularly mobile-friendly. There’s a comprehensive app for both video and audio recording and internal storage so you won’t ever experience dropouts. It also means you can enjoy a practically infinite range. At $399 it’s a higher spend, but if high-quality audio and near-infinite range are what you need then this is the one.
So we’ve already touched on this with the AI Micro, which is an adapter of sorts. One of the first things you might bump up against when dealing with mobile audio accessories is TRRS vs TRS connectors. Simply put, 3.5mm TRS is what you might know as the age-old classic headphone connector while TRRS became common for its support for headsets and inline mics. You can easily tell them apart as TRS connectors have two black bands on them while a TRRS has three.
For you, the budding creator, it can be a bit of an annoyance as many 3.5mm lavaliers are going to be TRS and won’t work when plugged into your phone’s headphone adapter. Sometimes your lavalier might include what you need in the box, but otherwise, you’ll want to pick up a TRS to TRRS adapter like this. Of course, some smartphone-specific mics have TRRS connectors already – for those, you’ll want a cable that goes the other way should you want to use it with other devices like a DSLR.
You may be more familiar with shotgun mics when it comes to video recording. It’s the style of microphone most often found atop a DSLR or mirrorless camera, but they make great companions for other portable devices too, your cell phone included.
The benefit of a shotgun is that they tend to be highly directional, which makes them perfect for podcasts, recording instruments, foley sounds and much, much more.
For us mobile recordists, another benefit is that they tend to be light and portable, perfect for slipping into a backpack or even a laptop bag. Even better, there are some great mobile-specific options.
You shouldn’t buy a mic just because of how it looks, but the MKE 400 from Sennheiser ($200) definitely makes its rivals look wimpy. More important than aesthetics, though, is how it sounds and the MKE 400 records very cleanly without obvious coloration to the audio. What’s more, the battery-powered mic won’t steal power from your phone or camera, and with three gain levels to choose from you can boost things when needed, or avoid clipping on louder subjects. The MKE 400 also comes with both TRS and TRRS cables for compatibility with a variety of devices.
The MKE 400’s physical gain controls and high pass filter (unlike the other two below that are updated via an app) take the stress out of worrying if your audio source moves or changes volume as you can adjust that on the fly. If you’re a musician looking to record loud drums and then softer vocals on the move, for example, these tactile gain settings are a massive plus.
When we tested the VideoMic GO II we were surprised at just how good it sounded right out of the box. At $100 it rivals many desktop microphones that cost three times the price. You’ll need a companion app to change settings, otherwise this performs well across the board.
Not to be confused with the older MV88 that plugged directly into a Lightning port, the MV88+ is a mini shotgun mic made with the smartphone in mind. Often sold as a vlogging kit ($249) with a tripod and phone grip, the MV88+ has modular cables for connecting directly to Androids and iPhones.
Mobile-specific mics are great, but there’s nothing stopping you from using your phone mic or another you might already have (if it’s somewhat portable). You’ll definitely need to do a little dance with some adapters, but that’s half the fun. Below are a couple of recommendations for “regular” microphones that pair well with a phone and then the cables and adapters that you’ll need to get setup.
Arguably, there are few microphones that are could be described as "mobile-friendly" than the HypeMic from Apogee. While it looks like a regular handheld mic, it's actually deceivingly small, making it very light and portable. It also comes with cables to directly connect it to iPhones and Android handsets — no adapters needed. Don't let the small size deceive you though, the HypeMic has a big trick up its sleeve: a built-in analog compressor for professional-sounding vocals. Whether you record podcasts, vocals or instruments there's a setting on the HypeMic just for you. At $349 it's a little on the spendy side, but you get a very versatile device that's just as useful for the desktop too.
This dynamic mic is a favorite with podcasters, with many production companies using it as their standard mic to send out to remote guests thanks to its excellent quality to value performance. The Q2U features both USB and XLR connectivity making it versatile for both desktop and mobile applications, but it’s the former we’re interested in here as that’s what allows you to connect it to your phone with nothing more than a USB cable and an adapter (see below).
What’s more, the Q2U is solid enough to endure a little bit of rough and tumble, so will happily live in the bottom of your backpack ready for when you need it. Meanwhile, the handheld design is versatile enough it can turn its hand to singing/instruments, podcasts, interviews and more.
You may not be familiar with the name, but Tula snuck into our hearts with its versatile, vintage inspired debut microphone. From a mobile perspective, the Tula connects to Androids directly over USB-C or iPhones with the right USB-C to Lightning cable (more on this below) or a USB “camera kit” adapter. What makes the Tula special is that it’s also a desktop mic and portable recorder with lavalier input and 8GB of storage and even features noise cancellation – perfect for cutting down on outside background sounds. With the Tula you could theoretically have one mic for home, mobile and standalone recording.
If you already have a stash of XLR mics or really do need a studio condenser mic with phantom power then the iRig Pre 2 is a portable interface that will feed any XLR mic into your phone. It runs off two AA batteries which it uses to supply phantom power when needed and won’t drain your phone. There’s also a headphone port for monitoring, gain controls and LEDs to help prevent clipping.
Connecting USB microphones directly to phones is rarely as simple as just one cable, although that’s starting to become more common. In general, Android makes this simpler, but also, thanks to the wide range of manufacturers and software versions you can’t always guarantee things will work smoothly.
The iPhone is a whole other situation. USB microphones have a good chance of working via the USB camera kit we mentioned earlier, but that’s still inelegant sometimes. Frustratingly, some USB-C to Lightning cables will play nice with microphones, but sadly most will not – including Apple’s own. One confirmed option is this cable from Fiio or this generic alternative. These are inexpensive enough that it’s worth having a couple around if you work with audio a lot (they of course can also be used to charge your phone as a bonus).
This article originally appeared on Engadget at https://www.engadget.com/best-mobile-microphones-for-recording-with-a-phone-154536629.html?src=rss
The best microphones for iPhones and Android
A phone surrounded by microphones that are particularly suited to recording on the go.
Remember the early days of the AI hype train, when everyone spent their time making stupid images using text prompts? If you want to recapture the nostalgic haze of, uh, late 2022, Picsart has got you covered. The popular image editor just launched an AI-powered animated GIF generator.
The major difference between earlier text-to-image platforms like DALL-E and Picsart’s new tool is animation. DALL-E is best known for making static images, whereas Picsart’s software creates animated GIFs, just like the ones you’ve been sending in group chats and social media platforms for years. Only, now you don’t have to search for your favorite It’s Always Sunny in Philadelphia characters doing outlandish things. You can just make those outlandish things up. You can even make two cats arm wrestle.
Picsart is calling the tool its “most unhinged” platform yet, and it works exactly how you expect. Type a bunch of nonsense into the chat box, wait a minute or so and marvel at your “chaotic and eccentric” creation. The platform’s integrated into the regular Picsart app and is available for iOS devices, Android devices and on the web. You can download the GIF directly to your device to share with your group chat or to send anywhere else.
The images created by this platform are on the cartoony side, so don’t expect photorealism. However, that just adds to the fun. Picsart’s AI GIF generator is available right now, so let the nonsense begin. Just don’t use these tools to make the opening credits for an uber-expensive TV show based on popular comic book characters.
This article originally appeared on Engadget at https://www.engadget.com/animated-gif-generator-from-picsart-makes-ai-fun-again-175935532.html?src=rss
Picsart AI GIF Generator
Guy Fieri and dancing corgis popular GIFs.
It’s a strange and wonderful time to buy a digital camera. Since smartphones have gutted the casual photography market, manufacturers are focusing on building technological marvels designed for very specific uses. Mirrorless cameras continue to improve in terms of autofocus, video and more. Action cams provide sharp, fluid video, compact cameras are targeted to both tourists and vloggers, and DSLRs are available at some of the best prices we’ve seen. With so many different types of digital cameras, though, you may need some guidance to find just the right one – and that’s where we come in. Whether you’re a creator looking for just the right vlogging camera, an aspiring wildlife photographer or a sports enthusiast, we’ll help you find the perfect model to match your budget and needs.
Best mirrorless cameras under $2,000
Best mirrorless cameras over $2,000
There are a lot of reasons to choose a camera over a smartphone. The larger image sensors in mirrorless cameras let more light in, and you have a wide choice of lenses, from wide-angle to telephoto lenses, with far superior optics. Where smartphones have one f/stop, cameras have many, which gives you more exposure control. You also get natural and not AI-generated bokeh, quicker shooting, a physical shutter, more professional video results and so on.
With that extra quality comes a lot of extra factors to consider, however. The first thing is sensor size. In general, the larger the sensor size, the better (and usually more expensive) the camera.
Full frame is available on models like Sony's new ZV-E1, the Canon EOS R6 II and Panasonic S5 II. At a size equivalent to 35mm film (36 x 24mm), it offers the best performance in terms of image quality, low-light capability and depth of field. It's also the most expensive and finicky. While bokeh looks incredible at f/1.4, the depth of field is so razor thin that your subject's nose might be in focus but not their eyes. This can also make video shooting difficult.
The next size category is APS-C (around 23.5 x 15.6mm for most models and 22.2 x 14.8mm for Canon), offered on Fujifilm's X Series lineup, Canon’s R10 and R50 and the Nikon Z50. It's cheaper than full frame, both for the camera body and lenses, but still brings most of the advantages like decent bokeh, high ISOs for low-light shooting and relatively high resolution. With a sensor size the same as movie cameras, it's ideal for shooting video, and it’s easier to hold focus than with full-frame cameras.
Micro Four Thirds (17.3 x 13mm), a format shared by Panasonic and Olympus, is the next step down in sensor size. It offers less bokeh and light-gathering capability than APS-C and full frame, but allows for smaller and lighter cameras and lenses. For video, you can still get reasonably tight depth of field with good prime lenses, but focus is easier to control.
The other common sensor size is Type 1 (1 inch), which is actually smaller than one inch at 12.7 x 9.5mm. That's used mostly by compact models like Sony’s ZV-1 vlogging camera. Finally, action cameras like the GoPro Hero 11 and DJI’s Osmo 3 have even smaller sensors (1/1.9 and 1/1.7 size, respectively).
For photographers, another key factor is autofocus (AF) speed and accuracy. Most modern mirrorless cameras have hybrid phase-detect AF systems that allow for rapid focus and fast burst speeds. The majority also feature AI smarts like eye-detect AF for people and animals. However, some models are just a bit faster and more reactive than others.
The electronic viewfinder (EVF) and rear display are also key. The best models have the sharpest and brightest EVFs that let you best judge a shot before taking it. For things like street photography, it’s best to have as bright and sharp a rear display as possible. You may also want a screen that flips out rather than just tilting.
DSLRs and mirrorless cameras let you change lenses, but you're stuck with what's built into a compact camera. While that's great for portability, a single lens means you're going to sacrifice something. Fujifilm's X100V, for instance, has a fast but fixed 35mm-equivalent f/2.0 lens and no zoom. Sony's RX100 V has a 24-70mm zoom, but it's slower at the telephoto end (f/2.8) and less sharp than a prime lens.
When it comes to video, there are other factors to consider. Does your camera do “pixel-binning” for video recording or read out the entire sensor? Better cameras tend to do the latter. Another key factor is sensor speed, as slower sensors tend to have more rolling shutter that can create a “jello” effect that skews video.
In addition, how’s the battery life? How do you like the handling and feel? How long can you shoot video before the camera heats up or stops? Does it support 10-bit HDR video? Is there a microphone and/or a headphone jack? (if you do a lot of interviews, it's preferable to have both.) How's the video autofocus? All of these things play a part in your decision – so now let’s take a look at the best models.
Mirrorless is far and away the biggest category of cameras for these days, so it’s the best way to go if you want the best camera for photography with the most advanced features. Both Canon and Nikon recently announced they’re discontinuing development of new DSLRs, simply because most of the advantages of that category are gone, as I detailed in a recent video. The biggest selling feature of a mirrorless camera is the ability to change lenses depending on the type of shooting you want to do.
The key features are sensor size, resolution, autofocus, shooting speeds and video specs. If you’re primarily focused on sports photography or outdoor photography, you’ll likely want fast shooting speeds and accurate autofocus. Portrait and landscape shooters will likely favor large sensors and high resolution to maximize image quality. And content creators will want to look for things like flip-out displays, high-end video specifications and good in-body stabilization. Price point is, of course, a major factor as well.
My top budget camera pick is Canon’s brand new 24.2-megapixel R50, which is one of the best cameras for photography, and content creators will love it. It can shoot bursts at up to 15 fps in electronic shutter mode, and offers 4K 10-bit at up to 30p with supersampling and no crop. It has a fully articulating display, and unlike other cameras in this price range, an electronic viewfinder. It uses Canon’s Dual Pixel AF with subject recognition mode, and even has a popup flash. The only drawback is the lack of decent quality lens that’s as affordable as the camera itself, and a lack of in-body stabilization.
Autofocus: Dual Pixel CMOS AF II with 651 points
Max shutter speed: 15 fps
WiFi: Yes
Bluetooth: Yes
Full-frame cameras generally used to start at $2,000 and up, but Canon’s brand new EOS R8 is priced at just $1,500. It offers Canon’s excellent Dual Pixel AF with subject recognition AI, and can shoot bursts at up to 40 fps. It's equally strong with video, supporting oversampled 10-bit 4K at up to 60 fps. The R8 also offers a flip-out display, making it great for vloggers. The main drawback is a lack of in-body stabilization.
Content creators should take a hard look at Panasonic’s full-frame S5 II. It’s the company’s first camera with hybrid phase-detect AF designed to make focus "wobble" and other issues a thing of the past. You can shoot sharp 4K 30p video downsampled from the full sensor width, or 4K 60p from an APS-C cropped size, all in 10-bit color. It even offers 5.9K 30p capture, along with RAW 5.9K external output to an Atomos recorder. You also get a flip-out screen for vlogging and updated five-axis in-body stabilization that’s the best in the industry. Photo quality is also good thanks to the dual-gain 24-megapixel sensor. The main drawback is the slowish burst speeds.
Read our full review of the Panasonic Lumix S5 II
Equipped with the same backside-illuminated (BSI) 12-megapixel sensor as the A7S III, Sony’s ZV-E1 offers excellent low-light performance, 4K at up to 120p and a host of new AI features like auto framing, making it one of the best cameras for photography and videography. It also comes with an updated in-body image stabilization system aimed at vloggers that can smooth out even jolting movements like footsteps. The $2,200 price tag makes it enticing for vloggers as it offers features found on the $3,500 A7S III for considerably less money.
Autofocus: 759 points
Max shutter speed: 10 fps
WiFi: No
Bluetooth: Yes
If you’re OK with a smaller APS-C sensor, check out the Fujifilm X-H2S. It has an incredibly fast stacked, backside-illuminated 26.1-megapixel sensor that allows for rapid burst shooting speeds of 40 fps, along with 4K 120p video with minimal rolling shutter. It can capture ProRes 10-bit video internally, has 7 stops of in-body stabilization and a class-leading EVF. Yes, it’s expensive for an APS-C camera, but on the other hand, it’s the cheapest stacked sensor camera overall. The other downside is AF that’s not quite up to Canon and Sony’s level.
Read our full review of the Fujifilm X-H2S
For the ultimate high-resolution camera, check out Sony’s A7R V. With a 61-megapixel sensor, it shoots sharp and beautiful images at a very respectable speed for such a high-resolution model (10 fps). It has an equally fast and reliable autofocus system, the sharpest viewfinder on the market and in-body stabilization that’s much improved over the A7R IV. Video has even improved, with 8K and 10-bit options now on tap, albeit with significant rolling shutter. If you don’t need the video features, however, Sony’s A7R IVa does mostly the same job, photo-wise, and costs a few hundred dollars less.
Read our full review of the Sony A7R V
The most important features to look for in an action cam are image quality, stabilization and battery life. GoPro has easily been beating all rivals over the last few years in all those areas, but DJI made some strides last year with the Osmo Action 3. At the same time, GoPro’s latest models are more expensive than rivals.
GoPro didn’t change the design on its latest model, but it has a larger sensor that enables a couple of cool features – Horizon Lock stabilization and Full Frame mode that makes it easier to shoot for, say, TikTok and YouTube at the same time. It also offers a new wider, though slightly distorted Hyperview field of view.
Otherwise, the Hero 11 Black offers better video quality than ever (up to 5.3K 60p), Hypersmooth stabilization that’s still the best in the business (by far), battery life that’s improved by 40 percent over the last model, and more. It’s easily the best action camera on the market, but you pay for that: it’s $400 with a one year subscription ($500 without it), compared to $329 for the DJI Osmo Action 3 and $300 for the Insta360 RS 4K bundle. If you’re serious about filming extreme sports, though, it’s worth it.
WiFi: Yes
Bluetooth: Yes
Read our full review of the GoPro Hero 11
After experimenting with an oddball modular design on the Action 2, design has gone back to a more classic action cam design on the Osmo Action 3. It also comes with a slick new magnetic quick-release mount that lets you connect the camera directly to a GoPro-style mount with or without the case. Video quality and stabilization are quite good, but fall short of the Hero 11 Black (the Action 3 tops out at 4K 120p resolution compared to 5.3K 60p on the GoPro). While it’s not quite as good as the Hero 11, it’s considerably cheaper.
Read our full review of the DJI Osmo Action 3
This category has fewer cameras than it did even a few years ago and many models are older, as manufacturers focus instead on mirrorless models. However, I’m still a big believer in compact cameras. This type of camera is a big step up from smartphones quality-wise, and a lot of people will take a compact traveling or to events when they’d never bother with the hassle of a DSLR or mirrorless camera.
Compacts largely have type 1-inch sensors, but a few offer larger options, particularly Fujifilm’s XF-100V. Another popular model, Sony’s XV-1, is primarily aimed at content creators looking to step up. In any case, desirable qualities include image quality, a fast lens, relatively long zoom, flip-out display, good battery life, a high quality EVF, decent video and good pocketability.
The X100V is the latest in Fujifilm's famous fixed-lens X100 camera series. Like other models in the lineup, it has an APS-C sensor and a 23mm f/2.0 lens, equivalent to 35mm on a full-frame sensor. You also get the same hybrid optical/electronic viewfinder, mechanical dials, film simulations and good looks as before. But the X100V is the most significant advancement in the series' history. It has Fujifilm's latest 26.1-megapixel X-Trans 4 CMOS sensor compared to 24.2-megapixels on the last model and a new, sharper lens to handle that extra resolution.
A new tilting rear display makes "shooting from the hip" street photography much easier, as does the fast 11 fps/20 fps shooting speeds in mechanical/silent shutter modes. You also get a better hybrid phase- and contrast-detect autofocus (AF) system with more AF points along with face and eye detection. Finally, it now has the same 4K video-shooting features as the X-T30. It doesn't come cheap, but the X100V is the ultimate camera if you're into street photography – assuming you can find one.
Max shutter speed: 20 fps
WiFi: Yes
Bluetooth: Yes
Read our full review of the Fujifilm X100V
The ZV-1 is Sony’s first RX100-series camera designed specifically for vlogging. It does that job well thanks to a lightweight body, built-in high-quality microphone, flip-out display, best-in-class autofocus and excellent image quality. The 24-70mm lens is sharp, but it needs to be wider because of the 25 percent crop when using electronic stabilization. It also lacks a true touch display and a headphone port. That nitpicking aside, if you’re looking to step up from a smartphone or just want something simple, it does the job nearly perfectly.
Read our full review of the Sony ZV-1
For a value compact camera, the best option is Panasonic’s 20-megapixel ZS-200. It offers a lot of features for the price, like a 1-inch, 20.1 megapixel sensor, 5-axis stabilization, 4K, 30 fps video and more. Its main claim to fame, though, is the 24-360x lens that offers incredible reach for travel and more. Though it dates back to 2018, it’s actually one of the more recent compact models.
With mirrorless cameras taking over the interchangeable lens market, DSLRs still give you the ability to change lenses at relatively cheap prices. The defining feature is the reflex mirror that lets you look directly through the lens at your subject with no electronics in between. Most also have very fast autofocus thanks to a dedicated phase-detect sensor, and very fast battery life. However, many lack features you’d expect on modern mirrorless cameras like subject tracking, eye-detection and more.
Nikon's full-frame (FX) D850 is the best deal on a high-end camera and arguably the best camera for photography. With a 45.7-megapixel sensor and max 102,400 ISO, it gives you the best quality for the money, whether mirrorless or DSLR. It can also shoot fast, at up to 7fps, which is very good for such a high-res camera. In addition, the battery life (1840 shots on a charge) puts any mirrorless option to shame, and there’s a massive number of FX Nikkor lens options to choose from. Nikon has upped its video game as well with the D850 by introducing 4K internal recording. If you’d still rather have a live optical rather than an electronic view, the D850 is the best option available.
Autofocus: 153 points
Max shutter speed: 7 fps
WiFi: Yes
Bluetooth: Yes
Another one of the best cameras for photography is Canon’s 24-megapixel APS-C EOS Rebel SL3, which has a great blend of features, build quality and value. It offers features like a vari-angle touchscreen, 4K video (albeit with a crop) and Dual Pixel autofocus technology in live mode. You get shooting speeds of up to 5 fps, 1600 shots on a charge and an ISO range up to 51,200 (expanded). It also offers guided screen options for beginners. Best of all, it offers excellent picture quality for the price thanks to Canon’s skin-friendly color science.
This article originally appeared on Engadget at https://www.engadget.com/best-cameras-151524327.html?src=rss
Panasonic S5 II full-frame mirrorless camera review
Panasonic S5 II full-frame mirrorless camera review
In a baffling move over the weekend, Elon Musk said the company would restrict unverified accounts to reading 600 posts per day – and new accounts to only 300 tweets daily. Meanwhile, Twitter will allow verified accounts to read 6,000 posts each day. For most people, that means, short of paying for Twitter Blue, they can spend about a minute or two on Twitter before encountering a "rate limit exceeded" error. Less than two hours later, Musk said Twitter would "soon" ease the limits to 8,000 for verified accounts and 800 for those without Twitter Blue.
Musk claimed the "temporary" limits were in place to address "extreme levels of data scraping" and "system manipulation." The day before, Twitter began preventing people not logged into the site from viewing tweets. Musk did not say what "new" means in the context of an account, nor did he say how long Twitter plans to restrict users.
It’s a challenging change to Twitter when it’s courting advertisers and paid users. Fewer eyes for ads and fewer benefits for subscribers.
– Mat Smith
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AI pioneer Geoffrey Hinton isn't convinced good AI will triumph over bad AI
Europe’s Euclid space telescope launches to map the dark universe
Hitting the Books: How SNAP's digital services became an online quagmire
Bloomberg’s Mark Gurman says Apple is working on bringing new health features to its AirPods family. The first could be a hearing test. Already, AirPods support audiogram profiles, so iOS can tune earbuds to adjust for hearing loss. Some apps, like Mimi, already tap into this feature. Gurman added Apple is exploring how to market the AirPods Pro as a hearing aid since the FDA made it easier for Americans to buy over-the-counter options last year.
Apple is also working on an earbud feature to measure your body temperature. The company already introduced a built-in temperature sensor with the Watch Series 8 and Watch Ultra. But a sensor can get a more accurate temperature reading from the ear canal than the wrist. However, Gurman warns both features are “several months or even years away.”
When Cowboy introduced its Adaptive Power update earlier this year, I wondered when a new model would arrive. The answer is, well, today. The new variant encourages a more upright design for a relaxed Dutch riding position. It also has a wider saddle — a feature at the top of our wish list for the Belgian company’s latest iteration. The e-bike has a wireless charging phone mount, and, like all its models, its companion app integrates with Google Maps. The Cowboy Cruiser is available for an “introductory price” of £2,690 (roughly $3,400) in black or white.
Gfycat is shutting down. Snap, Gfycat’s parent company, said it plans to shut down the GIF database and delete all user content in a few short weeks. “The Gfycat service is being discontinued,” a notification at the top of the website reads. Gfycat’s impending demise won’t come as a surprise to anyone who has tried to use the site in recent months. In May, Motherboard reported Snap had allowed Gfycat’s security certificates to expire. The oversight meant the platform temporarily became inaccessible to most internet users.
This article originally appeared on Engadget at https://www.engadget.com/the-morning-after-twitter-limits-unverified-users-to-seeing-600-posts-a-day-113153535.html?src=rss
TWITTER-MUSK/
A view of the Twitter logo at its corporate headquarters in San Francisco, California, U.S. November 18, 2022. REUTERS/Carlos Barria
I spent much of this weekend digging in on some Electrohome G07 monitor chassis repair. I have a bunch of games in the bavacade that use this monitor chassis to power the glorious CRT tubes for these 1980s miracles.
Image of G07 chassis with yoke connector
All told I have at least 7 cabinets that have a G07 chassis. There may be more, but I’m not sure what chassis all my cocktails are using given I never checked, and there are four total: Rally-X, Pleaides, Galaxian, and Moon Cresta.* Along with the Wells Gardner K4600 (at least 6 cabinets have this chassis) the G07 is the most common in the bavacade. That means part of making this hobby sustainable is figuring out how to work on these models given chassis repairs are a big part of keeping games online. I’ve slowly been getting better, but I remain very much an amateur. But even hacks like me have their moments, and this week was one of them. I got two of the three non-working G07s running again, leaving me with just one non-working chassis that I can use as a donor chassis for parts given all the games with G07s are now fully operational. YES!
More detailed image of a G07 chassis
Trusting the process means a lot of troubleshooting, and this weekend I was pretty happy to have committed a bit more and pushing myself to do more extensive diagnostic testing of the various components for things like resistance readings, diode readings, checking if transistors are good, voltage test points, etc. All of this was Greek to me just a couple of years ago, so starting to get my head around this basic troubleshooting before replacing anything is long overdue and pretty rewarding.
The multimeter has proven to be the most indispensable tool of them all
I already talked about the first successful G07 repair this week in my “bavacade Repair log from 6-29-2023,” noting “I was able to repair the Condor G07 chassis that was dead by doing a cap kit, swapping out a new B+ filter cap as well as a horizontal width coil.” The cap kit was done almost a year ago, but I never got it working. Turns out the recent replacement of the B+ filter cap is what brought it back to life. The horizontal width coil was broken, so I soldered a newer one off one of the other two non-working G07 chassis, figuring better to replace the broken one while the board was out. When I re-installed the chassis in Condor it worked, but there was a slight undulation that was annoying me. So, as a test, I tried it in Robotron and the waviness was gone and it worked perfectly, so that’s where it lives right now.
This means I needed to repair one of the other two chassis for Condor, and then I was golden. The two G07 chassis I had both blew the F901 fuses (2.25 AMP @ 250V ) next to the B+ capacitor, which is the biggest capacitor on the board. After discharging the B+ filter,† I replaced the fuses, which needed to be soldered in, and then tested the G07 that came from Pole Position (I defaulted to this one because I had desoldered the horizontal width coil from the other chassis for the first fix). Initially I thought the Pole Position chassis had an issue with the flyback and/or the horizontal output transistor (HOT) given the symptoms when it originally occurred a few weeks back. But after re-soldering the fuse and re-installing in Robotron to confirm as much, there was a total vertical collapse of the heart
G07 chassis with vertical collapse
That’s a new one, but I’ve read about it on forum posts innumerable times. I figured I’d have to deal with it sooner or later, so I embraced the challenge to broaden my experience—learning is painful! OK, so the first thing I did was look at some of the basic troubleshooting for this, and from what I read it is possibly linked to a few different things, such as an open circuit somewhere, which requires testing each resistor in the 400 series circuit to ensure there are no infinite (OL) ohm readings. It’s also been linked to the x401 and/or X402 trasnsitors, so you wanna check the values there. I’ve read a few cases where the IC501 chip was bad and needs to be replaced, but that seems less likely. That said, the following G07 repair video did have that issue, and it does a great job walking you through common troubleshooting as well as demonstrating how to test the transistors, which was very helpful:
I tested the transistors, and they were both reading at .570, which seems normal. I then tested all the 400 series resistors and some were lower than the specs, but none were open, so not sure they are the issue. I also compared the results on a working G07 and they were fairly similar, here are the results I got for this chassis:
FR401: 69 Ohm
R401: 99 Ohm
R402: 18K Ohm
R403: 3.3K Ohm
R404: 4K Ohm
R405: 12K Ohm
R406: Vertical linearity trim pot
R407: 4.2K Ohm
R408: vertical Height trim pot
R409: 51 Ohm
R410: 6.4 Ohm
R411: 13K Ohm
R412: 13.5K Ohm
R413: 580 Ohm
R414: 3.1K Ohm
R415: 2.6K Ohm
R416: 8K Ohm
R417: 67 Ohm
R418: 1.3K Ohm
R419: 1.9K Ohm
R420: 6.6 Ohm
R421: 5.5K Ohm
R423: 2.4 K Ohm
Some of the readings are low, particularly for R404, R411, R412, R416, R417,R421, and R423, but I got similar low values for another chassis that works just fine, so I “resisted” replacing any resistors just yet given I didn’t find any open circuits, just issues with value range (assuming a low resistor value would not cause the total collapse, but I’m not positive on this). The next test would be the IC501 chip, but I was not entirely sure how to test this chip, still a blindspot for me, and I don’t have a spare regardless, so I let that sit.
There could also be an issue with soldering joints at the yoke connectors on the board but the solder was fine, but still might reflow those. Beyond that, I tested the resistors for R406 and R408 which adjust the vertical height and linearity, and they adjusting values accordingly, so I was hitting a brick wall. I even checked the diodes in the 400 circuit, but all seemed good.
The dark splotch on the flyback is where it burst and started leaking
At this point I decided to step away from the Pole Position chassis, and turn to the other one that wasn’t working. First thing was desolder the horizontal width coil from the chassis I just abandoned and solder it to this one. I already added the new F901 fuse, so with the width coil added and the fuse in I tested it out. The last time it had not powered on at all, whereas this time it powered on and immediately there was smoke coming out of the flyback. It had blown. This, oddly, was very reassuring because at least I knew exactly where the issue was, and I also had an extra flyback that worked. So, I replaced the flyback and tested the game again and voilà this time it worked perfectly, whew! All the work on the other one with no results but a lot of learning, and this one was a simple replacement part swap, I’ll take it every time.
I need another width coil and a working flyback, but once I have them I might even take another shot at the last non-working G07, but given no games are effected I can finally move on to the last chassis repair I need to do, the K4600 for the Centuri Challenger, so until then!
_____________________________________
*I’ve yet to dismantle a cocktail cabinet, but that task will probably be coming soon given some work needed on my Pleiades cocktail cabinet, I don’t trust the adjustable metal legs on that game and want to get them properly lubricated and adjust with the write screws.
† Capacitors are designed to hold a charge, and when you blow the F901 fuse that charge has nowhere to go, which makes these big capacitor dangerous to the touch. Whenever removing this board do not grab it from underneath before discharging the G07 cap. You can do this by using an insulated screw driver that is connected to a ground via an alligator clip to ensure the charge has somewhere to go. To ground it, make sure the screw driver touches the + and – posts, read more on this on the KLOV forums here.
In his latest Power On newsletter, Bloomberg’s Mark Gurman reports Apple is working on new health features for its line of audio products. The first of those would allow your AirPods to conduct a hearing test. As The Verge notes, AirPods already support audiogram profiles, which iOS can use to tune the output of the earbuds to adjust for hearing loss. Right now, you can generate those profiles through third-party apps like Mimi, so if Apple were to move forward with its own test, it would be another instance of the company “Sherlocking” a feature from a third-party developer.
Separately, Gurman writes Apple is exploring how to position and market the AirPods Pro as a hearing aid after the FDA made it easier for Americans to buy over-the-counter options last year. He reports the company recently hired engineers with experience working on traditional hearing aids as part of that initiative.
The other new AirPods feature Apple is working on is a way for the earbuds to measure your body temperature. A built-in temperature sensor was one of the features the company introduced with the Watch Series 8 and Watch Ultra. As for why Apple would replicate a feature already found on one of its existing products, a sensor can get a more accurate temperature reading from the ear canal than the wrist.
Gurman warns both features are “several months or even years away.” In the more immediate future, he reports Apple plans to refresh the AirPods Pro with a USB-C charging case, adding that all of the company’s audio products will eventually move away from Lighting as well. All of that is part of a move Apple must make to comply with the EU’s new common charging standard. “Despite the USB-C shift, I wouldn’t anticipate the imminent launch of all-new AirPods Pro hardware,” Gurman notes, pointing to the fact Apple only just refreshed the earbuds last year.
Before then, AirPods users can at least look forward to the new software features Apple said it would introduce alongside iOS 17. Those include a new button press to mute yourself on calls and improvements to device switching. Gurman speculates Apple could also permanently lower the price of its second-generation AirPods to $99, down from $129, to make them more competitive against low-cost options from Samsung, Sony and Amazon.
This article originally appeared on Engadget at https://www.engadget.com/apples-next-airpods-pro-could-feature-a-built-in-temperature-sensor-162531033.html?src=rss
AirPods Pro (2022) review
Despite the unchanged design, Apple has packed an assortment of updates into the new AirPods Pro. All of the conveniences from the 2019 model are here as well, alongside additions like Adaptive Transparency, Personalized Spatial Audio and a new touch gesture in tow. There’s room to further refine the familiar formula, but Apple has given iPhone owners several reasons to upgrade.
Enlarge / Artist's view of what InSight looked like after landing. (credit: NASA/JPL-Caltech)
Mars appears to be a frozen expanse of red dust, gaping craters, and rocky terrain on the outside—but what lies beneath its wind-blasted surface? NASA’s InSight lander might have discovered this before it took its proverbial last breaths in a dust storm.
Whether the core of Mars is solid or liquid has been long debated. While there is no way to observe the Martian core directly, InSight tried. Its seismometer, SEIS, was the first instrument to find possible evidence of a liquid core. In the meantime, its RISE (Rotation and Interior Structure Experiment) instrument had been measuring minuscule changes in the planet’s rotation as it orbited, “wobbles” in its axis caused by the push and pull of the Sun’s gravity.
“Our analysis of InSight’s radio tracking data argues against the existence of a solid inner core and reveals the shape of the core, indicating that there are internal mass anomalies deep within the mantle,” write the researchers behind the instrument in a study recently published in Nature.
On late Saturday morning, a SpaceX Falcon 9 rocket carrying the European Space Agency’s Euclid spacecraft successfully lifted off Cape Canaveral, Florida. The near-infrared telescope, named after the ancient Greek mathematician who is widely considered the father of geometry, will study how dark matter and dark energy shape the universe.
In addition to a 600-megapixel camera astronomers will use to image a third of the night sky over the next six years, Euclid is equipped with a near-infrared spectrometer and photometer for measuring the redshift of galaxies. In conjunction with data from ground observatories, that information will assist scientists with estimating the distance between different galaxies. As The New York Times notes, one hope of physicists is that Euclid will allow them to determine whether Albert Einstein’s theory of general relativity works differently on a cosmic scale. There’s a genuine possibility the spacecraft could revolutionize our understanding of physics and even offer a glimpse of the ultimate fate of the universe.
👋 Safe travels, #ESAEuclid!
— ESA's Euclid mission (@ESA_Euclid) July 1, 2023
The #DarkUniverse 🕵️♂️ detective ventures into the unknown. pic.twitter.com/JvWBpIz4Sx
“If we want to understand the universe we live in, we need to uncover the nature of dark matter and dark energy and understand the role they played in shaping our cosmos,” said Carole Mundell, the ESA’s director of science. “To address these fundamental questions, Euclid will deliver the most detailed map of the extra-galactic sky.”
With Euclid now in space, it will travel approximately a million miles to the solar system’s second Lagrange point. That’s the same area of space where the James Webb Space Telescope has been operating for the past year. It will take Euclid about a month to travel there, and another three months for the ESA to test the spacecraft’s instruments before Euclid can begin sending data back to Earth.
This article originally appeared on Engadget at https://www.engadget.com/europes-euclid-space-telescope-launches-to-map-the-dark-universe-175331413.html?src=rss
Euclid launch
A shot of the Euclid space telescope against the dark of space.
Enlarge / SpaceX's Falcon 9 rocket soars through the sky over Cape Canaveral with Europe's Euclid space telescope. (credit: Stephen Clark/Ars Technica)
A European Space Agency telescope launched Saturday on top of a SpaceX Falcon 9 rocket from Florida to begin a $1.5 billion mission seeking to answer fundamental questions about the unseen forces driving the expansion of the Universe. The Euclid telescope, named for the ancient Greek mathematician, will observe billions of galaxies during its six-year survey of the sky, measuring their shapes and positions going back 10 billion years, more than 70 percent of cosmic history.
Led by the European Space Agency, the Euclid mission has the ambitious goal of helping astronomers and cosmologists learn about the properties and influence of dark matter and dark energy, which are thought to make up about 95 percent of the Universe. The rest of the cosmos is made of regular atoms and molecules that we can see and touch.
“To highlight the challenge we face, I would like to give the analogy: It’s very difficult to find a black cat in a dark room, especially if there’s no cat,” said Henk Hoekstra, a professor and cosmologist at Leiden Observatory in the Netherlands. “That’s a little bit of the situation we find ourselves in because we have these observations … But we lack a good theory. So far, nobody has come up with a good explanation for dark matter or dark energy.”
Enlarge / Saturn stars in this near-infrared image taken June 25 by the James Webb Space Telescope. (credit: NASA/ESA/CSA/STSci)
The James Webb Space Telescope has observed Saturn for the first time, completing a family portrait of the Solar System’s ringed planets nearly a year after the mission’s first jaw-dropping image release.
Webb’s near-infrared camera took the picture of Saturn on June 25. Scientists added orange color to the monochrome picture to produce the image released Friday.
The picture shows Saturn’s iconic icy rings shining around the disk of the gas giant, which appears much darker in near-infrared due to the absorption of sunlight by methane particles suspended high in the planet’s atmosphere.
This is just a quick update to document some of the work happening recently in the bavacade. It has a been a bit of catch as catch can given how busy the last month has been with the Reclaim open conference the and coming virtual event in July. That said, I’ve been sneaking in work here and there in the mornings, and as usual it adds up. I already blogged about the Yie-Ar Kung-fu custom cabinet project, and will be a summer long endeavor, but it’s very exciting. I also documented some of my work a couple of week’s ago testing various parts I bought in the US in the “Arcade Therapy” post, so things are definitely moving along.
More recently I have been testing some spare boards I have, namely a spare Make Trax board as well as spare Super Cobra board. This was also part of my attempt to start organizing all my parts and spares in the basement and get some semblance of order. I find testing and labeling when things worked saves me a ton of time, and some of the metadata on the boxes noted that these boards were questions marks. Also, I was looking to test a Crush Roller board in Make Trax I was sure I’d bought and brought to Italy over, but turns out I am either delusional or simply left it in Fredericksburg. Either way, because I’m obsessed I bought another Crush Roller board I found for a decent price in Germany along with a spare Moon Cresta board. The latter board is for the cocktail cabinet in Zach Davis is minding for me in Portland, Oregon, and I want to install and test the high score save kit on this one before shipping it back once I am in New Orleans next month.
The mint Moon Cresta Cocktail machine in residence at Cast Iron Coding’s HQ
Anyway, back to the spare Make Trax and Super Cobra boards. The Make Trax spare works, but the sound is noisy. It’s as if the sound pot is not working correctly and there it is too loud and scratchy, so will need to track that down a new potentiometer (pot) and see if tracing the audio gives me any insight. This board will be the first real PCB work (besides my botched Stargate repair attempts) I’ve attempted in earnest, and I’m hopeful it’s the start of some basic board work.
Stargate Yellow Screen of Death
If it goes well, the second project will be Super Cobra, which has an issue with the high score save kit. There are weird special characters in the high score save (HSS) kit and free play is not working. When I substituted the original roms—this board has several ROMs removed given they are programmed on the HSS kit—and Z80 chip from the working board the special characters went away. That said, there was then a strange rebooting issue with the game that did not happen with HSS kit in, so I’m going to buy new chips and burn the Super Cobra roms (a first for me). After that, I’ll try to track down the random rebooting issue, which is definitely an issue I can isolate to that board, should be fun!
Shot of Super Cobra with weird special characters in high score
As far as other work, I am making headway on monitor chassis repair. I had the spare Hanterex Polo in Cheyenne sent in for diagnosis given the original is stuck in the US on what’s shaping up to be an almost a 6-month wait, which I’m not thrilled about. I’ll keep pushing on the US repair, but in the meantime if the spare board is fixed here in Italy I can finally get this game back online. If that happens, then I’m just one G07 chassis and one K4600 chassis away from having everything running. I was able to repair the Condor G07 chassis that was dead by doing a cap kit, swapping out a new B+ filter cap as well as a horizontal width coil, and the chassis is working pretty well, but there’s a slight undulating wave that Tommaso tells me is good enough, but it’s annoying me, so I do think I need to replace all the adjustment pots, especially for vertical linearity and vertical hold.
In fact, I was certain I bought spare G07 pots, but I can’t find them for the life of me (part of the quest for order undertaken this week), so I’ve been parting out one of my extra, non-working G07 chassis. I’m also waiting on some 1.25 AMP fuses that should come today to try and get the chassis that came out of Pole Position working again. I think this chassis has either a bad flyback or a bad voltage regulator given there has been a recent cap kit done already. I might also need to swap the B+ filter cap. If that works, it will be put in Robotron, which leaves only the K4600 chassis for Challenger (I put Challenger‘s 4600 into Venture to get that game up and running) to repair. I’m not sure what is up there cause I swapped flyback and there was a recent cap kit, so a bit perplexed, but hopefully we some poking around and testing that will be the final piece of the puzzle. This is where the chorus sings, “Hope springs eternal in the bava heart.”
Cracks in the Make Trax control panel overlay
Cracks in the Make Trax control panel overlay
Finally, I have the Make Trax cabinet totally stripped and with Alberto to add wheels because every game will be on wheels sooner than later in the bavacade. The cabinet, overall, is close to mint save the control panel overlay which cracking. When Tim and I were getting Reclaim Arcade up and running I came across an original control panel overlay for this game and snagged it, it was one of the things that came over with the container so I asked Alberto iof he could remove the old one and add this one, and as he says to everything, “No problem!” He’s the best! He removed the old one, which by all accounts from Tim is a totally nightmare, and got it sanded and cleaned up.
Sanded Make Trax control panel ready for the like-new original overlay
After that, he put on the new overlay and it looks like new! So good. Sometimes those things I bought that I thought “Will I use this” are now almost all in use, and that makes me happy.
Alberto’s work on these cabinets continues to blow my mind, this control panel is, indeed, like new thanks to his craftsmanship
I think the next game to go on wheels will be Elevator Action, so will start taking that one apart, and that will mean 16 of the 30 games in the bavacade will be on wheels, and that means I am have crossed the half-way mark, which is encouraging progress! It also means I will have stripped almost every game down to just the cabinet if I manage to get wells on all of them. That’s pretty awesome.
I’m back from a trip to both Fredericksburg, Virginia for Reclaim Open and after that Long Island, New York for some extended family time. All of that coming off several days in Lisbon, Portugal, so I was feeling the effects of being on the road for a bit. I have a lot to say about Reclaim Open, and that will begin here shortly, but before that I need to ease back onto the blog, so I’ll highlight some of my recent work in the bavacade.
Turns out the arcade work can also do double-duty as a kind of re-entry therapy. My bipolar gets pretty acute when I’m on the road and away from the family for a while. If I’m not mindful my thoughts can begin to spiral. So for this re-entry—before blogging or jumping headlong back into work—I took some time to tinker on a few games. I usually lug a bunch of arcade parts, repaired boards, chassis, etc. back from the US, and this trip was no different.* On top of the random parts, I also retrieved a few game boards I had shipped during my last trip to the US in February (including Sidam’s Condor, Exidy’s Cheyenne, and Nichibutsu’s Moon Cresta). On top of that, I took a few with me from Italy, namely a Moon Patrol bootleg board with sound issues, a Bagman with sprite issues, and my back-up Yie-Ar Kung-fu board. So, in short, a lot of boards to be looked at, and below is the tale of the tape for board repairs:
That’s a fair amount of board work, but as of now there are no bad boards,. This will be a short-lived victory, but I’ll take it.
Next up is monitor chassis repairs. I have two G07 cap kits (Robotron and Condor) I need to do, as well as a K4600 capkit for the Centuri Challenger. After that, the final project is the Hanterx Polo, which has been drawn out way too long, so I’m trying to resolve that sooner than later.
The other work happening has just been some random testing of parts and boards I brought back, such as testing a 15-pin Williams power brick for Make Trax: it works fine. I’ve also been testing boards like Condor (looks and sounds amazing) Bagman (working again and power adjustment fixed the power-induced sprite issue), Dig Dug (works perfectly), and Zach reported back Moon Cresta is all systems go. So Cheyenne, Moon Patrol, and Yie-Ar Kung-fu are the last boards to test, but two out of the three will need to wait until the games are back online. That leaves Moon Patrol, and I’ll be testing that here soon.
This weekend I fell down a repair rabbit hole. I picked up a degaussing coil in the US, and brought it back to add the final touch to Exidy’s Venture (one of my absolute favs) which had a bit of discoloration on the CRT. The degaussing fixed the issue, but soon after the game was freezing and eventually it seemed the monitor was cutting out. When I adjusted voltage the screen came back, but this time with mono-chromatic colors and it was out of sync. Major bummer. I started troubleshooting which lasted deep into Sunday to finally learn the monitor’s fine, but one of the chips that controls the color and sync (chip 13C) needed to have the solder re-flowed. I did that and re-seated everything and the game started working again and looking better than ever. That was a small, but rewarding, win.
It all becomes pretty consuming for me (which is true of most everything I do), but I find that focused attention and tinkering to solve small, elusive problems can be just what the doctor ordered when trying to return to a much needed work/life rhythm. Arcade therapy! But not so much playing the games these days as fixing them which is a really pleasurable, if unexpected, consequence of getting into this hobby.
_______________________________
*I even found all my Dungeons & Dragons maps and guide books feared lost, but that is a post for another day.
Written by David Thorstad , Global Priorities Institute, Junior Research Fellow, Kellogg College
This post is based on my paper “High risk, low reward: A challenge to the astronomical value of existential risk mitigation,” forthcoming in Philosophy and Public Affairs. The full paper is available here and I have also written a blog series about this paper here.
Derek Parfit (1984) asks us to compare two scenarios. In the first, a war kills 99% of all living humans. This would be a great catastrophe – far beyond anything humanity has ever experienced. But human civilization could, and likely would, be rebuilt.
In the second scenario, a war kills 100% of all living humans. This, Parfit urges, would be a far greater catastrophe, for in this scenario the entire human civilization would cease to exist. The world would perhaps never again know science, art, mathematics or philosophy. Our projects would be forever incomplete, and our cities ground to dust. Humanity would never settle the stars. The untold multitudes of descendants we could have left behind would instead never be born.
This thought has driven many philosophers to emphasize the importance of preventing existential risks, risks of catastrophes involving “the premature extinction of Earth-originating intelligent life or the permanent and drastic destruction of its potential for desirable future development” (Bostrom 2013, p. 15). For example, we might regulate weapons of mass destruction or seek to reduce what some see as a risk of extinction caused by rogue artificial intelligence.
Many philosophers think two things about existential risk. First, it is not only valuable, but astronomically valuable to do what we can to mitigate existential risk. After all, the future may hold unfathomable amounts of value, and existential risks threaten to reduce that value to naught. Call this the astronomical value thesis.
Second, increasingly many philosophers hold that humanity faces high levels of existential risk. In his bestselling book, The Precipice, Toby Ord (2020) puts the risk of existential catastrophe by 2100 at one in six: Russian roulette. Attendees at an existential risk conference at Oxford put existential risk by 2100 at nearly one in five (Sandberg and Bostrom 2008). And the Astronomer Royal, Martin Rees (2003), puts the risk of civilizational collapse by 2100 at fifty-fifty: a coinflip. Let existential risk pessimism be the claim that per-century levels of existential risk are very high.
Surely the following is an obvious truth: existential risk pessimism supports the astronomical value thesis. If we know anything about risks, it is that it is more important to mitigate large risks than it is to mitigate small risks. This means that defenders of the astronomical value thesis should be pessimists, aiming to convince us that humanity’s situation is dire, and opponents should be optimists, aiming to convince us that things really are not so bad.
In my paper, I argue that every word in the previous paragraph is false. At best, existential risk pessimism has no bearing on the astronomical value thesis. Across a range of modelling assumptions, matters are worse than this: existential risk pessimism strongly reduces the value of existential risk mitigation, often strongly enough to scuttle the astronomical value thesis singlehandedly. (See end notes for examples, and see the full paper for further details).
In the full paper, I explore a range of models and argue that there is only one viable way to reconcile existential risk pessimism with the astronomical value thesis. This is the time of perils hypothesis on which levels of existential risk are high now, but will soon drop to a permanently low level if only we survive the next few perilous centuries. However, I argue, the time of perils hypothesis is unlikely to be true, so there is likely an enduring tension between existential risk pessimism and the astronomical value thesis.
This tension has important philosophical implications. First, it means that unless more is said, many parties to debates about existential risk may have been arguing on behalf of their opponents. To many, it has seemed that a good way to support the moral importance of existential risk mitigation is to make alarmist predictions about the levels of existential risk facing humanity today, and that a good way to oppose the moral importance of existential risk mitigation is to argue that existential risk is in fact much lower than alarmists claim. However, unless more is said, matters are exactly the reverse: arguing that existential risk is high strongly reduces the value of existential risk mitigation, whereas arguing that existential risk is low strongly increases the value of existential risk mitigation.
Second, there has been a wave of recent support for longtermism, the doctrine that positively influencing the long-term future is a key moral priority of our time. When pressed to recommend concrete actions we can take to improve the long-term future of humanity, longtermists often point to existential risk mitigation. By the astronomical value thesis, longtermists hold, existential risk mitigation is very important. But this paper suggests an important qualification, since many longtermists are also pessimists about existential risk. As we have seen, existential risk pessimism may well be incompatible with the astronomical value thesis, in which case the value of existential risk mitigation may be too low to provide good support for longtermism.
The core modelling claim of the paper is that (1) at best, existential risk pessimism is irrelevant to the astronomical value thesis, and that (2) in most cases existential risk pessimism tells strongly against the astronomical value thesis. While full technical details are contained in the main paper, here are some models to illustrate claims (1) and (2).
On (1): To illustrate the best case, suppose that humanity faces a constant level of risk r per century. Suppose also that each century of existence has constant value v, if only we live to reach it. And suppose that all existential catastrophes lead to human extinction, so that no value will be realized after catastrophe. Then, it can be shown that the value of reducing in our century by some fraction f is f*v. In this model, pessimism has no bearing on the astronomical value thesis, since the starting level r of existential risk does not affect the value of existential risk mitigation. Moreover, the value of existential risk reduction is capped at v, the value of a single century of human life. Nothing to sneeze at, but hardly astronomical.
On (2): Making the model more realistic only serves to heighten the tension between pessimism and the astronomical value thesis. For example, suppose that centuries grow linearly in value over time, so that if this century has value v, the next century has value 2v, then 3v and so on. Keep the other modelling assumptions the same. Now, it can be shown that the value of reducing existential risk in our century by some fraction f is fv/r.
In this model, pessimism tells against the astronomical value thesis: if you think that existential risk is now 100 times greater than I think it is, you should be 100 times less enthusiastic about existential risk mitigation. Moreover, the value of existential risk reduction is capped at v/r. For the optimist, this quantity may be quite large, but not so for the pessimist. For example, if we estimate per-century risk r at 20%, then the value of existential risk is capped at five times the value of a single century – again, nothing to sneeze at, but not yet astronomical.
Bostrom, Nick, “Existential risk prevention as global priority,” Global Policy 4.1 (2013): 15-31.
Ord, Toby, The precipice (NY: Bloomsbury, 2020).
Parfit, Derek, Reasons and persons (Oxford: Oxford, 1984).
Rees, Martin, Our final our (NY: Basic Books, 2003).
Sandberg, Anders and Bostrom, Nick, “Global catastrophic risks survey,” Technical Report 2008-1 (2008), Future of Humanity Institute.
“Are you seriously telling me that this hot mash of mushrooms and fruit is going to completely heal his wounds?” (Gilbert 2019)
It is summer 2020 and I, like many others, am sequestered indoors clutching my recently acquired Nintendo Switch playing Animal Crossing: New Horizons (ACNH). In wake of the COVID-19 pandemic, people around the world seemed to swarm either to their handy technological devices or towards the soothing arms of nature. Luckily for me, my technological device included encounters with some virtual greenery—the trees and flowers of my beloved tropical Animal Crossing island.
Thao and Zucker having a nighttime picnic in Animal Crossing: New Horizons (Screen shot by Author)
As I planted my strategically planned flower beds and traveled from mystery island to island collecting fruits which I didn’t have, I also consulted many online forums for guidance. To my surprise, I stumbled upon PETA’s Vegan Guide to Animal Crossing: New Horizons. Within, I found several suggestions on how to play the game while supporting vegan ethics. My favourite part? The commentary on what foods within the game are vegan friendly. While nowadays it’s possible to cook a variety of dishes in ACNH (even seasonal varieties!) much of the early discourse on food in ACNH was about how powerful vegan diets are. In the game, you can literally dig up entire trees with the nourishment provided after eating a singular luscious virtual fruit. Sadly, this spurred some backlash from players arguing about: (1) the boundaries of our onlife and offline selves, (2) the potential of video games as pedagogy, and (3) the politics of digital and virtual foods. But how is it possible to extract all of these insights, politics, ethics, and social tensions from a game mimicking an agricultural life on a tropical waterfront property we all secretly desire during daydreams?
In this piece I apply my concept of Digital Food Spaces (DFS) or “online communities and platforms dedicated to the sharing of food-centered ideas and media” (Dam 2023) to the realm of video-gaming. I draw from both personal experiences and the insights of fellow gamers who I recruited via Twitter. Through our conversations I apply my theory into practice by analyzing the DFS of ACNH to examine how users conceptualize and interact with food in video games. Twitter (at its peak) had the capability to house and foster dialogues of every topic without reserve—food was just one of many, and as Schneider et al. (2018) has demonstrated, contentious discussion draws activist responses in the form of digital food activism by users.
From these conversations and interdisciplinary literature review I present three arguments:
Matt’s Animal Crossing: New Horizon character chats with Franklin, the Turkey Day chef. (Screen shot by Matt Fifield)
While there are video games whose sole focus is to highlight food and related processes like cooking and eating (e.g. Overcooked and Cooking Mama), I include all games which feature some aspect of food within its play and/or landscapes. I should clarify that even though something in a game is edible by characters, I try to focus on what we can colloquially code as “food” through its relatability to offline counterparts. Basically, a food is a food within a video game if its origins can be traced back to a particular food or food idea which exists offline to some degree.[1] This tracing is rather open, considering video games also feature mockeries of offline eats for several reasons. As a result, the boundaries of onlife (Van Est et al. 2014, Floridi et al. 2015) and offline in this piece are flexibly framed because they easily flow into one another and inevitably shape each other. As Floridi et al. (2015) emphasise, because ICTS[2] shape our (1) self conceptions, (2) mutual interactions, (3) realities, and (4) our interactions with reality, there are ongoing instances of boundary blurring between reality and virtuality as well as between humans, machines, and nature. Therefore, we can easily translate insights between the different realms and apply interventions and solutions accordingly—furthering the range of intimacy that technologies have with us presently and in the future (Van Est et al. 2014).
Digital Food Spaces (DFS) are not limited to social media sites and platforms, considering discussions about food take place almost everywhere online. Given that gaming (in practice and interest) continues to grow in popularity across age groups, it is essential that we include video games in our examinations of onlives and their capabilities of shaping the offline. Such insights are crucial for identifying and charting the transformations of how people are perceiving, understanding, and engaging with different foods—most especially when they allude to offline counterparts and processes.
A common feature which links many games together is the association of life/health points being replenished by consumable items in-game, much of which are stylized as food items. Gone are the days of only red health-boosting and blue mana-boosting potions—we’ve got entire menus of gourmet foods to fill player stats and inventories now.
This has led to much reactionary discussions and creations both online and offline. Entire online communities dedicate themselves to the recreation of these edibles in their own kitchens. Whether it’s a Reddit thread, a Facebook post, or a multi-video series on YouTube, gamers are experimenting with ways to bring the fantastical foods they encounter in their favorite games into their offline lives. Several dining establishments have also launched with these sentiments, but take a more reflexive approach through creating dishes inspired by in-game characters, locations, and items—for example the (unofficial) League of Legends restaurant “Challenger” based in China. However, for those of us who wish to capture the magic at home, there is also a growing video game cookbook collection which can teach you how to make foods from games like Destiny, The Elder Scrolls, World of Warcraft, the Fallout franchise, Sims, Minecraft, Street Fighter, and more.
Some games simulate the food production and preparation processes. In the Harvest Moon series, you’re a farmer with both crops and animals which grow and transform across the seasons. In several games it is possible to hunt creatures and cook them.[3] The Cooking Mama series allows us to pick recipes, prepare them step-by-step, and receive reviews on the final dishes. Overall, video games allow players several opportunities to critically consider and connect with foods and associated activities. This inevitably spurs discussion and prompts the formation and articulation of food-related opinions and perspectives among players. Within the DFS paradigm, video games are like entrées—catalysts of inspiration to explore and engage with foods in ways that go beyond the virtual.
Video-gaming universes are seemingly infinite, in both creativity and vastness. Within, there are places for every wacky interaction and dream in between. We create our avatars from an assortment of options, and we attempt to explore the crevices of how we see (or would like to see) ourselves and the world through these choices. When given the tools (ICTs) in video games, we test the limits of what’s possible and appropriate. This logic extends to food in games as well. Think about so-called “dubious food” in the Legend of Zelda series:
“Dubious Food” from Legend of Zelda: Breath of the Wild (Screen shot by Author)
“It’s too gross to even look at. A bizarre smell issues forth from this heap. Eating it won’t hurt you, though…probably” (In-game description, Legend of Zelda Breath of the Wild 2017)
This food experimentation through hunting, gathering, and preparing foods often occurs in many explorational “open world” games, like The Elder Scrolls franchise and newer Pokémon games. For players, it provides a wider range of engagement and creativity with virtual foods while also providing insights into how cooking and mealtimes transform relationships between the player’s virtual body, their surroundings, and their in-game companions. VR games take this to the extreme by directly translating players’ physical movements into virtual simulations for added experiential depth. Hilariously, it is important to note that not all video game foods are helpful. Some creations also actively harm in-game health status and abilities, mirroring food poisoning experiences to some degree.
Video games easily initiate learning through vicarious consumption (Veblen 2007). As players encounter, prepare, and consume virtual foods, they increase their familiarity and knowledge around them (Staiano 2014). In turn, it sparks further curiosity and thinking around the foods and their offline cultural and historical inspirations. Often, players find this learned food-related information applicable in offline scenarios and conversations even in the cases where the foods are entirely fictional.
“Cooking foods in virtual reality has transferred over to what I apply in the kitchen. I used to bake bread but I got to know a number of pastries and deserts like tiramisu.” (personal communication, @Zay_ZYXWV)
“The Fallout games have all the disgusting foods. But also a lot of parodies of actual American snacks I guess. I don’t get all of them because I am from Germany, but I have a sense that they are versions of actual foods.” (personal communication, @PrimoRCavallo)
“I recently played the controversial Russian game Atomic Heart. One of the primary themes is the Soviet Union, and one of the main food factors which is a completely mandatory item for traversing the game is condensed milk, alongside bottles of vodka. I thought it was an odd choice for a power up item in a game, but after spending some time looking into it it seems like those two items had some high degree of value to the survival of those geographical people due to their long shelf life and stability in indeterminate situations.” (personal communication, @TheAbeg)
Considering many games have foods which are modeled after offline ones, they are useful for learning about foods outside of one’s experiential range. In the MMORPG MapleStory, many places which pay homage to real offline locations have their own special consumables that allude to local dishes, for example: satay, ramen, chili crab, unagi, bento boxes, steamed buns, dumplings, laksa, chicken rice, tacos, and curries. Several tropical fruits and snacks like durian, dragon fruit, dried squid, and dango are also available in-game.
Various food items found in MapleStory SEA. (Screen shot by Author)
Scholars across disciplines have stressed the importance of considering interlinking implications and applications of happenings online with those offline (Boellstorff 2016, Taylor and Nichter 2022). Analysing the interactions and engagements of our onlives within the DFS of gaming universes can provide information about points of interventions (e.g. cases of digital obesogenic environments) or the range of shared interests of certain groups as they pertain to food. While video-gaming only simulates life or death, the impacts of digital obesogenic environments has yet to be thoroughly explored. Video-gaming allows for people to embrace (if not overexaggerate) and explore aspects of their individual values and varied performances of self (Goffman 1959). It is of interest to those working in diplomacy, marketing, and the food industry to pay attention to the reception of foods in video game universes and players’ concerns as starting points for improvements in initiatives of gastrodiplomacy, product design, food communication, and more. Doing so would help generate more interactive and reflective national foods branding given the diversity of gaming communities (Ichijo et al. 2019, White et al. 2019, Dam 2023). Furthermore, there is immense potential to expand digital food studies’ research theories and methodologies in video games while also continuously challenging the boundaries of online and offline. If art does imitate life, how are we to ignore or deny the salience of how people play with and reimagine foods and foodscapes?
[1] An honorable mention for the “dubious food” available in Legend of Zelda: Breath of the Wild
[2] Information and communication technologies
[3] There is an exhaustive amount of games where you can hunt creatures and eat them, so to list them all would be…well, exhaustive.
Atsuko Ichijo, Venetia Johannes, and Ronald Ranta. 2019. The Emergence of National Food: The Dynamics of Food and Nationalism. Bloomsbury.
Boellstorff, Tom. 2016. “For Whom the Ontology Turns: Theorizing the Digital Real.” Current Anthropology 57(4): 387-407.
Dam, Ashley T.K., 2023. “Dining with the Diaspora: Khmerican Digital Gastrodiplomacy”. Platypus Blog. https://blog.castac.org/2023/03/dining-with-the-diaspora-khmerican-digital-gastrodiplomacy/
Gayle, Latoya. 2020. “Nintendo fans mercilessly mock PETA for claiming vegans shouldn’t play Animal Crossing because it features virtual fishing and bug catching”. Daily Mail. https://www.dailymail.co.uk/femail/article-8155471/Video-game-players-mercilessly-mock-PETA-vegan-guide-Nintendos-Animal-Crossing.html
Goffman, Erving. 1959. The Presentation of Self in Everyday Life. New York: Anchor Books.
Lynn, Lottie. 2021. “Animal Crossing Cooking: Ingredients and how to unlock cooking in New Horizons explained”. Eurogamer. https://www.eurogamer.net/animal-crossing-cooking-ingredients-how-unlock-new-horizons-8007
People for the Ethical Treatment of Animals [PETA]. 2020. “PETA’s Vegan Guide to ‘Animal Crossing: New Horizons”. https://www.peta.org/features/animal-crossing-new-horizons-vegan/
Schneider, T., Eli, K., Dolan, C., & Ulijaszek, S. (Eds.). (2018). Digital Food Activism (1st ed.). Routledge. https://doi.org/10.4324/9781315109930
Staiano A. E. 2014. Learning by Playing: Video Gaming in Education-A Cheat Sheet for Games for Health Designers. Games for health journal, 3(5), 319–321. https://doi.org/10.1089/g4h.2014.0069
Taylor, Nicole and Mimi Nichter. 2022. A Filtered Life: Social Media on a College Campus. New York: Routledge.
Van Est, R., Rerimassie, V., van Keulen, I. & Dorren, G. 2014. Intimate technology: The battle for Our Body and Behaviour. Rathenau Instituut.
Veblen, Thorstein. 2007. The Theory of the Leisure Class. Oxford: Oxford UP.
White, Wajeana, Albert A. Barreda, and Stephanie Hein. (2019) “Gastrodiplomacy: Captivating a Global Audience Through Cultural Cuisine-A Systematic Review of the Literature.” Journal of Tourismology 5(2), 127-144.
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