Mosaic in Maltezana. Wikimedia Commons, licensed under CCO 3.0.
This week, the Review is publishing a series of short reflections on love songs, broadly defined.ย
Parliamentโs โ(Youโre a Fish and Iโm a) Water Signโ is an unabashed ode to passion, to the base and the sensual, to the possibilities of love in the juiciest ways it can exist between people. The song moans into being, a beseeching follows, then thereโs a bass so low you canโt possibly get under it, and finally the central question is posed: โCan we get down?โ In true Parliament fashion, the tune doesnโt follow a traditional verse-chorus-bridge structure; it consists of an ever-evolving chorus that departs from the lines โI want to be / on the seaside of love with you / letโs go swimming / the waterโs fine.โ The arrangement is magnificent and the execution velvety, and the soulful, overlapping ad-libs of George Clinton, Walter โJunieโ Morrison, and Ron Ford are just romantic lagniappe. Add the production of the track itself, with its big band-y rise of horns and whimsical flourishes atop the funky bassline, and the song is a liquid love affair that pulls you under and takes you there. Itโs orgasmic.โWater Signโ is the B side to the much more well-known โAqua Boogie (A Psychoalphadiscobetabioaquadoloop),โ from Parliamentโs 1978 hit album Motor Booty Affair. While โAqua Boogieโ is told from the point of view of a person who is afraid of water, having never learned to swim, โWater Signโ shows us how beautiful and liberating it can be to get swept away.
Addie E. Citchens is the author of โA Good Samaritan,โ out in the Reviewโs Winter Issue.