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Michael Gove is on a collision course with a handful of Conservative MPs over his plans to stop public bodies boycotting Israel.
A group of Tory backbenchers have made clear to the levelling up, housing and communities secretary they have concerns about the economic activity of public bodies bill, which is due to return to the Commons within weeks for a second reading.
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They say that health is a halo that only the sick can see. Grappling with the randomness of existence is one of the most challenging aspects of being a person. At a moment's notice, life has a strange way of reshuffling the proverbial deck in a way that throws your plans, stability, and mental state into utter chaos. — Read the rest
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Joshua Kaplan, Justin Elliott, and Alex Mierjeski | ProPublica | April 6, 2023 | 2,936 words
No matter where you get your news, you’ve likely seen this story sometime in the last 24 hours. It’s a bombshell investigation that reveals how Supreme Court Justice Clarence Thomas has received lavish gifts from a billionaire Republican donor named Harlan Crow, likely in violation of federal law. Said gifts include international cruises on a staffed superyacht, a Bible that once belonged to Frederick Douglass, flights on a private jet, and annual vacations to Crow’s luxury compound in upstate New York. Anyone with an iota of respect for democracy should be appalled — albeit unsurprised, given everything we already know about Thomas’s associates, including his wife. Read it and rage. But also read it and admire the craft that went into telling the story. It is rich in detail, yet precise. Its tone is finely tuned. The selection and placement of quotes are [chef’s kiss]. The writers dole out gobsmacking information throughout the piece, right down to the kicker. This is top-notch reporting and delivery. A+ all around. —SD
Michael Hall | Texas Monthly | April 4, 2023 | 8,672 words
The legend of Robert Johnson dwarfs the man himself in many ways. Johnson wasn’t the first recorded blues musician, nor the most prolific of his era. Yet, his brief career and early death shrouded him in mystery and mythology, ultimately influencing the evolution of popular music itself — and confounding would-be biographer Mack McCormick. McCormick, who spent much of his life chasing down the stories and music of men like Johnson, is the focus of this remarkable story, but he’s by no means a hero. He may have been once, when Texas Monthly executive editor Michael Hall first profiled him 20 years ago; that was before his obsession overwhelmed his clarity, and his remarkable research into Johnson’s life turned into something far more toxic. Now, Hall revisits McCormick’s life after his death, teasing the truth from hagiography and telling the long, twisting tale of a man crushed by his own masterwork. Having helped titans like Lightnin’ Hopkins find the spotlight, McCormick long ago achieved his own legendary status. The question that persists is whether a legacy like his can be tainted by a flawed final act. —PR
Ben Goldfarb | Hakai Magazine | April 4, 2023 | 2,400 words
A reported essay on the intricacies of dog-leashing rules could have felt like a real slog. But Ben Goldfarb’s piece lifts off the page. In the opening paragraphs, we meet Kit, Goldfarb’s dog, as she runs along the beach with the wind flying through her floppy ears. It’s an image I could instantly relate to: Like all dog owners, I love watching my own dog dash around off-leash. (Well, meander around. She isn’t the speediest.) But, sometimes, there can be an environmental cost. Goldfarb meticulously takes us through the problems of letting dogs off-leash on a beach, raising some concerns I had never considered. I felt for the shorebirds trying to rest after a long migration; as a contributor eloquently puts it, “Imagine you’ve just gotten home from work and want nothing more than to chill on the couch with a beer — and then a pack of barking dogs tears into the house and chases you outside, over and over again.” Combined with some horrific facts about little blue penguin deaths, this piece will make you think about when to unclip that leash. —CW
Meg Bernhard | n+1 | March 2, 2023 | 3,367 words
This week, Meg Bernhard’s piece hit the sweet spot for me as a reader, offering insight into a world I know nothing about: what it’s like to be a female long-haul truck driver. I’m fascinated by the minutia of others’ jobs and this piece delivered. You’ll meet members of REAL Women in Trucking, a rights advocacy group for women drivers, and get to know Jess, age 39, who escaped an abusive relationship to see America behind the wheel of her rig dubbed “The Black Widow.” “Jess kept a secret credit card,” Bernhard writes, “and left their home only with the clothes she was wearing. She went to her stepdad’s, applied for a trucking job, and was on a bus to a training facility in Indiana four days later. Halima spent fifth grade on the road. They solved math problems with dry erase markers on the truck’s windows and played catch in warehouse parking lots.” —KS
Angela Burke | Eater | March 24, 2023 | 1,533 words
At an early age, I had mastered a critical skill in our house: lifting the lid on our humongous cookie jar to pilfer a treat, then replacing that lid in complete silence. As a cookie burglar, I was an apple that hadn’t fallen far from its tree. My Dad was always there first. And when my mom complained about dwindling stock, dad pointed the finger directly at me and my brother. (The nerve!) That cookie jar (a brown ceramic wooden stump with a creepy, grinning gray squirrel on top) sits on their kitchen counter to this day. At Eater, in this love letter to the kooky cookie jar, Angela Burke introduces us to artist and vintage ceramic cookie jar maker Hazy Mae. Her custom jars, in homage to Dolly Parton, Andy Warhol, Elvis, and Madonna (among others), can run $800 or more. That may feel steep, but can you really put a price on a vessel that could eventually contain fond memories, too? —KS
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Jayson Greene | Pitchfork | March 29, 2023 | 4,435 words
Yes, it has one of the best hed/dek combos I’ve seen this year, but Jayson Greene’s look back at the spuming cultural wave known as the pop-R&B gigahit “Blurred Lines” doesn’t stop there. It aims primarily at Robin Thicke, though Greene’s got heat for everyone from Thicke collaborators Pharrell Williams and T.I. to Miley Cyrus. Sometimes the best culture-crit is steeped in a vat of acid. (That said, I regret to inform you that “Shooter” still goes superduperhard.) —PR
If you have zero interest in the blues — the very foundation of American music — I can’t promise you a gripping tale. But if you have even a passing awareness of Robert Johnson, or the impossibly rich tradition that descended from his scant recordings, then you won’t be able to tear yourself away. Discovery, dispute, and deceit: from those three chords Michael Hall composes an unforgettable tune.
On April 4, Mack’s manuscript, Biography of a Phantom, was finally published, more than five decades after he started it. But it’s very different from the pages I held in my hands back in 2016. In parts of the book, Mack’s presence outweighs Johnson’s—and not to Mack’s benefit. By the last page, Mack has become the villain of his own life’s work.
Mack’s favorite Dickinson poem begins, “This is my letter to the World that never wrote to me.” If you’re familiar with the poem, you know that it ends, “Judge tenderly—of Me.” As Mack’s friend, I’m going to try to do that for him. Though he made it really hard, because a lot of what I thought I knew about Mack was all wrong.
The pet industry grew rapidly over the past three years as people, stuck at home during the pandemic, decided to add a furry friend to their families. Analysts say this industry, where spending was $118 billion in 2019, isn’t done with big growth and predict it will more than double by 2030 to $277 billion.
This category is very dog-dominated — dog owners spend, on average, $1,480 per year, while an average of $902 is spent annually by cat owners; therefore, there are a lot of dog-focused products, including food.
Some startups in the pet space have tried to give equal footing to both dogs and cats, for example, The Farmer’s Dog, which direct-to-consumer cat food brand Smalls co-founder and CEO Matt Michaelson says is a close competitor. However, there are relatively few that cater just to cats. Smalls is among a small group that includes Cat Person, Ziggy, Made by Nacho and KatKin.
“It became really clear that during the pandemic, adoption was skyrocketing,” Michaelson told TechCrunch. “Cat adoption really outpaced dog adoption, so we expected the category to heat up and that there would be more innovation at this point. However, we’re still really alone in bringing fresh food to the category and to cat parents. That was a surprise to us. We think there’s a continuing manifestation of the cultural bias against cats and toward dogs in the U.S.”
Five years and over four product introductions later, Michaelson and co-founder Calvin Bohn are guiding the company to take matters into its own hands and expand by opening a first-of-its-kind cat café and launching into retail, Michaelson said. This was buoyed by $19 million in Series B funding in a round that closed in mid-2022.
The company has now raised a total of $34 million, which includes a $9 million Series A that TechCrunch covered in 2020. Michaelson didn’t disclose valuation for the most recent round, but did call it an “up round.”
The Series B is led by existing investors Founder Collective, Companion Fund and Left Lane Capital and also includes new investors like Valor Capital, 301 INC, General Mills’ venture capital arm and The Ohio State University’s endowment fund.
In addition to the cat café, which will open in New York in the fall, and retail launch, the new capital enables Smalls to grow its headcount by 25%. The company has 50 people currently.
The brand has doubled year over year in both customers and revenue since 2017, growing to eight figures in sales to feed more than 100,000 cats. Amid all that growth, Smalls also has a path to profitability, Michaelson said.
“We are still a tiny sliver of a $12 billion category,” Michaelson said. “Anyone can advertise on TV or the subway, but only Smalls could open a cat café and it make sense. That’s one example of many things we want to do to build the brand. The other piece is continuing to invest in product innovation. Fresh food is a very fast-growing category, and we think there’s plenty of room in it, but we need to stay one step and two steps ahead of the category to continue to bring healthier food and healthier products to market.”
Fresh funding gives cat food brand Smalls avenue into retail for the first time by Christine Hall originally published on TechCrunch
Froggie regrets. A precious ticket to a Chicago Bulls game. A conversation about AI and nature. A profile of the world’s most famous unknown writer. And to finish, a look back to last Friday and a St. Patrick’s Day tradition.
Anne Fadiman | Harper’s Magazine | February 10, 2023 | 5,816 words
“There are two kinds of pets — the ones you choose and the ones that happen to you,” Anne Fadiman writes as she considers her family’s various pets, a menagerie that included a goldfish, a hamster, guinea pigs, a dog named Typo, and Bunky, an African clawed frog that the family raised from a tadpole. In eulogizing Bunky, who looked “as if a regular frog had been bleached and then put in a panini press,” Fadiman remarks on his noble species, one that helped spawn (ahem) the first widely established pregnancy test, earned a Nobel Prize for a British biologist who used an African clawed frog to clone the first vertebrate, and helped establish that reproduction can be possible in zero gravity after a trip on the space shuttle Endeavor. All this, from a pet who was defined by not being a dog: “Bunky was the anti-Typo. An unpettable pet. Cool to the touch. Squishy, but not soft. Undeniably slimy. Impervious to education. A poor hiking companion. Not much of a companion at all, really. Couldn’t be taken out of his aquarium and placed on a lap.” Fadiman’s piece will make you laugh and make you think more carefully about your role as a pet owner. —KS
Justin Heckert | ESPN | March 7, 2023 | 5,462 words
I don’t follow the NBA, and I’m not one for memorabilia of any variety. But leave it to Justin Heckert, one of my favorite feature writers, to make me give a damn about an old, untorn ticket to a Chicago Bulls game that happened around the time I was born. Heckert spends time with Mike Cole, who as a college freshman attended Michael Jordan’s first game with the Bulls and saved the ticket because he’s the kind of guy who does that. (Cole has a plastic bin with “MIKE’S MEMORY BOX” written on the side, filled with ephemera from various sporting events). Nearly 40 years after the Bulls game, a span of time in which Jordan became one of the most celebrated athletes in history, a man with a Glock strapped to his hip came to Cole’s house in an armored car. He was there to retrieve the ticket, which Cole had agreed to sell at auction, where it was expected to bring in as much as $1 million. But the story Heckert tells isn’t about Cole getting rich (though that does happen). Really, it’s about the meaning we invest in objects and how it can change as we do, as the world does. —SD
Claire L. Evans | Grow | March 14, 2023 | 4,203 words
In this fascinating interview with Claire L. Evans, Ways of Being author James Bridle shares their perspective on the role of AI today — “to broaden our idea of intelligence” — and a vision for a mindful, collaborative future that ultimately decenters humans and makes more space for nonhuman beings and animals. “I don’t think there is such a thing as an artificial intelligence,” says Bridle. “There are multiple intelligences, many ways of doing intelligence.” Intelligence is relational; it’s not something that exists within beings of things, but rather between them. As a gardener — someone who loves feeling their hands in the soil, and working with the small organisms within it — I love their conversation on gardening, and how humans can apply that same deep awareness to technology. I appreciate, too, their thoughts on resilience and the transmission of knowledge in a time of radical change on Earth. (If you enjoy this Q&A, combine it with two previous Top 5 favorites: “The Great Forgetting,” a read on resilience and the environment, and “What Counts As Seeing,” another interview focused on the nonhuman and natural world.) —CLR
Jason Kehe | Wired | March 23, 2023 | 4,044 words
For someone who’s published countless books, and sold an enormous multiple of that countlessness, Brandon Sanderson is anything but a household name. Unless you live in a fantasy house, that is. Still, the most prolific living genre fiction writer has never been the subject of a magazine profile, which makes Jason Kehe’s treatment all the more enjoyable. A year ago, I picked Kehe’s piece about simulation theory for this roundup, and the two stories share a damn-the-torpedoes willingness to fuse exegetical acuity with a chatty, even flippant POV. What works for a philosophical essay works for a portrait; Kehe’s quest isn’t to capture Sanderson as much as it is to capture why people love Sanderson so much, and what animates his sprawling fictional worlds. That means casting away the false pieties and stannery that infect so many “celebrity” profiles and instead relishing in the man’s banalities. Yet, the barbs are tipped with love, and everyone — the voracious fans, Sanderson’s cliché-spouting characters, and Sanderson himself — shines as their truest selves. —PR
Harrison Scott Key | The Bitter Southerner | March 14, 2023 | 5,200 words
Last Friday night, I had two pints of Guinness and went home, content with a St. Patrick’s Day well celebrated. Apparently, I know nothing about how to observe the feast. Harrison Scott Key enlightened me in this delightful essay about the drunken debauchery that is the holiday’s annual parade in Savannah, Georgia. I loved his raucous account of trying to claim a spot for the parade: Akin to the Sacking of Constantinople, “insults and elbows and fits [are] thrown” until everyone settles into their position, dons a green feather boa, and makes merry. The prose is so vivid you can almost hear the noise, touch the sweaty crowds, and taste the booze. I could also feel the camaraderie — over the years of attending the parade, Scott Key finds lasting friendships. A transplant to Savannah, and initially lonely and unable to find his place in a new community, this annual tradition helps Scott Key to discover his people. After all, as he writes, “it’s easier to love people you’ve watched vomit into the hellmouth of a portable toilet at two in the morning.” —CW
Jia Tolentino | The New Yorker | March 20, 2023 | 4,772 words
This is a fascinating look at GLP-1 drugs, which, when injected, create a sense of satiety. I appreciated Tolentino’s exploration of the continual shift in our acceptance of different body shapes, as well as the impact of this particular trend. A piece that made me think about society, as much as weight. —CW
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An interview with Michael Walzer on The Struggle for a Decent Politics.
Multidisciplinary artist, multi-instrumentalist musician, illustrator, and independent curator are a few of the biggest hats Brooklyn, NewYork-based Michael Hambouz wears. The first-generation Palestinian-American creates chromaesthesia-influenced works – experiments in dimension and color, created under the guidance of music – to process bouts of loss and self-reflections on cultural identity.
“The moment I paid off my student loans and was able to put away enough savings to keep me afloat for 6 months, I quit my last paid salary position…throwing caution and good healthcare coverage to the wind,” Michael says of the moment art went from hobby to career for him. “At the very end of my 6-month mark, I was commissioned to paint the titling sequences for Oliver Stone’s “Untold History of the United States” ad campaign for Showtime – this gig provided me with enough income to extend my time in the studio for another year, cover the expenses for my first solo show, and the campaign was ultimately awarded a 2013 Silver Promax BDA Award, helping to launch my illustration side business. It has been 12 years now that I have been working full-time in my studio (I superstitiously knock on wood every time I state this).”
Experimenting freely with mediums, Michael encourages unexpected results and mutations to bloom in the studio, resulting in conceptually abstracted paintings and prints, intricate paper cutouts, 3-dimensional sculptural works, drawings, and animations.
Michael Hambouz \\\ Photo: Lauren Silberman
It clicked for Michael around the age of 7 that art could be something bigger for him. “At age 7, my 2nd grade classmates and I were each assigned to create an art piece inspired by our favorite fairytale. While most students delivered heavy-on-the-parent-assistance shoebox dioramas, I spent two hours after school every day for two weeks in the classroom working on a 9-foot-tall portrait of the giant from Jack and the Beanstalk. I was shy and not quite keen to the concept of showing off at that age, which made the feat feel very pure in motivation. To me, the grand scale was essential. Anything smaller would have simply been inaccurate,” he shared. “It was also during this time that my parents were going through a very turbulent and nasty separation. In retrospect, it was absolutely this moment that I realized art could provide me with positive escapism, independence, confidence, and the tools to process life’s most difficult challenges – there was no other path for me.”
Today, we’re happy to have Michael Hambouz join us for Friday Five!
Photo: Fred R. Conrad, The New York Times
Hungarian-born American industrial designer Eva Zeisel made works of pure beauty – colorful, elegant, playful, tactile, and accessible. She was astoundingly prolific and her work always so very distinctly “Eva.” It was an honor for me to plan her 100th birthday party many years ago and get to know her a little better – sharp sense of humor, kind, and so thoughtfully well-spoken. She promptly arrived at 6pm and was the last to leave her party around 11pm. She continued actively making work until she passed away just a few years later at the remarkable age of 105. Though our practices and mediums of choice differ, I find it hard to think of another artist that is more inspiring to me than Eva. I highly recommend reading Eva Zeisel: A Soviet Prison Memoir.
Taraka performing at Our Wicked Lady, Brooklyn, New York \\\ Photo: Michael Hambouz
As a spectator or as a participant, live music has always been a very important part of my life. When I first started visiting New York City in the late 90s, I would pour over the show listings in the Village Voice in a similar fashion to looking at the Sears’ Christmas toy catalog as a little kid. I didn’t quite realize just how much I missed seeing shows during the pandemic until I finally masked up and hit the streets after a two-year hiatus. I promised myself that if the following bands came to town, I would make the effort: Bristol UK’s Beak>, Montreal’s Godspeed You! Black Emperor, and New York state’s own Taraka. I was fortunate to see all three in the last year – absolutely transcendent. As a musician, I’ve found that the ultimate show makes me 50% entranced and 50% inspired to leave immediately to go play music as loud as I can in my rehearsal space. These three shows did that to me (I stayed until the end for all of them, so I suppose 51% to 49%?).
From left to right, top to bottom: the studios of Will Hutnick, Courtney Childress, Julia Norton, Tony Cox, Stephen Somple, and Roxanne Jackson \\\ Photos by Michael Hambouz
I am a very social, community-oriented soul by nature. Though I can easily spend weeks on end focused on my own work in the studio, often forgetting when to blink or eat lunch. I’ve found that I really thrive most when I take time to engage with fellow creatives, talking through our current projects, and more often than not, talking about everything under the sun except art. I make sure I take at least two days off each month to studio visit with other artists, and a least two days each month to visit friends’ and friends-of-friends’ gallery shows throughout the city. Sharing a few recent studio visit highlights – I’m especially drawn to visiting artists that work with materials and processes foreign to my personal practice.
Image courtesy Democracy Now!
Democracy Now! host Amy Goodman gave a talk at my alma mater Antioch College in the mid-90s shortly after the launch of the show, leaving an indelible impression on me. I’ve been an avid follower since, tuning in daily, and have even volunteered in their development office over the years during fund-drives. I firmly believe that we all have an obligation to know and care about what’s going on in the world around us, and have access to unbiased, uncensored free press to keep us informed. As a longtime human rights and social justice advocate, there are few other sources I trust more than Democracy Now!
Monsanto, Portugal \\\ Photo: Michael Hambouz
Traveling wasn’t in the cards for me growing up. We didn’t have the money, and my mother rarely had time off from working multiple jobs to even leave if we had had the resources. I never resented this, but I have made it a point in my post-adolescent years to make up for lost time by traveling whenever I possibly can. International travel is most desired, but there is still so much to see in the U.S. (I still have yet to visit the Grand Canyon!), and even an afternoon bike ride over the Brooklyn Bridge can be a thrilling adventure. My last big trip was to the mountains of Portugal to visit my sister after a long gap since our last time together. We hiked, cooked, caught up on SNL, chopped wood, and picked olives – it was beautiful – all of it!
S in the G (2022), acrylic, flashe, and gouache on multidimensional panel, 36″ x 36″ x 3″. A recent 3-dimensional painting featured in my upcoming solo exhibition Hot Blooded at Troutbeck, presented by Wassaic Project and curated by Will Hutnick. \\\ Image courtesy Michael Hambouz
Current Mood (2022), acrylic, flashe, and gouache on multidimensional panel, 36″ x 36″ x 3″. \\\ Image courtesy Michael Hambouz
I Think We’re Alone-ish Now 2077 (2022), hand-cut paper on panel, 18”x24”. \\\ Image courtesy Michael Hambouz
Occupational Hazard (2022) \\\ Image courtesy Michael Hambouz
Reporting on movie studios developing their own cinematic universes is like checking a "days without incident" sign at work. No matter how long the gap between incidents is, you know that another one is inevitably waiting right around the corner. Granted, since the MCU has started to incur more criticism from fans and critics alike, the endless conversations about every studio developing a cinematic universe have thankfully stalled. — Read the rest
Brian Michael Bendis is one of the biggest names in comic books, having launched the original Ultimate Spider-Man run back in 2000, as well as revitalizing the Avengers franchise for the new millennium. Prior to that, Bendis had made his mark writing and illustrating crime comics. — Read the rest
Emoni Bates played one season at Eastern Michigan, in his hometown, Ypsilanti, but is expected to enter the upcoming N.B.A. draft.
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Back in 1975, Cher had an eponymous TV music-variety show. It only lasted one season but in its short time it had some big stars as guests, including the Jackson 5. In this clip, watch Michael start off the robot dance with Cher, with his brothers soon joining in. — Read the rest
An excerpt from The Rumpus Poetry Book Club‘s March selection,
SYNTHETIC JUNGLE by Michael Chang
forthcoming from Curbstone Books/Northwestern University Press on March 15, 2023
HAPPY WARRIOR
she fell off her scooter staring at me, determined as a drillbit
don’t trust anyone who doesn’t drink soda, we want lots & lots of pop
write poems in my head how other azns do math
u don’t need my help dazzling co-eds
my mouth pretty for when u come to town
so hot u cook an egg on it
so hot sunglasses come out all warped
so hot u get the chili pepper on ratemyprofessor
my mother knew better than to pretend-leave me someplace
i would’ve said ok peace i’ll let u know either way
discerning as shibboleth, daylight savings can’t buy shit
i hate that most memoirs are abt other ppl
see how they huddle, pretending to be something they’re not … beefsteak tomatoes
unpitying boy im going to love u like sweet corn congee
teach u different ways to say calves like cantaloupes
make u mushroom soup from scratch
caress u furry creature
ditch our umbrellas in a rainstorm, get soaked like last week’s dishes
dog & bone is a lazy name for a restaurant
try: the rooster, reluctant poet, & little halfwit who invented the universe
the same grave, the height of ridiculousness
ur lime jello, im fruit suspended in u
we hear the excited cries, think: he looks good out there
***
Excerpted from SYNTHETIC JUNGLE by Michael Chang. Copyright © 2022 by Northwestern University. Reprinted by permission, courtesy of Curbstone Books/Northwestern University Press.
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