Login
(Sarah Read is an author, editor, yarn artist, and pen/paper/ink addict. You can find more about her at her website and on Twitter. And check out her latest book, Out of Water, now available where books are sold!)
This Yggdrasil World Tree Leather Journal from 12 Parsecs Designs is one of those items that falls into a special category I like to call "things I have to review before my teenager steals them for Dungeons and Dragons." If you're in the market for a book in which to record magical journeys, occult recipes, treasure maps, or any other flights of fancy, you should probably check out the Notebooks page over at 12 Parsecs Designs.
This thicc journal has a sturdy leather cover that's interfaced with canvas. Its back cover tucks into the front to conceal the fore-edge, and it closes with two brass buckles on the front. The cover of this particular one is embossed with an image of Yggdrasil, the Norse World Tree, with gorgeous Viking-inspired designs surrounding it. The leather is painted walnut brown with an almost woodgrain effect to the brushstrokes. Y'all, it's really pretty.
Inside this stunning cover are five signatures of 20 sheets of cushy watercolor paper, for a total of 100 sheets or 200 pages. The paper is very thick, soft, and pillowy. You could take a nap on this paper. I usually associate this fibrous paper with bleeding and feathering, but this is very well made sketchbook paper, and I did not have any issues. It is too soft, however, for sharp-pointed tools, so mechanical pencils, EF pen nibs, and ultra fine pen points are not going to be your friend here. And the paper is thirsty. While I was able to write with a medium point fountain pen just fine, it does drink the ink, and the pen's feed eventually struggled to keep up with the necessary flow. The best instrument I found for this paper was either a wood case pencil that's not sharpened too much, or a standard ballpoint pen. Of course, watercolors would be the specific ideal use for this paper, but I shan't disgrace it with my poor art.
The paper also has dried flowers scattered throughout its pages, which adds to the whimsical, fairytale effect. I know soft, flowery paper is going to send some of you running in the opposite direction, but that just leaves more fae paper for the rest of us, so bye.
This notebook is about as opposite as you can get from the streamlined, minimal, purely utilitarian notebooks that make up the bulk of my notebook stash. I love those, too. And I love this. This isn't a notebook that makes me think "perfect for meetings" or "I'll use this for class" or "so efficient and productive." No, this notebook says "time to play and dream" and I am so here for it.
12 Parsecs Designs suggests that this notebook is great for gamers, painters, scrapbookers, journalers, or even folks who want a cool photo album. I agree, and I'm impressed. For all this loveliness and versatility, they're only charging $31 (and they're actually on sale for less as I write this). That's much less than I expected after using the notebook. I can already tell I'll be back for more of these. Probably very soon, when my little Dungeon Master steals mine.
(12 Parsecs Designs provided this product at no charge to The Pen Addict for review purposes.)
Enjoy reading The Pen Addict? Then consider becoming a member to receive additional weekly content, giveaways, and discounts in The Pen Addict shop. Plus, you support me and the site directly, for which I am very grateful.
Membership starts at just $5/month, with a discounted annual option available. To find out more about membership click here and join us!
(Sarah Read is an author, editor, yarn artist, and pen/paper/ink addict. You can find more about her at her website and on Twitter. And check out her latest book, Out of Water, now available where books are sold!)
On Thursday, June 8th, I drove two hours to Milwaukee, got on a train for two hours to Chicago, got on another train for eleven hours to Pittsburgh, then got on another train to Altoona for three hours. It was a long night. Then I spent the next five days packing up and clearing out my grandmother's house and loading a few treasured items into a shipping container. Then I got back on the Altoona train to Pittsburgh, and spent five days at the Horror Writers Convention, StokerCon. Then I got on the Pittsburgh train to Chicago and the Chicago train to Milwaukee, and then home again. Ten days on the road that included everything from sitting in the mud in a graveyard to attending a formal awards banquet. And throughout that process, I needed to write. A lot. And without carrying too many heavy things, because train hopping is tough, and there would also be times when I needed to walk 1-2 miles with all my gear on my back. This was the most minimal packing I've ever done, and it worked well for me.
I just got back yesterday as I write this, and I'm still lost in the fog of exhaustion, but here's a list of Pen Addict-relevant thoughts and encounters from my trip.
Trains are perfect for writers. The whole travel mode is less frantic and hassled than flying. If your tray table isn't roomy enough, head to the dining car for unlimited coffee and a table to spread your work out. While most of my long train rides were at night, while I tried (unsuccessfully) to sleep, a daytime train ride of eleven hours sounds almost like a writing retreat in itself. Overall, I found this mode of travel to be my favorite over driving or flying.
No matter how much I write, or plan to write, I really just need one notebook and pen. I brought the Pebble Stationery Cosmo Air Light notebook, my Schon DSGN pocket fountain pen, and the CW&T Pen Type-B as my travel stationery, along with my Mini Plotter with the Kaweco Lilliput in the loop. I used the Pebble Stationery and the Schon for story writing, and I used the Pen Type B for signing receipts. I used one sheet of Plotter paper to leave a nice note for my B&B innkeeper. And I used the Plotter itself to press flowers. It works quite well for that. I pressed clover and morning glories from my grandparents' graves, and two roses from my grandmother's garden. An unconventional use case, but one I am very grateful for. The plastic dividers and elastic closure band make it perfect for collecting small, meaningful blooms. And the day after I collected these flowers, I found flowers that my grandmother had pressed in her own books, from her own parents' funerals. We were always very much alike.
Write letters. Lots of letters. Write them to the people you love, and when you receive letters, keep them somewhere where your granddaughter will find them someday and see how much you loved and were loved. My grandmother saved hundreds of letters that my grandfather sent to her when he was in the Navy. Of all the treasures I found in the house, these were the very best.
When you have to plan a difficult thing, plan a very fun thing for right after. Recovering from an emotional week by surrounding myself with writer friends was the perfect antidote to grief. With readings, and panels, and signings, and talks, and banquets, and bar closings, there's both plenty of time to talk and process, and plenty of distraction. And lots of hugs.
If you go to painstaking measures to pack minimally for a difficult journey, maybe don't acquire 18 new books to carry home. Just some advice for future me.
The best thing you can possibly do before getting on a train for uncountable hours is to chill at a friend's house, especially if that friend has goats. And Smores.
This journey was strange and not linear, much like this post. In two days the pod with my grandmother's things will arrive at my house, and I will literally and metaphorically unpack the artifacts of her life and take these objects soaked in memory into my home. My grandmother gave me my love of reading and writing and sentimentality--all of which are essential ingredients to who I am in general, and are also the things that led me to my love for pens and paper.
I didn't write as much as I needed to on this trip; there wasn't as much downtime as I'd hoped as I moved quickly from task to task. But now that I'm home, it's me and the pages for miles, and I just have to stay on track.
Enjoy reading The Pen Addict? Then consider becoming a member to receive additional weekly content, giveaways, and discounts in The Pen Addict shop. Plus, you support me and the site directly, for which I am very grateful.
Membership starts at just $5/month, with a discounted annual option available. To find out more about membership click here and join us!
(Sarah Read is an author, editor, yarn artist, and pen/paper/ink addict. You can find more about her at her website and on Twitter. And check out her latest book, Out of Water, now available where books are sold!)
If I must leave the house, and unfortunately I often must, I take comfort in knowing I can bring a bit of my desk with me. I think that's why I like bags so much, and why I like experimenting with clever bag designs. Bags like the Sun-Star Delde Tote Backpack intrigue me with their engineering and versatility, so I'm always excited to take a closer look at how they function.
Bags with convertible carry methods always catch my eye because sometimes I want a tote! And sometimes I need a backpack! Get you a bag that can do both, right? This bag does do both, though not as well as I might like.
We'll start with the positives, though. The bag is made of a nice polyester canvas material that has some water resistance. The hardware is gold-toned, which looks great with the black. The zippers are metal and smooth. The interior fabric is a silky brown fabric that is well secured inside the bag, so it isn't floppy.
There are many glorious pockets! There is one zipper pocket on the front for quick-grab items, and while it shares some space with the interior, the front piece of fabric allows a surprising amount of space for storage. Either side of the bag has a water bottle/umbrella pocket, though these are quite narrow and won't fit larger water bottles. There is a hidden zip, with black hardware instead of gold so it blends in, on the left back side that allows quick access to the main interior of the bag. Inside the main compartment, there are two slip pockets and one small zipper pocket made of the lining material.
This is a great pocket layout, with all the essentials accounted for. The main compartment is quite large. It claims it can fit up to a 14" laptop, but my 14.5" did not fit at all, and it looked like it would need more than an extra .5" to be practical. For smaller laptops or tablets, though, there is some padding in the back panel and bottom of the bag that would help keep it safe. It may not be big enough for a commuter bag or a student, but for an afternoon outing, it's perfect. It would also be great as a diaper bag.
The bag looks good, and it's classy enough to go from the board room to the park and look like it belongs. The design is well thought-out and the materials feel like they'll last.
There are a few negatives to consider, however. The most critical negative is that the straps are not adjustable. To use the bag as a tote, you pull the full length of the strap fabric through the metal slots at the top of the bag, which retracts the backpack straps all the way. The drop on the handles is not very deep (about 7"), so if the bag is fully loaded and at its full width, there's barely enough room to fit an arm through the tote loops. It can be carried by hand, but not easily over the shoulder, unless you like your bag all up in your armpit.
The same issue applies when the bag is in backpack mode. To activate backpack mode, pull the straps at both the top and bottom to retract both handles, then slide the strap cushions to the top. The mechanics are clever, but without an adjustable strap, you get what you get as far as length goes. You can't make them shorter, as they'll just pull through the hardware to full length either way, and you can't make them longer. It fits okay for me, though I'd adjust it if I could. My spouse can't wear the bag at all in either mode. If you have a larger frame, this bag may not work for you, and that actually makes me a little mad. One shouldn't have to worry about size inclusivity when buying bags, of all things.
So that is my main criticism of this bag. The other issue is a nitpick--the top zipper is one of those that insists on going straight across instead of following the curve of the bag, so you get floppy zipper antennas on either side, along with a fairly large gap where water can get in and items can fall out. It does allow for the bag to be fully opened, but it's a design feature I personally dislike.
In the end, my final impression is that this is almost a great bag. If it had adjustable straps, it would be a very good bag. With its limitations, it's still very useful, but not for everyone, and that's a shame.
It is priced well at $64.75 at JetPens, where it's available in several colors. For the materials and features, I would have expected a higher cost.
And there's some bonus wisdom from Delde right on the front of the bag: "It's important to be yourself, how it looks and handy." It leaves us with much to consider.
(JetPens provided this product at no charge to The Pen Addict for review purposes.)
Enjoy reading The Pen Addict? Then consider becoming a member to receive additional weekly content, giveaways, and discounts in The Pen Addict shop. Plus, you support me and the site directly, for which I am very grateful.
Membership starts at just $5/month, with a discounted annual option available. To find out more about membership click here and join us!
(Sarah Read is an author, editor, yarn artist, and pen/paper/ink addict. You can find more about her at her website and on Twitter. And check out her latest book, Out of Water, now available where books are sold!)
I love pen cases, and I love pockets, so if you fill a pen case with pockets, you have my attention. And considering several positive past experiences with Nomadic's Wise-Walker products, this Carbonium Pen Case was a must-try.
The case is made from a polyurethane with a woven-like texture that mimics carbon fiber. The look is sleek, but vintage. The case has two main pockets with silver zippers and poly-tab zipper pulls. The front main pocket has a nylon mesh bottom so items are visible from the outside of the case.
Inside the large main pocket, there are So Many Pockets. The bulk of the space is divided in two by a centered zipper pocket that is perfect for holding small accessories. There is a larger space on either side of this pocket. On the front wall of the case, there are two mesh pockets, and on the back wall, there is one long nylon pocket. That's seven separate compartments for keeping your treasures organized. Consider me charmed.
One thing I noticed fairly quickly is that the pockets and placements mimic a tech case more than a traditional pen case, so of course I had to test-pack it with both stationery and gadgets.
It worked great for pens, notes, and washi tapes. The slip pockets are the perfect size for a roll of washi, the larger compartments can hold lots of gel pens or highlighters, and the interior zipper pocket is great for erasers and clips.
It worked equally well for tech. It fits phones, portable chargers, cables, and dongles well. It even fits my camera and all my camera essentials, with spare batteries and memory cards safe in the central zipper pouch. In fact, as I type this, the case is traveling with my husband across the country with all his tech inside, including all his chargers and cables and a mini handheld game console.
It would even make a decent clutch or EDC kit case. The well-planned pockets make it very versatile, and the waterproof fabric provides added benefits, though the zippers are not waterproof.
The zippers are actually my one and only issue with this case. They're a bit flimsy feeling, with small teeth and a thin fabric backing. It feels like I'm going to break the zippers--though I haven't broken them, despite some aggressive handling. They just feel cheap on an otherwise excellent case.
The Nomadic Wise-Walker PF-03 itself is not too expensive, anyway, at only $22 at JetPens. That's just over $3 per pocket, which is well worth the cost. I've paid much more than that for cases that weren't as functional as this one. And I'll probably have to buy a duplicate of this one, as I suspect the spouse has permanently adopted the original.
(JetPens provided this product at no charge to The Pen Addict for review purposes.)
Enjoy reading The Pen Addict? Then consider becoming a member to receive additional weekly content, giveaways, and discounts in The Pen Addict shop. Plus, you support me and the site directly, for which I am very grateful.
Membership starts at just $5/month, with a discounted annual option available. To find out more about membership click here and join us!
(Sarah Read is an author, editor, yarn artist, and pen/paper/ink addict. You can find more about her at her website and on Twitter. And check out her latest book, Out of Water, now available where books are sold!)
Hobonichi's planner success is legendary, but their accessory offerings seem to grow more fun and varied every year. This is the first time I've tried their Paper(s) Notebook, and it's a great addition to the Hobonichi lineup, though it may not be as popular with the fountain pen side of their audience.
The Paper(s)s notebook is the same A6 size as a Hobonichi Techo. While it has the same tape-sealed spine, the binding in this book is a glue that allows you to remove the pages. Every page separates cleanly and easily, which is perfect for sharing notes and info, or for disposable writing like shopping lists. While a Hobonichi planner feels like a keepsake, almost a bit of memoir, this Paper(s) book is clearly a consumable. There's no pressure of preservation or perfection. In fact, I even messed up my first writing sample, so I threw it away and tore out a new sheet.
This notebook does fit inside any Techo cover, though I would imagine it would fit less well as the pages inevitably deplete. And I wouldn't want to cover up those adorable bears, anyway.
The design, by Hiroko Kubota, shows an adorable bear guiding an aurora across the sky. On the back there's another wee bear pulling a sled with his coffee pot and steaming mug while he watches the sky. Each page inside has a third illustration of the bears enjoying the coffee together. It's ADORABLE. I can't stop saying it.
The pages themselves are where I think Hobonichi divides their audience a bit. If you're just using this paper to make throw-away notes with a standard ballpoint or pencil, great! You're good! But the paper in this notebook is not the Tomoe River paper that is found in Hobonichi planners and other notebooks. It's a fully uncoated wood-free paper, so any liquid ink goes straight through. If it's a very liquidy ink in a broad nib pen, it will actually bleed through onto the next page. While the back of the page isn't as important for notepaper, where it's unlikely you intend to use both sides of the sheet, getting ink onto the pages behind is not ideal. So, there is no amount of fountain pen friendliness here. Which is okay, because that's not what it's meant for, but I think the Hobonichi name does carry the expectation of excellent paper--and this isn't that. It's functional, disposable paper--and we all need some of that, too.
In keeping with the purpose of "use this up and throw it away" this notebook is priced very fairly at only $8 at JetPens. For 155 sheets patterned with adorable bears, that's a great price, and it's an easy add-on when you're selecting your array of other Hobonichi accessories. Mine has already seen a lot of use, as the loose pages are endlessly necessary for lists and notes I can hand off to family members. And yes, I'm still using it with fountain pens, letting the ink bleed and feather as it will, like the chaos gremlin that I am.
(JetPens provided this product at no charge to The Pen Addict for review purposes.)
Enjoy reading The Pen Addict? Then consider becoming a member to receive additional weekly content, giveaways, and discounts in The Pen Addict shop. Plus, you support me and the site directly, for which I am very grateful.
Membership starts at just $5/month, with a discounted annual option available. To find out more about membership click here and join us!
(Sarah Read is an author, editor, yarn artist, and pen/paper/ink addict. You can find more about her at her website and on Twitter. And check out her latest book, Out of Water, now available where books are sold!)
The fabulous Tomoe River paper and Hobonichi construction in a plain notebook--it's exactly the product I wished for back when I used to use outdated Hobonichi Techo planners as blank books for writing just because I loved the paper and binding so much.
This A6 notebook has a yellow-gold cardstock cover with a thread-and-glue taped binding that allows the book to lie open flat with almost no training required. This binding is flexible but sturdy--it's going to survive you carrying it around for as long as it takes you to fill all of those 240 pages.
Speaking of 240 pages, we're talking 120 sheets of Tomoe River goodness. It tolerates any medium, even the wettest of fountain pen inks, light paint washes, even the Sharpie didn't bleed through all the way. It is very lightweight, though. If you're unfamiliar with the miracle of Tomoe River, it's onionskin-thin, so while it doesn't bleed, you will see a lot of ghosting. Even light pencil is visible through the page. I love the way it looks, but it does bother some, so YMMV. Even if you can't stand ghosting and can only use one side of the page--that's still 120 pages! And because the paper is so fine, the notebook is slim and ultra-portable. It's only .3" thick, making the whole notebook just slightly larger than a pocket size.
And a portability bonus--this notebook (even two of these notebooks) fit into the Hobonichi Techo covers. If, uh, you maybe, might have, possibly accumulated a few gorgeous techo covers over the years because they release so many lovely ones every year and you just can't help it (ahem), one or a few of these would feel right at home in one of those out-of-rotation covers.
The paper is white with a small 3.7 mm grid pattern that covers the whole sheet. The graph print is subtle, and every 60 pages the ink color changes, from red to blue to green, then purple. You can easily ignore the color changes, or use them as a guide to design your own planner or multi-subject notebook.
This is a small powerhouse of a notebook. It's also available in an A5 size, and this year you can even get it in A6 or A5 with a gorgeous floral illustrated cover. And fortunately, they're reasonably priced, with this plain A6 version costing $17 at Jetpens. The A5 is slightly more at $22, and the floral editions are a bit more than that.
I could write in these forever. If someone said "these are the only notebooks you're allowed to use for the rest of your life" I would be pretty okay with that. As long as I could keep accumulating the pretty covers, of course.
(JetPens provided this product at no charge to The Pen Addict for review purposes.)
Enjoy reading The Pen Addict? Then consider becoming a member to receive additional weekly content, giveaways, and discounts in The Pen Addict shop. Plus, you support me and the site directly, for which I am very grateful.
Membership starts at just $5/month, with a discounted annual option available. To find out more about membership click here and join us!
(Sarah Read is an author, editor, yarn artist, and pen/paper/ink addict. You can find more about her at her website and on Twitter. And check out her latest book, Out of Water, now available where books are sold!)
I have wanted to try CW&T Pen Type-B ever since I heard Brad annoy Myke with it on the podcast, many years ago. The POP it makes when you open it is endlessly satisfying, and the machined precision that causes it to float back into place when capped is absolutely magical. I'm unabashedly obsessed with this slightly ridiculous pen.
The version of the Pen Type-B that I have here is a stainless steel body with a brass tube cap that extends almost the full length of the body. Both are plain cylinders, except that the cap has one flattened side that keeps the pen from rolling away. There's no lettering, no grip section--just two metal tubes living together in perfect harmony. The brass cap is meant to take on character as it is used, though I've used it almost daily for weeks and it hasn't started to patina yet. It did take on some character where I dropped it in my driveway, but that's just a wee scratch, and the pen itself appears indestructible.
The precision tolerance of the machining is what creates the air-tight seal between the body and cap, resulting in that glorious POP when you open it, and the slow piston closure. If you open the pen partway, it will slowly sink back into the cap from the suction generated by the airtight seal. This trick only works if the pen is machined absolutely perfectly, and CW&T inspect every pen to make sure they are indeed perfect. The fidget factor here is off the charts. I had to attend two all-day professional training seminars last month, and I have a weekly 3-hour zoom class. This pen is responsible for keeping me in my seat, appearing somewhat sane (that's as good as it gets, for me. Fully sane is unattainable).
The pen body has no seams or interruptions. The access to the refill is through the back end of the pen, where there is a small bolt that unscrews. It's easy to do--I was able to unscrew it with my fingernail, though a coin or key would also work. When the small bolt is removed, the refill simply slides out.
The pen body can be used by itself for writing, or the cap-sleeve can be posted if you want a thicker, heavier pen. This isn't a light pen, as one can probably guess from the materials. It's 90 grams altogether. I haven't used it for long writing sessions, though I think I could if it were unposted, and I continuously reach for it to jot down quick notes or sign something.
The included refill is fantastic. It's the Pilot Hi-Tec C, and it comes with a black 0.3 mm insert. I love the ultra-fine point on this refill, and it writes like a dream. It's smooth and has a nice flow, with no scratching or skipping. The ink is dark enough to be visible even with fine writing. It's perfect for writing very small notes, or in the wee squares of a pocket calendar.
But what if you don't like the Pilot Hi-Tec C? There are a variety of spacer inserts available, from 2mm to 27mm, that allow this pen to take just about any refill you can imagine.
It's quite a feat for a pen to be so minimal and yet so EXTRA at the same time, and I am totally here for it. I'm about to sit down to my last 3-hour lecture of my grad school career, and I've got it right here on my desk, ready for notes--and fidgets.
(JetPens provided this product at no charge to The Pen Addict for review purposes.)
Enjoy reading The Pen Addict? Then consider becoming a member to receive additional weekly content, giveaways, and discounts in The Pen Addict shop. Plus, you support me and the site directly, for which I am very grateful.
Membership starts at just $5/month, with a discounted annual option available. To find out more about membership click here and join us!
(Sarah Read is an author, editor, yarn artist, and pen/paper/ink addict. You can find more about her at her website and on Twitter. And check out her latest book, Out of Water, now available where books are sold!)
Sometimes I pick a pen based on looks (I'll admit it) and "odd" is definitely a look. The Uni Jetstream Edge looks odd. But I love Uni refills and I like Mint Green, so I had to try it. And it's a decent pen, though I think there are better houses for the exceptional Jetstream refill.
The metallic sheen on this pen deceives the eye, as the body is all plastic--only the grip section (and clip) are metal. The plastic is smooth and well made, but very light, so almost the entire weight of the pen is in the grip. This is apparently to give the pen a low center of gravity, which is intended for better control. I don't know all the science of the ergonomics behind that, but the imbalance it creates is something that takes a little getting used to. The pen also tapers so that the grip is the widest point, with a snorkel-like tube to protect the super-fine refill tip.
The body has a hexagonal shape, while the grip is round with some light etching along the length. I do find the grip a bit slick. I think the etching could have gone around the grip instead of along it, for better traction.
The clip has a wave pattern to it, and it looked like it might have a hinge, but it's a friction clip. It's fairly stiff, though the lip on it makes it easy to slide onto papers.
The top of the pen has a black plastic click mechanism to deploy the tip. It's a satisfying click, and the parts are all up in the top of the pen, so there are no flying springs or loose pieces when you change refills.
And the refill is where this pen shines. Because inside this slightly alien looking pen body is one of the best refills I've ever used, the Uni Jetstream .38 ballpoint.
This is the smoothest ballpoint ink I've ever used. It has the glide of a gel ink, but it is water-resistant, fade-resistant, and forgery-resistant, so it's perfect for taking your most important notes. Despite the absolute itty bittiness of the tip, there is no scratchiness or dragging feeling to this refill at all. It looks like you're writing with a sewing needle, but it writes like hot butter. I would use this refill every day.
But, I confess, I am not reaching for this pen every day--and when I am, it's because I need the refill, not because I want to write with the pen itself. It's not a bad pen at all, it's just odd, and that imbalance throws me off a bit. Beyond that, the $15 price feels a bit high, especially when you can get a 3-color Jetstream pen for $7.
I don't mind an odd pen (to be fair, I'm odd, myself), and I'd say that if you like the look of this pen, you're bound to be very happy with it. While I prefer other Uni pen models, my critiques of this pen are all very subjective, and you may find this one to be your personal favorite.
(JetPens provided this product at no charge to The Pen Addict for review purposes.)
Enjoy reading The Pen Addict? Then consider becoming a member to receive additional weekly content, giveaways, and discounts in The Pen Addict shop. Plus, you support me and the site directly, for which I am very grateful.
Membership starts at just $5/month, with a discounted annual option available. To find out more about membership click here and join us!
(Sarah Read is an author, editor, yarn artist, and pen/paper/ink addict. You can find more about her at her website and on Twitter. And check out her latest book, Out of Water, now available where books are sold!)
When you're planning a trip and writing your packing list, do you create a whole category for stationery? Of course you do; you're here. I love thinking about what pens and journals I'll need (or want) on my trips. One of the things I've wanted to do for a while is road-test a Traveler's Notebook from Traveler's Company. I mean, it's right there in the name! And this year seemed like the year to do it, as I have a lot of traveling planned. Mostly short business trips, but there will be planes, trains, boats, and buses, cars, and hotels, and couch surfing. And the Chicago Pen Show, of course. I did some research and planned a TN setup that I think will work for my adventures.
I got everything I needed from JetPens (some sent for review, some I bought to add a few accessories), and I'll be reviewing the components individually, but this post focuses on how I decided to set things up.
First, I opted for the Passport size, since I like to one-bag travel, and space is a premium. I want to use this notebook according to their old "all in one place" motto, so I intend to use it as my planner, wallet, and commonplace book. So, I got a Monthly Planner insert (which is all I'll need once school is over in May!), the zipper pouch/wallet, the kraft folder, a lightweight paper insert, a writing board, a pen holder, the adhesive pockets, and the brass notebook clip. I also got the sheet of double-sided adhesive so I can use it to put bits of travel memorabilia in the notebook.
I want the zipper part in the front of the book (so that I'm not writing on the lump of the zip), and the card slots in the back (to keep them extra safe). I want the monthly planner in front of the commonplace book, since they'll work together (events in the planner, task lists in the notebook). I connected the planner to the notebook with the extra elastic that came in the starter kit and put that pair through the notebook band, then put the zip-wallet behind them, and the folder in the middle. I put the writing board in the folder (along with some essential stickers), the adhesive pockets on the outside of the folder (for business cards), and I'm using the brass clip to hold the folder closed. I started with the pen clip on the back of the notebook, but it was annoying me, so I moved it to the folder as well, so that it holds the pen in a more central spot. I also swapped the black elastic out for the striking red one, and put the adhesive card slot on the inside of the front cover (for my ID). I still need to find a charm or bead for the elastic closure, but I figure that's something I'll find on my travels.
This is the setup I'm thinking and hoping will work for me! I haven't truly started testing it yet. I'm still using my main Midori planner for at least a few more weeks, while school is at its most intense. But using the Traveler's Notebook as a wallet setup for the past few weeks has been very successful. It's not too big or fiddly, it keeps everything safely contained, and I feel like I have everything I need right in my hand.
This notebook kit has so much personality. Maybe it's the act of constructing its layout and combining all the components, but I feel a bit like I've assembled a travel buddy, or like a bit of my own character got caught up in the elastics. You can't assemble a system so personal and not put a bit of yourself into it, I guess. Like Victor Frankenstein, but less messy. Or just as messy, you do you.
(JetPens provided this product at no charge to The Pen Addict for review purposes.)
Enjoy reading The Pen Addict? Then consider becoming a member to receive additional weekly content, giveaways, and discounts in The Pen Addict shop. Plus, you support me and the site directly, for which I am very grateful.
Membership starts at just $5/month, with a discounted annual option available. To find out more about membership click here and join us!
(Sarah Read is an author, editor, yarn artist, and pen/paper/ink addict. You can find more about her at her website and on Twitter. And check out her latest book, Out of Water, now available where books are sold!)
It's been a long time since I've tried the Pilot Juice Gel Pens, and this adorable set of limited-edition Pokémon versions made me think it was time to revisit them. It was a good reminder that these are awesome pens.
My favorite thing about these pens, right off the bat, isn't even the adorable characters--it's the ink. Pilot Juice gel ink is pigment-based, water-resistant, and they can write on shiny surfaces like photographs as well as on paper. When I set down my fountain pens and reach for something clicky, these are the kinds of ink qualities I'm looking for. The pigments are also strong and bold, so even this very fine-pointed .38 mm tip writes a nicely visible line. I have had no issues with skipping or drying out.
My second favorite thing about them is definitely the characters. This Set B features four colors and Pokémon: Black (Pikachu), Leaf Green (Yamper), Red (Piplup), and Violet (Alolan Vulpix). The designs are colorful and charming, and (best of all) designed so that the character is facing you when you hold the pen.
The pen bodies are clear plastic with a click mechanism that matches the color of the ink inside, which makes it easy to select the color you want when the pens are in a case. They have a springy alligator-style clip that can attach to a variety of widths, though they aren't super strong or grippy. The grip section has a rubbery surface that is comfortable to hold. The section unscrews from the body of the pen so that the refill can be replaced as needed.
The price for these sets is $13.50 at JetPens, which isn't cheap for four pens, but it's reasonable for a limited edition set of pen bodies that are also refillable. There is also a Set A of 0.5 mm pens as another option. They're definitely in the "worth it" category for me, which is good, because my kids already stole mine.
(JetPens provided this product at no charge to The Pen Addict for review purposes.)
Enjoy reading The Pen Addict? Then consider becoming a member to receive additional weekly content, giveaways, and discounts in The Pen Addict shop. Plus, you support me and the site directly, for which I am very grateful.
Membership starts at just $5/month, with a discounted annual option available. To find out more about membership click here and join us!
(Sarah Read is an author, editor, yarn artist, and pen/paper/ink addict. You can find more about her at her website and on Twitter. And check out her latest book, Out of Water, now available where books are sold!)
Last week I reviewed the Midori MD 70th Anniversary set of seven notebooks and I had a lot of fun thinking about all the ways I could put them to good use. I knew I didn't want to split up the set--the rainbow stitching is everything! Normally I'd use them for school, but I'm in my last two classes now--there are no future semesters to save them for! But the thing I'm most excited about being done with school is returning to full-time writing.
Being an author really means running a small business and there can be a lot to keep track of. I have, in the past, used one notebook to track all my writerly business, but they fill up fast when you're keeping busy. Enter a big set of seven lovely notebooks...
Also enter the fabulous Lochby Field Journal, which is robust enough to contain this ambitious plan.
I assigned each of the notebooks to a different aspect of writerly business: Deadline and submission tracking, listing and outlining ideas, jotting down bits of story drafts, making notes about critiques and edits, listing publication and contract details, notes about the craft of writing, and keeping track of the classes I teach or readings/signings, etc.
Keeping track of deadlines is important for obvious reasons, but it will be helpful to keep them listed in one place, alongside due dates for other open calls for submissions that look interesting. That way I can glance at that list and make a more informed decision about how busy I am when I'm approached for a project. Since many deadlines can be six months to a year out, tracking them on a calendar isn't a good way to get an overview. This way I'll have a list I can reference to confirm that I should definitely not take on any more work in the month of April! I can also keep track of where I send work and when. Some publishers don't send rejections--you're meant to assume you were rejected after not hearing back after a certain amount of time passes, so it's important to know when that time is. Most publishers also don't allow you to submit the same work more than once, so it's crucial to keep track of where you've sent each piece.
Keeping track of ideas is also important. Ideas are everywhere, and some are more demanding than others. Sometimes a good idea tries to butt in when I'm working on something else that has a due date and I don't have time to set it aside to focus on the shiny new idea. I've always kept an idea notebook, so this isn't a new one for me, but hopefully this will help me keep them in better order. They do tend to show up on the backs of receipts or scribbled in the margins of school notes. Sometimes I need a place to just jot down a single-sentence concept, and sometimes I need to write the whole outline. This book will hold both/either.
If whole sections of a story jump into my head, but they aren't ready to be fully written yet, I need a place to write down that bit until I'm ready for it. That will go in the next notebook, Draft Bits. Stories often come to me out of order, so this is a place where I can write scenes down when I need to come back to them.
I am part of a monthly critique group, as well as a more sporadic workshop, so I need a place to write down the feedback I receive on my work, as well as any ideas I have for edits to a piece. The Critique and Edit Notes notebook will be the home for that info.
Publication information goes in the next one. This is where I'll keep track of contract terms (Do I retain audio rights to this story or does the publisher? When does the exclusive printing period end? Is it a flat rate payment or are their royalties to track?). This way I won't have to go combing through contract files every time I want to reprint a piece.
In the next notebook, I'll record bits of wisdom about the craft of writing. When I attend panels or author talks, I like to write down anything educational or interesting, or notes about what particular editors are looking for in work submitted to them.
In the last notebook, I'll keep track of my own gigs--when I lead workshops or teach classes, do readings, speak on panels, do interviews, or appear on podcasts. I haven't always been good at tracking that, and then a friend mentioned how important that info is for a potential CV if I ever want to get a teaching job or archive my work. This will give me a good way to plan for and track all those appearances.
To cram all this content into one notebook cover, I used skills gleaned from Traveler's Notebook journalers. I used sewing thread (because that's what I had--I'll get elastics eventually) to tie notebooks 1 and 3 together, with the back cover of 1 and the front cover of 3 facing each other. Then I slid notebook 1 through the first elastic on the Lochby so that the elastic fit between the two notebooks, holding them by the threads. Then I slid notebook 2 through that same elastic at its halfway point. I repeated that process by tying notebooks 4 and 6 together, sliding them though another elastic, and then putting notebook five on that same elastic between them. Notebook 7 is on its own elastic at the end. They all fit quite well! There's enough movement that each notebook is still easy to write in, and there's even still room for me to stuff a bunch of writing note scraps in the pockets of the notebook cover. The thick spine and adjustable clasp on the Lochby are my friend, here.
I'm eagerly anticipating the shift from writing research papers to writing more stories and novels. I've still written a handful, but not nearly as much as I want. For the past two years, the notebook that's been filling up fastest is the one where I list all the ideas I don't have time to write. I'm excited to start filling up all these notebooks, replacing the inserts, and filling those up, too. 93 more days. (In fact, my last ever day of class is the first day of the Chicago Pen Show.) I'm so ready.
Enjoy reading The Pen Addict? Then consider becoming a member to receive additional weekly content, giveaways, and discounts in The Pen Addict shop. Plus, you support me and the site directly, for which I am very grateful.
Membership starts at just $5/month, with a discounted annual option available. To find out more about membership click here and join us!
(Sarah Read is an author, editor, yarn artist, and pen/paper/ink addict. You can find more about her at her website and on Twitter. And check out her latest book, Out of Water, now available where books are sold!)
Midori paper is some of the best out there, and this 70th Anniversary Limited Edition set of the MD Light notebooks is a lovely celebration of that legacy.
The set includes 7 of their A5 notebooks. The cover is light cardstock in a cream color, and the paper is ivory. The notebooks are bound with different colors of threading that can be seen along the spine, and the grid pattern inside the pages matches the thread color, which was an exciting surprise. The grids are well printed, so they are visible in the light colors and not too obtrusive in the dark colors. It's the perfect balance. The colorful grid lines also don't add any distraction when writing, though I admit I'm tempted to coordinate my pen and ink colors to the notebook's color. But that just makes it more fun.
The grid is 5mm with 10mm marks along the edge for extra guidance. It works well as a typical grid, for outlines and lists, but can also be used as lined paper for writing at either the 5mm or 10mm marks. The grid is heavy enough, though, that it can't be easily ignored. It doesn't fade into the background like some do. But it isn't meant to--this is a birthday party notebook!
The colors are dark red, sepia brown, yellow, green, light blue, navy blue, and purple. The notebooks come in a sturdy cardboard sleeve that can also work as a storage box. The set comes with a label and number sticker for each notebook.
The Midori MD paper is one of my favorites to use. It holds up well to almost any writing utensil. Sharpie bleeds through, but all fountain pen ink does very well, with no bleeding or feathering and very little ghosting. It's a pleasure to write on, and the colorful grids in this edition make it even more fun. Each notebook has 32 sheets, and since you can easily use both sides of the page with this paper, that gives you 64 pages per notebook, or 448 pages in the whole box.
The cost of this set is $45.50 at JetPens, which is a great value for the number of quality pages you receive. There's enough here to write a whole book, or a year's worth of class notes, or seven months of daily pages... Endless possibilities. Happy 70th, Midori!
(JetPens provided this product at no charge to The Pen Addict for review purposes.)
Enjoy reading The Pen Addict? Then consider becoming a member to receive additional weekly content, giveaways, and discounts in The Pen Addict shop. Plus, you support me and the site directly, for which I am very grateful.
Membership starts at just $5/month, with a discounted annual option available. To find out more about membership click here and join us!
FreshRSS 